Istanbul’s Historic Baths Keep Hammam Tradition Alive

Built 500 years ago, Istanbul's Zeyrek Cinili Hammam recently reopened after a restoration process that took 13 years. (AFP)
Built 500 years ago, Istanbul's Zeyrek Cinili Hammam recently reopened after a restoration process that took 13 years. (AFP)
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Istanbul’s Historic Baths Keep Hammam Tradition Alive

Built 500 years ago, Istanbul's Zeyrek Cinili Hammam recently reopened after a restoration process that took 13 years. (AFP)
Built 500 years ago, Istanbul's Zeyrek Cinili Hammam recently reopened after a restoration process that took 13 years. (AFP)

For centuries, hammams were central to Ottoman society, and while they fell out of use in Türkiye with the advent of running water, many are being restored to revive an ancient ritual bathing tradition.

Often featured in older Turkish films, hammam scenes are highly entertaining, with women not only bathing but enjoying these historical bathhouses as a place to socialize, eat, and even dance.

Last year, the 500-year-old Zeyrek Cinili Hammam -- built during the reign of Suleiman the Magnificent by the celebrated Ottoman architect Sinan -- reopened to the public after a painstaking 13-year restoration.

Alongside a functioning hammam, it also houses a museum explaining its history and the Ottoman ritual of bathing.

"The restoration somehow turned into an archaeological dig" that gave insight into how the hammam once looked, museum manager Beril Gur Tanyeli told AFP.

"Around 3,000 pieces of missing tiles were found which helped solve the puzzle of why this hammam was called Cinili" -- Turkish for "covered with tiles".

The beautiful Iznik tiles that once lined its walls were exclusively produced for the hammam, with no other bathhouse having such a rich interior, museum officials say.

Although most were damaged by fires or earthquakes, or sold off to European antique dealers in the 19th century, some are still visible.

The restoration also exposed several Byzantine cisterns beneath the hammam.

"Sinan the Architect is believed to have built the hammam on top of these cisterns to use them as a foundation and as a source of water," Tanyeli said.

Istanbul's celebrated royal architect Sinan designed the Zeyrek Cinili Hammam and built it over several Byzantine cisterns as a water source. (AFP)

- From cleansing to celebration -

In ancient Rome, bathing culture was very important and it was "traditional for traders to wash before entering the city, especially in baths at the (city) entrance," archaeologist Gurol Tali told AFP.

During the Ottoman empire, bathing culture had its golden age, with the ritual symbolizing both bodily cleanliness and purity of soul.

In Islam, a Muslim must wash before praying, in an act known as ablution.

Hammams were also a place for celebrating births and weddings.

"Baths were used not only for cleansing the body but for socializing, relaxing, healing and even celebrating important life events," with special rites for brides, soldiers and those who had undergone circumcision, Tali said.

Since households at the time did not have running water, hammams were an essential part of life until the 19th century, with census figures from 1638 showing there were 14,536 public and private baths in Istanbul, the museum says.

And that tradition has survived until today.

"You come here to get clean and leave handsome," said Zafer Akgul, who was visiting one of the city's hammams in the city with his son, telling AFP he visited often, particularly during religious feasts or for a wedding.

"We don't want this tradition to die."

Alongside the bathhouse, the Zeyrek Cinili Hammam also houses a museum showcasing pieces like these intricately decorated wooden clogs. (AFP)

- 'Passing on cultural heritage' -

That is where Istanbul's ancient hammams can serve a bigger purpose, Tali said.

"Restoring historical baths in Istanbul and putting them to use may be the most effective way to transfer cultural heritage to future generations," he said.

Another nearby bath house from the same era, the Beyazid II Hammam, underwent years of restoration and reopened as a museum in 2015.

One of the largest hammams in the city at the time, some historians believe it was where a notorious male bathing attendant, or "tellak", called Halil plotted an uprising that in 1730 overthrew Sultan Ahmed III.

For Manolya Gokgoz, who does publicity for Cemberlitas Hammam, another 16th-century bathhouse built by the royal architect Sinan, the connection is more personal: her grandmother worked there as a "natir" -- a woman's bathing attendant.

"When I was two or three years old, I would go to the baths in the morning, wash and play by myself until the evening without getting bored," she told AFP.

