Fading Literature: Delhi's Famed Urdu Bazaar on Last Legs

A student sits beneath packed shelves at the Hazrat Shah Waliullah public library - AFP
A student sits beneath packed shelves at the Hazrat Shah Waliullah public library - AFP
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Fading Literature: Delhi's Famed Urdu Bazaar on Last Legs

A student sits beneath packed shelves at the Hazrat Shah Waliullah public library - AFP
A student sits beneath packed shelves at the Hazrat Shah Waliullah public library - AFP

In the bustling heart of Old Delhi, Indian bookseller Mohammed Mahfooz Alam sits forlorn in his quiet store, among the last few selling literature in a language beloved by poets for centuries.

Urdu, spoken by many millions today, has a rich past that reflects how cultures melded to forge India's complex history.

But its literature has been subsumed by the cultural domination of Hindi, struggling against false perceptions that its elegant Perso-Arabic script makes it a foreign import and a language of Muslims in the Hindu-majority nation.

"There was a time when, in a year, we would see 100 books being published," said 52-year-old Alam, lamenting the loss of the language and its readership.
The narrow streets of Urdu Bazaar, in the shadow of the 400-year-old Jama Masjid mosque, were once the core of the city's Urdu literary community, a center of printing, publishing and writing.

Today, streets once crowded with Urdu bookstores abuzz with scholars debating literature are now thick with the aroma of sizzling kebabs from the restaurants that have replaced them.

Only half a dozen bookstores are left.

"Now, there are no takers," Alam said, waving at the streets outside. "It is now a food market."

- Dying 'day by day' -

Urdu, one of the 22 languages enshrined under India's constitution, is the mother tongue of at least 50 million people in the world's most populous country. Millions more speak it, as well as in neighbouring Pakistan.

But while Urdu is largely understood by speakers of India's most popular language Hindi, their scripts are entirely different.

Alam says he can see Urdu literature dying "day by day".

The Maktaba Jamia bookshop he manages opened a century ago. Alam took over its running this year driven by his love for the language.

"I have been sitting since morning, and barely four people have come," he said gloomily. "And even those were college or school-going children who want their study books."

Urdu, sharing Hindi's roots and mingled with words from Persian and Arabic, emerged as a hybrid speech between those who came to India through trade and conquest -- and the people they settled down amongst.

But Urdu has faced challenges in being viewed as connected to Islamic culture, a popular perception that has grown since the Hindu-nationalist Bharatiya Janata Party (BJP) of Prime Minister Narendra Modi took power in 2014.

- 'Feel the beauty' -

For centuries, Urdu was a key language of governance.

Sellers first set up stores in the Urdu Bazaar in the 1920s, selling stacks of books from literature to religion, politics and history -- as well as texts in Arabic and Persian.

By the 1980s, more lucrative fast-food restaurants slowly moved in, but the trade dropped dramatically in the past decade, with more than a dozen bookshops shutting down.

"With the advent of the internet, everything became easily available on the mobile phone," said Sikander Mirza Changezi, who co-founded a library to promote Urdu in Old Delhi in 1993.

"People started thinking buying books is useless, and this hit the income of booksellers and publishers, and they switched to other businesses."

The Hazrat Shah Waliullah Public Library, which Changezi helped create, houses thousands of books including rare manuscripts and dictionaries.

It is aimed at promoting the Urdu language.

Student Adeeba Tanveer, 27, who has a masters degree in Urdu, said the library provided a space for those wanting to learn.

"The love for Urdu is slowly coming back," Tanveer told AFP, adding that her non-Muslim friends were also keen to learn.

"It is such a beautiful language," she said. "You feel the beauty when you speak it."



Misk Announces Annual Creative Forum 2024

Misk Announces Annual Creative Forum 2024
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Misk Announces Annual Creative Forum 2024

Misk Announces Annual Creative Forum 2024

Saudi Arabia’s Misk Art Institute, an affiliate of the Mohammed bin Salman Foundation (Misk), announced its annual Creative Forum 2024, which will take place at Mohammed bin Salman Nonprofit City (Misk City) on November 1 and 2.

Now in its fifth edition, the forum will feature panel discussions, interactive activities, and performances. Since its launch in 2020, the Creative Forum has become a key event during Misk Art Week, the Misk Art Institute's flagship initiative, reported the Saudi Press Agency on Saturday.

CEO of the Misk Art Institute Reem Al Sultan said: "Hosting the Creative Forum at Misk City marks our first step toward moving into the Misk Art Institute building in Mohammed bin Salman Nonprofit City in 2025. We will also unveil expanded programs and activities aimed at fostering the growth of the cultural and arts sector in the Kingdom and supporting artists."

This year's forum, themed "Media and Technology," will gather thought leaders and experts from around the world at Misk City's Experience Center, a space dedicated to nurturing creativity and engaging youth. Discussions will focus on how media and technology can create new opportunities for artists and society, exploring the role of media in promoting interactive participation and the ways technology has revolutionized exploration and interaction.

In alignment with this theme, the Misk Art Institute will present the exhibition “The Silent Age of Singularity”, running from November 3, 2024, to February 27, 2025. The exhibition will examine the post-internet era, marked by technology's pervasive influence on society.

Curated by the Director of the Curatorial Department and Chief Curator at the Misk Art Institute Basma Al-Shathry, with assistance from Assistant Curator Aram Al-Ajaji, the exhibition will be held at Prince Faisal bin Fahd Arts Hall. It aims to highlight how the Internet has impacted daily life, showcasing transformations brought about by satellites, television, and the Internet in global connectivity, cultural exchange, and information dissemination.

Al-Shathry noted: "The Internet has evolved from simply a communication tool to an essential part of our daily lives. Our exhibition examines the changes that have transformed the ways we communicate, create, and understand the world."

Participating artists in the exhibition include Ibrahim Abumsmar (Saudi Arabia), Mahdi Al Jeraibi (Saudi Arabia), Turki Al-Qahtani (Saudi Arabia), Omar Al-Zahrani (Saudi Arabia), Mohammed Sharrouro (Morocco), Ayman Yasser Didban (Palestine/Saudi Arabia), Iman Al-Jabreen (Saudi Arabia), Mounir Fatmi (Morocco), Samia Halabi (Palestine), David Hockney (United Kingdom), Sofiane El Idrissi (Morocco), Ziad Kaaki (Saudi Arabia), Khaled Makhshoush (Saudi Arabia), Ahmed Matar (Saudi Arabia), Bennett Miller (United States), Nam June Paik (South Korea), John Salvest (United States), Faisal Samra (Saudi Arabia), and Anya Soliman (Egypt/Poland).