Louisiana’s Cajun and Creole Heritage Will Be Showcased at 50th Annual Festivals Acadiens et Creoles

Son of the Zydeco King Clifton Chenier, C.J. Chenier holds his father's accordion in Houston, May 29, 2006. (Ben Desoto/Houston Chronicle via AP, File)
Son of the Zydeco King Clifton Chenier, C.J. Chenier holds his father's accordion in Houston, May 29, 2006. (Ben Desoto/Houston Chronicle via AP, File)
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Louisiana’s Cajun and Creole Heritage Will Be Showcased at 50th Annual Festivals Acadiens et Creoles

Son of the Zydeco King Clifton Chenier, C.J. Chenier holds his father's accordion in Houston, May 29, 2006. (Ben Desoto/Houston Chronicle via AP, File)
Son of the Zydeco King Clifton Chenier, C.J. Chenier holds his father's accordion in Houston, May 29, 2006. (Ben Desoto/Houston Chronicle via AP, File)

Louisiana's Cajun and Creole heritage takes center stage this weekend when the Festivals Acadiens et Creoles marks a half-century of honoring and celebrating the culture through music, arts, food and community.

What started as a one day concert in 1974 to entertain 150 French-speaking journalists gathered in Lafayette — considered the heart of Cajun country — has grown into a three-day event and possibly one of the largest Cajun and Zydeco festivals held globally, organizers said. And, they note, the entire event is free.

Barry Jean Ancelet, one of the event's organizers, said when the idea formed 50 years ago, nobody knew if anyone would even come out to hear the music.

"Cajun music at that time was largely considered ‘old people’s music,'" he said. "You've got to remember, we were in the throes of Rock ‘n’ Roll at the time. The people here loved it when they encountered it in dance halls, but this concert was designed to call attention to the music in a different way, to point out its value. They had to sit — not dance — and pay attention. And they ended up hearing it in a different way. It was so successful. We ended up turning it into an annual event where we could call positive attention to this important asset and get people to consider it."

The festival, now held annually in Lafayette's Girard Park, brings together multi-generations of musicians and artists who annually fight to preserve a culture that continues to evolve.

"We've always been about celebrating the past and handing it off to the future," Ancelet said. "If you value and respect evolution, the culture will produce things that will continue to surprise you. It all comes out in the wash. What's good will last and what's not, won't."

Festival co-founder Pat Mould said the festival is a "self-celebration of who we are, how we live, what we eat, the music and how we speak."

"If you know nothing and want to learn about the culture, this one weekend out of the year allows you to find out everything. Everything you want to know is represented at the festival. It's a quick study of Cajun and Creole living," he said.

On tap musically for the Friday through Sunday event are performances by 60 musicians — all homegrown talent — including Steve Riley and the Mamou Playboys, Wayne Toups, CJ Chenier, Nathan and the Zydeco Cha Chas, Chubby Carrier and the Bayou Swamp Band, The Revelers, Beausoleil avec Michael Doucet and The Lost Bayou Ramblers.

On Friday, contemporary artists will pay tribute to the 1974 concert house band that included Zydeco pioneer Clifton Chenier, Cajun accordion maker Marc Savoy, the Balfa Brothers, a Cajun music ensemble of five brothers, Cajun accordion players Nathan Abshire and Blackie Forrester, and Jimmy C. Newman, a country music and Cajun singer-songwriter and long-time star of the Grand Ole Opry.

"Get ready for Louisiana pure fun," said Carrier, who's scheduled to perform with his band on Sunday. "Get ready to eat some really good food and have the time of your life."

"People all over the word have these dates circled on their calendar," he continued. "It's an event that helps the younger generations continue the traditions. I'm a third generation Zydeco musician. This is a family oriented festival that brings people together of all ages."

Riley, who's been performing at this festival since 1988, said he keeps returning for several reasons but especially because it helps preserve the culture.

"It's important to see us on stage, singing and speaking in French. That has an effect on people who come to see us and helps them fall in love with the culture," he said.

"There are a lot of events leading up to the weekend that focuses on the importance of the language, the culture, the food and, of course, the music. There's none other that celebrates it like this one. I think it's the biggest complete celebration of everything Cajun. It's also inclusive of different generations, bands with lineage. That's key," he said.

Riley, now 55, said he's very proud that his three children all play music.

"It's a beautiful thing for my family and others like mine," he said. "Having your kids play with you is awesome. Most kids don't want to have anything to do with what their parents do. Mine, think what I do is fun and it is."

