Altar Found in Guatemalan Jungle Evidence of Mingling of Mayan and Teotihuacan Cultures, Experts Say 

An undated handout picture released by the Guatemalan Ministry of Culture office on April 7, 2025, shows an archaeologist working on a Teotihuacan altar found in 2022 in the Tikal Mayan National Park in Guatemala. (Handout / Guatemalan Ministry of Culture and Sports / AFP)
An undated handout picture released by the Guatemalan Ministry of Culture office on April 7, 2025, shows an archaeologist working on a Teotihuacan altar found in 2022 in the Tikal Mayan National Park in Guatemala. (Handout / Guatemalan Ministry of Culture and Sports / AFP)
TT

Altar Found in Guatemalan Jungle Evidence of Mingling of Mayan and Teotihuacan Cultures, Experts Say 

An undated handout picture released by the Guatemalan Ministry of Culture office on April 7, 2025, shows an archaeologist working on a Teotihuacan altar found in 2022 in the Tikal Mayan National Park in Guatemala. (Handout / Guatemalan Ministry of Culture and Sports / AFP)
An undated handout picture released by the Guatemalan Ministry of Culture office on April 7, 2025, shows an archaeologist working on a Teotihuacan altar found in 2022 in the Tikal Mayan National Park in Guatemala. (Handout / Guatemalan Ministry of Culture and Sports / AFP)

An altar from the Teotihuacan culture, at the pre-Hispanic heart of what became Mexico, was discovered in Tikal National Park in Guatemala, the center of Mayan culture, demonstrating the interaction between the two societies, Guatemala’s Culture and Sports Ministry announced Monday.

The enormous city-state of Tikal, whose towering temples still stand in the jungle, battled for centuries with the Kaanul dynasty for dominance of the Maya world.

Far to the north in Mexico, just outside present day Mexico City, Teotihuacan -- “the city of the gods” or “the place where men become gods” -- is best known for its twin Temples of the Sun and Moon. It was actually a large city that housed over 100,000 inhabitants and covered around 8 square miles (20 square kilometers).

The still mysterious city was one of the largest in the world at its peak between 100 B.C. and A.D. 750. But it was abandoned before the rise of the Aztecs in the 14th century.

Lorena Paiz, the archaeologist who led the discovery, said that the Teotihuacan altar was believed to have been used for sacrifices, “especially of children.”

“The remains of three children not older than 4 years were found on three sides of the altar,” Paiz told The Associated Press.

“The Teotihuacan were traders who traveled all over the country (Guatemala),” Paiz said. “The Teotihuacan residential complexes were houses with rooms and in the center altars; that’s what the residence that was found is like, with an altar with the figure representing the Storm Goddess.”

It took archaeologists 1½ years to uncover the altar in a dwelling and analyze it before the announcement.

Edwin Román, who leads the South Tikal Archaeological Project within the park, said the discovery shows the sociopolitical and cultural interaction between the Maya of Tikal and Teotihuacan’s elite between 300 and 500 A.D.

Román said the discovery also reinforces the idea that Tikal was a cosmopolitan center at that time, a place where people visited from other cultures, affirming its importance as a center of cultural convergence.

María Belén Méndez, an archaeologist who was not involved with the project, said the discovery confirms “that there has been an interconnection between both cultures and what their relationships with their gods and celestial bodies was like.”

“We see how the issue of sacrifice exists in both cultures. It was a practice; it’s not that they were violent, it was their way of connecting with the celestial bodies,” she said.

The altar is just over a yard (1 meter) wide from east to west and nearly 2 yards (2 meters) from north to south. It is about a yard (1 meter) tall and covered with limestone.

The dwelling where it was found had anthropomorphic figures with tassels in red tones, a detail from the Teotihuacan culture, according to the ministry’s statement.

Tikal National Park is about 325 miles (525 kilometers) north of Guatemala City, and the discovery site is guarded and there are no plans to open it to the public.



'Talking Drum' Looted by France in 1916 Back in Ivory Coast

A crate containing the Djidji Ayokwe drum, at the airport in Abidjan, Ivory Coast. (Photo by Issouf SANOGO / AFP)
A crate containing the Djidji Ayokwe drum, at the airport in Abidjan, Ivory Coast. (Photo by Issouf SANOGO / AFP)
TT

'Talking Drum' Looted by France in 1916 Back in Ivory Coast

A crate containing the Djidji Ayokwe drum, at the airport in Abidjan, Ivory Coast. (Photo by Issouf SANOGO / AFP)
A crate containing the Djidji Ayokwe drum, at the airport in Abidjan, Ivory Coast. (Photo by Issouf SANOGO / AFP)

The Djidji Ayokwe "talking drum", which was looted by French colonial troops in 1916 and taken to France, arrived back in Ivory Coast Friday, in the latest repatriation of stolen artifacts.

