Louisiana’s Cajun and Creole Heritage Will Be Showcased at 50th Annual Festivals Acadiens et Creoles

Son of the Zydeco King Clifton Chenier, C.J. Chenier holds his father's accordion in Houston, May 29, 2006. (Ben Desoto/Houston Chronicle via AP, File)
Son of the Zydeco King Clifton Chenier, C.J. Chenier holds his father's accordion in Houston, May 29, 2006. (Ben Desoto/Houston Chronicle via AP, File)
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Louisiana’s Cajun and Creole Heritage Will Be Showcased at 50th Annual Festivals Acadiens et Creoles

Son of the Zydeco King Clifton Chenier, C.J. Chenier holds his father's accordion in Houston, May 29, 2006. (Ben Desoto/Houston Chronicle via AP, File)
Son of the Zydeco King Clifton Chenier, C.J. Chenier holds his father's accordion in Houston, May 29, 2006. (Ben Desoto/Houston Chronicle via AP, File)

Louisiana's Cajun and Creole heritage takes center stage this weekend when the Festivals Acadiens et Creoles marks a half-century of honoring and celebrating the culture through music, arts, food and community.

What started as a one day concert in 1974 to entertain 150 French-speaking journalists gathered in Lafayette — considered the heart of Cajun country — has grown into a three-day event and possibly one of the largest Cajun and Zydeco festivals held globally, organizers said. And, they note, the entire event is free.

Barry Jean Ancelet, one of the event's organizers, said when the idea formed 50 years ago, nobody knew if anyone would even come out to hear the music.

"Cajun music at that time was largely considered ‘old people’s music,'" he said. "You've got to remember, we were in the throes of Rock ‘n’ Roll at the time. The people here loved it when they encountered it in dance halls, but this concert was designed to call attention to the music in a different way, to point out its value. They had to sit — not dance — and pay attention. And they ended up hearing it in a different way. It was so successful. We ended up turning it into an annual event where we could call positive attention to this important asset and get people to consider it."

The festival, now held annually in Lafayette's Girard Park, brings together multi-generations of musicians and artists who annually fight to preserve a culture that continues to evolve.

"We've always been about celebrating the past and handing it off to the future," Ancelet said. "If you value and respect evolution, the culture will produce things that will continue to surprise you. It all comes out in the wash. What's good will last and what's not, won't."

Festival co-founder Pat Mould said the festival is a "self-celebration of who we are, how we live, what we eat, the music and how we speak."

"If you know nothing and want to learn about the culture, this one weekend out of the year allows you to find out everything. Everything you want to know is represented at the festival. It's a quick study of Cajun and Creole living," he said.

On tap musically for the Friday through Sunday event are performances by 60 musicians — all homegrown talent — including Steve Riley and the Mamou Playboys, Wayne Toups, CJ Chenier, Nathan and the Zydeco Cha Chas, Chubby Carrier and the Bayou Swamp Band, The Revelers, Beausoleil avec Michael Doucet and The Lost Bayou Ramblers.

On Friday, contemporary artists will pay tribute to the 1974 concert house band that included Zydeco pioneer Clifton Chenier, Cajun accordion maker Marc Savoy, the Balfa Brothers, a Cajun music ensemble of five brothers, Cajun accordion players Nathan Abshire and Blackie Forrester, and Jimmy C. Newman, a country music and Cajun singer-songwriter and long-time star of the Grand Ole Opry.

"Get ready for Louisiana pure fun," said Carrier, who's scheduled to perform with his band on Sunday. "Get ready to eat some really good food and have the time of your life."

"People all over the word have these dates circled on their calendar," he continued. "It's an event that helps the younger generations continue the traditions. I'm a third generation Zydeco musician. This is a family oriented festival that brings people together of all ages."

Riley, who's been performing at this festival since 1988, said he keeps returning for several reasons but especially because it helps preserve the culture.

"It's important to see us on stage, singing and speaking in French. That has an effect on people who come to see us and helps them fall in love with the culture," he said.

"There are a lot of events leading up to the weekend that focuses on the importance of the language, the culture, the food and, of course, the music. There's none other that celebrates it like this one. I think it's the biggest complete celebration of everything Cajun. It's also inclusive of different generations, bands with lineage. That's key," he said.

Riley, now 55, said he's very proud that his three children all play music.

"It's a beautiful thing for my family and others like mine," he said. "Having your kids play with you is awesome. Most kids don't want to have anything to do with what their parents do. Mine, think what I do is fun and it is."

Riley said when he first started there weren't too many young bands playing Cajun music.

"There was real fear that the music would die off and dissipate like the language," he recalled. "The opposite has happened. More young folks are preserving and playing this music than ever. The Zydeco scene down here is packed with young people. It's super vibrant and alive. The same with the Cajun scene as well."



