US Says It’s Leaving UNESCO Again, Only 2 Years After Rejoining

This photograph shows the logo of the United Nations Educational, Scientific and Cultural Organization (UNESCO) headquarters in Paris on January 17, 2025. (AFP)
This photograph shows the logo of the United Nations Educational, Scientific and Cultural Organization (UNESCO) headquarters in Paris on January 17, 2025. (AFP)
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US Says It’s Leaving UNESCO Again, Only 2 Years After Rejoining

This photograph shows the logo of the United Nations Educational, Scientific and Cultural Organization (UNESCO) headquarters in Paris on January 17, 2025. (AFP)
This photograph shows the logo of the United Nations Educational, Scientific and Cultural Organization (UNESCO) headquarters in Paris on January 17, 2025. (AFP)

The Trump administration announced Tuesday that it will once again withdraw from the UN cultural agency UNESCO, an expected move that has the US further retreating from international organizations.

The decision to pull US funding and participation from UNESCO comes two years after the Biden administration rejoined following a controversial, five-year absence that began during President Donald Trump’s first term. The White House cited similar concerns as it did in 2018, saying it believes US involvement is not in its national interest and accusing the agency of promoting anti-Israel speech.

The decision, which won't go into effect until December 2026, will deal a blow to an agency known for preserving cultural heritage through its UNESCO World Heritage Sites program — which recognizes significant landmarks for protection, ranging from the Taj Mahal to Egypt's pyramids of Giza and the Grand Canyon National Park. The agency also empowers education and science across the globe.

It is the Trump administration’s latest move to pull support for UN agencies under a larger campaign to reshape US diplomacy. Under the "America First" approach, the administration has pulled out of the UN World Health Organization and the top UN human rights body, while reassessing its funding for others. This has left the UN, which is in the process of its own massive overhaul, reevaluating core programs and initiatives and what the international body would look like without support from the US — its largest donor.

State Department spokesperson Tammy Bruce said in a statement that the withdrawal was linked to UNESCO’s perceived agenda to “advance divisive social and cultural causes.”

She added that UNESCO’s decision in 2011 “to admit the ‘State of Palestine’ as a Member State is highly problematic, contrary to US policy, and contributed to the proliferation of anti-Israel rhetoric within the organization.”

UNESCO director general Audrey Azoulay said she “deeply” regrets the US decision but said it was expected and that the agency “has prepared for it.” She also denied accusations of anti-Israel bias, saying it contradicts “the reality of UNESCO’s efforts, particularly in the field of Holocaust education and the fight against antisemitism.”

Azoulay added that “the reasons put forward by the United States of America are the same as seven years ago, even though the situation has changed profoundly, political tensions have receded, and UNESCO today constitutes a rare forum for consensus on concrete and action-oriented multilateralism."

Danny Danon, Israel's ambassador to the UN, celebrated the announcement, saying in a statement that it is a “fitting response to the consistent misguided anti-Israel bias of UNESCO, an organization that has lost its way.”

The Biden administration had rejoined UNESCO in 2023 after citing concerns that China was filling the gap left by the US in UNESCO policymaking, notably in setting standards for artificial intelligence and technology education.

The withdrawal, which was first reported by the New York Post, came after a review ordered by the Trump administration earlier this year. While the US had previously provided a notable share of the agency’s budget, UNESCO has diversified its funding sources in recent years as the US contribution has decreased. Today, American assistance represents only 8% of the agency’s total budget.

Azoulay pledged that UNESCO will carry out its missions despite “inevitably reduced resources.” The agency said that it is not considering any staff layoffs at this stage.

“UNESCO’s purpose is to welcome all the nations of the world, and the United States of America is and always will be welcome,” she said. “We will continue to work hand in hand with all our American partners in the private sector, academia and non-profit organizations, and will pursue our political dialogue with the US administration and Congress.”

The US previously pulled out of UNESCO under the Reagan administration in 1984 because it viewed the agency as mismanaged, corrupt and used to advance the interests of the Soviet Union. It rejoined in 2003 during George W. Bush’s presidency.

France, where UNESCO is based, stated in a press release that it regrets the US’s decision to withdraw from the agency, which was founded in 1946 “to prevent conflicts through education, culture and tolerance.”

