Experts Push to Restore Syria’s War-torn Heritage Sites

Children play, with one raising the V sign, at the ancient city of Palmyra, Syria, Saturday, Jan. 25, 2025. (AP Photo/Khalil Hamra)
Children play, with one raising the V sign, at the ancient city of Palmyra, Syria, Saturday, Jan. 25, 2025. (AP Photo/Khalil Hamra)
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Experts Push to Restore Syria’s War-torn Heritage Sites

Children play, with one raising the V sign, at the ancient city of Palmyra, Syria, Saturday, Jan. 25, 2025. (AP Photo/Khalil Hamra)
Children play, with one raising the V sign, at the ancient city of Palmyra, Syria, Saturday, Jan. 25, 2025. (AP Photo/Khalil Hamra)

Experts are returning to Syria’s war-ravaged heritage sites, hoping to lay the groundwork for restoring them and reviving tourism, which they say could provide a much-needed boost to the country’s decimated economy after nearly 14 years of war.
Once-thriving landmarks like the ancient city of Palmyra and the medieval Crusader castle of Crac des Chevaliers remain scarred by years of conflict, but local tourists are returning to the sites, and conservationists hope their historical and cultural significance will eventually draw international visitors back, The Associated Press reported.
Palmyra was once a key hub to the ancient Silk Road network linking the Roman and Parthian empires to Asia. Located in the Syrian desert, it is renowned for its 2,000-year-old Roman-era ruins. It is now marked by shattered columns and damaged temples.
Before the Syrian uprising that began in 2011 and soon escalated into a brutal civil war, Palmyra was Syria’s main tourist destination, attracting around 150,000 visitors monthly, Ayman Nabu, a researcher and expert in ruins told The Associated Press. Dubbed the “Bride of the Desert,” he said “Palmyra revitalized the steppe and used to be a global tourist magnet.”
The ancient city was the capital of an Arab client state of the Roman Empire that briefly rebelled and carved out its own kingdom in the third century, led by Queen Zenobia.
In more recent times, the area had darker associations. It was home to Tadmur prison, where thousands of opponents of the Assad family’s rule in Syria were reportedly tortured. ISIS demolished the prison after capturing the town.
ISIS militants later destroyed Palmyra’s historic temples of Bel and Baalshamin and the Arch of Triumph, viewing them as monuments to idolatry, and beheaded an elderly antiquities scholar who had dedicated his life to overseeing the ruins.
Between 2015 and 2017, control of Palmyra shifted between ISIS and the Syrian army before Assad’s forces, backed by Russia and Iran-aligned militias, recaptured it. They established military bases in the neighboring town, which was left heavily damaged and largely abandoned. Fakhr al-Din al-Ma’ani Castle, a 16th-century fortress overlooking the city, was repurposed by Russian troops as a military barracks.
Nabu, the researcher, visited Palmyra five days after the fall of the former government.
“We saw extensive excavation within the tombs,” he said, noting significant destruction by both ISIS and Assad government forces. “The (Palmyra) museum was in a deplorable state, with missing documents and artifacts — we have no idea what happened to them.”
At the theater, the Tetrapylon, and other ruins along the main colonnaded street, Nabu said they documented many illegal drillings revealing sculptures, as well as theft and smuggling of funerary or tomb-related sculptures in 2015 when ISIS had control of the site. While seven of the stolen sculptures were retrieved and put in a museum in Idlib, 22 others were smuggled out, Nabu added. Many pieces likely ended up in underground markets or private collections.
Inside the city’s underground tombs, Islamic verses are scrawled on the walls, while plaster covers wall paintings, some depicting mythological themes that highlight Palmyra’s deep cultural ties to the Greco-Roman world.
“Syria has a treasure of ruins,” Nabu said, emphasizing the need for preservation efforts. He said Syria’s interim administration, led by Hayat Tahrir al-Sham, has decided to wait until after the transition phase to develop a strategic plan to restore heritage sites.
Matthieu Lamarre of the UN’s scientific, educational and cultural organization UNESCO, said the agency had since 2015, “remotely supported the protection of Syrian cultural heritage" through satellite analyses, reports and documentation and recommendations to local experts, but it did not conduct any work on site.
He added that UNESCO has explored possibilities for technical assistance if security conditions improve. In 2019, international experts convened by UNESCO said detailed studies would need to be done before starting major restorations.
Other historical sites bear the scars of war.
Perched on a hill near the town of Al-Husn, with sweeping views, Crac des Chevaliers, a medieval castle originally built by the Romans and later expanded by the Crusaders, was heavily bombarded during the Syrian civil war.
On a recent day, armed fighters in military uniform roamed the castle grounds alongside local tourists, taking selfies among the ruins.
Hazem Hanna, an architect and head of the antiquities department of Crac des Chevaliers, pointed to the collapsed columns and an entrance staircase obliterated by airstrikes. Damage from government airstrikes in 2014 destroyed much of the central courtyard and the arabesque-adorned columns, Hanna said.
“Relying on the cultural background of Syria’s historical sites and their archaeological and historical significance to enthusiasts worldwide, I hope and expect that when the opportunity arises for tourists to visit Syria, we will witness a significant tourism revival," he said.
Some sections of Crac des Chevaliers were renovated after airstrikes and the deadly 7.8 magnitude earthquake in 2023 that struck a wide area of neighboring Türkiye and also Syria, Hanna said. However, much of the castle remains in ruins.
Both Nabu and Hanna believe restoration will take time. “We need trained technical teams to evaluate the current condition of the ruin sites,” Nabu said.
More than 700 abandoned Byzantine settlements called Dead Cities, stretch across rocky hills and plains, their weathered limestone ruins featuring remnants of stone houses, basilicas, tombs and colonnaded streets. Despite partial collapse, arched doorways, intricate carvings and towering church facades endure, surrounded by olive trees that root deep into history.
Dating back to the first century, these villages once thrived on trade and agriculture. Today, some sites now shelter displaced Syrians, with stone houses repurposed as homes and barns, their walls blackened by fire and smoke. Crumbling structures suffer from poor maintenance and careless repurposing.
Looters have ravaged the ancient sites, Nabu said, leaving gaping holes in search of artifacts. Local visitors carve names and messages into centuries-old walls. Sheep enclosures dot the ruins, plastic debris blending with ancient stone.
Moustafa Al-Kaddour, a local resident, returned after eight years. Touring the ruins with family members he brought from Quneitra, he reflected on childhood memories.
“This is where we went to school,” he said, pointing in the distance. “In the middle of class, we used to leave and come here to see the ruins.”
“My feelings are indescribable,” al-Kaddour, who also saw his father for the first time in years, told the AP. “My brain still cannot comprehend that after eight years, by God’s will, we made it back home.”
He said the Assad forces had established a military position in the village, subjecting the ruins to heavy shelling and gunfire. The area was then controlled by opposition fighters, who made the area off-limits to most Syrians and international tourists, unlike Palmyra, which still saw some visitors during the war.
The Dead Cities were added to UNESCO’s World Heritage List in 2011 as an open-air museum, said Nabu. Idlib province alone hosts “over 1,000 heritage sites spanning different time periods — about a third of Syria’s total ruins,” he added.
Beyond the bombings and air raids, looting and unauthorized digging have caused significant damage, Nabu said, adding that new construction near the ruins lacks planning and threatens preservation.
“Tens of thousands” of looted artifacts remain undocumented, he said. For those documented, authorities are compiling case files for international circulation in coordination with the Directorate of Antiquities and Museums to locate them and hopefully retrieve them.