The wooden drum, more than three meters (10 feet) long and weighing 430 kilos (950 pounds), was used by the Ebrie tribe to transmit messages.

It was officially handed over on February 20 after France's parliament approved removing the artifact from the national museum collections to enable its return.

Ivory Coast had asked in late 2018 for the return of the Djidji Ayokwe among 148 works of art taken during the colonial period.

It arrived aboard a specially chartered plane at Ivory Coast's main city Abidjan and remained inside a huge wooden crate stamped "fragile", AFP journalists saw.

"It's an historic day and I feel deep emotion," Culture Minister Francoise Remarck said, welcoming its arrival at the airport, where the Ebrie community also sang and played drums.

"We are living a moment of justice and remembrance," the minister added.

French President Emmanuel Macron promised in 2021 to send the drum and other artifacts back home to the west African country.

It is one of hundreds of objects France is preparing to send back to Africa, with the efforts set to be accelerated by the passing of a new law to authorize mass repatriations.

"We are happy and relieved to know that this sacred piece of our culture is back on its native land," Aboussou Guy Georges Mobio, an Ebrie village chief, told AFP.

The drum will initially be held in a "safe space" to allow it to acclimatize, the culture minister said.

It is due to go on display at the Museum of Civilizations in Abidjan which has been specially renovated.

The "talking drum" was used by the Ebrie community to warn of danger, mobilize for war or call villagers to ceremonies.

It was seized by colonial authorities in 1916 before being shipped to France in 1929 and exhibited in Paris.

Senegal and Benin have also asked for the repatriation of their treasures.

In late 2020, the French parliament adopted a law providing for the permanent return to Benin of 26 artifacts from the royal treasures of Dahomey.

The return of cultural artifacts taken from ex-colonies in Africa and elsewhere has become a sensitive issue, with museums, institutions and collectors in Europe and the United States facing pressure to give them back.


Red Sea Fund Launches Second Round to Support Film Projects in Production Stage

File photo of the fifth day of the Red Sea International Film Festival - SPA
File photo of the fifth day of the Red Sea International Film Festival - SPA
TT

Red Sea Fund Launches Second Round to Support Film Projects in Production Stage

File photo of the fifth day of the Red Sea International Film Festival - SPA
File photo of the fifth day of the Red Sea International Film Festival - SPA

The Red Sea Fund, affiliated with the Red Sea Film Foundation, announced the opening of applications to support film projects in the production stage within the second round of this year’s support program, which will continue until March 21, as part of its efforts to enhance the cinema industry and empower innovators in the region, SPA reported.

The round aims to support promising cinematic voices from the Kingdom and the Arab world, as well as filmmakers from Africa and Asia, through financial grants that help complete film projects and present their creative narratives globally, with a special focus on projects ready to enter production and begin filming.


Prince Mohammed bin Salman Project Restores Historic Al-Jami' Mosque in Tabuk Region

The renovation utilized modern technologies to restore the mosque's original identity - SPA
The renovation utilized modern technologies to restore the mosque's original identity - SPA
TT

Prince Mohammed bin Salman Project Restores Historic Al-Jami' Mosque in Tabuk Region

The renovation utilized modern technologies to restore the mosque's original identity - SPA
The renovation utilized modern technologies to restore the mosque's original identity - SPA

The Prince Mohammed bin Salman Project for the Development of Historical Mosques has completed the restoration of Al-Jami' Mosque in Duba, Tabuk Region, as part of its mission to preserve the Kingdom's architectural heritage under Vision 2030.

As one of Duba’s oldest landmarks, the mosque is deeply intertwined with the city’s maritime history, traditionally serving as a central meeting point for sailors. Throughout its history, the mosque underwent several construction phases, including significant contributions by King Abdulaziz and King Fahd, before its selection for the current national development project, SPA reported.

The renovation utilized modern technologies to restore the mosque's original identity, increasing its area to 972.23 square meters and its capacity to 779 worshippers. The architectural style is inspired by traditional Red Sea heritage, incorporating natural materials like stone, mud, and wood for intricate mashrabiyas.

Executed by specialized Saudi firms, the project balances traditional standards with sustainability to rehabilitate the site for worship while highlighting its cultural significance. By restoring such landmarks, the project ensures the preservation of the Kingdom’s diverse architectural and social memory for future generations.