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Chinese Cinemas to Screen Saudi Films for the First Time

Chinese Cinemas to Screen Saudi Films for the First Time
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Chinese Cinemas to Screen Saudi Films for the First Time

Chinese Cinemas to Screen Saudi Films for the First Time

The Saudi Film Commission has announced the launch of Saudi Film Nights in China, the world's largest cinema market, following the success of previous such events in Morocco and Australia.

This initiative is part of the commission's efforts to drive the growth and development of the Saudi film industry, highlight local talent, and promote cultural exchange and collaboration, according to SPA.
Chinese cinemas will be showcasing Saudi films for the first time. Special screenings will be held before the official release of these films in Chinese theatres.
Saudi Film Nights are scheduled to take place from October 21 to 26 in Beijing, Shanghai, and Suzhou.

They will feature a diverse selection of Saudi features, short films, and discussions with filmmakers. The event is expected to attract prominent figures, journalists, and film critics from China, alongside cinema enthusiasts.

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A Rare Peek at the Hidden Waterworks behind Rome’s Trevi Fountain

A view of Rome's Trevi fountain is seen through a window of its old water flow control room, Wednesday, March 19, 2025. (AP)
A view of Rome's Trevi fountain is seen through a window of its old water flow control room, Wednesday, March 19, 2025. (AP)
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A Rare Peek at the Hidden Waterworks behind Rome’s Trevi Fountain

A view of Rome's Trevi fountain is seen through a window of its old water flow control room, Wednesday, March 19, 2025. (AP)
A view of Rome's Trevi fountain is seen through a window of its old water flow control room, Wednesday, March 19, 2025. (AP)

The Trevi Fountain, arguably the world’s most famous, has graced screens for decades, from Fellini’s “La Dolce Vita” to Netflix’s “Emily in Paris.” Each year, millions of visitors push through Rome's narrow streets to gaze at the towering Titan god flanked by falls cascading into a turquoise pool.

Yet, they never get to venture behind Oceanus’ back to see what produces the sublime play of water in the baroque masterpiece.

Wooden doors on an adjacent street lead to the maneuvering chambers that control the fountain's water supply, coming from the Aqua Virgo — an ancient Roman aqueduct 16 kilometers (10 miles) away. Two electric pumps recycle 126 liters (33 gallons) of water per second while Rome’s water management company, ACEA, carefully monitors the flow around the clock.

This precise amount is crucial for the movement of water through the statues; a little more or less, and it wouldn’t work, said Davide D’Alonzo, ACEA’s manager for the area.

The modern maneuvering chamber features metal tanks and lighted panels. In the original, arched chamber, water audibly rushes through a thick pipe and there is a functional, 18th-century hydrometer to gauge the fountain’s water level.

A large, rudimentary spreadsheet on the wall displays the names of rich Roman families whose homes received water from the chamber long ago; when they fell behind on their payments, their supply was cut off.

The chamber's grated windows grant views out over the fountain and its many visitors — all of whom are oblivious to its hidden waterworks. They toss coins over their shoulders into the water, a hopeful gesture based on a legend that it guarantees their return to the eternal city.