Archaeological Town from Bronze Age Discovered at Saudi Arabia’s Khaybar Oasis

The discovery is proof of the Kingdom's commitment to safeguarding its cultural and historical heritage, as well as its desire to exchange knowledge and experience with the international community. (SPA)
The discovery is proof of the Kingdom's commitment to safeguarding its cultural and historical heritage, as well as its desire to exchange knowledge and experience with the international community. (SPA)
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Archaeological Town from Bronze Age Discovered at Saudi Arabia’s Khaybar Oasis

The discovery is proof of the Kingdom's commitment to safeguarding its cultural and historical heritage, as well as its desire to exchange knowledge and experience with the international community. (SPA)
The discovery is proof of the Kingdom's commitment to safeguarding its cultural and historical heritage, as well as its desire to exchange knowledge and experience with the international community. (SPA)

The Royal Commission for AlUla (RCU) announced that archaeologists discovered a Bronze Age town in the Khaybar Oasis, in northwestern Saudi Arabia.

The discovery was published in the scientific journal PLOS ONE and announced on Saturday at a press conference held by the RCU in Riyadh. The conference highlighted the significance of the discovery to the Kingdom's standing in the field of antiquities, as well as on its cultural richness.

The discovery is proof of the Kingdom's commitment to safeguarding its cultural and historical heritage, as well as its desire to exchange knowledge and experience with the international community, and promote awareness about the common human heritage, consistent with the goals of the Kingdom's Vision 2030.

It also underscores the need to strengthen international partnerships, to present such a rich heritage to future generations globally.

The transition from a mobile pastoral life to a settled urban life in the region during the second half of the third millennium BC is illustrated by the discovery, which was made in the framework of the Khaybar Longue Durée Archaeological Project, led by Dr. Guillaume Charloux, researcher at the French National Center for Scientific Research, and Dr. Munirah AlMushawh, archaeological survey manager at RCU.

This change in paradigm challenges the previous notion that pastoral and nomadic society was the dominant socio-economic model in northwestern Arabia during the early and middle Bronze Age.

The research points out that regions such as Khaybar were significant urban centers that permanently maintained the stability of their communities, particularly with the introduction of agriculture. They also served as centers of trade and commerce for nomadic communities. The emergence of this urban design significantly influences the socio-economic paradigm of the region.

In the Bronze Age, the northwestern Arabian Peninsula was home to a significant number of nomadic pastoral communities, but the region also had a number of walled oases that were connected to one another and were located around fortified cities like Tayma.

The discovered town, called Al-Natah, provides evidence of a clear division, within forts and cities, of residential and funerary areas. The site encompassed an area of 2.6 hectares, was inhabited by 500 individuals between 2400 and 2000 BC until 1500 and 1300 BC. The Khaybar Oasis was surrounded by a 15-km-long stone wall to ensure its protection.

The study was conducted by the Royal Commission for AlUla in collaboration with the French Agency for the Development of AlUla (AFALULA) and the French National Centre for Scientific Research (CNRS).

The commission's Department of Archaeology, Collections and Conservation manages one of the largest archaeological research programs globally as part of its mission to elevate AlUla's status as a premier cultural heritage destination.

The Khaybar Oasis, located on the edge of the Harrat Khaybar volcanic field, formed at the meeting point of three valleys in a highly arid area. The remains of the town were discovered on the northern edge of the oasis, buried beneath layers of basalt rock for thousands of years.

The research team identified the archaeological site in October 2020, but distinguishing the structures and layout of the town proved challenging. In February 2024, the team employed field surveys, in-depth research, and high-resolution imaging to uncover more details of what lay beneath. Future excavations are expected to provide an even clearer understanding of the site.

The study offers an initial view of life in Al-Natah, where residents lived in traditional multi-story dwellings, typically using the ground floor for storage and the upper floors for living quarters. Narrow pathways ran between the dwellings, leading to the town center. Residents buried their dead in graves and tiered towers, signifying high social status by including valuable items like pottery or metal tools such as axes and daggers.

Town life was marked by skilled craftsmanship, with residents making pottery, trading it, working with metal, and adorning their clothing with beads. Their diet, based mainly on mutton, lamb, and grains, reflected a cooperative lifestyle, with the community reinforcing walls using dry stones and clay.

