Gaza Heritage and Destruction on Display in Paris

This photograph shows antiques on display during the installation of the archaeological heritage exhibition "Treasures saved from Gaza - 5000 years of history" (Tresors sauves de Gaza - 5000 ans d'histoire) at the Institut du Monde Arabe, in Paris, on March 31, 2025. (Photo by JULIEN DE ROSA / AFP)
This photograph shows antiques on display during the installation of the archaeological heritage exhibition "Treasures saved from Gaza - 5000 years of history" (Tresors sauves de Gaza - 5000 ans d'histoire) at the Institut du Monde Arabe, in Paris, on March 31, 2025. (Photo by JULIEN DE ROSA / AFP)
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Gaza Heritage and Destruction on Display in Paris

This photograph shows antiques on display during the installation of the archaeological heritage exhibition "Treasures saved from Gaza - 5000 years of history" (Tresors sauves de Gaza - 5000 ans d'histoire) at the Institut du Monde Arabe, in Paris, on March 31, 2025. (Photo by JULIEN DE ROSA / AFP)
This photograph shows antiques on display during the installation of the archaeological heritage exhibition "Treasures saved from Gaza - 5000 years of history" (Tresors sauves de Gaza - 5000 ans d'histoire) at the Institut du Monde Arabe, in Paris, on March 31, 2025. (Photo by JULIEN DE ROSA / AFP)

A new exhibition opening in Paris on Friday showcases archaeological artifacts from Gaza, once a major commercial crossroads between Asia and Africa, whose heritage has been ravaged by Israel's ongoing onslaught.

Around a hundred artifacts, including a 4,000-year-old bowl, a sixth-century mosaic from a Byzantine church and a Greek-inspired statue of Aphrodite, are on display at the Institut du Monde Arabe.

The rich and mixed collection speaks to Gaza's past as a cultural melting pot, but the show's creators also wanted to highlight the contemporary destruction caused by the war, sparked by Hamas's attack on Israel in October 2023, AFP reported.

"The priority is obviously human lives, not heritage," said Elodie Bouffard, curator of the exhibition, which is titled "Saved Treasures of Gaza: 5,000 Years of History".

"But we also wanted to show that, for millennia, Gaza was the endpoint of caravan routes, a port that minted its own currency, and a city that thrived at the meeting point of water and sand," she told AFP.

One section of the exhibition documents the extent of recent destruction.

Using satellite image, the UN's cultural agency UNESCO has already identified damage to 94 heritage sites in Gaza, including the 13th-century Pasha's Palace.

Bouffard said the damage to the known sites as well as treasures potentially hidden in unexplored Palestinian land "depends on the bomb tonnage and their impact on the surface and underground".

"For now, it´s impossible to assess."

The attacks by Hamas militants on Israel in 2023 left 1,218 dead. In retaliation, Israeli operations have killed more than 50,000 Palestinians and devastated the densely populated territory.

The story behind "Gaza´s Treasures" is inseparable from the ongoing wars in the Middle East.

At the end of 2024, the Institut du Monde Arabe was finalising an exhibition on artifacts from the archaeological site of Byblos in Lebanon, but Israeli bombings on Beirut made the project impossible.

"It came to a sudden halt, but we couldn´t allow ourselves to be discouraged," said Bouffard.

The idea of an exhibition on Gaza´s heritage emerged.

"We had just four and a half months to put it together. That had never been done before," she explained.

Given the impossibility of transporting artifacts out of Gaza, the Institut turned to 529 pieces stored in crates in a specialized Geneva art warehouse since 2006. The works belong to the Palestinian Authority, which administers the West Bank.

The Oslo Accords of 1993, signed by the Palestine Liberation Organization and Israel, helped secure some of Gaza's treasures.

In 1995, Gaza´s Department of Antiquities was established, which oversaw the first archaeological digs in collaboration with the French Biblical and Archaeological School of Jerusalem (EBAF).

Over the years, excavations uncovered the remains of the Monastery of Saint Hilarion, the ancient Greek port of Anthedon, and a Roman necropolis - traces of civilizations spanning from the Bronze Age to Ottoman influences in the late 19th century.

