Mosul’s Renowned Minaret Restored from Ravages of ISIS

A view of the Al-Hadba Minaret in the Great Mosque of al-Nuri, which was rebuilt after it was blown up by ISIS militants, in Mosul, Iraq, February 5, 2025. REUTERS/Khalid al-Mousily/File Photo
A view of the Al-Hadba Minaret in the Great Mosque of al-Nuri, which was rebuilt after it was blown up by ISIS militants, in Mosul, Iraq, February 5, 2025. REUTERS/Khalid al-Mousily/File Photo
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Mosul’s Renowned Minaret Restored from Ravages of ISIS

A view of the Al-Hadba Minaret in the Great Mosque of al-Nuri, which was rebuilt after it was blown up by ISIS militants, in Mosul, Iraq, February 5, 2025. REUTERS/Khalid al-Mousily/File Photo
A view of the Al-Hadba Minaret in the Great Mosque of al-Nuri, which was rebuilt after it was blown up by ISIS militants, in Mosul, Iraq, February 5, 2025. REUTERS/Khalid al-Mousily/File Photo

Mosul’s Grand al-Nuri Mosque, known for its eight-century-old leaning minaret, destroyed by ISIS militants in 2017, has been renovated in a boost for Iraq's second city as it rebuilds after long years of war.

From the pulpit of this medieval mosque on July 4, 2014, ISIS leader Abu Bakr al-Baghdadi declared a self-styled ‘caliphate’ spanning parts of Syria and Iraq.

Three years later, the ultra hardline group demolished the mosque in the final weeks of a US-backed Iraqi campaign that ousted the militants from Mosul, their de facto capital in Iraq.

Protracted and fierce urban warfare largely reduced the historic landmarks of Iraq's second city to rubble.

Mahmoud Thannon, 70, a tailor who lives near the mosque and runs a tailor shop overlooking the mosque’s minaret, said his two sons were killed before the al-Hadba minaret was demolished.

"When I saw it collapse, I felt even sadder than when I lost my sons," he said. "Watching the Hadba minaret rise again is a joyous day. I feel our pride soaring high as well.”

“My dear martyred sons would be proud to see the minaret rebuilt if they were alive.” said Thannon, speaking inside his shop with images of his two sons hanging behind him.

He broke into tears as he recalled their deaths by shelling in May and June 2017 in the war against ISIS.

Reconstruction and restoration of the mosque and minaret were carried out in partnership with the UN cultural agency UNESCO, the European Union (EU) and the Iraqi State Board of Antiquities and Heritage.

UNESCO Director-General Audrey Azoulay said over $115 million were mobilized from no less than 15 partners.

“The fact to have it (the minaret) here behind me is like history coming back; is like the identity of this city coming back,” said Azoulay in a speech delivered on February 5 near the mosque to celebrate the completion of the rebuilding work.

The Iraqis called the 150-foot (45-meter) leaning minaret Al-Hadba, or "the hunchback."

The mosque was named after Nuruddin al-Zanki, a noble who fought the early crusaders from a fiefdom that covered territory in modern-day Türkiye, Syria and Iraq. It was built in 1172-73, shortly before his death, and housed an Islamic school.

The Old City's stone buildings, where the mosque is located, date mostly from the medieval period. They include market stalls, a few mosques and churches, and small houses built and rebuilt on top of each other over the ages.



'Talking Drum' Looted by France in 1916 Back in Ivory Coast

A crate containing the Djidji Ayokwe drum, at the airport in Abidjan, Ivory Coast. (Photo by Issouf SANOGO / AFP)
A crate containing the Djidji Ayokwe drum, at the airport in Abidjan, Ivory Coast. (Photo by Issouf SANOGO / AFP)
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'Talking Drum' Looted by France in 1916 Back in Ivory Coast

A crate containing the Djidji Ayokwe drum, at the airport in Abidjan, Ivory Coast. (Photo by Issouf SANOGO / AFP)
A crate containing the Djidji Ayokwe drum, at the airport in Abidjan, Ivory Coast. (Photo by Issouf SANOGO / AFP)

The Djidji Ayokwe "talking drum", which was looted by French colonial troops in 1916 and taken to France, arrived back in Ivory Coast Friday, in the latest repatriation of stolen artifacts.