“France supports UNESCO, which backs several of its priorities at international level, particularly access to education for all, the protection of endangered heritage, the protection of our oceans, the responsible development of artificial intelligence and the fight against antisemitism and hate speech,” the French foreign ministry said.



Saudi Heritage Commission Announces Discovery of 20 Rock Engravings in Soudah Peaks Project

The newly identified sites feature inscriptions and rock carvings estimated to be between 4,000 and 5,000 years old. (SPA)
The newly identified sites feature inscriptions and rock carvings estimated to be between 4,000 and 5,000 years old. (SPA)
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Saudi Heritage Commission Announces Discovery of 20 Rock Engravings in Soudah Peaks Project

The newly identified sites feature inscriptions and rock carvings estimated to be between 4,000 and 5,000 years old. (SPA)
The newly identified sites feature inscriptions and rock carvings estimated to be between 4,000 and 5,000 years old. (SPA)

Saudi Arabia’s Heritage Commission, in collaboration with Soudah Development, a Public Investment Fund company, announced on Tuesday the discovery of 20 ancient rock art sites within the Soudah Peaks area.

Spanning more than 636.5 square kilometers across Soudah and parts of Rijal Almaa, the project area is now recognized as home to some of the region’s oldest cultural landmarks. The newly identified sites feature inscriptions and rock carvings estimated to be between 4,000 and 5,000 years old, offering valuable insights into the region’s rich history.

The findings include Thamudic inscriptions, along with vivid depictions of ibex, hyenas, and ostriches, as well as scenes of hunters, dancers, palm trees, and weapons, reflecting the environmental and social practices of the ancient communities that once inhabited the area.

The survey forms part of a memorandum of understanding signed between the Heritage Commission and Soudah Development. Conducted in four scientific phases, the initiative began with data collection and site analysis, concluding with the documentation and classification of high-value archaeological sites in preparation for future development and preservation efforts.

Soudah Development remains committed to protecting and promoting the natural and cultural heritage of the project area. The company continues to work towards creating an integrated cultural and tourism experience that reflects the authenticity and historical richness of the region, in line with its vision to transform Soudah Peaks into a premier luxury mountain destination rooted in heritage.


Ancient Rome Meets Modern Technology as Tourists Visit Restored, Frescoed Home via Livestream Tours

 Colosseum Archeological Park guide Valentina uses a head-mounted device to livestream a guided tour for the press of the newly-restored underground House of Griffins, dated between the II and I century B.C., on the Palatine Hill next to the Colosseum, in Rome, Tuesday, Jan. 13, 2026. (AP)
Colosseum Archeological Park guide Valentina uses a head-mounted device to livestream a guided tour for the press of the newly-restored underground House of Griffins, dated between the II and I century B.C., on the Palatine Hill next to the Colosseum, in Rome, Tuesday, Jan. 13, 2026. (AP)
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Ancient Rome Meets Modern Technology as Tourists Visit Restored, Frescoed Home via Livestream Tours

 Colosseum Archeological Park guide Valentina uses a head-mounted device to livestream a guided tour for the press of the newly-restored underground House of Griffins, dated between the II and I century B.C., on the Palatine Hill next to the Colosseum, in Rome, Tuesday, Jan. 13, 2026. (AP)
Colosseum Archeological Park guide Valentina uses a head-mounted device to livestream a guided tour for the press of the newly-restored underground House of Griffins, dated between the II and I century B.C., on the Palatine Hill next to the Colosseum, in Rome, Tuesday, Jan. 13, 2026. (AP)

One of the best-preserved ancient Roman homes on the Palatine Hill is opening to the public for the first time, albeit via a livestreamed tour of its hard-to-reach underground frescoes and mosaics.

The House of the Griffins was first discovered during the excavations in the early 20th century of the Palatine Hill, the verdant hill that rises up from the Roman Forum and dominates views of central Rome today with its striking red brick ruins.

The hill, located just off the Colosseum, was the site of temples and homes of leading citizens during Rome’s Republican era, which is traditionally dated from 509 B.C. to 27 B.C. It became the aristocratic quarter during the Roman Empire that followed, when new palaces were built on top of the older homes.

