Winston Churchill's 'Playful' Paintings Go on Show in London

The 'Winston Churchill: The Painter' exhibition opens on Saturday at the Wallace Collection in London. Justin TALLIS / AFP
The 'Winston Churchill: The Painter' exhibition opens on Saturday at the Wallace Collection in London. Justin TALLIS / AFP
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Winston Churchill's 'Playful' Paintings Go on Show in London

The 'Winston Churchill: The Painter' exhibition opens on Saturday at the Wallace Collection in London. Justin TALLIS / AFP
The 'Winston Churchill: The Painter' exhibition opens on Saturday at the Wallace Collection in London. Justin TALLIS / AFP

As Britain's wartime leader, Winston Churchill was known for his stirring speeches, but a new London exhibition explores another side to his creativity -- as a passionate and prolific artist.

The exhibition opening Saturday at the Wallace Collection will be the most significant display of the statesman's paintings for more than 60 years, including over 50 canvases, many of them rarely seen in public.

Churchill first tried painting during World War I after he resigned from the government over the 1915 failed Dardanelles naval attack.

This was a "very difficult time in his life" when "he suddenly finds himself with all this unwanted leisure time", Lucy Davis, co-curator of the exhibition, told AFP.

"And he discovered painting as a way of releasing the stress, the anguish that the situation had caused him."

The museum presents a chronological survey starting with his first paintings, created with advice from renowned artist John Lavery, then canvases painted in the 1920s at Chartwell, the country house where Churchill lived with his family.

Largely self-taught while associating with well-known painters, Churchill quickly became interested in landscape painting and drew inspiration from holidays in the south of France to create brightly colored canvases dominated by blues and ochre.

- 'Loved the light' -

Churchill "saw painting as a spur to travel" and "just loved the light and warmth and atmosphere, which he captures so beautifully", said Davis.

A whole room is dedicated to canvases inspired by trips to Morocco, including "The Tower of the Koutoubia Mosque", the only painting that Churchill did during World War II. A gift to US President Franklin D. Roosevelt, the painting recently belonged to Hollywood star Angelina Jolie.

The exhibition ends with the postwar period when Churchill, defeated in a general election, began painting again and continued until his death in 1965, with some of his works going on display at the Royal Academy.

Churchill had previously shown paintings at various galleries, but always under an assumed name.

As a statesman, Churchill went down in history for his wartime leadership, but as an artist, he had little interest in depicting current world events, the curator stressed.

"He was a wartime leader. He was known for these very stirring wartime speeches. But in these paintings, you really see his joie de vivre, his witty side, his playful side."

One painting at the exhibition is an exception: "The Beach At Walmer", painted in 1938 as fears grew of imminent war.

It shows a sandy beach in southern England with bathers paddling. But in the foreground, a black cannon points at the sea, suggesting a looming threat.



Heat Forces Yodelers at Annual Swiss Festival to Sing in Fountains

 Yodelers prepare for TV broadcast on the main festival stage at Petersplatz in Basel, Switzerland, Saturday, June 27, 2026. (AP)
Yodelers prepare for TV broadcast on the main festival stage at Petersplatz in Basel, Switzerland, Saturday, June 27, 2026. (AP)
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Heat Forces Yodelers at Annual Swiss Festival to Sing in Fountains

 Yodelers prepare for TV broadcast on the main festival stage at Petersplatz in Basel, Switzerland, Saturday, June 27, 2026. (AP)
Yodelers prepare for TV broadcast on the main festival stage at Petersplatz in Basel, Switzerland, Saturday, June 27, 2026. (AP)

City fountains became impromptu rehearsal spaces this weekend as yodelers at a festival in Basel, Switzerland, squeezed in last-minute practice while cooling off during Europe’s June heat wave.

At one fountain, a folk band dipped their toes in the water on Saturday, as festivalgoers clapped along or cooled their hands under the flowing stream.

From Friday to Sunday, singers and alphorn players filled the streets and spontaneous bursts of yodeling echoed through restaurants, where diners initially reacted with surprise before joining in.

In Petersplatz, in central Basel, seamstresses remained on call throughout the festival to repair the traditional Alpine folk costumes worn by participants in case of emergency.

This year, however, it was the fountain rehearsals that became the festival’s defining image, as the city battled record temperatures of around 39 degrees Celsius (102 degrees Fahrenheit).

Around 12,000 performers and nearly 200,000 visitors traveled to Basel for the Eidgenössisches Jodlerfest, Switzerland’s national yodeling festival. It was the first time the northwestern Swiss city hosted the event since 1924.

Swiss yodeling was added to UNESCO’s Representative List of the Intangible Cultural Heritage of Humanity in December 2025, making this the first national festival since the tradition received international recognition. It is a distinction many Swiss take great pride in.