The museum at the Zeyrek Cinili Hammam celebrates the ancient bathing ritual. (AFP)

For Gokgoz, the tradition lives on -- although mostly among tourists, which for her is a shame.

"In the past, we used to go to the hammam with our mothers and grandmothers. Now 70 percent of our customers are foreign tourists and 30 percent locals," she said.

These days, the hammam experience -- which lets bathers relax in hot, warm or cool pools alongside extras like massages or peeling -- is quite expensive, with the basic service costing around $100.

Celebrities, both Turkish and international, often visit Cemberlitas, with the last being Spanish actor Pedro Alonso -- the character Berlin in the Netflix hit "Money Heist" -- who visited in September.

"Hammam is not a luxury, but a need," Gokgoz said.

"Yes, it's not like in the past because we have hot water at our fingertips, but we need to keep this tradition alive."



Italy Uncovers Basilica Designed by Vitruvius, the 'Father of Architecture'

A handout photo made available by Regione Marche press office shows the excavations in Piazza Andrea Costa from which large columns emerge, remains believed of the Basilica of Vitruvius, in Fano, Italy, 19 January 2026. (EPA/Regione Marche press office)
A handout photo made available by Regione Marche press office shows the excavations in Piazza Andrea Costa from which large columns emerge, remains believed of the Basilica of Vitruvius, in Fano, Italy, 19 January 2026. (EPA/Regione Marche press office)
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Italy Uncovers Basilica Designed by Vitruvius, the 'Father of Architecture'

A handout photo made available by Regione Marche press office shows the excavations in Piazza Andrea Costa from which large columns emerge, remains believed of the Basilica of Vitruvius, in Fano, Italy, 19 January 2026. (EPA/Regione Marche press office)
A handout photo made available by Regione Marche press office shows the excavations in Piazza Andrea Costa from which large columns emerge, remains believed of the Basilica of Vitruvius, in Fano, Italy, 19 January 2026. (EPA/Regione Marche press office)

Italian officials on Monday hailed the discovery of a more than 2,000-year-old public building attributed to Vitruvius, the ancient Roman architect and engineer known as the "father of architecture."

"It is a sensational finding ... something that our grandchildren will be talking about," Italian Culture Minister Alessandro Giuli told a press conference.

Vitruvius, who lived in the ‌1st century BC, ‌is celebrated for having written "De architectura," ‌or ⁠The Ten ‌Books on Architecture, the oldest surviving treatise on the subject.

His teachings on the classical proportions of buildings have inspired artists over centuries, including Leonardo da Vinci, whose famous drawing of the human body is known as the "Vitruvian Man."

Archaeologists believe they have found ⁠the remains of an ancient basilica, or public building, in the central ‌Italian city of Fano northeast of ‍Rome, that was created ‍by Vitruvius.

"I feel like this is the discovery ‍of the century, because scientists and researchers have been searching for this basilica for over 500 years," said the Mayor of Fano Luca Serfilippi.

"We have absolute match" between what was discovered and the descriptions given by Vitruvius in his books, regional archaeological superintendent Andrea Pessina told reporters.

The basilica had a rectangular layout, with 10 columns on the long side, and four on the short ones, Pessina said.

During excavation, when traces of four columns emerged, archaeologists used Vitruvius' descriptions to calculate where the top right column should be. When they started digging, they found it immediately, Pessina said.

"The are few certainties in archaeology ... but we were impressed by the precision" of the match, he added.

Further digging will determine whether more of the ‌basilica lies underground and if the site can be shown to the public, the superintendent said.


French TV Broadcasts Louvre Robbery Images

People wait for the Louvre museum to open as employees at the Louvre Museum vote to extend a strike that has disrupted operations at the world's most visited museum, Thursday, Dec. 18, 2025 in Paris. (AP)
People wait for the Louvre museum to open as employees at the Louvre Museum vote to extend a strike that has disrupted operations at the world's most visited museum, Thursday, Dec. 18, 2025 in Paris. (AP)
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French TV Broadcasts Louvre Robbery Images

People wait for the Louvre museum to open as employees at the Louvre Museum vote to extend a strike that has disrupted operations at the world's most visited museum, Thursday, Dec. 18, 2025 in Paris. (AP)
People wait for the Louvre museum to open as employees at the Louvre Museum vote to extend a strike that has disrupted operations at the world's most visited museum, Thursday, Dec. 18, 2025 in Paris. (AP)

Footage of the spectacular robbery at the Louvre Museum has been broadcast for the first time on French television, showing the brazen jewel thieves breaking into display cases.

