Will a Curfew Ease Overtourism in Seoul’s Historic Hanok Village?

A large crowd of tourists walks through Bukchon Hanok Village in Seoul, South Korea, October 25, 2024. (Reuters)
A large crowd of tourists walks through Bukchon Hanok Village in Seoul, South Korea, October 25, 2024. (Reuters)
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Will a Curfew Ease Overtourism in Seoul’s Historic Hanok Village?

A large crowd of tourists walks through Bukchon Hanok Village in Seoul, South Korea, October 25, 2024. (Reuters)
A large crowd of tourists walks through Bukchon Hanok Village in Seoul, South Korea, October 25, 2024. (Reuters)

Kwon Young-doo, owner of a private art gallery in Seoul's historic Bukchon Hanok Village, is concerned about an impending curfew policy aimed at mitigating overtourism in the area.

The curfew, set for a trial in November and to be officially launched in March next year, will limit tourist access to specific areas of Bukchon from 5 p.m. (0800 GMT) to 10 a.m. Fines of up to 100,000 won ($72) will be imposed on violators.

"Who would want to visit?" said Kwon, the owner of the Asian Cultural Art Museum, who moved to the historic area 18 years ago. "They'll leave with a bad impression of South Korea."

Bukchon Hanok Village, with its narrow winding alleyways in hilly northern Seoul, dates back to the Joseon Dynasty (1392–1897). The area has become a popular tourist destination, especially after being featured on a TV show a decade ago.

Tourists and Koreans alike are drawn to the neighborhood for its quaint houses with signature wood columns and doors, a courtyard and tiled roof.

However, increased tourism has become more than an inconvenience for the residents, who complain about noise, littering, public urination and invasion of privacy.

Some tourists have been caught on surveillance cameras trying to enter private homes or peeking inside without permission, generating friction with locals.

Many residents have chosen to leave, leading to a 27.6% drop in the village's population over the past 10 years, according to the Jongno district office.

The area attracted approximately 6 million visitors last year, compared with its resident population of around 6,100.

Chung Moon-hun, the Jongno district head, says the goal is to protect the rights of residents and the restrictions will be adjusted if necessary to make it effective. The area where curfew hours and fines will be imposed is approximately 34,000 square meters, about the size of five soccer fields.

But residents are skeptical about the policy's effectiveness citing loopholes such as exemptions for tourists staying overnight in hanok accommodations. They also blame the proliferation of corporate-run hanok stays for disrupting their lives.

Since 2020, authorities have loosened restrictions on traditional Korean houses offering accommodation, resulting in a surge in corporate-run hanok stays in the residential areas, residents say.

In 2010, 10 traditional houses were registered in Bukchon under the name Traditional Korean Housing Experience Businesses; by October 2024, that number had ballooned to 116, according to the district office.

"People come for just a day to enjoy themselves, and the noise from parties is extremely loud," said Kim Eun-mee, who lives next to a hanok stay. Clearing trash in front of her home has become a chore she has to tend to several times a day.

"It's often difficult to maintain a normal daily routine due to disturbances like people dragging suitcases around even during the early hours, which frequently wakes me up."

Lee Dong-woo, CEO of hanok stay booking platform BUTLER.LEE, said the business took off when owners who found it difficult to renovate or maintain old houses entrusted the property to hospitality businesses.

"These requests are driving the expansion, not because we are actively evicting current residents to operate hanok stays, which is completely untrue," Lee who manages 17 hanok stays in Bukchon said.

Tourists, meanwhile, are divided over the curfew. Some agree the residents' quality of life is important. Others chafe at the idea of getting fined for simply walking down a public street.

There are also questions about enforcement; how to tell tourists from residents, how to make foreigners pay the fine, and the language barrier.



Cultural Development Fund Reports Strong Q1 2026 Growth and Impact

Cultural Development Fund Reports Strong Q1 2026 Growth and Impact
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Cultural Development Fund Reports Strong Q1 2026 Growth and Impact

Cultural Development Fund Reports Strong Q1 2026 Growth and Impact

The Cultural Development Fund has announced its results for the first quarter of 2026, demonstrating significant growth in financial performance and developmental impact. This underscores the fund's role as a key financial enabler and center of excellence in developing a sustainable cultural sector, enhancing Saudi culture as a vital economic and social pillar, SPA reported.

Since its inception, the fund has provided over SAR770 million in financial support to 165 cultural projects across various sub-sectors and regions of the Kingdom. It has also benefited more than 1,630 creative individuals and entrepreneurs through developmental services aimed at building entrepreneurial capabilities.

The fund achieved a 30% increase in financial returns compared to the same period in 2025, contributing an estimated SAR4.1 billion to GDP and creating over 12,540 job opportunities.

Additionally, it has stimulated private sector involvement with approximately SAR1.1 billion in contributions, reflecting growing confidence in developing the cultural sector.