"Between Egypt, Mesopotamian powers, and the Hasmoneans, Gaza has been a constant target of conquest and destruction throughout history," Bouffard noted.

In the 4th century BC, Greek leader Alexander the Great besieged the city for two months, leaving behind massacres and devastation.

Excavations in Gaza came to a standstill when Hamas took power in 2007 and Israel imposed a blockade.

Land pressure and rampant building in one of the world's most densely populated areas has also complicated archaeological work.

And after a year and a half of war, resuming excavations seems like an ever-more distant prospect.

The exhibition runs until November 2, 2025.



Libyans Savor Shared Heritage at Reopened National Museum

Libyans visit the National Museum after its reopening, following a closure of more than a decade in the Libyan capital Tripoli on December 23, 2025. (AFP)
Libyans visit the National Museum after its reopening, following a closure of more than a decade in the Libyan capital Tripoli on December 23, 2025. (AFP)
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Libyans Savor Shared Heritage at Reopened National Museum

Libyans visit the National Museum after its reopening, following a closure of more than a decade in the Libyan capital Tripoli on December 23, 2025. (AFP)
Libyans visit the National Museum after its reopening, following a closure of more than a decade in the Libyan capital Tripoli on December 23, 2025. (AFP)

In a historic building in central Tripoli, Libyans wander past ancient statues and artifacts, rediscovering a heritage that transcends political divides at their national museum which reopened this month after a 2011 uprising.

"I got here barely 15 minutes ago but I already feel like I've been transported somewhere. It's a different world," said architecture student Nirmine Miladi, 22.

In the waterfront building known as the red citadel -- once the seat of power -- visitors journey through a history that includes ancient art, Greek and Roman antiquities and Ottoman-era weapons and jewellery.

Miladi's sister Aya, 26, an interior design student, said she liked the bright new museum's layout, "the careful lighting, the screens and interactive tools" that all help make the museum accessible to all.

Libya plunged into chaos after a NATO-backed uprising toppled and killed longtime leader Moammar al-Gadhafi in 2011, and the country has struggled to regain stability.

Since then, the North African country has been divided, with two rival executives vying for power: a Tripoli-based Government of National Unity and an administration based in Benghazi in the country's east.

Mohamed Fakroun, head of international cooperation at the antiquities department, said the museum went through "a dark period during its 14-year closure".

Fearing looting and vandalism after Gadhafi's overthrow, the antiquities department removed "all the artifacts until the country re-stabilized", said Fakroun, 63, who has worked at the French archaeological mission to Libya for almost four decades.

- 'National symbol' -

Curator Fathiya Abdallah Ahmad is among a handful of people who knew the location of secret, sealed rooms where the museum's treasures were taken into hiding for more than a decade.

She said the antiquities department and staff worked to "preserve a historic and cultural heritage that belongs to all Libyans".

This allowed the works to be safeguarded until the museum could reopen "in a modern format that conforms to international standards", she added.

The bright new facility includes digital projections and interactive screens as well as videos, audio guides and QR codes enabling visitors to delve further.

Fakroun noted the museum has a room dedicated to Roman emperor Septimius Severus, who was born in the ancient city of Leptis Magna -- now a UNESCO World Heritage site east of Tripoli.

Another room is dedicated to stolen items that have since been returned, including from the United States and the United Kingdom, he added.

Interior design student Aya Miladi said many Libyans saw the museum's inauguration as the "return of a national symbol".

It is also "a step towards reconciliation between Libyans and with their often little-known past", after years of war, as well as a sign of stability, she added.

- 'Not without past' -

Teacher Fatima al-Faqi, 48, said there was "a world of difference" between the reopened museum and the dark, dusty facility she visited 30 years ago on a school trip.

This time, she was leading a group of high-school students to help them "discover Libya's history and nourish their sense of patriotism", she said, as pupils goggled at items from Roman statues to stuffed animals in the natural history section.

The Tripoli government has invested more than five million dollars in rehabilitating the museum and its surrounding area, despite the oil-rich country's economic woes including frequent cash and fuel shortages.