‘Hegra After Dark’ Event Showcases AlUla's History through the Ages

The "Hegra After Dark" cultural event in AlUla. (SPA)
The "Hegra After Dark" cultural event in AlUla. (SPA)
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‘Hegra After Dark’ Event Showcases AlUla's History through the Ages

The "Hegra After Dark" cultural event in AlUla. (SPA)
The "Hegra After Dark" cultural event in AlUla. (SPA)

The "Hegra After Dark" cultural event in AlUla provides an interactive evening featuring live performances, storytelling, and diverse flavors. It highlights Hegra's historical significance and the legacy of the ancient civilizations that inhabited the site.

The event takes place at Hegra Archaeological Site, the first Saudi site listed on the UNESCO World Heritage List, lending the experience an exceptional cultural and historical depth and strengthening visitors' connection to the place and its civilizational legacy, the Saudi Press agency said on Tuesday.

This year, the event returns in a reimagined format. Innovative interactive settings invite visitors to uncover daily life in the Nabataean era, from horse-drawn carriages to a bustling theatrical marketplace alive with authentic sights, sounds, and flavors. This sensory journey leads guests through the heart of the ancient world, revealing the long-held secrets of the historic Incense Road.

Recently, the Hegra After Dark event won the Best Arts and Culture Event award at the Middle East Event Awards, affirming its status as one of the Kingdom's and the region's most prominent cultural experiences, and recognizing the rich interactive content it offers, blending the charm of local heritage, the beauty of historical monuments, and innovation in presenting a cultural experience.


