Han Kang Wins Nobel Prize for Literature

10 October 2024, Berlin: A customer in the bookstore Dussmann das Kulturkaufhaus holds a book by 2024 Nobel Prize winner Han Kang from South Korea. Photo: Sebastian Gollnow/dpa
10 October 2024, Berlin: A customer in the bookstore Dussmann das Kulturkaufhaus holds a book by 2024 Nobel Prize winner Han Kang from South Korea. Photo: Sebastian Gollnow/dpa
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Han Kang Wins Nobel Prize for Literature

10 October 2024, Berlin: A customer in the bookstore Dussmann das Kulturkaufhaus holds a book by 2024 Nobel Prize winner Han Kang from South Korea. Photo: Sebastian Gollnow/dpa
10 October 2024, Berlin: A customer in the bookstore Dussmann das Kulturkaufhaus holds a book by 2024 Nobel Prize winner Han Kang from South Korea. Photo: Sebastian Gollnow/dpa

South Korean poet and novelist Han Kang was awarded the Nobel Prize in literature Thursday for a poetic and unsettling body of work that the Nobel committee said “confronts historical traumas and exposes the fragility of human life.”
A slow-burning international literary star who has won multiple awards in South Korea and Europe, Han is the first Asian woman and the first South Korean writer to win the Nobel literature prize. She was awarded for books, including “The Vegetarian” and “Human Acts," that explore the pain of being human and the scars of Korea's turbulent history.
Nobel literature committee member Anna-Karin Palm said Han writes about “trauma, pain and loss,” whether individual or collective, “with the same compassion and care.”
“And this, I think, is something that is quite remarkable,” The Associated Press quoted Palm as saying.
Nobel committee chairman Anders Olsson praised Han’s “empathy for the vulnerable, often female lives” of her characters.
“She has a unique awareness of the connections between body and soul, the living and the dead,” Olsson said.
Han is the second South Korean national to win a Nobel Prize. Late former President Kim Dae-jung won the peace prize in 2000 for his efforts to restore democracy in South Korea during the country’s previous military rule and improve relations with war-divided rival North Korea.
Mats Malm, permanent secretary of the Swedish Academy that awards the prize, said he spoke to the author and surprised her with the news.
“She was having an ordinary day, it seems, had just finished supper with her son,” he said. “She wasn’t really prepared for this.”
Han wins the Nobel at a time of growing global influence of South Korean culture, which in recent years has included the success of films like director Bong Joon-ho’s Oscar-winning “ Parasite,” the Netflix survival drama “Squid Game” and the worldwide fame of K-pop groups like BTS and BLACKPINK.
Han, 53, won the International Booker Prize for fiction translated into English in 2016 for “The Vegetarian,” an unsettling novel in which a woman’s decision to stop eating meat has devastating consequences.
Accepting that award, Han said writing novels “is a way of questioning for me.”
“I just try to complete my questions through the process of my writing and I try to stay in the questions, sometimes painful, sometimes — well — sometimes demanding,” she said.
With “The Vegetarian,” she said, ”I wanted to question about being human and I wanted to describe a woman who desperately didn’t want to belong to the human race any longer."
Han made her publishing debut as a poet in 1993; her first short story collection was published in 1995 and her first novel, “Black Deer,” in 1998.
Works translated into English include “Greek Lessons” — about the relationship between a woman who can no longer speak and a teacher who is losing his sight — “Human Acts” and “The White Book,” a poetic novel that draws on the death of Han’s older sister shortly after birth. “The White Book” was an International Booker Prize finalist in 2018.
“Human Acts” — which Olsson, the Nobel committee chair, called a work of “witness literature” — is based on the real-life killing of pro-democracy protesters in Han’s home city of Gwangju in 1980. The book won Italy’s Malaparte Prize in 2017.
Her most recent novel, “We Do Not Part,” is due to be published in English next year. It also confronts a chapter in South Korea's 20th-century history, which saw the country endure war, the division of the Korean peninsula and dictatorship. The novel deals with a 1948-1949 uprising on Jeju, an island south of the Korean mainland in which thousands of people were killed.
Anders Karlsson, a lecturer at London's School of Oriental and African Studies who has translated Han into Swedish, said he was “overjoyed” at the Nobel accolade.
He said Han's “poignant, condensed” prose is able to describe “difficult and dark passages in South Korean history ... in quite open and inviting language that engages and does not deter the reader.”
The literature prize has long faced criticism that it is too focused on European and North American writers of style-heavy, story-light prose. It has also been male-dominated — Han is only the 18th woman among its 120 laureates.



