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Saudi Culture Ministry, King's Foundation Sign Cooperation Agreement to Participate in Year of Handicrafts 2025

The signing ceremony was held in the presence of Saudi Minister of Culture Prince Bader bin Abdullah bin Farhan. SPA
The signing ceremony was held in the presence of Saudi Minister of Culture Prince Bader bin Abdullah bin Farhan. SPA
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Saudi Culture Ministry, King's Foundation Sign Cooperation Agreement to Participate in Year of Handicrafts 2025

The signing ceremony was held in the presence of Saudi Minister of Culture Prince Bader bin Abdullah bin Farhan. SPA
The signing ceremony was held in the presence of Saudi Minister of Culture Prince Bader bin Abdullah bin Farhan. SPA

The Saudi Ministry of Culture has signed a cooperation agreement with The King's Foundation to participate in the Year of Handicrafts 2025 initiative through the Foundation's School of Traditional Arts.

The signing ceremony, which was held in the presence of Saudi Minister of Culture Prince Bader bin Abdullah bin Farhan, took place on Wednesday on the sidelines of the Saudi International Handicrafts Week Exhibition (Banan), held at the Roshan Front in Riyadh.

The ministry was represented at the signing ceremony by Deputy Minister of Culture Hamed bin Mohammed Fayez, while the foundation was represented by the director of the King Charles School of Traditional Arts at The King's Foundation, Dr. Khaled Omar Azzam.

The agreement aims to revive and promote handicrafts in the Kingdom in 2025 through collaboration to prepare and implement training programs in the field of crafts in several Saudi regions. A key component of the agreement entails launching the "Regeneration of the Crafts of Saudi Arabia" program, which commences in early January 2025.
The School of Traditional Arts at The King's Foundation will develop a customized program and execute training initiatives focused on design and crafts, primarily to regenerate and renew Saudi craft traditions across different regions of the Kingdom.
The King's Foundation is a charitable, educational institution established in 1986 by Britain’s King Charles, formerly the Prince of Wales.
It aims to teach and demonstrate the principles of urban design and traditional architecture, highlighting the importance of prioritizing the people and communities at the center of the design process.
The Foundation's School of Traditional Arts places significant emphasis on traditional arts and skills through graduate programs and training courses in the creative artistic practice of these arts.
The agreement constitutes a strategic implementation of the Ministry of Culture's commitment to fostering international cultural exchange, which represents a core objective within the comprehensive National Culture Strategy under the framework of Saudi Vision 2030.
Through this agreement, the ministry seeks to support the Year of the Handicrafts 2025 activities by implementing targeted training and development programs in design and craftsmanship for Saudi artisans. This initiative falls under the ministry's broader efforts to enhance craft production across the Kingdom.

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Iran's Vast Collection of Western Art, Much Long Hidden, Re-Emerges Despite High Tensions With US

A woman walks past a portrait of the leader of the American Indian Movement Russell Means, right, by American artist Andy Warhol, as she visits an exhibition titled Eye to Eye which showcases over 120 works by modern world artists as well as Iranian painters at Tehran Museum of Contemporary Art, in Tehran, Thursday, Nov. 21, 2024. (AP Photo/Vahid Salemi)
A woman walks past a portrait of the leader of the American Indian Movement Russell Means, right, by American artist Andy Warhol, as she visits an exhibition titled Eye to Eye which showcases over 120 works by modern world artists as well as Iranian painters at Tehran Museum of Contemporary Art, in Tehran, Thursday, Nov. 21, 2024. (AP Photo/Vahid Salemi)
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Iran's Vast Collection of Western Art, Much Long Hidden, Re-Emerges Despite High Tensions With US

