Saudi Museums Commission Hosts Talk on Conservation and Display of Artifacts, Art Collections

The Saudi Museums Commission logo
The Saudi Museums Commission logo
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Saudi Museums Commission Hosts Talk on Conservation and Display of Artifacts, Art Collections

The Saudi Museums Commission logo
The Saudi Museums Commission logo

The Saudi Museums Commission has recently hosted an engaging open talk on “Conservation, Preservation, and Display of Artifacts and Art Collections,” as part of the commission’s monthly series of dialogues aimed at exploring innovative strategies and best practices in preserving cultural heritage.

Moderated by Tariq Abdulhakim Museum Acting Director Tayeb AlTayeb, the event featured insights from renowned experts, including Red Sea Museum Director Eman Zidan, former Director of the National Museum of Beirut Anne-Marie Afeiche, and Director of the Restoration and Conservation Center at the Grand Egyptian Museum Dr. Hussein Kamal.

The panel emphasized the critical role of conservation and restoration in protecting cultural heritage. Kamal shared the remarkable work of the Grand Egyptian Museum’s Restoration Center. Afeiche highlighted Lebanon's historical challenges, where innovative methods, such as cement blocks, were used to conserve artifacts in the National Museum.

The importance of public involvement in conservation was a central theme of the event. Zidan remarked that "protecting collections is a shared responsibility—it is about communities, individuals, and future generations." Examples of successful engagement included the children’s choir at the Tariq Abdulhakim Museum, run by the Museums Commission, which celebrated musical heritage and connected young audiences to their cultural roots.
Zidan also mentioned the Museums Commission’s efforts to raise public awareness of the importance of safeguarding cultural heritage, referring to the commission’s campaign “Telling Tomorrow’s Story”, which introduced the public to the Ministry of Culture’s collection and valuable artifacts, and presented the museums as guardians of such cultural heritage.
The role of media in raising awareness about conservation was a key focus. Speakers highlighted the importance of documenting restoration processes and sharing these stories through social media, television, and documentaries. Kamal shared how the Grand Egyptian Museum will use behind-the-scenes videos to showcase restoration efforts, making the process accessible and engaging for the public.
This open talk reflects the Museums Commission’s commitment to safeguarding cultural heritage through advancing conservation and preservation practices across the Kingdom and the region. By embracing innovation and fostering collaboration, the commission ensures that Saudi Arabia’s cultural heritage remains vibrant and accessible for future generations.



Reindeer Racing Thrills Spectators in Finland’s Frigid North Near the Russian Border

 A reindeer breaks away from the pack during the Salla Porocup reindeer sprint racing event on the frozen Lake Keselmajarvi in Salla, Finland, March 7, 2026. (AP)
A reindeer breaks away from the pack during the Salla Porocup reindeer sprint racing event on the frozen Lake Keselmajarvi in Salla, Finland, March 7, 2026. (AP)
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Reindeer Racing Thrills Spectators in Finland’s Frigid North Near the Russian Border

 A reindeer breaks away from the pack during the Salla Porocup reindeer sprint racing event on the frozen Lake Keselmajarvi in Salla, Finland, March 7, 2026. (AP)
A reindeer breaks away from the pack during the Salla Porocup reindeer sprint racing event on the frozen Lake Keselmajarvi in Salla, Finland, March 7, 2026. (AP)

Traditional reindeer racing that's been delighting spectators for decades in Finland brought hundreds of fans to the Salla Reindeer Cup in the frigid town of Salla this past weekend.

Around 1,000 people attended the competition, despite frigid subfreezing temperatures and the remote location near the Russian border, roughly 264 kilometers (164 miles) northeast of the city of Oulu.

They watched and cheered as the reindeer galloped across the snow-covered track, pulling their handlers behind them on skis. Whoever is fastest wins the race.

Spectators came not only from Finland but also Italy, Norway, Germany and France, among other countries.

Reindeer husbandry has been an important part of Scandinavian culture for many decades, especially for the Sami Indigenous people in the far north of the country.

"Salla has a long history in reindeer racing — it’s been going on here since the 1950s," said Lasse Aatsinki, the head of Salla Reindeer Cup. "Back then, men spent winters in the forest, there were no snowmobiles. In late winter, the reindeer were in great shape, so they started racing them."

These days, reindeer racing is an organized and regulated competition with trained male reindeer.

The premiere event was the so-called hot series, in which reindeer qualify if they race the kilometer-long (just over a half-mile) track in 1 minute, 19 seconds, or less. Only the fastest reindeer get to compete in this race.

"It’s a science. A lot depends on the reindeer’s character — it has to tolerate a lot: the audience, other reindeer, noise, movement," Aatsinki said. "Everyone has their tricks — and they’re usually kept under the fur hat. Every owner has their own way."

During the race, crowds cheered their favorites on with calls of "hyvä, hyvä" and "mene, mene" — which is Finnish for "good, good" and "go, go" — as the reindeer sprinted down the final stretch.

In between races, people kept warm with reindeer soup and kampanisu, a traditional local pastry specialty from Salla.

The competition culminated Sunday with the final rounds and it was reindeer named Pompom which won the final race.

