Lanterns Light up Southern Chinese City Ahead of Lunar New Year 

People walk past a light installation ahead of the Lunar New Year of the Snake, at a new year lantern fair in Fuzhou, in eastern China's Fujian province on January 21, 2025. (AFP)
People walk past a light installation ahead of the Lunar New Year of the Snake, at a new year lantern fair in Fuzhou, in eastern China's Fujian province on January 21, 2025. (AFP)
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Lanterns Light up Southern Chinese City Ahead of Lunar New Year 

People walk past a light installation ahead of the Lunar New Year of the Snake, at a new year lantern fair in Fuzhou, in eastern China's Fujian province on January 21, 2025. (AFP)
People walk past a light installation ahead of the Lunar New Year of the Snake, at a new year lantern fair in Fuzhou, in eastern China's Fujian province on January 21, 2025. (AFP)

Dozens of giant lanterns in the shape of mythical creatures, flowers and legendary characters light up the night sky in southern China -- a dreamlike spectacle to mark the upcoming Lunar New Year holidays.

As night falls in the southern Chinese city of Fuzhou, lanterns -- some of them 10 meters high -- transform Hongguang Lake Park into a fantastical land of orange dragons, majestic sailboats, fish with sparkling turquoise scales and figures with angelic faces.

"Aren't these lanterns cool?" Lei Haoxin, a 17-year-old tourist wrapped up in a parka due to the cool weather, said.

"Super beautiful, right? We found the place thanks to Douyin," he explained, referring to China's version of TikTok.

"Usually, when we spot something interesting via the app, we try to go there," he explained.

Fuzhou is the capital of Fujian province, known throughout China for keeping many traditional New Year events alive.

Many lanterns are drawn from traditional folklore -- one features the likeness of Mazu, a sea deity popular across southern China, Taiwan and among the diaspora across Southeast Asia.

"This lantern is exquisitely made and looks even better than in the pictures," tourist Luo Meiling told AFP.

Also making an appearance is the mythical Monkey King, Sun Wukong, from the Chinese literary classic "Journey to the West".

Lanterns date back to a thousand-year-old tradition in China and are a common sight in the country, especially around the Lunar New Year, when millions flock to public spaces to take in their bright lights and vivid colors.

And with Chinese people around the world set to herald in the Year of the Snake on January 29, artistic lantern displays in all shapes and sizes have sprung up in towns and cities across the vast nation.

"We feel more of the New Year atmosphere in recent years," Qi, a 42-year-old resident of Fuzhou, who visited the park with her young son, told AFP.

"Mentalities are changing and people are making their children do more outdoor activities now," she explained.

"Many families come here to enjoy the fireworks and the entertainment."



Cultural Camp at King Abdulaziz Camel Festival Showcases Saudi Heritage

The camp celebrates authentic Saudi heritage and reinforces culture as a cornerstone of national identity - SPA
The camp celebrates authentic Saudi heritage and reinforces culture as a cornerstone of national identity - SPA
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Cultural Camp at King Abdulaziz Camel Festival Showcases Saudi Heritage

The camp celebrates authentic Saudi heritage and reinforces culture as a cornerstone of national identity - SPA
The camp celebrates authentic Saudi heritage and reinforces culture as a cornerstone of national identity - SPA

The cultural camp is a key feature of the 10th King Abdulaziz Camel Festival, held in Al-Sayahid desert. The camp celebrates authentic Saudi heritage and reinforces culture as a cornerstone of national identity, according to SPA.

It offers a range of programs, including live performances and interactive events, that highlight camels' historical significance in Arab culture and illustrate the values of patience, strength, and belonging.

The camp has attracted over 2,000 guests from 71 nationalities, emphasizing its global appeal as a cultural platform for diversity and tradition.

Visitors engage with cultural content through innovative methods that merge authenticity with modern technology, enhancing awareness of the camel's cultural legacy. This initiative aligns with Saudi Vision 2030 by preserving heritage and connecting younger generations with their roots.


Tuwaiq Sculpture 2026 Announces 25 Participating Artists for Seventh Edition

The 2026 edition features a month-long live sculpting phase alongside a community engagement program - SPA
The 2026 edition features a month-long live sculpting phase alongside a community engagement program - SPA
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Tuwaiq Sculpture 2026 Announces 25 Participating Artists for Seventh Edition

The 2026 edition features a month-long live sculpting phase alongside a community engagement program - SPA
The 2026 edition features a month-long live sculpting phase alongside a community engagement program - SPA

Under the Royal Commission for Riyadh City and Riyadh Art, Tuwaiq Sculpture has announced the selection of 25 artists for the seventh edition of the annual sculpture symposium and exhibition, taking place from January 10 to February 22, 2026.

This year’s edition unfolds under the curatorial theme “Traces of What Will Be,” inviting artists to reflect on how sculptural form can express the physical, cultural and conceptual traces that shape the future of cities and communities, SPA reported.

A total of 25 artists from 18 countries, including Saudi artists, have been selected for the seventh edition. Their proposals reflect a diverse range of artistic approaches, responding to the theme through explorations of transformation, place, and materiality.

Director of the Tuwaiq Sculpture Symposium Sarah Alruwayti said: "The seventh edition of Tuwaiq Sculpture received more than 590 applications, reflecting the cultural diversity and global interest in the symposium. The selection of the 25 participating artists was carried out by a jury of industry experts and specialists. Their proposals show meaningful engagement with the theme and reflect the strength and diversity of contemporary sculptural practice. We look forward to welcoming them to Riyadh for the creation of new works that will become lasting additions to the city.”

Building on the evolving material practice of the symposium, Tuwaiq Sculpture 2026 introduces two sculpting categories: granite with optional stainless-steel integration and reclaimed metal. Twenty artists will work in granite, while five will create new works in reclaimed metal. Over four weeks, they will produce large-scale sculptures that will later be added to Riyadh Art’s permanent public art collection.

The 2026 edition features a month-long live sculpting phase alongside a community engagement program, inviting visitors to witness the creation of artworks and take part in panel discussions and workshops. The symposium will conclude with a public exhibition showcasing the completed sculptures from its seventh edition.


ALECSO Celebrates Opening of Arabic Calligraphy Center in Saudi Arabia

Arabic calligraphy adorns wrcades, Walls of the Grand Mosque of Makkah - SPA
Arabic calligraphy adorns wrcades, Walls of the Grand Mosque of Makkah - SPA
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ALECSO Celebrates Opening of Arabic Calligraphy Center in Saudi Arabia

Arabic calligraphy adorns wrcades, Walls of the Grand Mosque of Makkah - SPA
Arabic calligraphy adorns wrcades, Walls of the Grand Mosque of Makkah - SPA

The Arab League of Educational, Cultural and Scientific Organization (ALECSO) congratulated Saudi Arabia on the opening of the Prince Mohammed bin Salman Global Center for Arabic Calligraphy in Madinah on December 22, 2025.

In a statement, ALECSO called the center a significant addition to the Arab and Islamic cultural landscape, noting its role in preserving Arabic calligraphy and enhancing its global presence, SPA reported.

This achievement reflects the Kingdom's commitment to culture and heritage, aligning with Saudi Vision 2030’s objectives of fostering cultural creativity and reinforcing Arabic identity.

ALECSO emphasized that such institutions serve as global bridges for cultural exchange and ensure the relevance of traditional arts through dedicated research and training facilities.