Louisiana’s Cajun and Creole Heritage Will Be Showcased at 50th Annual Festivals Acadiens et Creoles

Son of the Zydeco King Clifton Chenier, C.J. Chenier holds his father's accordion in Houston, May 29, 2006. (Ben Desoto/Houston Chronicle via AP, File)
Son of the Zydeco King Clifton Chenier, C.J. Chenier holds his father's accordion in Houston, May 29, 2006. (Ben Desoto/Houston Chronicle via AP, File)
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Louisiana’s Cajun and Creole Heritage Will Be Showcased at 50th Annual Festivals Acadiens et Creoles

Son of the Zydeco King Clifton Chenier, C.J. Chenier holds his father's accordion in Houston, May 29, 2006. (Ben Desoto/Houston Chronicle via AP, File)
Son of the Zydeco King Clifton Chenier, C.J. Chenier holds his father's accordion in Houston, May 29, 2006. (Ben Desoto/Houston Chronicle via AP, File)

Louisiana's Cajun and Creole heritage takes center stage this weekend when the Festivals Acadiens et Creoles marks a half-century of honoring and celebrating the culture through music, arts, food and community.

What started as a one day concert in 1974 to entertain 150 French-speaking journalists gathered in Lafayette — considered the heart of Cajun country — has grown into a three-day event and possibly one of the largest Cajun and Zydeco festivals held globally, organizers said. And, they note, the entire event is free.

Barry Jean Ancelet, one of the event's organizers, said when the idea formed 50 years ago, nobody knew if anyone would even come out to hear the music.

"Cajun music at that time was largely considered ‘old people’s music,'" he said. "You've got to remember, we were in the throes of Rock ‘n’ Roll at the time. The people here loved it when they encountered it in dance halls, but this concert was designed to call attention to the music in a different way, to point out its value. They had to sit — not dance — and pay attention. And they ended up hearing it in a different way. It was so successful. We ended up turning it into an annual event where we could call positive attention to this important asset and get people to consider it."

The festival, now held annually in Lafayette's Girard Park, brings together multi-generations of musicians and artists who annually fight to preserve a culture that continues to evolve.

"We've always been about celebrating the past and handing it off to the future," Ancelet said. "If you value and respect evolution, the culture will produce things that will continue to surprise you. It all comes out in the wash. What's good will last and what's not, won't."

Festival co-founder Pat Mould said the festival is a "self-celebration of who we are, how we live, what we eat, the music and how we speak."

"If you know nothing and want to learn about the culture, this one weekend out of the year allows you to find out everything. Everything you want to know is represented at the festival. It's a quick study of Cajun and Creole living," he said.

On tap musically for the Friday through Sunday event are performances by 60 musicians — all homegrown talent — including Steve Riley and the Mamou Playboys, Wayne Toups, CJ Chenier, Nathan and the Zydeco Cha Chas, Chubby Carrier and the Bayou Swamp Band, The Revelers, Beausoleil avec Michael Doucet and The Lost Bayou Ramblers.

On Friday, contemporary artists will pay tribute to the 1974 concert house band that included Zydeco pioneer Clifton Chenier, Cajun accordion maker Marc Savoy, the Balfa Brothers, a Cajun music ensemble of five brothers, Cajun accordion players Nathan Abshire and Blackie Forrester, and Jimmy C. Newman, a country music and Cajun singer-songwriter and long-time star of the Grand Ole Opry.

"Get ready for Louisiana pure fun," said Carrier, who's scheduled to perform with his band on Sunday. "Get ready to eat some really good food and have the time of your life."

"People all over the word have these dates circled on their calendar," he continued. "It's an event that helps the younger generations continue the traditions. I'm a third generation Zydeco musician. This is a family oriented festival that brings people together of all ages."

Riley, who's been performing at this festival since 1988, said he keeps returning for several reasons but especially because it helps preserve the culture.

"It's important to see us on stage, singing and speaking in French. That has an effect on people who come to see us and helps them fall in love with the culture," he said.

"There are a lot of events leading up to the weekend that focuses on the importance of the language, the culture, the food and, of course, the music. There's none other that celebrates it like this one. I think it's the biggest complete celebration of everything Cajun. It's also inclusive of different generations, bands with lineage. That's key," he said.

Riley, now 55, said he's very proud that his three children all play music.

"It's a beautiful thing for my family and others like mine," he said. "Having your kids play with you is awesome. Most kids don't want to have anything to do with what their parents do. Mine, think what I do is fun and it is."

Riley said when he first started there weren't too many young bands playing Cajun music.

"There was real fear that the music would die off and dissipate like the language," he recalled. "The opposite has happened. More young folks are preserving and playing this music than ever. The Zydeco scene down here is packed with young people. It's super vibrant and alive. The same with the Cajun scene as well."