Malaysian Rice Porridge a ‘Trademark’ Ramadan Tradition

This picture taken on March 5, 2025 shows an Indian Muslim mixing ingredients to prepare the popular dish "bubur lambuk" at Masjid India during the Muslim holy fasting month of Ramadan in Kuala Lumpur. (AFP)
This picture taken on March 5, 2025 shows an Indian Muslim mixing ingredients to prepare the popular dish "bubur lambuk" at Masjid India during the Muslim holy fasting month of Ramadan in Kuala Lumpur. (AFP)
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Malaysian Rice Porridge a ‘Trademark’ Ramadan Tradition

This picture taken on March 5, 2025 shows an Indian Muslim mixing ingredients to prepare the popular dish "bubur lambuk" at Masjid India during the Muslim holy fasting month of Ramadan in Kuala Lumpur. (AFP)
This picture taken on March 5, 2025 shows an Indian Muslim mixing ingredients to prepare the popular dish "bubur lambuk" at Masjid India during the Muslim holy fasting month of Ramadan in Kuala Lumpur. (AFP)

As dusk fell, hundreds of Muslims at a mosque in the Malaysian capital of Kuala Lumpur feast on bowls of fragrant rice porridge known locally as "bubur lambuk", part of a Ramadan tradition dating back decades.

Slow-cooked with various spices in giant pots and stirred with oversized ladles, bubur lambuk is traditionally prepared by volunteers in mosque courtyards before being distributed to the public for iftar, the fast-breaking meal in the largely Islamic nation.

But the broth, specially prepared at Masjid India, a well-known Kuala Lumpur mosque, serves a unique version of the porridge using a recipe originating from India.

"This tradition has been passed down from generation to generation, from the 60s to the 70," he told AFP.

"So it has become a trademark. If it (Nombu Kanji) wasn't there, it wouldn't be complete."

Mosque volunteers use 140 kilograms (308 pounds) of rice daily to cook the porridge, which is served in bowls to prayer attendees or packed into 1,000 large plastic packets to be distributed to the public.

Each packet is enough to feed a family of four.

"From the perspective of making things easier for the people in this area, sometimes the homeless who struggle to get food, low-income workers, and office workers who sometimes don't have time to go home and cook benefit from this," he said.

"So, the preparation of iftar meals by mosques helps make their daily lives more convenient (during Ramadan)."

Mohaiyadin Sahulhameed, a local resident originally from India, said the porridge served at the mosque reminded him of home.

"Back in our village, the way we cook is using large woks, with curry leaves, mustard seeds, cinnamon, and all sorts of ingredients mixed together. When combined with rice, it creates a rich aroma, quite similar to how it's done here," he said.

The mosque's cook, Sathakkathullah Hameed, said he saw preparing the large pots of porridge daily as a religious calling.

"During this fasting month, I want to help others. Allah grants rewards, mercy, and blessings, and, God willing, He will provide sustenance," he said.

"And when people eat the porridge I cook, they say 'Bismillah,' (in the name of God) and I respond with 'Alhamdulillah' (praise be to God)."



Afro-Brazilian Carnival Celebrates Cultural Kinship in Lagos

The festival helps to keep their heritage alive and celebrate the city's Afro-Brazilian history. TOYIN ADEDOKUN / AFP
The festival helps to keep their heritage alive and celebrate the city's Afro-Brazilian history. TOYIN ADEDOKUN / AFP
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Afro-Brazilian Carnival Celebrates Cultural Kinship in Lagos

The festival helps to keep their heritage alive and celebrate the city's Afro-Brazilian history. TOYIN ADEDOKUN / AFP
The festival helps to keep their heritage alive and celebrate the city's Afro-Brazilian history. TOYIN ADEDOKUN / AFP

Thousands of young and old descendants of formerly enslaved people donned elaborate costumes Sunday to bring the rhythm, vibrancy and colors of Brazil's Rio Carnival to the streets of Lagos in Nigeria.
The festival, albeit on a smaller scale than that of its Brazilian model, helps to keep their heritage alive and celebrate the city's Afro-Brazilian history.

After Brazil abolished slavery, some of those who had been enslaved returned to west Africa, settling in several countries including Nigeria and Sierra Leone, AFP said.

They brought with them Latin American culture -- dance, food, religion and colors -- that lives on today in pockets of the megacity of Lagos.
At Sunday's Fanti Carnival, a stilt-walking woman in a green-and-yellow dress with a yellow fascinator on her head danced rhythmically to sounds of loud drums and trumpets, sometimes stealing a hug from a man also performing on stilts.

Just behind them, a group of young men in striking face masks were preparing for a "dragon dance" using long rubber dragons similar to those that feature in Chinese New Year celebrations.

"We want to keep (our heritage) alive, very colorful... we love colors," said retired fine art teacher Onabolu Abiola, 67, dressed in the green and yellow of the Brazilian flag.

"During this period, we don't bother ourselves with the economic situation or whatever... everybody comes together to have fun," he added, breaking into an impromptu dance to traditional Nigerian Yoruba music.

'Story of hope'
"We are here to show culture, we are here to make history -- the celebration of culture is important," said 50-year-old Mayegun Musiliu as he walked with fellow performers. "This is how we sustain it."

Brazil was the last place in the Americas to abolish slavery when it formally ended the practice in 1888.

Many slaves were forced to adopt Portuguese names, and today in Nigeria, it is common to find people with Yoruba first names and Portuguese surnames.

One of them is Aduke Gomez, a 62-year-old lawyer and historian.

"The story of Afro-Brazilians is a story of tragedy... but it's a story of hope, it's a story of resilience," she said. Loud music blaring from speakers almost drowned out her words.

"Personally, I'm very proud to be an Afro-Brazilian descendent because when you think of the chances of how many people came back and when they came back -- they came back with nothing... and many of them worked and lived to become educated and were contributing positively."

The carnival, she added, "is not just a day, it's a tangible legacy of what my ancestors went through".

A little-known legacy
Another participant, renowned filmmaker and actress Joke Silva, 64, recalled how her parents always used to bring her to the Fanti festival as a child.

She said she now continued the tradition, bringing her children to the celebrations.
"There needs to be more interrogation on how the trauma of (slavery)... has been part of what we are today. But that is not to claim victimhood," she said.

The carnival represents a part of Nigeria's history that is not always well known -- though some are trying to change that.

Kelenchi Anabaraonye, 27, curated a history exhibition at the festival.

"I had friends who were named Pionero, Pereira, Da Silva, Gomez," said Anabaraonye.

"Back then I thought they were jesting with the names, because you have a Yoruba first name and why are your surnames foreign? I didn't know that there was some historical connection."