Diriyah Art Futures Announces Summer Program Alongside Maknana Exhibition

Diriyah Art Futures (DAF) announces a program of activities running throughout June and July. (SPA)
Diriyah Art Futures (DAF) announces a program of activities running throughout June and July. (SPA)
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Diriyah Art Futures Announces Summer Program Alongside Maknana Exhibition

Diriyah Art Futures (DAF) announces a program of activities running throughout June and July. (SPA)
Diriyah Art Futures (DAF) announces a program of activities running throughout June and July. (SPA)

Diriyah Art Futures (DAF), the MENA region's first hub dedicated to New Media Arts, has announced a program of activities running throughout June and July. Visitors can immerse themselves in the dynamic world of New Media Art and deepen their understanding through a series of interactive talks, hands-on workshops, and masterclasses led by local, regional, and international artists, SPA reported.

According to a recent DAF press release, these sessions are presented as part of DAF's current exhibition, Maknana: An Archaeology of New Media Art in the Arab World, which explores the evolution of New Media practices across the region. Featuring more than 70 artworks by over 40 artists, Maknana sheds light on how Arab artists have navigated and reimagined technology through four key curatorial themes: Automation, Autonomy, Ripples, and Glitch.

From creating immersive narratives to exploring 3D scanning technologies and from motion design to pixel art, the program caters to artists, enthusiasts, and kids alike. It offers an opportunity to deepen their understanding of New Media Art or explore new technologies.

The release highlighted that on June 19, 2025, a session titled "Experimental Concepts in Educational Practices of Media Arts" will review the experimental strategies and pedagogical approaches that have shaped the teaching of digital and media arts in Egypt and the wider Arab region since the early 2000s. It also addresses the evolving role of education in supporting creative engagement with new technologies.

On June 20-21, a masterclass titled "Ready-Made Dreams – Immersive Narratives" will enable participants to explore the creative potential of archival and found visual materials. Attendees will learn how to layer and transform content into immersive narratives through hands-on exercises using video, photography, text, and animation.

Moreover, on July 3, a dialogue session entitled "Talk and Screening: Cartographies of a Future" delves into how digital tools are reshaping our understanding of photography and perception itself. ScanLAB Projects utilizes 3D scanning to transcend the boundaries of traditional photography, offering new ways to capture, preserve, and critically reflect on the world. Following the session, two short films will be screened.

On July 4-5, a masterclass titled "Memory in Three Dimensions" explores the intersection of cutting-edge 3D scanning technology and the intricate workings of human memory. The two-day, hands-on session will challenge participants to rethink the nature of personal archives in the digital age. Through a blend of practical demonstrations and interactive exercises, participants will explore 3D scanning technologies and create 3D scans, delving into the potential and pitfalls of creating perfect digital replicas of their lives.

On July 5, a workshop entitled "Motion Design for Film and Media" will explore the art and impact of motion design and computer graphics. Participants will delve into the history of these formats, analyze key examples, and ultimately create their title design project. By the end of the session, participants will have a deeper understanding of how motion design influences media and the skills to apply it creatively.

A book symposium, "Rewiring Narratives: New Media Art from the Arab World," will be held on July 12. This symposium marks the launch of Rewiring Narratives: New Media Art from the Arab World, a landmark edited volume.
On July 17, a dialogue session titled "Traces of Change: Processing Reality Through Art" will take place.
A workshop titled "Pixel by Pixel: Introduction to Pixel Art" on July 18 will explore the history and evolution of pixel art, from its roots in early video games to its place in contemporary digital art. Participants will learn key techniques and experiment with creating their pixel artwork in a guided hands-on session.

Also, on July 18, a kids' workshop titled "Art Bot" will teach kids to build drawing robots. Using simple motors, markers, and everyday materials, children will build kinetic machines that move, spin, and scribble, creating vibrant, one-of-a-kind artworks. Blending play with invention, the workshop fosters creativity, curiosity, and a deeper understanding of how design and motion work together.

 



'Talking Drum' Looted by France in 1916 Back in Ivory Coast

A crate containing the Djidji Ayokwe drum, at the airport in Abidjan, Ivory Coast. (Photo by Issouf SANOGO / AFP)
A crate containing the Djidji Ayokwe drum, at the airport in Abidjan, Ivory Coast. (Photo by Issouf SANOGO / AFP)
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'Talking Drum' Looted by France in 1916 Back in Ivory Coast

A crate containing the Djidji Ayokwe drum, at the airport in Abidjan, Ivory Coast. (Photo by Issouf SANOGO / AFP)
A crate containing the Djidji Ayokwe drum, at the airport in Abidjan, Ivory Coast. (Photo by Issouf SANOGO / AFP)

The Djidji Ayokwe "talking drum", which was looted by French colonial troops in 1916 and taken to France, arrived back in Ivory Coast Friday, in the latest repatriation of stolen artifacts.

