Seized Art by Dali and de Chirico Showcased in Milan Exhibition

A woman takes pictures of an illustration for Romeo and Juliet by Salvador Dali at exhibition "SalvArti, from Confiscations to Public Collections", a showcase of contemporary artworks coming from confiscations carried out by public authorities against organized crime, in Milan, Italy, December 3, 2024. (Reuters)
A woman takes pictures of an illustration for Romeo and Juliet by Salvador Dali at exhibition "SalvArti, from Confiscations to Public Collections", a showcase of contemporary artworks coming from confiscations carried out by public authorities against organized crime, in Milan, Italy, December 3, 2024. (Reuters)
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Seized Art by Dali and de Chirico Showcased in Milan Exhibition

A woman takes pictures of an illustration for Romeo and Juliet by Salvador Dali at exhibition "SalvArti, from Confiscations to Public Collections", a showcase of contemporary artworks coming from confiscations carried out by public authorities against organized crime, in Milan, Italy, December 3, 2024. (Reuters)
A woman takes pictures of an illustration for Romeo and Juliet by Salvador Dali at exhibition "SalvArti, from Confiscations to Public Collections", a showcase of contemporary artworks coming from confiscations carried out by public authorities against organized crime, in Milan, Italy, December 3, 2024. (Reuters)

Works by Salvador Dali and Giorgio De Chirico feature in an exhibition of more than 80 paintings and sculptures recovered by Italian authorities from money laundering and mafia probes that opened in Milan on Tuesday.

Hosted at Palazzo Reale, a few steps from Milan's Duomo cathedral, the "SalvArti" (Save Arts) exhibition of contemporary art also includes works by Andy Warhol, Keith Haring and Arnaldo Pomodoro, the organizers said.

The collection spans from the first half of the 20th century through to the early 2000s.

After a preview in Rome in November, the showcase will continue in Milan until the end of January. It then moves to the southern city of Reggio Calabria, in the heartland of the powerful mafia group 'Ndrangheta, until late April.

The pieces will eventually be distributed to several museums across Italy.



AlUla’s Cultural Legacy Takes Center Stage at the Marvels of Saudi Orchestra

The Music Commission's Marvels of Saudi Orchestra concert at AlUla's Maraya Hall. (SPA)
The Music Commission's Marvels of Saudi Orchestra concert at AlUla's Maraya Hall. (SPA)
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AlUla’s Cultural Legacy Takes Center Stage at the Marvels of Saudi Orchestra

The Music Commission's Marvels of Saudi Orchestra concert at AlUla's Maraya Hall. (SPA)
The Music Commission's Marvels of Saudi Orchestra concert at AlUla's Maraya Hall. (SPA)

The Music Commission's Marvels of Saudi Orchestra concert at AlUla's Maraya Hall showcased the region's rich cultural heritage by seamlessly blending traditional folk arts into a professional, contemporary symphonic performance.

The event featured renowned local folk arts integrated into an artistic tableau, demonstrating Saudi heritage's ability to thrive in modern contexts while maintaining its historical depth, the Saudi Press Agency reported.

This successful convergence of global musical standards and local tradition further establishes AlUla as a premier international hub for creative and cultural expression.


Saudi Cultural Development Fund Debuts at Davos to Showcase Culture as Economic Engine

Saudi Cultural Development Fund Debuts at Davos to Showcase Culture as Economic Engine
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Saudi Cultural Development Fund Debuts at Davos to Showcase Culture as Economic Engine

Saudi Cultural Development Fund Debuts at Davos to Showcase Culture as Economic Engine

The Cultural Development Fund (CDF) successfully concluded its participation at the 2026 Annual Meeting of the World Economic Forum, held from January 19 to 23 in Davos, Switzerland, marking a historic and groundbreaking presence for Saudi culture at the world’s premier economic event.

Hosted at the Saudi House, the CDF engaged over 200 international experts, including leading economists and investors, through a series of dynamic activities such as a networking breakfast, panel discussion, and beneficiary talks on the NextOn platform. The CDF emphasized culture not only as a form of artistic and creative expression, but also as a vital economic driver and a strategic pillar for national development, SPA reported.

