عربي English Türkçe اردو فارسى
Logo
Latest News
Culture

Saudi’s Al-Sayahid Desert Retreats in High Demand during King Abdulaziz Camel Festival

Al-Sayahid Desert retreats in Saudi Arabia are experiencing a significant increase in demand during the ongoing King Abdulaziz Camel Festival. (SPA)
Al-Sayahid Desert retreats in Saudi Arabia are experiencing a significant increase in demand during the ongoing King Abdulaziz Camel Festival. (SPA)
TT
TT

Saudi’s Al-Sayahid Desert Retreats in High Demand during King Abdulaziz Camel Festival

Al-Sayahid Desert retreats in Saudi Arabia are experiencing a significant increase in demand during the ongoing King Abdulaziz Camel Festival. (SPA)
Al-Sayahid Desert retreats in Saudi Arabia are experiencing a significant increase in demand during the ongoing King Abdulaziz Camel Festival. (SPA)

Tents and hotel rooms in Saudi Arabia’s Al-Sayahid area, currently hosting the King Abdulaziz Camel Festival, have reached full occupancy in the past few days due to increased demand driven by the pleasant weather and enhanced charm brought by rainfall, the Saudi Press Agency said on Sunday.
The festival's diverse events and associated activities have spurred a surge in the rental of tents and mobile rooms, which are now offering services akin to those of desert resort hotels.
Habish al-Habish, a camp renter interviewed by an SPA reporter, said there has been a significant increase in tent occupancy over the weekend, exceeding 100%. He highlighted the range of accommodation options available in the festival area, from standard rooms to desert resorts offering extensive services and organizing family events tailored to the region's ambiance.
The King Abdulaziz Camel Festival is a major global event that brings together camel enthusiasts and owners, showcases the heritage of the Arabian Peninsula, and emphasizes the cultural importance of camels in the Kingdom, reflecting Saudi pride in heritage, and the special significance of camels to the Saudi culture.

Most Viewed

 
 
Culture

Iran Artist's Vision For Culture Hub Enlivens Rustic District

Arabesque patterns feature in Yazdi's creations © ATTA KENARE / AFP
Arabesque patterns feature in Yazdi's creations © ATTA KENARE / AFP
TT
TT

Iran Artist's Vision For Culture Hub Enlivens Rustic District

Arabesque patterns feature in Yazdi's creations © ATTA KENARE / AFP
Arabesque patterns feature in Yazdi's creations © ATTA KENARE / AFP

In the winding alleys of southern Iran, artist Adel Yazdi has taken it upon himself to turn his rustic old neighbourhood into a cultural and tourist hub through vibrant paintings and carved relief faces.

Narenjestan, a neighbourhood characterized by crumbling, uninhabited houses, is nestled in Shiraz, a southern city celebrated for its historic architecture, lush gardens and revered poets.

"Most of the dilapidated walls in old Shiraz have no historical value," said Yazdi, a bushy-bearded, bespectacled 40-year-old artist who has dedicated himself to revitalising Narenjestan, AFP reported.

Yazdi has over the years turned the long-neglected neighbourhood walls into a vivid visual tapestry "telling the stories of the people living here," he said.

Arabesque patterns and relief faces carved with intricate details and painted in an array of vivid hues of greens, pinks, blues and purples now adorn the walls.

With its striking designs and bright colors, Yazdi's art can be reminiscent of Surrealism. It often comes across as surprising, showcasing a different side of Iran's artistic heritage that goes beyond the conventional focus on Persian or Islamic architecture.

The artwork includes the face of Scheherazade, Yazdi said, referencing the legendary storyteller from the "One Thousand and One Nights" collection of folktales.

Yazdi's work stands out in Shiraz where graffiti and murals are rare, becoming a social media sensation and a tourist attraction.

One visitor, Mahdieh, discovered Yazdi's murals through Instagram.

"I arrived in Shiraz yesterday... and it was the first site I wanted to visit," said the 40-year-old, who declined to give her last name.

At the end of one alleyway, Yazdi has established his workshop in a century-old building with small rooms encircling a serene garden.

He also lives in the building, with a traditional Persian architectural style.

It is filled with artefacts and sculptures, resembling a museum warehouse.

To Maedah, a 30-year-old engineer, Yazdi's house brings to mind "other historical places in the city, such as the Eram Garden and the Mausoleum of the Poet Hafez".

Yazdi said he drew inspiration from the Pompidou Center in Paris, a cultural hub that transformed the heart of the French capital in the 1970s.

He hopes his efforts can turn Shiraz's alleyways into even more of a vibrant cultural center as well.

At his residence, visitors are particularly drawn to what Yazdi calls "the Finger Room."

Inside, he installed around 14,000 finger sculptures on the ceiling, all pointing downward.

"The room is inspired by the legend of an angel that counts raindrops with thousands of fingers," he said, referring to an Islamic fable.

"These fingers are there to constantly remind us that the present moment is precious and that we must seize it."