Besides Charloux and AlMushawh, historian Saifi Alshilali, a native of Khaybar, contributed to the discovery. The new findings add to a series of studies begun in 2018, which explore the history of ancient AlUla and Khaybar, including massive stone structures known as mustatils, stone traps, extensive funerary roads linking settlements and pastures, and stone circles used as dwellings.

Collectively, these studies reveal that Bronze Age societies in northwestern Arabian Peninsula were more sophisticated and interconnected with the wider region than previously believed.

RCU is currently supervising 10 archaeological projects, to which 100 archaeologists and specialists working in AlUla and Khaybar contribute.

This new discovery bolsters AlUla and Saudi Arabia's role as a global hub for archaeological research and cultural dialogue. It is announced immediately after AlUla World Archaeology Symposium 2024, which brought together archaeologists and cultural heritage experts from all over the world.

Themed "Moving Forward: Past, Present and Future in the Archaeology and Heritage of Mobile Communities", the symposium underscored AlUla's growing role in the global archaeological community.



Mayor: Two Renoir Paintings Stolen in France Recovered

FILE PHOTO: A sign indicates the entrance of the Renoir Museum in Cagnes-sur-Mer, on the French Riviera, France, September 8, 2026. REUTERS/Manon Cruz/File Photo
FILE PHOTO: A sign indicates the entrance of the Renoir Museum in Cagnes-sur-Mer, on the French Riviera, France, September 8, 2026. REUTERS/Manon Cruz/File Photo
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Mayor: Two Renoir Paintings Stolen in France Recovered

FILE PHOTO: A sign indicates the entrance of the Renoir Museum in Cagnes-sur-Mer, on the French Riviera, France, September 8, 2026. REUTERS/Manon Cruz/File Photo
FILE PHOTO: A sign indicates the entrance of the Renoir Museum in Cagnes-sur-Mer, on the French Riviera, France, September 8, 2026. REUTERS/Manon Cruz/File Photo

Two paintings by French master Pierre-Auguste Renoir have been recovered a month after they were stolen from a museum in southern France, the town's mayor said Friday.

In September, thieves broke into the museum in Cagnes-sur-Mer and managed to escape with two works by the French impressionist painter, abandoning two others as they fled.

"These two paintings are not simply works of art. They are part of our city's history," said Bryan Masson, the mayor of Cagnes-sur-Mer.

"Knowing they have been recovered is an immense relief."

There has not yet been any statement from the police and Masson did not give any details regarding where the works were found or their condition.

The suspects cut through a fence to enter the museum's tree-lined grounds, smashed a window to get inside, and used an electric saw to cut through the frame mountings, Masson said at the time of the robbery in early September.

The theft took place in just a matter of minutes, shortly before 6:00 am (0400 GMT).
A source close to the probe told AFP earlier this week that police had arrested five people as part of the investigation.

According to Masson the museum alarm and police sirens forced the burglars -- which he described as "well equipped and well informed" about the museum -- to hurry.

They made off with a portrait titled "Madame Colonna Romano" and the depiction of a woman at a well called "Jeune femme au puits", his office said.

The paintings dropped during their escape include "Madame Pichon" and "Coco lisant", a portrait of Renoir's young son Claude reading.

The police said at the time of the robbery that it was clear that they were not first-time offenders, and that they had scoped out the premises before the crime.

The Renoir Museum lies a half-hour drive from the southern city of Nice, in Renoir's last home before he died aged 78 in 1919.

Its collection comprises nine paintings by Renoir, according to the museum.

It also includes several sculptures by him, as well as objects and furniture that belonged to the painter, such as his easel and wheelchair.

A spate of heists at French museums -- including at the Louvre -- has highlighted inadequate security in some cases and led to questions about whether criminal gangs see them as soft targets.

Crown jewelry valued at around $100 million was stolen in broad daylight from the Louvre in Paris last year.

The four suspected Louvre robbers have been arrested, but the jewels they are accused of grabbing in the seven-minute heist have still not been found.

Italian police in August said they had recovered paintings by Renoir, Cezanne and Matisse worth over $10.4 million that were stolen in a three-minute heist from a museum in March.
And earlier this week, a book featuring a cover made of bronze and designed by Spanish surrealist painter Salvador Dali was stolen from an art museum in central France.


