Arab Week at UNESCO Strengthens Saudi Arabia's Position in Cultural Dialogue

The UNESCO logo is seen during the opening of the 39th session of the General Conference of the United Nations Educational, Scientific and Cultural Organization at their headquarters in Paris, France, Oct. 30, 2017. Reuters
The UNESCO logo is seen during the opening of the 39th session of the General Conference of the United Nations Educational, Scientific and Cultural Organization at their headquarters in Paris, France, Oct. 30, 2017. Reuters
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Arab Week at UNESCO Strengthens Saudi Arabia's Position in Cultural Dialogue

The UNESCO logo is seen during the opening of the 39th session of the General Conference of the United Nations Educational, Scientific and Cultural Organization at their headquarters in Paris, France, Oct. 30, 2017. Reuters
The UNESCO logo is seen during the opening of the 39th session of the General Conference of the United Nations Educational, Scientific and Cultural Organization at their headquarters in Paris, France, Oct. 30, 2017. Reuters

The Arab Week will open on Monday at the United Nations Educational, Scientific and Cultural Organization (UNESCO) headquarters in Paris.

The event plays a significant role in advancing Arab and international cultural and civilizational efforts, contributing to the progress of education, culture, and science at regional and global levels.

This is the first time in over half a century that Arab countries have organized an Arab Week at UNESCO. The event is spearheaded by the Saudi National Committee for Education, Culture and Science, which reinforces the Kingdom's position in regard to cultural dialogue and coexistence.

The event celebrates the rich cultural heritage of the Arab world through literature and arts. It also provides opportunities for intercultural dialogue, with all Arab countries showcasing the richness and diversity of Arab culture and civilization, promoting intercultural understanding, and contributing to cultural development.
Arab Week at UNESCO features 22 spaces dedicated to Arab countries, each showcasing different aspects of the Arab culture. Seven seminars will focus on topics such as Arabic language, Arabic calligraphy, Arabic literature, AI, education, fine arts, intangible cultural heritage, and world heritage.

The Arab Week will also be an occasion to display activities such as musical performances, handicrafts, Arab fashion, and Arab cuisine. Attendees will also have the chance to explore a cultural exhibition, an Arabic calligraphy exhibition, a photography exhibition of heritage sites in the Arab world, and an exhibition of Arab cultural products.

The committee's work aims to represent the Kingdom in regional and international organizations concerned with education, culture, communication, and information. It focuses on preparing and providing support for cooperation with international and non-profit organizations, building communication bridges, and leveraging all capabilities to foster initiatives that enhance cultural dialogue between Arab countries and the rest of the world. This effort culminates in the significant initiative of Arab Week at UNESCO, which has received the support and endorsement of the Arab countries, and which will highlight their historical diversity and cultural pluralism, as well as their values rooted in a rich cultural and civilizational heritage.



Syria's Aleppo Set for Revival Despite War Scars to its Heritage

During the four years of fighting before Assad's forces recaptured Aleppo following a devastating siege, the city was virtually emptied - AFP
During the four years of fighting before Assad's forces recaptured Aleppo following a devastating siege, the city was virtually emptied - AFP
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Syria's Aleppo Set for Revival Despite War Scars to its Heritage

During the four years of fighting before Assad's forces recaptured Aleppo following a devastating siege, the city was virtually emptied - AFP
During the four years of fighting before Assad's forces recaptured Aleppo following a devastating siege, the city was virtually emptied - AFP

The historic Baron Hotel in Syria's Aleppo is dilapidated and damaged by years of war but still standing and ready for a revival, much like the city itself.

Aleppo's old city, designated a UNESCO World Heritage site, was ravaged by the conflict that erupted after a government crackdown on protests in 2011.

Between 2012 and 2016, it became a battleground between Syria's military and opposition factions.

The army of now-ousted president Bashar al-Assad shelled opposition fighters from the ground and struck them from the air, supported by Russian firepower.
Opposition groups, meanwhile, used mortars and artisanal rockets, as the fighting turned ancient streets into sniper alleys.

During the four years of fighting before the government recaptured Aleppo following a devastating siege, the city was virtually emptied.

Now, after Assad's fall following a lightning opposition offensive led by Hayat Tahrir al-Sham, residents are looking forward to reconstruction.

"Unfortunately, more than 60 percent of the edifices in the old city, monuments of the old city of Aleppo, were devastated to ground zero," said Georges Edleby, a tour guide in the city for 35 years.

"Hopefully there will be a day that we see them again restored."

The ancient souks where Aleppo's famed olive oil soap is piled up in stacks for sale has been reduced in many places to little more than rubble.

- 'Hope for a better life' -

Aleppo's medieval citadel, however, remains relatively intact.

Opposition fighters, one with a rose slipped into the barrel of his gun, stood guard outside the ancient ramparts, which Syria's army turned into a stronghold during the war.

Most of the damage in the citadel was caused by a 2023 earthquake, locals say.

Below in the old city, a few alleys of the souk -- once the largest in the world with 4,000 stalls -- have reopened after being restored, including with Saudi financial aid.

Jamal Habbal, 66, has spent all his life under the stone vaults of the old city and reopened his macrame and rope shop there a year ago.

"We have so many memories here. It was a big market that was vibrant and lively. Girls used to come to buy items for their trousseaus. They could find everything," he told AFP.

"And then suddenly, the crisis," he said, reluctant to even say the word war.

"We had to leave. I returned in 2018, but it's still difficult," he added, speaking in a dark and largely deserted alley.

Fadel Fadel has also reopened his shop offering souvenirs, soap and mother-of-pearl inlaid boxes.

"It was completely destroyed here," said the 51-year-old.

He is hoping to see Aleppo returned to its status as a "center of commerce, industry and tourism."

"We hope for a better life."

- Museum ready to reopen -

Outside, dusty streets wind between ruins that await reconstruction and revival.

The Baron Hotel once welcomed Agatha Christie, Egyptian president Gamal Abdel Nasser and France's Charles de Gaulle.

Visitors flocked to see the somewhat faded glory of its rooms, as well as its terrace and the unpaid bar bill belonging to one Lawrence of Arabia.

But now, several broken windows adorned with shutters hanging from a single hinge offer a view into a deserted building covered in dust.

The hotel's future is uncertain.

Its last owner, Armen Mazloumian, has passed away. He told AFP back in 2014 that he felt the hotel's glory days were behind it and it would "never be what it once was again".

Nearby, however, the National Museum of Aleppo is readying to reopen. Its courtyard was hit in shelling but its building and collection were spared.

Director Ahmed Othman said the museum "took lessons from the experience of our neighbours," including institutions in Iraq and Lebanon.

"We took the necessary measures to protect our collections," he said.

"The statues that were too heavy to move were encased in concrete and the smaller pieces were moved to safe places."

Treasures that trace nine millennia of history and the birth of writing in nearby Mesopotamia have been preserved unharmed as a result.

"We did many things in order to protect the museum as a whole," said Othman