Historic Jeddah Showcases Cultural Heritage at Umrah and Ziyarah Forum

The pavilion highlighted the distinctive architectural features of Historic Jeddah - SPA
The pavilion highlighted the distinctive architectural features of Historic Jeddah - SPA
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Historic Jeddah Showcases Cultural Heritage at Umrah and Ziyarah Forum

The pavilion highlighted the distinctive architectural features of Historic Jeddah - SPA
The pavilion highlighted the distinctive architectural features of Historic Jeddah - SPA

Historic Jeddah participated in the Umrah and Ziyarah Forum to highlight its historical role as a key gateway for pilgrims to Makkah, while introducing visitors to its cultural status and the ongoing development projects that reinforce its status as a heritage destination, SPA reported.

The pavilion introduced visitors to the "Historic Hajj Trail" supported by the Ministry of Hajj and Umrah, designed as a sequential narrative that retraces the pilgrim’s journey from arriving at Bab Al-Bunt Port, now the Red Sea Museum, to Makkah Gate, passing through prominent historical sites that reflect Jeddah’s role in serving pilgrims.

The pavilion highlighted the distinctive architectural features of Historic Jeddah and its long-standing role as a major port for pilgrims since the 7th century CE and also featured interactive content showcasing the area’s cultural and social fabric.

This participation forms part of the "Revitalization of Historic Jeddah" project, led by the Ministry of Culture, within the framework of the National Culture Strategy and Saudi Vision 2030.


Geisha Spectacle in Japan’s Kyoto Celebrates Arrival of Spring

 Maiko (apprentice geisha) take part in a press interview ahead a rehearsal for the annual "Miyako Odori" -- which means "capital city dance" in Japanese, at the Gion Kobu Kaburenjo in Kyoto on March 31, 2026. (AFP)
Maiko (apprentice geisha) take part in a press interview ahead a rehearsal for the annual "Miyako Odori" -- which means "capital city dance" in Japanese, at the Gion Kobu Kaburenjo in Kyoto on March 31, 2026. (AFP)
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Geisha Spectacle in Japan’s Kyoto Celebrates Arrival of Spring

 Maiko (apprentice geisha) take part in a press interview ahead a rehearsal for the annual "Miyako Odori" -- which means "capital city dance" in Japanese, at the Gion Kobu Kaburenjo in Kyoto on March 31, 2026. (AFP)
Maiko (apprentice geisha) take part in a press interview ahead a rehearsal for the annual "Miyako Odori" -- which means "capital city dance" in Japanese, at the Gion Kobu Kaburenjo in Kyoto on March 31, 2026. (AFP)

Against a backdrop of blooming cherry blossoms, a group of geishas elegantly shuffle onto a stage in Japan's Kyoto city to begin a centuries-old performance celebrating the arrival of spring.

Dressed in sky blue kimonos emblazoned with flowers, the dancers twist and twirl in unison in front of hundreds of spectators eager to see the annual "Miyako Odori" in the nation's spectacular ancient capital.

Geishas, known as geikos in Kyoto, and apprentices called maikos have been donning elaborate costumes and fluttering fans since the Miyako Odori -- or "capital city dance" -- first started in 1872.

"Just as cherry blossoms bloom when spring approaches, the Miyako Odori is a spring tradition in Kyoto," Kyoko Sugiura, head of the Yasaka Nyokoba Gakuen, a school for geishas in Kyoto's Gion district, told AFP.

In Japanese, the word geisha means "person of the arts", and can refer to a woman or man trained in traditional Japanese performing arts.

In the popular imagination geishas are often confused with courtesans but their work as trained masters of refined old artforms does not involve selling sex.

Their performances are usually small and private, and take place at high-class establishments which operate a no first-time customer policy.

"That's why it is often thought of as a very exclusive world," Sugiura said.

"But the Miyako Odori is a one-hour show in which geisha and maiko have the opportunity to showcase the arts they practise daily," she said.

"Anyone and everyone with a ticket can enjoy the show."

The Miyako Odori began soon after Kyoto hosted Japan's first national expo -- an effort to revitalize the western city following the relocation of the capital to Tokyo in 1869.

The format of the performance has not changed much, Sugiura explained, although the music and dance moves are sometimes switched up.

Maria Superata, a geisha expert who has worked with them as an interpreter, explained that the show "combines all of the traditional performing arts that you can see in Japan".

"For example, elements from kabuki (classical Japanese theatre), elements from traditional dance. So they have to act, they have to sing, they have to play the instruments, everything all in one," she said.

"That's why it's so special."

But the number of geishas, who once made a living through performing for Japan's wealthy elite, is in decline.

Superata said that fewer young Japanese want a life that demands huge discipline and comes with a strict practice schedule.

"Nowadays, young Japanese people... are not very interested that much in traditional art and in kimono."