PM: Anne Carson's Nobel Literature Prize 'a Proud Moment for Canada'

Canadian poet Anne Carson, winner of the 2026 Nobel Prize in Literature, performs her work "Antigonick" at the Moderna Museet art gallery in Stockholm, Sweden, May 8, 2015. (Pontus Lundahl/TT News Agency via AP)
Canadian poet Anne Carson, winner of the 2026 Nobel Prize in Literature, performs her work "Antigonick" at the Moderna Museet art gallery in Stockholm, Sweden, May 8, 2015. (Pontus Lundahl/TT News Agency via AP)
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PM: Anne Carson's Nobel Literature Prize 'a Proud Moment for Canada'

Canadian poet Anne Carson, winner of the 2026 Nobel Prize in Literature, performs her work "Antigonick" at the Moderna Museet art gallery in Stockholm, Sweden, May 8, 2015. (Pontus Lundahl/TT News Agency via AP)
Canadian poet Anne Carson, winner of the 2026 Nobel Prize in Literature, performs her work "Antigonick" at the Moderna Museet art gallery in Stockholm, Sweden, May 8, 2015. (Pontus Lundahl/TT News Agency via AP)

Canadian poet Anne Carson winning the Nobel prize for literature is a "proud moment" for the country, Prime Minister Mark Carney said Thursday.

The 76-year-old's works feature "wit, imagination, and a style entirely her own," Carney said on X.

"She has brought ancient stories to new audiences and transformed the way we think about literature," he said, calling the award "an extraordinary achievement and a proud moment for Canada."

In a statement to AFP, Canadian novelist Margaret Atwood said Carson's work "has long been admired among poets of many countries."

"For new readers I would recommend 'The Beauty of the Husband' -- direct and visceral, funny and angry and sad - or 'Men in the Off Hours.' Delights await!" added Atwood, a longtime Nobel contender who was passed over in 2013 in favor of fellow Canadian Alice Munro.

A renowned classicist, Carson has taught at several prestigious Canadian and American universities, including McGill in Montreal. She joined McGill's Department of Classics in 1988 and left the university in 2002.

"This is a wonderfully deserved honor for Anne Carson, whose work has captivated readers around the world by bringing ancient voices into conversation with the present," Lisa Shapiro, McGill's dean of arts, was quoted as saying by The McGill Reporter.

"Her extraordinary talent, originality and intellectual depth have had a profound influence on contemporary literature. We are proud that McGill was her academic home for many years and delighted to see her remarkable contributions recognized on the world stage."

Outside the university in Montreal, Vicky Huang, a 24-year-old political science student, expressed pride.

"My friends and I love 'Eros the Bittersweet,' so this is such exciting news," she told AFP.

"Yeah, I mean, the fact that she's a Canadian woman working in high literature makes all of us really proud."


Red Sea Museum Opens 'Photographing Distance' Exhibition in Historic Jeddah

The exhibition showcases photography and video installations documenting lighthouses across diverse global locations. SPA
The exhibition showcases photography and video installations documenting lighthouses across diverse global locations. SPA
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Red Sea Museum Opens 'Photographing Distance' Exhibition in Historic Jeddah

The exhibition showcases photography and video installations documenting lighthouses across diverse global locations. SPA
The exhibition showcases photography and video installations documenting lighthouses across diverse global locations. SPA

The Red Sea Museum, operating under Saudi Arabia’s Museums Commission, inaugurated the "Photographing Distance" exhibition by Argentine artist Matilde Marín at its premises in Historic Jeddah, marking its Kingdom debut and running through December 31.

The exhibition showcases photography and video installations documenting lighthouses across diverse global locations, including Jeddah and Yanbu, exploring their role in maritime navigation, human memory, and the connection between people and place.

Based on the artist's "Pharus" project initiated in 2005, the artworks frame lighthouses beyond their navigational utility as enduring symbols of guidance and hope.

The opening ceremony featured a guided tour by the artist, as well as a discussion session and a musical performance.

Linking contemporary art with Red Sea maritime heritage, the event is accompanied by an ongoing public program offering film screenings, poetry evenings, creative photography workshops, and family activities such as lighthouse model-making.

The event forms part of the Museums Commission's initiatives to enrich the Kingdom's cultural landscape and foster creative dialogue by hosting international artistic experiences.