The wooden drum, more than three meters (10 feet) long and weighing 430 kilos (950 pounds), was used by the Ebrie tribe to transmit messages.

It was officially handed over on February 20 after France's parliament approved removing the artifact from the national museum collections to enable its return.

Ivory Coast had asked in late 2018 for the return of the Djidji Ayokwe among 148 works of art taken during the colonial period.

It arrived aboard a specially chartered plane at Ivory Coast's main city Abidjan and remained inside a huge wooden crate stamped "fragile", AFP journalists saw.

"It's an historic day and I feel deep emotion," Culture Minister Francoise Remarck said, welcoming its arrival at the airport, where the Ebrie community also sang and played drums.

"We are living a moment of justice and remembrance," the minister added.

French President Emmanuel Macron promised in 2021 to send the drum and other artifacts back home to the west African country.

It is one of hundreds of objects France is preparing to send back to Africa, with the efforts set to be accelerated by the passing of a new law to authorize mass repatriations.

"We are happy and relieved to know that this sacred piece of our culture is back on its native land," Aboussou Guy Georges Mobio, an Ebrie village chief, told AFP.

The drum will initially be held in a "safe space" to allow it to acclimatize, the culture minister said.

It is due to go on display at the Museum of Civilizations in Abidjan which has been specially renovated.

The "talking drum" was used by the Ebrie community to warn of danger, mobilize for war or call villagers to ceremonies.

It was seized by colonial authorities in 1916 before being shipped to France in 1929 and exhibited in Paris.

Senegal and Benin have also asked for the repatriation of their treasures.

In late 2020, the French parliament adopted a law providing for the permanent return to Benin of 26 artifacts from the royal treasures of Dahomey.

The return of cultural artifacts taken from ex-colonies in Africa and elsewhere has become a sensitive issue, with museums, institutions and collectors in Europe and the United States facing pressure to give them back.


Red Sea Fund Launches Second Round to Support Film Projects in Production Stage

File photo of the fifth day of the Red Sea International Film Festival - SPA
File photo of the fifth day of the Red Sea International Film Festival - SPA
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Red Sea Fund Launches Second Round to Support Film Projects in Production Stage

File photo of the fifth day of the Red Sea International Film Festival - SPA
File photo of the fifth day of the Red Sea International Film Festival - SPA

The Red Sea Fund, affiliated with the Red Sea Film Foundation, announced the opening of applications to support film projects in the production stage within the second round of this year’s support program, which will continue until March 21, as part of its efforts to enhance the cinema industry and empower innovators in the region, SPA reported.

The round aims to support promising cinematic voices from the Kingdom and the Arab world, as well as filmmakers from Africa and Asia, through financial grants that help complete film projects and present their creative narratives globally, with a special focus on projects ready to enter production and begin filming.


Prince Mohammed bin Salman Project Restores Historic Al-Jami' Mosque in Tabuk Region

The renovation utilized modern technologies to restore the mosque's original identity - SPA
The renovation utilized modern technologies to restore the mosque's original identity - SPA
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Prince Mohammed bin Salman Project Restores Historic Al-Jami' Mosque in Tabuk Region

The renovation utilized modern technologies to restore the mosque's original identity - SPA
The renovation utilized modern technologies to restore the mosque's original identity - SPA

The Prince Mohammed bin Salman Project for the Development of Historical Mosques has completed the restoration of Al-Jami' Mosque in Duba, Tabuk Region, as part of its mission to preserve the Kingdom's architectural heritage under Vision 2030.

As one of Duba’s oldest landmarks, the mosque is deeply intertwined with the city’s maritime history, traditionally serving as a central meeting point for sailors. Throughout its history, the mosque underwent several construction phases, including significant contributions by King Abdulaziz and King Fahd, before its selection for the current national development project, SPA reported.

The renovation utilized modern technologies to restore the mosque's original identity, increasing its area to 972.23 square meters and its capacity to 779 worshippers. The architectural style is inspired by traditional Red Sea heritage, incorporating natural materials like stone, mud, and wood for intricate mashrabiyas.

Executed by specialized Saudi firms, the project balances traditional standards with sustainability to rehabilitate the site for worship while highlighting its cultural significance. By restoring such landmarks, the project ensures the preservation of the Kingdom’s diverse architectural and social memory for future generations.