Misk Announces Annual Creative Forum 2024

16:14-2 November 2024 AD ـ 01 Jumada Al-Ula 1446 AH

Misk Announces Annual Creative Forum 2024

Saudi Arabia’s Misk Art Institute, an affiliate of the Mohammed bin Salman Foundation (Misk), announced its annual Creative Forum 2024, which will take place at Mohammed bin Salman Nonprofit City (Misk City) on November 1 and 2.

Now in its fifth edition, the forum will feature panel discussions, interactive activities, and performances. Since its launch in 2020, the Creative Forum has become a key event during Misk Art Week, the Misk Art Institute's flagship initiative, reported the Saudi Press Agency on Saturday.

CEO of the Misk Art Institute Reem Al Sultan said: "Hosting the Creative Forum at Misk City marks our first step toward moving into the Misk Art Institute building in Mohammed bin Salman Nonprofit City in 2025. We will also unveil expanded programs and activities aimed at fostering the growth of the cultural and arts sector in the Kingdom and supporting artists."

This year's forum, themed "Media and Technology," will gather thought leaders and experts from around the world at Misk City's Experience Center, a space dedicated to nurturing creativity and engaging youth. Discussions will focus on how media and technology can create new opportunities for artists and society, exploring the role of media in promoting interactive participation and the ways technology has revolutionized exploration and interaction.

In alignment with this theme, the Misk Art Institute will present the exhibition “The Silent Age of Singularity”, running from November 3, 2024, to February 27, 2025. The exhibition will examine the post-internet era, marked by technology's pervasive influence on society.

Curated by the Director of the Curatorial Department and Chief Curator at the Misk Art Institute Basma Al-Shathry, with assistance from Assistant Curator Aram Al-Ajaji, the exhibition will be held at Prince Faisal bin Fahd Arts Hall. It aims to highlight how the Internet has impacted daily life, showcasing transformations brought about by satellites, television, and the Internet in global connectivity, cultural exchange, and information dissemination.

Al-Shathry noted: "The Internet has evolved from simply a communication tool to an essential part of our daily lives. Our exhibition examines the changes that have transformed the ways we communicate, create, and understand the world."

Participating artists in the exhibition include Ibrahim Abumsmar (Saudi Arabia), Mahdi Al Jeraibi (Saudi Arabia), Turki Al-Qahtani (Saudi Arabia), Omar Al-Zahrani (Saudi Arabia), Mohammed Sharrouro (Morocco), Ayman Yasser Didban (Palestine/Saudi Arabia), Iman Al-Jabreen (Saudi Arabia), Mounir Fatmi (Morocco), Samia Halabi (Palestine), David Hockney (United Kingdom), Sofiane El Idrissi (Morocco), Ziad Kaaki (Saudi Arabia), Khaled Makhshoush (Saudi Arabia), Ahmed Matar (Saudi Arabia), Bennett Miller (United States), Nam June Paik (South Korea), John Salvest (United States), Faisal Samra (Saudi Arabia), and Anya Soliman (Egypt/Poland).

India’s Architecture Fans Guard Mumbai’s Art Deco Past

In this photograph taken on October 19, 2024, vehicles ride past the Soona Mahal, a UNESCO-designated Art Deco apartment building along the Marine Drive seafront in Mumbai. (AFP)

10:06-22 December 2024 AD ـ 21 Jumada Al-Alkhirah 1446 AH

India’s Architecture Fans Guard Mumbai’s Art Deco Past

In this photograph taken on October 19, 2024, vehicles ride past the Soona Mahal, a UNESCO-designated Art Deco apartment building along the Marine Drive seafront in Mumbai. (AFP)

A towering cinema with a roofline like an ocean liner stands out in India's financial capital Mumbai, part of a remarkable Art Deco architectural heritage that campaigners say needs protection.

A short walk away is a state-run insurance office with giant Egyptian-style carvings, and a palm-lined seafront promenade with pastel-colored apartments with porthole windows, curved balconies and exotic motifs.

Architecture aficionados may go crazy over Miami's South Beach, but the coastal Indian megacity is home to what experts believe is one of the world's largest collections of Art Deco buildings.

Decades of neglect, however, have led to buildings being demolished or compromised through slapdash modern renovation.

Lovers of the dramatic architecture fear that will only increase as Mumbai undergoes a rapid $30 billion infrastructure makeover including major road, rail and bridge projects.

A sweep of some Art Deco buildings -- including offices, colleges and residential complexes -- was listed on UNESCO's World Heritage list in 2018, alongside the city's Victorian Gothic architecture for its "unique style" described as "Indo-Deco".

Today, the city's breakneck pace of development has left a small but dedicated group of building owners, architects and heritage lovers trying to conserve the city's Art Deco character.

The job requires "constant vigilance", said Nayana Kathpalia, who lives in an Art Deco building that was recently restored -- but crucially in a manner that maintained its original character.

- 'Modern, open, friendly' -

Many apartment building owners are eager to cash in and redevelop their old dwellings, making them part of a cookie-cutter modern skyline.

"If too many buildings get done in a totally different style, the World Heritage Site committee will say 'what the hell is happening?'," Kathpalia said.

"We are very, very clear that we have to protect that."

Losing it could strip the city of its history and character, campaigners say.

Art Deco took the West by storm after emerging as a new wave of design in France before the First World War.

Architects used geometric patterns and streamlined structures to evoke the popular technologies of the time, including airplanes and ocean liners.

As a style, Art Deco can appear as an odd hodgepodge, borrowing everything from ancient Mayan to Japanese culture.

But the first generation of homegrown Indian architects who visited Europe in the 1920s and 1930s were inspired.

After returning home, they started designing Art Deco style buildings for rich Indian business families that had profited off the economic boom in the port city, said Atul Kumar, founder of a non-profit that seeks to conserve the heritage.

Art Deco "enabled a certain cosmopolitanism" and contributed to making Mumbai a "modern, open, friendly" city, Kumar added.

- 'Bombay style' -

While Kumar's Art Deco Mumbai organization has spent years painstakingly documenting buildings, it has also more recently started offering "repair and restoration" help.

"We go out, pro bono, and reach out to people," he said, having supported the sensitive restoration of around nine buildings, including a couple in the core World Heritage area.

However, there are challenges, including stringent rent control laws which impose financial constraints on landlords.

Kumar also admits that residents in newer and northern parts of the city have less of a "desire" to conserve their buildings in their original Art Deco style.

A large part of this is due to a lack of awareness.

Many of the city's inhabitants walk past the vivid tropical imagery, elongated turrets and jazzy typography without giving them a second glance.

Pranati Mehta, a 46-year-old school teacher, says most Indians only look at "temples as architecture", as they "feel that is special".

Some Mumbai residents don't realize they "live amongst art", she said.

But Mehta, who was on a weekend walking tour to learn more about the architectural style, quickly adds that Art Deco isn't foreign to Indian sensibilities.

"We recognize it as a Bombay style," she said. "We think Art Deco is also an Indian brand".

Misk Announces Annual Creative Forum 2024