The images, filmed by surveillance cameras, were shown by the TF1 and public France Televisions channels on Sunday evening, three months after the hugely embarrassing break-in in October.

They show the two burglars, one wearing a black balaclava and a yellow high-visibility jacket, the other dressed in black with a motorcycle helmet, as they force their way into the Apollo Gallery.

After breaking in through a reinforced window with a high-powered disk cutters, they begin slicing into display cases under the eyes of several staff members who do not intervene.

Managers at the Louvre have stressed that staff are not trained to confront thieves and are asked to prioritize the evacuation of visitors.

During the roughly four minutes that the two men were inside the gallery, one staff member can be seen holding a bollard used to orient visitor through the gallery, according to France Televisions.

The images form a key part of the ongoing criminal investigation into the October 19 heist.

Details of the footage have been reported in French newspapers, including Le Parisien.

Four suspects are in police custody, including the two suspected thieves, but the eight stolen items of French crown jewels worth an estimated $102 million have not been found.

The security failures highlighted by the break-in on a Sunday morning in broad daylight have lead to major pressure on director Laurence des Cars, who has apologized.

Metal bars have since been installed over the windows of the Apollo Gallery.


Cultural Development Fund Highlights Economic Value of Saudi Culture in Davos

The Cultural Development Fund (CDF) logo
The Cultural Development Fund (CDF) logo
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Cultural Development Fund Highlights Economic Value of Saudi Culture in Davos

The Cultural Development Fund (CDF) logo
The Cultural Development Fund (CDF) logo

The Cultural Development Fund (CDF) is participating in the Saudi House pavilion initiative, led by the Ministry of Economy and Planning, during the Annual Meeting of the World Economic Forum 2026, held in Davos, Switzerland, from January 19 to 23.

Through this participation, CDF aims to showcase the economic value of Saudi culture, highlight its role in diversifying the national economy and enhancing quality of life, attract international investment in the cultural sector, and spotlight Saudi cultural entrepreneurship.

According to a statement from the fund, the CDF’s participation includes a networking breakfast bringing together global economic leaders and investors from various countries, with the aim of raising awareness of Saudi culture as an economic force and a key pillar of Saudi Vision 2030.

The event will also provide a platform for exchanging perspectives and opportunities with international investors and financial institutions, while offering a closer look at the enablers of the Saudi cultural sector and its investment opportunities.

As part of the event, the CDF will host a panel discussion titled “Investing in Culture as an Economic Engine” that will feature CEO of the Cultural Development Fund Majed bin Abdulmohsen Al-Hugail, alongside Deputy Minister of Cultural Strategies and Policies at the Ministry of Culture Albara Al-Auhali.

The discussion will address the economic value of culture globally and locally, highlighting the CDF’s role in providing financial solutions that support cultural enterprises and enable their contribution to GDP growth and quality of life. The session will also explore cultural policies and their impact on strengthening the sector’s economic and investment potential.

Within the NextOn dialogue series organized by the Saudi House in Davos, the Cultural Development Fund will enable supported cultural projects to share their success stories and highlight their role in enhancing cultural production and increasing its economic value.

Participating entrepreneurs include Co-Founder of AlMashtal Creative Incubator Princess Noura bint Saud bin Naif, and CEO of Arabian Housing and Building company (AHB) Khalid Henaidy, who will speak about the role of entrepreneurship in shaping the future of the Kingdom’s cultural economy.

‏This participation underscores the CDF’s role as a center of excellence and financial enabler for the cultural sector in the Kingdom, and forms part of its efforts to strengthen the presence of Saudi cultural dynamism on the global stage. It aligns with the CDF’s objectives to maximize the cultural sector’s economic and social impact, increase its contribution to GDP, quality of life, and advance the goals of Saudi Vision 2030.