Fakroun said the six-year renovations were carried out in cooperation with the French mission and the ALIPH foundation -- the International Alliance for the Protection of Heritage.

The museum seeks to convey a hope-filled message about Libya's identity to its visitors, most of whom "were not born when it was last open before 2011", he added.

Visitor Sarah al-Motamid, 34, said that "many people don't know about our country's ancient history and look at us as if we were worthless".

She said she was visiting with her six-year-old daughter Mariam because she wanted her to "understand that we are not without a past or civilization".


Cultural Camp at King Abdulaziz Camel Festival Showcases Saudi Heritage

The camp celebrates authentic Saudi heritage and reinforces culture as a cornerstone of national identity - SPA
The camp celebrates authentic Saudi heritage and reinforces culture as a cornerstone of national identity - SPA
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Cultural Camp at King Abdulaziz Camel Festival Showcases Saudi Heritage

The camp celebrates authentic Saudi heritage and reinforces culture as a cornerstone of national identity - SPA
The camp celebrates authentic Saudi heritage and reinforces culture as a cornerstone of national identity - SPA

The cultural camp is a key feature of the 10th King Abdulaziz Camel Festival, held in Al-Sayahid desert. The camp celebrates authentic Saudi heritage and reinforces culture as a cornerstone of national identity, according to SPA.

It offers a range of programs, including live performances and interactive events, that highlight camels' historical significance in Arab culture and illustrate the values of patience, strength, and belonging.

The camp has attracted over 2,000 guests from 71 nationalities, emphasizing its global appeal as a cultural platform for diversity and tradition.

Visitors engage with cultural content through innovative methods that merge authenticity with modern technology, enhancing awareness of the camel's cultural legacy. This initiative aligns with Saudi Vision 2030 by preserving heritage and connecting younger generations with their roots.


Tuwaiq Sculpture 2026 Announces 25 Participating Artists for Seventh Edition

The 2026 edition features a month-long live sculpting phase alongside a community engagement program - SPA
The 2026 edition features a month-long live sculpting phase alongside a community engagement program - SPA
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Tuwaiq Sculpture 2026 Announces 25 Participating Artists for Seventh Edition

The 2026 edition features a month-long live sculpting phase alongside a community engagement program - SPA
The 2026 edition features a month-long live sculpting phase alongside a community engagement program - SPA

Under the Royal Commission for Riyadh City and Riyadh Art, Tuwaiq Sculpture has announced the selection of 25 artists for the seventh edition of the annual sculpture symposium and exhibition, taking place from January 10 to February 22, 2026.

This year’s edition unfolds under the curatorial theme “Traces of What Will Be,” inviting artists to reflect on how sculptural form can express the physical, cultural and conceptual traces that shape the future of cities and communities, SPA reported.

A total of 25 artists from 18 countries, including Saudi artists, have been selected for the seventh edition. Their proposals reflect a diverse range of artistic approaches, responding to the theme through explorations of transformation, place, and materiality.

Director of the Tuwaiq Sculpture Symposium Sarah Alruwayti said: "The seventh edition of Tuwaiq Sculpture received more than 590 applications, reflecting the cultural diversity and global interest in the symposium. The selection of the 25 participating artists was carried out by a jury of industry experts and specialists. Their proposals show meaningful engagement with the theme and reflect the strength and diversity of contemporary sculptural practice. We look forward to welcoming them to Riyadh for the creation of new works that will become lasting additions to the city.”

Building on the evolving material practice of the symposium, Tuwaiq Sculpture 2026 introduces two sculpting categories: granite with optional stainless-steel integration and reclaimed metal. Twenty artists will work in granite, while five will create new works in reclaimed metal. Over four weeks, they will produce large-scale sculptures that will later be added to Riyadh Art’s permanent public art collection.

The 2026 edition features a month-long live sculpting phase alongside a community engagement program, inviting visitors to witness the creation of artworks and take part in panel discussions and workshops. The symposium will conclude with a public exhibition showcasing the completed sculptures from its seventh edition.