These figures highlight the fund's essential role in empowering the private sector and fostering innovative financial solutions that promote growth and enhance the quality of life, aligned with Saudi Vision 2030.


Historic Jeddah Showcases Cultural Heritage at Umrah and Ziyarah Forum

The pavilion highlighted the distinctive architectural features of Historic Jeddah - SPA
The pavilion highlighted the distinctive architectural features of Historic Jeddah - SPA
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Historic Jeddah Showcases Cultural Heritage at Umrah and Ziyarah Forum

The pavilion highlighted the distinctive architectural features of Historic Jeddah - SPA
The pavilion highlighted the distinctive architectural features of Historic Jeddah - SPA

Historic Jeddah participated in the Umrah and Ziyarah Forum to highlight its historical role as a key gateway for pilgrims to Makkah, while introducing visitors to its cultural status and the ongoing development projects that reinforce its status as a heritage destination, SPA reported.

The pavilion introduced visitors to the "Historic Hajj Trail" supported by the Ministry of Hajj and Umrah, designed as a sequential narrative that retraces the pilgrim’s journey from arriving at Bab Al-Bunt Port, now the Red Sea Museum, to Makkah Gate, passing through prominent historical sites that reflect Jeddah’s role in serving pilgrims.

The pavilion highlighted the distinctive architectural features of Historic Jeddah and its long-standing role as a major port for pilgrims since the 7th century CE and also featured interactive content showcasing the area’s cultural and social fabric.

This participation forms part of the "Revitalization of Historic Jeddah" project, led by the Ministry of Culture, within the framework of the National Culture Strategy and Saudi Vision 2030.


Geisha Spectacle in Japan’s Kyoto Celebrates Arrival of Spring

 Maiko (apprentice geisha) take part in a press interview ahead a rehearsal for the annual "Miyako Odori" -- which means "capital city dance" in Japanese, at the Gion Kobu Kaburenjo in Kyoto on March 31, 2026. (AFP)
Maiko (apprentice geisha) take part in a press interview ahead a rehearsal for the annual "Miyako Odori" -- which means "capital city dance" in Japanese, at the Gion Kobu Kaburenjo in Kyoto on March 31, 2026. (AFP)
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Geisha Spectacle in Japan’s Kyoto Celebrates Arrival of Spring

 Maiko (apprentice geisha) take part in a press interview ahead a rehearsal for the annual "Miyako Odori" -- which means "capital city dance" in Japanese, at the Gion Kobu Kaburenjo in Kyoto on March 31, 2026. (AFP)
Maiko (apprentice geisha) take part in a press interview ahead a rehearsal for the annual "Miyako Odori" -- which means "capital city dance" in Japanese, at the Gion Kobu Kaburenjo in Kyoto on March 31, 2026. (AFP)

Against a backdrop of blooming cherry blossoms, a group of geishas elegantly shuffle onto a stage in Japan's Kyoto city to begin a centuries-old performance celebrating the arrival of spring.

Dressed in sky blue kimonos emblazoned with flowers, the dancers twist and twirl in unison in front of hundreds of spectators eager to see the annual "Miyako Odori" in the nation's spectacular ancient capital.

Geishas, known as geikos in Kyoto, and apprentices called maikos have been donning elaborate costumes and fluttering fans since the Miyako Odori -- or "capital city dance" -- first started in 1872.

"Just as cherry blossoms bloom when spring approaches, the Miyako Odori is a spring tradition in Kyoto," Kyoko Sugiura, head of the Yasaka Nyokoba Gakuen, a school for geishas in Kyoto's Gion district, told AFP.

In Japanese, the word geisha means "person of the arts", and can refer to a woman or man trained in traditional Japanese performing arts.

In the popular imagination geishas are often confused with courtesans but their work as trained masters of refined old artforms does not involve selling sex.

Their performances are usually small and private, and take place at high-class establishments which operate a no first-time customer policy.

"That's why it is often thought of as a very exclusive world," Sugiura said.

"But the Miyako Odori is a one-hour show in which geisha and maiko have the opportunity to showcase the arts they practise daily," she said.

"Anyone and everyone with a ticket can enjoy the show."

The Miyako Odori began soon after Kyoto hosted Japan's first national expo -- an effort to revitalize the western city following the relocation of the capital to Tokyo in 1869.

The format of the performance has not changed much, Sugiura explained, although the music and dance moves are sometimes switched up.

Maria Superata, a geisha expert who has worked with them as an interpreter, explained that the show "combines all of the traditional performing arts that you can see in Japan".

"For example, elements from kabuki (classical Japanese theatre), elements from traditional dance. So they have to act, they have to sing, they have to play the instruments, everything all in one," she said.

"That's why it's so special."

But the number of geishas, who once made a living through performing for Japan's wealthy elite, is in decline.

Superata said that fewer young Japanese want a life that demands huge discipline and comes with a strict practice schedule.

"Nowadays, young Japanese people... are not very interested that much in traditional art and in kimono."