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Egypt Unveils First Ancient Royal Tomb since Tutankhamun

These handout pictures released by the Egyptian Ministry of Antiquities on February 19, 2025 show the entrance to the tomb of King Thutmose II in Luxor in southern Egypt. (Egyptian Ministry of Antiquities / AFP)
These handout pictures released by the Egyptian Ministry of Antiquities on February 19, 2025 show the entrance to the tomb of King Thutmose II in Luxor in southern Egypt. (Egyptian Ministry of Antiquities / AFP)
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Egypt Unveils First Ancient Royal Tomb since Tutankhamun

These handout pictures released by the Egyptian Ministry of Antiquities on February 19, 2025 show the entrance to the tomb of King Thutmose II in Luxor in southern Egypt. (Egyptian Ministry of Antiquities / AFP)
These handout pictures released by the Egyptian Ministry of Antiquities on February 19, 2025 show the entrance to the tomb of King Thutmose II in Luxor in southern Egypt. (Egyptian Ministry of Antiquities / AFP)

Egypt's antiquities authority says it has found the ancient tomb of King Thutmose II, the first royal burial to be located since the famed discovery of Tutankhamun's tomb in 1922.

The tomb, discovered near the Valley of the Kings in Luxor in southern Egypt, belonged to King Thutmose II of the 18th dynasty, who lived nearly 3,500 years ago.

Thutmose II was an ancestor to Tutankhamun himself, and his half-sister and queen consort was Pharaoh Hatshepsut.

Her giant mortuary temple stands on the west bank of the Nile at Luxor a few kilometers (miles) from where the tomb of Thutmose II was found.

Although preliminary studies suggest its contents were moved in ancient times -- leaving the tomb without the iconic mummy or gilded splendor of the Tutankhamun find -- the antiquities ministry on Tuesday called the discovery "one of the most significant archaeological breakthroughs in recent years".

It has been excavated by a joint Egyptian-British mission, led by the Supreme Council of Antiquities and the New Kingdom Research Foundation.

The tomb's entrance was first located in 2022 in the Luxor mountains west of the Valley of the Kings, but was believed at the time to lead to the tomb of a royal wife.

But the team then found "fragments of alabaster jars inscribed with the name of Pharaoh Thutmose II, identified as the 'deceased king', alongside inscriptions bearing the name of his chief royal consort, Queen Hatshepsut", confirming whose tomb it was, the ministry said.

Shortly after the king's burial, water flooded the burial chamber, damaging the interior and leaving fragments of plaster that bore parts of the Book of Amduat, an ancient mortuary text on the underworld.

Some funerary furniture belonging to Thutmose II has also been recovered from the tomb in "the first-ever find" of its kind, according to the ministry.

It quoted mission chief Dr Piers Litherland as saying the team will continue its work in the area, hoping to find the tomb's original contents.

There has been a surge of major archaeological discoveries in recent years, as Egypt seeks to boost its tourism industry as a key source of foreign currency revenue.

Last year, Egypt hosted 15.7 million tourists and aims to attract 18 million visitors in 2025.

The crown jewel of the government's strategy is the long-delayed inauguration of the Grand Egyptian Museum at the foot of the pyramids in Giza, which Egypt has said will finally open this year.

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Culture

AlUla Marks World Heritage Day, Showcases Millennia of Human Civilization

AlUla remains committed to the preservation of its archaeological sites and inscriptions through specialized restoration and rehabilitation projects - SPA
AlUla remains committed to the preservation of its archaeological sites and inscriptions through specialized restoration and rehabilitation projects - SPA
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AlUla Marks World Heritage Day, Showcases Millennia of Human Civilization

AlUla remains committed to the preservation of its archaeological sites and inscriptions through specialized restoration and rehabilitation projects - SPA
AlUla remains committed to the preservation of its archaeological sites and inscriptions through specialized restoration and rehabilitation projects - SPA

AlUla Governorate is celebrating World Heritage Day, observed annually on April 18, by showcasing a historical legacy spanning thousands of years as a crossroads of ancient civilizations and a living testament to cultural continuity and architectural development, reinforcing its status as a premier global cultural center, SPA reported.

The governorate is home to landmarks of universal value, most notably Hegra, the first Saudi site inscribed on the UNESCO World Heritage List.

Other significant sites include AlUla Old Town, featuring over 900 traditional mud-brick houses that reflect the region's historical social fabric and unique architectural heritage.

AlUla remains committed to the preservation of its archaeological sites and inscriptions through specialized restoration and rehabilitation projects.

These efforts ensure the sustainability of its heritage for future generations, aligning with international standards for protecting human history and promoting global cultural awareness.