Unlike the brighter, more melodic style often associated with Austria and the Tyrol region, Swiss yodeling is slower and more melancholic — an emotionally nuanced tradition rooted in distinct regional dialects.

"I’ve always loved music, and I left here as a child. When I moved back to New Zealand, I wanted to stay connected to Swiss culture, so I joined a New Zealand-Swiss-Kiwi yodeling club,” said Freddie Conquer, a member of Jodlerclub Echo Basel, one of the clubs hosting the festival.

The participants competed in three disciplines: yodeling, alphorn playing and flag-throwing.

The alphorn is a long wooden instrument traditionally used by herdsmen in the Alps. It can stretch to more than 3 meters (10 feet) in length, with its sound carrying across valleys — or, during the festival, through Basel’s streets. It produces all of its pitches using natural harmonics alone, with no valves or keys.

“Everything is down to the mouthpiece, hearing the note in your head, and then using your lips to shape the pitch. The higher the note, the harder you have to blow,” said Pierre-André Karlen, who was rehearsing on a school lawn.

On Sunday morning, participants gathered outside the town hall, eagerly awaiting the competition results. Members of Jodlerklub Balfrin, from the town of Visp in the canton of Valais, were nervously examining the lists and later celebrated loudly after receiving a perfect score of one, one of several such teams.

As flags were carried through the old town during the festival’s closing parade, members of Jodlerklub Muttenz rode past on a tractor to cheers from the crowd. Alphorn players followed — their instruments and costumes almost certainly a burden in the heavy heat, but the smiles remained.


GASTAT: 75.3% of Saudi Arabia's Population Visited Cultural Event Venues in 2025

The General Authority for Statistics (GASTAT) logo
The General Authority for Statistics (GASTAT) logo
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GASTAT: 75.3% of Saudi Arabia's Population Visited Cultural Event Venues in 2025

The General Authority for Statistics (GASTAT) logo
The General Authority for Statistics (GASTAT) logo

The General Authority for Statistics (GASTAT) said that 75.3% of Saudi Arabia's population visited venues hosting cultural events or activities in 2025. The figure highlights growing cultural momentum and increasing public participation in cultural events across the Kingdom.

The data was released as part of an initiative identified by the Arabic phrase, transliterated as "Raqam Saudi" ("Saudi Number"). The initiative aims to showcase national achievements, promote national pride and citizenship values, and demonstrate the role of official statistics in tracking progress toward the goals of Saudi Vision 2030 and sustainable development.

Under the initiative, the authority publishes a range of statistics each month through its social media platforms. The initiative highlights the Kingdom's economic, social, and developmental transformation while reinforcing the role of official statistics in raising public awareness.

The initiative targets government entities and their clients, media professionals and outlets, social media users, opinion writers, and the international community. It aims to promote the dissemination of statistical content and expand the use of official data.

GASTAT said the initiative highlights national collaboration in achieving development goals by tracking and measuring progress through statistical indicators. It also raises public awareness of the role of statistics and data in monitoring the country's development.


12th Saudi Film Festival Opens at Ithra with Broad International Participation

12th Saudi Film Festival Opens at Ithra with Broad International Participation
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12th Saudi Film Festival Opens at Ithra with Broad International Participation

12th Saudi Film Festival Opens at Ithra with Broad International Participation

The 12th edition of the Saudi Film Festival has opened at the King Abdulaziz Center for World Culture (Ithra), an initiative of Saudi Aramco, bringing together prominent figures from the local, regional, and international film communities, as well as filmmakers, film critics, and cinema enthusiasts from across the industry.

Organized by the Cinema Association in partnership with Ithra and supported by the Film Commission, the festival runs from June 26 to July 2, 2026, under the theme “Every Story is a Journey.” The theme celebrates filmmaking as a creative journey that begins with the spark of an idea and scriptwriting, moves through the challenges of production, and culminates in screening, where stories meet their audiences, SPA reported.

This year’s edition received 314 submissions, including 249 films and 65 production market projects. A total of 27 films were selected for the official competitions, while six films will be presented in parallel screenings, bringing the festival lineup to 50 films from more than 15 countries.

Participating films will compete for nine Golden Palm Awards across feature-length fiction, short fiction, and documentary categories, highlighting Saudi, Gulf, Arab, and international cinematic talent.

The festival program also features specialized panel discussions, masterclasses, training workshops, book-signing sessions for publications from the Saudi Cinema Encyclopedia, and the “Meet the Experts” program, which offers one-on-one mentoring sessions with professionals in production, directing, editing, film criticism, festival programming, and project development.