Reinforcing this vision, CDF CEO Majed Al-Hugail highlighted in a Davos panel Saudi Arabia's belief in culture as a pivotal force for economic diversification and quality of life. By 2030, he stated, the cultural sector is set to contribute $48 billion to GDP, create more than 346,000 jobs, and attract 22 million visitors.

The CDF also underscored the critical role of financing in empowering entrepreneurship and amplifying the economic potential of the cultural sector. Notable participants in the NextOn talk series included Co-Founder of AlMashtal Creative Incubator Princess Noura bint Saud bin Naif, who addressed “Culture as Economic Infrastructure: Unlocking Human Capital Through the Creative Industries.” Additionally, CEO of the Arabian Housing & Building (AHB) Company Eng. Khalid Alhenaidy contributed insights during a session titled “The Value in Cultural Assets.”

Looking ahead, the CDF organized six strategic side meetings aimed at exploring new opportunities and fostering collaborations to accelerate the development of the Saudi cultural sector and attract global investment. It also distributed 150 copies of the comprehensive investment report, Saudi Cultural Market Outlook 2025: Vision, Impact, and Opportunities, developed in partnership with the Ministry of Culture, the Ministry of Investment, and the Invest Saudi initiative.

Furthermore, the CDF showcased Saudi creativity by exporting 60 cultural products from Samuda, a fashion-sector beneficiary brand, highlighting the growing economic significance of the Saudi fashion market.

This milestone reflects the CDF’s commitment to serving as a center of excellence and financial enabler for the Kingdom’s cultural sector. It underscores ongoing efforts to elevate Saudi culture on the global stage, maximizing its economic and social impact in alignment with the ambitious objectives of Saudi Vision 2030.


Five Artists Shortlisted for the Seventh Edition of Ithra Art Prize

The shortlisted artists are Aseel AlYaqoub (Kuwait), Bady Dalloul (Syria), Heba Y. Amin (Egypt), Ala Younis (Jordan), and Jawad Al Malhi (Palestine) - SPA
The shortlisted artists are Aseel AlYaqoub (Kuwait), Bady Dalloul (Syria), Heba Y. Amin (Egypt), Ala Younis (Jordan), and Jawad Al Malhi (Palestine) - SPA
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Five Artists Shortlisted for the Seventh Edition of Ithra Art Prize

The shortlisted artists are Aseel AlYaqoub (Kuwait), Bady Dalloul (Syria), Heba Y. Amin (Egypt), Ala Younis (Jordan), and Jawad Al Malhi (Palestine) - SPA
The shortlisted artists are Aseel AlYaqoub (Kuwait), Bady Dalloul (Syria), Heba Y. Amin (Egypt), Ala Younis (Jordan), and Jawad Al Malhi (Palestine) - SPA

The King Abdulaziz Center for World Culture (Ithra) announced the five shortlisted artists for the seventh edition of the Ithra Art Prize, which celebrates artists from or based in the 22 Arab countries.

Recognized as one of the most distinguished honors in the Middle East, the Prize is dedicated to empowering artists, fostering innovation, and deepening cultural dialogue across the Arab world.

The shortlisted artists are Aseel AlYaqoub (Kuwait), Bady Dalloul (Syria), Heba Y. Amin (Egypt), Ala Younis (Jordan), and Jawad Al Malhi (Palestine), SPA reported.

Head of Ithra’s Museum Farah Abushullaih said: “The development and expansion of the Ithra Art Prize since its launch have established it as an important platform for artistic expression.

This year’s shortlist reflects the incredible diversity, creativity, and critical thought shaping contemporary art in the Arab world. The open call received more than 500 artistic submissions, which underwent an initial review process before a selected group of works was evaluated by the jury.”

She added that the award, in its current edition, is witnessing an expansion in scope compared to previous years, as the judging panel is providing production grants to the five finalists, with their works to be showcased in a dedicated exhibition at the King Abdulaziz Center for World Culture (Ithra) during the spring of 2026.