Riley said when he first started there weren't too many young bands playing Cajun music.

"There was real fear that the music would die off and dissipate like the language," he recalled. "The opposite has happened. More young folks are preserving and playing this music than ever. The Zydeco scene down here is packed with young people. It's super vibrant and alive. The same with the Cajun scene as well."



Syria's Aleppo Set for Revival Despite War Scars to its Heritage

During the four years of fighting before Assad's forces recaptured Aleppo following a devastating siege, the city was virtually emptied - AFP
During the four years of fighting before Assad's forces recaptured Aleppo following a devastating siege, the city was virtually emptied - AFP
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Syria's Aleppo Set for Revival Despite War Scars to its Heritage

During the four years of fighting before Assad's forces recaptured Aleppo following a devastating siege, the city was virtually emptied - AFP
During the four years of fighting before Assad's forces recaptured Aleppo following a devastating siege, the city was virtually emptied - AFP

The historic Baron Hotel in Syria's Aleppo is dilapidated and damaged by years of war but still standing and ready for a revival, much like the city itself.

Aleppo's old city, designated a UNESCO World Heritage site, was ravaged by the conflict that erupted after a government crackdown on protests in 2011.

Between 2012 and 2016, it became a battleground between Syria's military and opposition factions.

The army of now-ousted president Bashar al-Assad shelled opposition fighters from the ground and struck them from the air, supported by Russian firepower.
Opposition groups, meanwhile, used mortars and artisanal rockets, as the fighting turned ancient streets into sniper alleys.

During the four years of fighting before the government recaptured Aleppo following a devastating siege, the city was virtually emptied.

Now, after Assad's fall following a lightning opposition offensive led by Hayat Tahrir al-Sham, residents are looking forward to reconstruction.

"Unfortunately, more than 60 percent of the edifices in the old city, monuments of the old city of Aleppo, were devastated to ground zero," said Georges Edleby, a tour guide in the city for 35 years.

"Hopefully there will be a day that we see them again restored."

The ancient souks where Aleppo's famed olive oil soap is piled up in stacks for sale has been reduced in many places to little more than rubble.

- 'Hope for a better life' -

Aleppo's medieval citadel, however, remains relatively intact.

Opposition fighters, one with a rose slipped into the barrel of his gun, stood guard outside the ancient ramparts, which Syria's army turned into a stronghold during the war.

Most of the damage in the citadel was caused by a 2023 earthquake, locals say.

Below in the old city, a few alleys of the souk -- once the largest in the world with 4,000 stalls -- have reopened after being restored, including with Saudi financial aid.

Jamal Habbal, 66, has spent all his life under the stone vaults of the old city and reopened his macrame and rope shop there a year ago.

"We have so many memories here. It was a big market that was vibrant and lively. Girls used to come to buy items for their trousseaus. They could find everything," he told AFP.

"And then suddenly, the crisis," he said, reluctant to even say the word war.

"We had to leave. I returned in 2018, but it's still difficult," he added, speaking in a dark and largely deserted alley.

Fadel Fadel has also reopened his shop offering souvenirs, soap and mother-of-pearl inlaid boxes.

"It was completely destroyed here," said the 51-year-old.

He is hoping to see Aleppo returned to its status as a "center of commerce, industry and tourism."

"We hope for a better life."

- Museum ready to reopen -

Outside, dusty streets wind between ruins that await reconstruction and revival.

The Baron Hotel once welcomed Agatha Christie, Egyptian president Gamal Abdel Nasser and France's Charles de Gaulle.

Visitors flocked to see the somewhat faded glory of its rooms, as well as its terrace and the unpaid bar bill belonging to one Lawrence of Arabia.

But now, several broken windows adorned with shutters hanging from a single hinge offer a view into a deserted building covered in dust.

The hotel's future is uncertain.

Its last owner, Armen Mazloumian, has passed away. He told AFP back in 2014 that he felt the hotel's glory days were behind it and it would "never be what it once was again".

Nearby, however, the National Museum of Aleppo is readying to reopen. Its courtyard was hit in shelling but its building and collection were spared.

Director Ahmed Othman said the museum "took lessons from the experience of our neighbours," including institutions in Iraq and Lebanon.

"We took the necessary measures to protect our collections," he said.

"The statues that were too heavy to move were encased in concrete and the smaller pieces were moved to safe places."

Treasures that trace nine millennia of history and the birth of writing in nearby Mesopotamia have been preserved unharmed as a result.

"We did many things in order to protect the museum as a whole," said Othman