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French-Lebanese Architect to Redesign British Museum Galleries

French-Lebanese architect Lina Ghotmeh has been chosen to redesign part of the British Museum, in a major renovation. (AFP)
French-Lebanese architect Lina Ghotmeh has been chosen to redesign part of the British Museum, in a major renovation. (AFP)
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French-Lebanese Architect to Redesign British Museum Galleries

French-Lebanese architect Lina Ghotmeh has been chosen to redesign part of the British Museum, in a major renovation. (AFP)
French-Lebanese architect Lina Ghotmeh has been chosen to redesign part of the British Museum, in a major renovation. (AFP)

The British Museum said Friday it had chosen French-Lebanese architect Lina Ghotmeh to redesign a third of the venue's gallery space -- including a section housing the disputed Parthenon Marbles.

The museum, one of London's biggest tourist draws, received more than 60 entries after launching a competition last year for a remodeling of its Western Range galleries.

Judges were won over by Ghotmeh's "deep understanding and sensitivity towards the museum," it said in a statement, while British Museum director Nicholas Cullinan said Ghotmeh was "an architect of extraordinary grace and gravitas."

Her previous work includes the Hermes Leather Workshop in Louviers, France, the Estonian National Museum in Tartu and Stone Garden Housing in Beirut, the city where she was raised.

Ghotmeh said she looked forward to "transforming this section of the museum into an extraordinary space".

Abstract models of her designs showed a pared-back layout, with artifacts surrounded by wide spaces and archways.

The museum's Western Range galleries house ancient Roman, Egyptian, Middle Eastern and Greek objects -- including the Parthenon Marbles which Greece has long campaigned to have returned to Athens.

The 2,500-year-old sculptures once adorned the Parthenon temple in Athens in honor of the city's patron goddess Athena.

Greek authorities maintain the sculptures were looted in 1802 by Lord Elgin, British ambassador to the Ottoman Empire.

London insists the sculptures were "legally acquired" by Elgin and then sold to the British Museum.

One of the models for the redesigned galleries appears to show friezes resembling the ancient marbles set snugly against the museum walls.

The museum did not address the marbles in its statement, which said Ghotmeh's team would work to develop the designs over the coming years.

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Ancient Bronze Griffin Head Is Returned to Greece from New York in Major Repatriation Move

The head of a griffin, that was repatriated from New York's Metropolitan Museum of Art, is displayed at the Archaeological Museum of Olympia in Ancient Olympia, Greece, on Friday, March 21, 2025. (AP)
The head of a griffin, that was repatriated from New York's Metropolitan Museum of Art, is displayed at the Archaeological Museum of Olympia in Ancient Olympia, Greece, on Friday, March 21, 2025. (AP)
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Ancient Bronze Griffin Head Is Returned to Greece from New York in Major Repatriation Move

The head of a griffin, that was repatriated from New York's Metropolitan Museum of Art, is displayed at the Archaeological Museum of Olympia in Ancient Olympia, Greece, on Friday, March 21, 2025. (AP)
The head of a griffin, that was repatriated from New York's Metropolitan Museum of Art, is displayed at the Archaeological Museum of Olympia in Ancient Olympia, Greece, on Friday, March 21, 2025. (AP)

New York’s Metropolitan Museum of Art has returned an ancient bronze griffin head stolen nearly a century ago to a museum in southern Greece, the latest repatriation marking a broader shift in the museum world to return significant artifacts.

The 7th century B.C. artifact was on display at the Archaeological Museum of Olympia, the city that in ancient times was the birthplace of the games that later inspired the modern Olympic Games.

Greece’s culture minister, Lina Mendoni, attended a ceremony Friday at the museum, calling the return a significant moment.

“After decades of absence, the griffin returns from the Metropolitan Museum in New York to the place it belongs,” she said, praising the joint effort by the Culture Ministry and the Met to trace the artifact’s past. The ceremony coincided with a visit to Greece by members of the International Olympic Committee to elect a new president. Kirsty Coventry became the first woman and first African to lead the global body.

The griffin, a mythical creature with the body of a lion and the head and wings of an eagle, symbolized strength and divine protection in ancient Greece. The bronze head will now be displayed alongside a similar griffin head already at the Olympia museum.

The Met has recently increased its efforts to review the history of its holdings, hiring additional experts to track the origins of objects in its collection.

“We are grateful for our long-standing partnership with the Greek government and look forward to continued engagement and cultural exchange,” the Met's museum director Max Hollein said in a statement.

Institutions across the world in recent years have begun to acknowledge the importance of returning significant cultural items while still promoting global access to heritage. As part of this new framework, Greece has agreed to loan the griffin head back to the Met for future exhibitions, Mendoni said.

Athens is hoping the new, more open approach will boost its decades-long campaign for the return of the Parthenon Sculptures, taken from the Acropolis in Athens in the 19th century and now in the British Museum. The government — citing their cultural importance and illegal removal — says it is making slow progress in negotiations with the London museum.