Culture

UK Proposal to Charge Tourists to Visit Museums Sparks Backlash

FILE PHOTO: People walk in front of the British Museum in London, Britain, September 28, 2023. REUTERS/Hollie Adams/File Photo
FILE PHOTO: People walk in front of the British Museum in London, Britain, September 28, 2023. REUTERS/Hollie Adams/File Photo
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UK Proposal to Charge Tourists to Visit Museums Sparks Backlash

FILE PHOTO: People walk in front of the British Museum in London, Britain, September 28, 2023. REUTERS/Hollie Adams/File Photo
FILE PHOTO: People walk in front of the British Museum in London, Britain, September 28, 2023. REUTERS/Hollie Adams/File Photo

Britain is considering introducing entry fees for tourists visiting some of England's most renowned museums, a proposal that has drawn criticism from restitution groups and countries while disputed artefacts remain on display.

Free admission to Britain's national museums and galleries was introduced in 2001 by former Labour Prime Minister Tony Blair in a bid to make culture more accessible to all.

Last month, the UK government said it would work with the museum sector to explore the potential benefits of charging international visitors at ⁠national museums, including how ⁠this could support the arts sector. It would provide an update of the consultation before the end of the year, it said.

However, the proposal is facing backlash amid growing calls worldwide for artefacts to be sent back to their communities or countries of origin, Reuters reported.

Although some efforts have been made to confront the long-standing issue, artifacts as well as human ⁠remains taken during the colonial era are still held in various museums across Europe. Some long-standing claims for artifacts involving the British Museum include Greece's Parthenon Sculptures, known as Elgin marbles, and Nigeria's Benin Bronzes.

The British Museum has previously said that the strength of its collection lies in enabling millions of visitors to understand the world's cultures and how they are interconnected.

Ghana, which has some of its regalia and other artifacts in British institutions, said charging foreign visitors to view such objects raises issues of "fairness," particularly where restitution discussions remain ongoing, ⁠foreign minister ⁠Samuel Okudzeto Ablakwa told Reuters.

The proposal, if implemented, would be "unethica," said Eric Phillips, vice chair of the Caribbean Community's reparations commission, a bloc of 15 member states including Jamaica and Barbados.

"Why should we have to pay to see our heritage?" Phillips said.

Arley Gill, chairman of Grenada's national reparations committee, said the priority should be to return the artifacts to their "rightful owners."

Open Restitution Africa (ORA) said Africans and others already face barriers to accessing artifacts taken from their countries and held in Western museums, including visa requirements and travel costs.

"Introducing entry fees further compounds these inequalities," ORA said.

Meanwhile, the US-based non-profit Restitution Study Group said a fee exemption for such visitors would be a "meaningful gesture."

The government declined to comment on the criticism.

Culture

Riyadh Art Unveils 75 Works in Expanding Public Art Collection Across Capital

The artworks are strategically distributed across major streets, public squares, cultural centers, and key urban hubs. SPA
The artworks are strategically distributed across major streets, public squares, cultural centers, and key urban hubs. SPA
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Riyadh Art Unveils 75 Works in Expanding Public Art Collection Across Capital

The artworks are strategically distributed across major streets, public squares, cultural centers, and key urban hubs. SPA
The artworks are strategically distributed across major streets, public squares, cultural centers, and key urban hubs. SPA

The Royal Commission for Riyadh City, through its “Riyadh Art” program, has unveiled 75 new artworks as part of a growing permanent collection installed across key locations in the capital.

The initiative forms part of broader efforts to expand the presence of public art in urban spaces, with additional installations planned in the coming period.

The program aims to enrich daily life in Riyadh by integrating art into the urban fabric, contributing to a dynamic cultural environment that reflects the capital's regional and international stature.

As one of the world’s largest public art initiatives, the Riyadh Art program now features 75 installations, with plans to expand the collection by adding 115 more works. The current collection includes contributions from 35 Saudi artists and 100 international artists representing 45 countries.

Among the internationally renowned artists featured are Anish Kapoor, Giuseppe Penone, and Jeff Koons, alongside prominent Saudi artists such as Zaman Jassim, Mohammed Alsaleem, and Manal AlDowayan.

The artworks are strategically distributed across major streets, public squares, cultural centers, and key urban hubs, enabling residents and visitors to engage with them as part of their everyday environment and reinforcing the role of art in public life.

The collection comprises both commissioned and acquired works. Commissioned pieces are specifically designed to respond to their surroundings, integrating with the urban context and patterns of movement within each location.

Recent commissions were selected through an international competition that attracted 161 artists, with 72 shortlisted participants submitting 70 proposals. These contributions have helped shape a diverse and evolving collection spanning the city’s main axes and public spaces.