"Pompom is exceptionally fast and smart, and you rarely find one like that," said Hannu Krupula, the winning animal's owner.

"If there’s any weakness, it’s that it’s not very good-looking — which can be misleading," he added.

"When you look at that reindeer, you might quickly think it’s poorly fed or something. But it eats well. It’s a rare individual."

And thus after the race, Pompom and all the other reindeer got their own reward — lichen, their favorite treat.


Prince Mohammed bin Salman Project Revitalizes 19th-Century Al-Habish Mosque in Al-Hofuf

This comes as part of the Kingdom-wide initiative to safeguard ancient mosques and highlight Saudi Arabia's cultural heritage under Vision 2030 - SPA
This comes as part of the Kingdom-wide initiative to safeguard ancient mosques and highlight Saudi Arabia's cultural heritage under Vision 2030 - SPA
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Prince Mohammed bin Salman Project Revitalizes 19th-Century Al-Habish Mosque in Al-Hofuf

This comes as part of the Kingdom-wide initiative to safeguard ancient mosques and highlight Saudi Arabia's cultural heritage under Vision 2030 - SPA
This comes as part of the Kingdom-wide initiative to safeguard ancient mosques and highlight Saudi Arabia's cultural heritage under Vision 2030 - SPA

The Prince Mohammed bin Salman Project for the Development of Historical Mosques restored Al-Habish Mosque in Al-Hofuf, Al-Ahsa Governorate, preserving its authentic architectural character and enhancing its religious and cultural significance, as part of the Kingdom-wide initiative to safeguard ancient mosques and highlight Saudi Arabia's cultural heritage under Vision 2030, reflecting the governorate's rich religious and intellectual legacy.

Situated in the heart of Al-Hofuf, it is considered one of the oldest historical mosques in Al-Ahsa. Its name is deeply intertwined with the history of the neighborhood and the lives of its inhabitants across generations, SPA reported.

Dating back to the 13th century AH (19th century CE), the mosque served not only as a place of worship but also as a beacon of knowledge, hosting classes in Islamic sciences. Among its most prominent teachers was Sheikh Abdulaziz bin Saleh Al-Alaji, a leading scholar of Al-Ahsa, reflecting the mosque's esteemed scholarly standing in the region's history.

Covering approximately 318 square meters, the mosque can accommodate around 90 worshippers. It comprises a prayer hall measuring 13.56 by 3.18 meters, a private retreat room measuring 13.73 by 2.68 meters, an 84-square-meter courtyard, an imam's room with an attached restroom, and a distinctive square minaret standing approximately 5.48 meters high.

The mosque underwent extensive development and rehabilitation in 2020 through the project, expanding its facilities to include the main prayer hall, the retreat room, the courtyard, and the minaret. The project also added a storage room, a dedicated women's prayer room, and modern restroom facilities, all while meticulously preserving the mosque’s original architectural features.


Ukraine Urges Venice Biennale to Exclude Russia

A firefighter extinguishes a blaze at a five-story residential building in Kharkiv on March 7, 2026, after it was partially destroyed by a Russian strike amid the Russian invasion of Ukraine. (Photo by SERGEY BOBOK / AFP)
A firefighter extinguishes a blaze at a five-story residential building in Kharkiv on March 7, 2026, after it was partially destroyed by a Russian strike amid the Russian invasion of Ukraine. (Photo by SERGEY BOBOK / AFP)
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Ukraine Urges Venice Biennale to Exclude Russia

A firefighter extinguishes a blaze at a five-story residential building in Kharkiv on March 7, 2026, after it was partially destroyed by a Russian strike amid the Russian invasion of Ukraine. (Photo by SERGEY BOBOK / AFP)
A firefighter extinguishes a blaze at a five-story residential building in Kharkiv on March 7, 2026, after it was partially destroyed by a Russian strike amid the Russian invasion of Ukraine. (Photo by SERGEY BOBOK / AFP)

Ukraine on Sunday called on the Venice Biennale to keep Russia out of the prestigious art event after organizers said it could participate for the first time since launching its all-out invasion in 2022.

"We call on the organizers of the Venice Biennale to reconsider their decision to allow the Russian Federation to return and to maintain the principled position demonstrated in 2022-2024," Ukraine's foreign minister, Andriy Sybiga, and culture minister, Tetyana Berezhna, said in a statement.

The organizers of the event said on Wednesday that they would allow Russia to take part in the exhibition this year, which runs from May 9 to November 22.

"La Biennale di Venezia is an open institution" and "rejects any form of exclusion or censorship of culture and art", they said in a statement.

Their decision was met with criticism, including from Italian Prime Minister Giorgia Meloni's government.

Lithuania's foreign minister called the move "abhorrent".

According to AFP, Italy's culture ministry said the move was made "entirely independently by the Biennale Foundation, despite the Italian government's opposition".

The Venice Biennale is an international cultural organization started in 1895 that presents major cultural festivals and runs its flagship art exhibition and architecture exhibition on alternating years.

Participating countries set up pavilions in Venice, and the art biennial typically attracts more than 600,000 visitors over its seven-month run.