The House of the Griffins is one of those earlier Republican-era homes, and was hidden to the world underground after the Emperor Domitian built his palace on top of it in the first century A.D.

Now for the first time, the general public can virtually visit the House of the Griffins and its newly restored frescoes, including the decoration that gives the home its name: An arched lunette fresco featuring two griffins — the half-eagle, half-lion mythological creatures.

Visitors won’t actually walk through the home’s intimate rooms, which are only accessible via a perilously steep staircase underground. Rather, visitors above ground will watch as a tour guide wearing a head-mounted smartphone descends into the domus and walks through its rooms, livestreaming the visit and narration.

The live, virtual tour serves multiple purposes: It allows visitors to “see” a domus that, because of its underground location, would otherwise be off-limits. And by limiting the number of people in its rooms, the livestreaming protects the delicate frescoes from too much humidity and carbon dioxide.

Project chief Federica Rinaldi said archaeologists don’t know much about the family who lived there, but said they were clearly well-off. The level of decoration recalls some of the elegant homes of the era in Pompeii: The frescoes feature richly colored faux marble designs, and floor mosaics of three-dimensional cubes.

“Its location at the highest point of the hill, its distribution over several levels that take advantage of the slopes of the Palatine Hill itself, and its preservation make it today an almost textbook reference," she said. “It was certainly a domus of the highest standard.”

Starting on March 3, the livestreamed tours will be held weekly, on Tuesdays, with one in Italian and one in English, though more are foreseen. Groups are limited to a dozen people and require reservations, as well as an additional ticket beyond the typical Colosseum-Palatine Hill entrance fee.

The restoration of the House of the Griffins is one of 10 projects funded by the European Union in the archaeological park and is part of an effort to spread tourists out beyond the must-see Colosseum and Forum, which often get overwhelmed with visitors.

“It’s a great occasion to value the full territory of the park,” said the head of the park, Simone Quilici.


Sudan Recovers 570 Artifacts Looted During War

Artifacts that were recovered after being looted from the National Museum in Khartoum during the country's long-running war, are displayed during an official ceremony in Port Sudan on January 13, 2026. (AFP)
Artifacts that were recovered after being looted from the National Museum in Khartoum during the country's long-running war, are displayed during an official ceremony in Port Sudan on January 13, 2026. (AFP)
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Sudan Recovers 570 Artifacts Looted During War

Artifacts that were recovered after being looted from the National Museum in Khartoum during the country's long-running war, are displayed during an official ceremony in Port Sudan on January 13, 2026. (AFP)
Artifacts that were recovered after being looted from the National Museum in Khartoum during the country's long-running war, are displayed during an official ceremony in Port Sudan on January 13, 2026. (AFP)

Sudanese authorities displayed ancient figurines, ornate vases and scarab-shaped amulets at a ceremony Tuesday in Port Sudan celebrating the recovery of more than 570 antiquities stolen from the national museum during the country's long-running war.

The artifacts, arranged on large tables under heavy security, were recovered after months of investigation and brought to the wartime capital of Port Sudan.

The National Museum in Khartoum, which housed some of Sudan's most important archaeological collections, was looted and badly damaged after the paramilitary Rapid Support Forces (RSF) seized the capital in the early days of its war with the army, its former ally.

At the time, satellite images showed trucks carrying artifacts west, towards the vast region of Darfur -- now completely under RSF control.

Since then, Sudanese authorities have worked with UNESCO and Interpol to track down the stolen items.

Authorities did not detail on Tuesday exactly how the artifacts were recovered.

"Sudan heritage is not only of national importance, it is a treasure of humanity," said UNESCO's representative in Sudan, Ahmed Junaid, referring to international efforts to combat illicit trafficking of cultural property.

"Many people do not know the value of the objects displayed on the tables, but they reflect the identity of the nation and its history," said Sudan's finance minister Gibril Ibrahim.

Khalid Aleisir, minister of information and culture, announced a "financial reward" for anyone returning antiquities to the authorities, without specifying an amount.

Officials estimate that the recovered items account for about 30 percent of the objects looted from the museum.

Still missing are the contents of the so-called "gold room", the museum's most valuable collection, which included ancient jewellery and 24-carat gold pieces, some nearly 8,000 years old.