The wooden drum, more than three meters (10 feet) long and weighing 430 kilos (950 pounds), was used by the Ebrie tribe to transmit messages.

It was officially handed over on February 20 after France's parliament approved removing the artifact from the national museum collections to enable its return.

Ivory Coast had asked in late 2018 for the return of the Djidji Ayokwe among 148 works of art taken during the colonial period.

It arrived aboard a specially chartered plane at Ivory Coast's main city Abidjan and remained inside a huge wooden crate stamped "fragile", AFP journalists saw.

"It's an historic day and I feel deep emotion," Culture Minister Francoise Remarck said, welcoming its arrival at the airport, where the Ebrie community also sang and played drums.

"We are living a moment of justice and remembrance," the minister added.

French President Emmanuel Macron promised in 2021 to send the drum and other artifacts back home to the west African country.

It is one of hundreds of objects France is preparing to send back to Africa, with the efforts set to be accelerated by the passing of a new law to authorize mass repatriations.

"We are happy and relieved to know that this sacred piece of our culture is back on its native land," Aboussou Guy Georges Mobio, an Ebrie village chief, told AFP.

The drum will initially be held in a "safe space" to allow it to acclimatize, the culture minister said.

It is due to go on display at the Museum of Civilizations in Abidjan which has been specially renovated.

The "talking drum" was used by the Ebrie community to warn of danger, mobilize for war or call villagers to ceremonies.

It was seized by colonial authorities in 1916 before being shipped to France in 1929 and exhibited in Paris.

Senegal and Benin have also asked for the repatriation of their treasures.

In late 2020, the French parliament adopted a law providing for the permanent return to Benin of 26 artifacts from the royal treasures of Dahomey.

The return of cultural artifacts taken from ex-colonies in Africa and elsewhere has become a sensitive issue, with museums, institutions and collectors in Europe and the United States facing pressure to give them back.


Red Sea Fund Launches Second Round to Support Film Projects in Production Stage

File photo of the fifth day of the Red Sea International Film Festival - SPA
File photo of the fifth day of the Red Sea International Film Festival - SPA
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Red Sea Fund Launches Second Round to Support Film Projects in Production Stage

File photo of the fifth day of the Red Sea International Film Festival - SPA
File photo of the fifth day of the Red Sea International Film Festival - SPA

The Red Sea Fund, affiliated with the Red Sea Film Foundation, announced the opening of applications to support film projects in the production stage within the second round of this year’s support program, which will continue until March 21, as part of its efforts to enhance the cinema industry and empower innovators in the region, SPA reported.

The round aims to support promising cinematic voices from the Kingdom and the Arab world, as well as filmmakers from Africa and Asia, through financial grants that help complete film projects and present their creative narratives globally, with a special focus on projects ready to enter production and begin filming.


Prince Mohammed bin Salman Project Restores Historic Al-Jami' Mosque in Tabuk Region

The renovation utilized modern technologies to restore the mosque's original identity - SPA
The renovation utilized modern technologies to restore the mosque's original identity - SPA
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Prince Mohammed bin Salman Project Restores Historic Al-Jami' Mosque in Tabuk Region

The renovation utilized modern technologies to restore the mosque's original identity - SPA
The renovation utilized modern technologies to restore the mosque's original identity - SPA

The Prince Mohammed bin Salman Project for the Development of Historical Mosques has completed the restoration of Al-Jami' Mosque in Duba, Tabuk Region, as part of its mission to preserve the Kingdom's architectural heritage under Vision 2030.

As one of Duba’s oldest landmarks, the mosque is deeply intertwined with the city’s maritime history, traditionally serving as a central meeting point for sailors. Throughout its history, the mosque underwent several construction phases, including significant contributions by King Abdulaziz and King Fahd, before its selection for the current national development project, SPA reported.

The renovation utilized modern technologies to restore the mosque's original identity, increasing its area to 972.23 square meters and its capacity to 779 worshippers. The architectural style is inspired by traditional Red Sea heritage, incorporating natural materials like stone, mud, and wood for intricate mashrabiyas.

Executed by specialized Saudi firms, the project balances traditional standards with sustainability to rehabilitate the site for worship while highlighting its cultural significance. By restoring such landmarks, the project ensures the preservation of the Kingdom’s diverse architectural and social memory for future generations.