A woman walks past a portrait of the leader of the American Indian Movement Russell Means, right, by American artist Andy Warhol, as she visits an exhibition titled Eye to Eye which showcases over 120 works by modern world artists as well as Iranian painters at Tehran Museum of Contemporary Art, in Tehran, Thursday, Nov. 21, 2024. (AP Photo/Vahid Salemi)
A woman walks past a portrait of the leader of the American Indian Movement Russell Means, right, by American artist Andy Warhol, as she visits an exhibition titled Eye to Eye which showcases over 120 works by modern world artists as well as Iranian painters at Tehran Museum of Contemporary Art, in Tehran, Thursday, Nov. 21, 2024. (AP Photo/Vahid Salemi)

As Iran faces increasing tensions with the West and turmoil at home, a new exhibition at the Tehran Museum of Contemporary Art is displaying Western artwork including pieces not seen by the public in at least a decade.
The unveiling of the exhibition “Eye to Eye” has drawn numerous women, their hair uncovered, to the underground galleries of the museum in Tehran's Laleh Park. Their presence, while unacknowledged by authorities, shows the way life has changed inside Iran just in the last few years even as the country's theocracy presses forward with enriching uranium to near-weapons grade levels and launching attacks on Israel during the ongoing Mideast wars, The Associated Press said.
“The first feeling that came to me, and I told my parents, was that I can’t believe I’m seeing these works, which have always been kept far from our eyes,” said Aida Zarrin, a young woman at the museum.
“If such events are held here and we can see artworks like the rest of the world, it’s enough. They are really precious.”
The government of Iran’s Western-backed shah, Mohammad Reza Pahlavi, and his wife, the former Empress Farah Pahlavi, built the museum and acquired the vast collection in the late 1970s, when oil boomed and Western economies stagnated. Upon opening, it showed sensational works by Pablo Picasso, Mark Rothko, Claude Monet, Jackson Pollock and other heavyweights, enhancing Iran’s cultural standing on the world stage.
But just two years later, in 1979, Shiite clerics ousted the shah and packed away the art in the museum’s vault. Some paintings — cubist, surrealist, impressionist and even pop art — sat untouched for decades to avoid offending Islamic values and the appearance of catering to Western sensibilities. Nearly everything is believed still to be there, though an Andy Warhol print of the empress was slashed during the revolution.
Today, the collection is likely worth billions of dollars. Even with Iran now cash-strapped under Western sanctions, officials with the museum have been able to advocate for keeping the collection, though there have been occasional trades in the past for items from Persian history. Those sanctions may increase under the next administration of US President-elect Donald Trump.
As Iranian politics have thawed, re-frozen and thawed again, the collection resurfaces along with those changes.
Among the over 120 works being shown are ones from Picasso, Andy Warhol and Francis Bacon, along with celebrated Iranian artists. One of the Warhols, “Jacqueline Kennedy II,” is a silkscreen double image of the former US first lady in mourning after the 1963 assassination of her husband, President John Kennedy. Another Warhol portrait of Rolling Stones frontman Mick Jagger also garnered attention from the cellphone photo snappers.
“A lot of these works are important works in the history of art, and that’s why this show distinguishes itself from others,” said Jamal Arabzadeh, the exhibition's curator. ”A lot of people with less exposure to art have discovered the museum for the first time. ... We are seeing a part of the community that are discovering art and the museum and see the potential of this place, and this is something to be proud of.”
The presence of Western art comes as Iran's government has long fought against items like Barbie dolls and depictions of cartoon characters from “The Simpsons.” Such Western influences have been deemed un-Islamic in the past and have been seen as part of a “soft” cultural war against Iran.
With a ticket costing the equivalent of 14 US cents, the exhibition offers a rare government-sanctioned event not involving the country's politics or Shiite religion.
Among the visitors were many women defying the country's mandatory headscarf, or hijab, law. Crackdowns over the hijab have slowed down after Iran's presidential election in July that elected reformist President Masoud Pezeshkian, though individual cases of arrest continue to draw anger.
And for many, the cost of tickets to travel abroad given Iran's collapsing rial currency keep foreign museums out of reach.
“This is very attractive for art enthusiasts because not everyone can go and see museums abroad. It’s extremely exciting to see the works here,” said a woman who only gave her last name, Dolatshahi. “I had no idea I could see works by van Gogh and Picasso here.”