Cambodian Archaeologists Discover a Dozen Centuries-Old Sandstone Statues at Angkor UNESCO Site

 This handout photo provided by Apsaras National Authority shows a centuries-old sandstone statue being measured at Angkor Thom in Cambodia, Oct. 24, 2024. (Phouk Chea/Apsaras National Authority via AP)
This handout photo provided by Apsaras National Authority shows a centuries-old sandstone statue being measured at Angkor Thom in Cambodia, Oct. 24, 2024. (Phouk Chea/Apsaras National Authority via AP)
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Cambodian Archaeologists Discover a Dozen Centuries-Old Sandstone Statues at Angkor UNESCO Site

 This handout photo provided by Apsaras National Authority shows a centuries-old sandstone statue being measured at Angkor Thom in Cambodia, Oct. 24, 2024. (Phouk Chea/Apsaras National Authority via AP)
This handout photo provided by Apsaras National Authority shows a centuries-old sandstone statue being measured at Angkor Thom in Cambodia, Oct. 24, 2024. (Phouk Chea/Apsaras National Authority via AP)

Archaeologists in Cambodia have unearthed a dozen centuries-old sandstone statues in a “remarkable discovery” at the Angkor World Heritage Site near the city of Siem Reap, authorities said Wednesday.

The statues — depicting so-called “door guardians” — were discovered last week near the north gate leading to the 11th-century Royal Palace at Angkor Thom, the last capital of the Khmer Empire, said Long Kosal, spokesman for the Apsara National Authority, the government agency that oversees the archaeological park.

Teams were assessing the ancient gate's structure and searching for fallen stones around the portal on the north side of Angkor Thom, one of four entrances to the complex, when the discovery was made.

The statues depict guardians standing at attention and vary in size from about 1 meter to 110 centimeters, or about 39 to 43 inches. They were found buried at depths of up to 1.4 meters (4.5 feet) and some are in surprisingly good shape, with each featuring unique facial hair ornaments, adding to their distinctiveness, archaeologist Sorn Chanthorn said.

“Experts believe these door guardian statues exemplify the Khneang Style, aligning with the construction period of the 11th-century palace.” the Apsara National Authority said.

Angkor Thom is part of the Angkor Archaeological Park, a complex that sprawls over some 400 square kilometers (155 square miles), named a UNESCO World Heritage Site in 1992 and one of Southeast Asia's most popular tourist destinations.

It contains the ruins of Khmer Empire capitals from the 9th to 15th centuries, including the temple of Angkor Wat.

The site, near Siem Reap, about 200 miles (320 kilometers) northwest of the capital, Phnom Penh, drew more than 500,000 international visitors in the first half of 2024, according to Cambodia’s Tourism Ministry.

The archaeological dig was a collaborative project between Apsara and the China-Cambodia Government Team for Safeguarding Angkor, Apsara said.

Following the discovery of the statues, the archaeological team carefully documented their positions before removing them for cleaning and restoration. They will eventually be returned to their original locations, authorities said.

Many Khmer cultural treasures were looted during the long period of civil war and instability when Cambodia was ruled by the brutal communist Khmer Rouge regime in the 1970s.

Cambodia has benefited from a trend that in recent decades has seen the repatriation of art and archaeological treasures taken from their homelands. In August, it celebrated the return of dozens of artifacts from museums and private collections abroad.

It has also come under criticism for efforts to clean up the Angkor site, which has involved relocating thousands of families in what Amnesty International has condemned as a “gross violation of international human rights law.”

At its meeting in July, the UN's World Heritage Committee recommended that Cambodia invite a new team of experts to monitor the situation.



Diriyah Art Futures Announces Summer Program Alongside Maknana Exhibition

Diriyah Art Futures (DAF) announces a program of activities running throughout June and July. (SPA)
Diriyah Art Futures (DAF) announces a program of activities running throughout June and July. (SPA)
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Diriyah Art Futures Announces Summer Program Alongside Maknana Exhibition

Diriyah Art Futures (DAF) announces a program of activities running throughout June and July. (SPA)
Diriyah Art Futures (DAF) announces a program of activities running throughout June and July. (SPA)

Diriyah Art Futures (DAF), the MENA region's first hub dedicated to New Media Arts, has announced a program of activities running throughout June and July. Visitors can immerse themselves in the dynamic world of New Media Art and deepen their understanding through a series of interactive talks, hands-on workshops, and masterclasses led by local, regional, and international artists, SPA reported.

According to a recent DAF press release, these sessions are presented as part of DAF's current exhibition, Maknana: An Archaeology of New Media Art in the Arab World, which explores the evolution of New Media practices across the region. Featuring more than 70 artworks by over 40 artists, Maknana sheds light on how Arab artists have navigated and reimagined technology through four key curatorial themes: Automation, Autonomy, Ripples, and Glitch.

From creating immersive narratives to exploring 3D scanning technologies and from motion design to pixel art, the program caters to artists, enthusiasts, and kids alike. It offers an opportunity to deepen their understanding of New Media Art or explore new technologies.

The release highlighted that on June 19, 2025, a session titled "Experimental Concepts in Educational Practices of Media Arts" will review the experimental strategies and pedagogical approaches that have shaped the teaching of digital and media arts in Egypt and the wider Arab region since the early 2000s. It also addresses the evolving role of education in supporting creative engagement with new technologies.

On June 20-21, a masterclass titled "Ready-Made Dreams – Immersive Narratives" will enable participants to explore the creative potential of archival and found visual materials. Attendees will learn how to layer and transform content into immersive narratives through hands-on exercises using video, photography, text, and animation.

Moreover, on July 3, a dialogue session entitled "Talk and Screening: Cartographies of a Future" delves into how digital tools are reshaping our understanding of photography and perception itself. ScanLAB Projects utilizes 3D scanning to transcend the boundaries of traditional photography, offering new ways to capture, preserve, and critically reflect on the world. Following the session, two short films will be screened.

On July 4-5, a masterclass titled "Memory in Three Dimensions" explores the intersection of cutting-edge 3D scanning technology and the intricate workings of human memory. The two-day, hands-on session will challenge participants to rethink the nature of personal archives in the digital age. Through a blend of practical demonstrations and interactive exercises, participants will explore 3D scanning technologies and create 3D scans, delving into the potential and pitfalls of creating perfect digital replicas of their lives.

On July 5, a workshop entitled "Motion Design for Film and Media" will explore the art and impact of motion design and computer graphics. Participants will delve into the history of these formats, analyze key examples, and ultimately create their title design project. By the end of the session, participants will have a deeper understanding of how motion design influences media and the skills to apply it creatively.

A book symposium, "Rewiring Narratives: New Media Art from the Arab World," will be held on July 12. This symposium marks the launch of Rewiring Narratives: New Media Art from the Arab World, a landmark edited volume.
On July 17, a dialogue session titled "Traces of Change: Processing Reality Through Art" will take place.
A workshop titled "Pixel by Pixel: Introduction to Pixel Art" on July 18 will explore the history and evolution of pixel art, from its roots in early video games to its place in contemporary digital art. Participants will learn key techniques and experiment with creating their pixel artwork in a guided hands-on session.

Also, on July 18, a kids' workshop titled "Art Bot" will teach kids to build drawing robots. Using simple motors, markers, and everyday materials, children will build kinetic machines that move, spin, and scribble, creating vibrant, one-of-a-kind artworks. Blending play with invention, the workshop fosters creativity, curiosity, and a deeper understanding of how design and motion work together.