Danish Warship Sunk by Nelson’s British Fleet Discovered After 225 Years

 Morten Johansen, head of maritime archaeology at Denmark's Viking Ship Museum, shows a metal insignia recovered from the wreck of Danish flagship "Dannebroge" that sank during the Battle of Copenhagen in 1801, in Copenhagen, Denmark, Tuesday, March 31, 2026. (AP)
Morten Johansen, head of maritime archaeology at Denmark's Viking Ship Museum, shows a metal insignia recovered from the wreck of Danish flagship "Dannebroge" that sank during the Battle of Copenhagen in 1801, in Copenhagen, Denmark, Tuesday, March 31, 2026. (AP)
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Danish Warship Sunk by Nelson’s British Fleet Discovered After 225 Years

 Morten Johansen, head of maritime archaeology at Denmark's Viking Ship Museum, shows a metal insignia recovered from the wreck of Danish flagship "Dannebroge" that sank during the Battle of Copenhagen in 1801, in Copenhagen, Denmark, Tuesday, March 31, 2026. (AP)
Morten Johansen, head of maritime archaeology at Denmark's Viking Ship Museum, shows a metal insignia recovered from the wreck of Danish flagship "Dannebroge" that sank during the Battle of Copenhagen in 1801, in Copenhagen, Denmark, Tuesday, March 31, 2026. (AP)

More than 200 years after being sunk by Adm. Horatio Nelson and the British fleet, a Danish warship has been discovered on the seabed of Copenhagen Harbor by marine archaeologists.

Working in thick sediment and almost zero visibility 15 meters (49 feet) beneath the waves, divers are in a race against time to unearth the 19th-century wreck of the "Dannebroge" before it becomes a construction site in a new housing district being built off the Danish coast.

Denmark’s Viking Ship Museum, which is leading the monthslong underwater excavations, announced its findings on Thursday, 225 years to the day since the Battle of Copenhagen in 1801.

“It’s a big part of the Danish national feeling,” said Morten Johansen, the museum’s head of maritime archaeology.

A great deal has been written about the battle “by very enthusiastic spectators, but we actually don’t know how it was to be onboard a ship being shot to pieces by English warships and some of that story we can probably learn from seeing the wreck,” Johansen said. The Associated Press was the only international outlet given access to the site.

In the Battle of Copenhagen, Nelson and the British fleet attacked and defeated Denmark’s navy as it formed a protective blockade outside the harbor.

Thousands were killed and wounded during the brutal hourslong naval clash, considered one of Nelson’s “great battles.” The intention was to force Denmark out of an alliance of Northern European powers, including Russia, Prussia and Sweden.

At the center of the fighting was the Danish flagship, the Dannebroge, commanded by Commodore Olfert Fischer.

The 48-meter (157-foot) Dannebroge was Nelson’s main target. Cannon fire tore through its upper deck before incendiary shells sparked a fire aboard.

“(It was) a nightmare to be on board one of these ships,” Johansen said. “When a cannonball hits a ship, it’s not the cannonball that does the most damage to the crew, it’s wooden splinters flying everywhere, very much like grenade debris.”

The battle also is believed to have inspired the phrase “to turn a blind eye.” After deciding to ignore a superior’s signal, Nelson, who had lost sight in his right eye, reportedly remarked: “I have only one eye, I have a right to be blind sometimes.”

Nelson eventually offered a truce and a ceasefire was later agreed with Denmark’s Crown Prince Frederik.

The stricken Dannebroge slowly drifted northward and exploded. Records say the sound created a deafening roar across Copenhagen.

Marine archaeologists have discovered two cannons, uniforms, insignia, shoes, bottles and even part of a sailor’s lower jaw, perhaps one of the 19 unaccounted-for crew members who likely lost their lives that day.

The dig site will soon be enveloped by construction work for Lynetteholm, a megaproject to build a new housing district in the middle of Copenhagen Harbor that is expected to be completed by 2070.

Marine archaeologists began surveying the area late last year, targeting a spot thought to match the flagship’s final position.

Experts say the sizes of the wooden parts found match old drawings. Dendrochronological dating, the method of using tree rings to establish the age of wood, match the year the ship was built. They also say the darkened dig site is full of cannonballs, a hazard for divers navigating waters darkened by clouds of silt stirred up from the seabed.

“Sometimes you can’t see anything, and then you really have to just feel your way, look with your fingers instead of with your eyes,” diver and maritime archaeologist Marie Jonsson said.

Chronicled in books and painted on canvases, the 1801 battle is deeply embedded in Denmark’s national story.

Archaeologists hope their discoveries may help reexamine the event that shaped the Scandinavian country and perhaps uncover personal stories of those who went into battle on that day 225 years ago.

“There are bottles, there are ceramics, and even pieces of basketry,” Jonsson said. “You get closer to the people onboard.”