Madrasat Addeera Empowers AlUla Youth Through Traditional Crafts

The school focuses on empowering girls, teaching craft skills rooted in ancestral trades and presenting them in modern ways that create sustainable and creative opportunities - SPA
The school focuses on empowering girls, teaching craft skills rooted in ancestral trades and presenting them in modern ways that create sustainable and creative opportunities - SPA
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Madrasat Addeera Empowers AlUla Youth Through Traditional Crafts

The school focuses on empowering girls, teaching craft skills rooted in ancestral trades and presenting them in modern ways that create sustainable and creative opportunities - SPA
The school focuses on empowering girls, teaching craft skills rooted in ancestral trades and presenting them in modern ways that create sustainable and creative opportunities - SPA

Madrasat Addeera in AlUla Governorate offers specialized training programs and workshops to develop the skills of local youth in traditional crafts and arts, preserving cultural heritage while connecting it to contemporary life.

The school focuses on empowering girls, teaching craft skills rooted in ancestral trades and presenting them in modern ways that create sustainable and creative opportunities, SPA reported.

Throughout the year, the school contributes to the cultural vibrancy of the governorate by taking part in festivals and exhibitions. Through its workshops, visitors can explore traditional industries such as pottery, weaving, carpets, and natural products.

According to SPA, Madrasat Addeera's programs go beyond training, transforming craft skills into sustainable income, with handcrafted items sold locally and online, all entirely Saudi-made and inspired by AlUla’s culture and environment.

Since its establishment as the first girls’ school in AlUla and as the region’s first center for arts and design, the school has become a hub for nurturing talent, rediscovering heritage crafts, and attracting both local and global expertise.


British Treasury to Cover Bayeux Tapestry for Estimated £800 Million

This photo provided by Bayeux townhall shows a technician inspecting the famed Bayeux tapestry in Bayeux, Normandy, in 8th January, 2020. (Ville de Bayeux via AP/File photo)
This photo provided by Bayeux townhall shows a technician inspecting the famed Bayeux tapestry in Bayeux, Normandy, in 8th January, 2020. (Ville de Bayeux via AP/File photo)
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British Treasury to Cover Bayeux Tapestry for Estimated £800 Million

This photo provided by Bayeux townhall shows a technician inspecting the famed Bayeux tapestry in Bayeux, Normandy, in 8th January, 2020. (Ville de Bayeux via AP/File photo)
This photo provided by Bayeux townhall shows a technician inspecting the famed Bayeux tapestry in Bayeux, Normandy, in 8th January, 2020. (Ville de Bayeux via AP/File photo)

The British Treasury is set to insure the Bayeux Tapestry against damage for an estimated £800 million while it is on loan to the British Museum next year, reported the BBC.

The 70m-long embroidery depicting the Battle of Hastings in 1066 will travel from France to London as part of a deal between the two nations' governments.

The artifact's transit and its time in storage and on display will be covered under the Government Indemnity Scheme (GIS). Indemnity insurance covers situations like loss or damage.

The Treasury said without the long-standing scheme, “public museums and galleries would face a substantial commercial insurance premium, which would be significantly less cost effective.”

There are concerns about the move, as some French art experts have suggested the nearly 1,000-year-old work was in far too a delicate state to be transported - something French officials have denied.

It is understood the Treasury has received an initial valuation for covering the Bayeux Tapestry that has been provisionally approved. The loan will not be formally confirmed until it receives the final valuation.

That final valuation is estimated to be around £800 million.

The Bayeux Tapestry will be displayed in the Sainsbury Exhibitions Gallery of the British Museum from next September until July 2027 while its current home, the Bayeux Museum, undergoes renovations.

Comprising 58 scenes, 626 characters and 202 horses, the huge masterpiece charts a contested time in Anglo-French relations when William The Conqueror took the English throne from Harold Godwinson, becoming the first Norman king of England.

The government's indemnity scheme allows art and cultural objects to be shown publicly in the UK which "might not have been otherwise because the cost of insurance would have been too high".

The scheme - first set up in 1980 - has facilitated numerous high-value loans, including Vincent van Gogh's 1888 work "The Bedroom" to the National Gallery.

In exchange for the Bayeux Tapestry, the British Museum will loan items to France, including the 7th Century Anglo-Saxon artifacts discovered at the Sutton Hoo burial site in Suffolk and the 12th Century Lewis chess pieces.