Saudi Museums Commission Hosts Talk on Conservation and Display of Artifacts, Art Collections

The Saudi Museums Commission logo
The Saudi Museums Commission logo
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Saudi Museums Commission Hosts Talk on Conservation and Display of Artifacts, Art Collections

The Saudi Museums Commission logo
The Saudi Museums Commission logo

The Saudi Museums Commission has recently hosted an engaging open talk on “Conservation, Preservation, and Display of Artifacts and Art Collections,” as part of the commission’s monthly series of dialogues aimed at exploring innovative strategies and best practices in preserving cultural heritage.

Moderated by Tariq Abdulhakim Museum Acting Director Tayeb AlTayeb, the event featured insights from renowned experts, including Red Sea Museum Director Eman Zidan, former Director of the National Museum of Beirut Anne-Marie Afeiche, and Director of the Restoration and Conservation Center at the Grand Egyptian Museum Dr. Hussein Kamal.

The panel emphasized the critical role of conservation and restoration in protecting cultural heritage. Kamal shared the remarkable work of the Grand Egyptian Museum’s Restoration Center. Afeiche highlighted Lebanon's historical challenges, where innovative methods, such as cement blocks, were used to conserve artifacts in the National Museum.

The importance of public involvement in conservation was a central theme of the event. Zidan remarked that "protecting collections is a shared responsibility—it is about communities, individuals, and future generations." Examples of successful engagement included the children’s choir at the Tariq Abdulhakim Museum, run by the Museums Commission, which celebrated musical heritage and connected young audiences to their cultural roots.
Zidan also mentioned the Museums Commission’s efforts to raise public awareness of the importance of safeguarding cultural heritage, referring to the commission’s campaign “Telling Tomorrow’s Story”, which introduced the public to the Ministry of Culture’s collection and valuable artifacts, and presented the museums as guardians of such cultural heritage.
The role of media in raising awareness about conservation was a key focus. Speakers highlighted the importance of documenting restoration processes and sharing these stories through social media, television, and documentaries. Kamal shared how the Grand Egyptian Museum will use behind-the-scenes videos to showcase restoration efforts, making the process accessible and engaging for the public.
This open talk reflects the Museums Commission’s commitment to safeguarding cultural heritage through advancing conservation and preservation practices across the Kingdom and the region. By embracing innovation and fostering collaboration, the commission ensures that Saudi Arabia’s cultural heritage remains vibrant and accessible for future generations.



Meet Ghana’s Fantasy Coffin Makers: A Glimpse Into a Joy-Filled Funeral Culture

A coffin maker in Ghana (Getty)
A coffin maker in Ghana (Getty)
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Meet Ghana’s Fantasy Coffin Makers: A Glimpse Into a Joy-Filled Funeral Culture

A coffin maker in Ghana (Getty)
A coffin maker in Ghana (Getty)

It’s hard to miss the coffin shaped like an old Nokia brick phone at the entrance of the sunlit workshop on the outskirts of Accra.

Here, on a busy road next to Ghana’s Atlantic coastline, Eric Kpakpo Adotey and his small team of craftsmen spend each day working in the thick humidity to bring people’s creative final wishes to life, said a report by The Independent.

“Most of the time, people don't cry when they see these ones,” Eric explained as he zigzagged between a coffin shaped like a Nike trainer and another in the form of an intricately detailed, pink fish.

“They forget there's a body in this coffin,” he added, the sounds of carpentry tools hammering away around him. “They all talk about the design, the art, the shape of it... it change[s] the atmosphere.”

Visiting a coffin maker is hardly at the top of many travelers’ bucket lists, but it should be if you visit Ghana.

In this vibrant West African nation, death isn’t mourned in the sober ways you may expect.

For many, it’s also a time of celebration, carried out in prolonged, colorful ceremonies full of music and dancing that can span multiple days.

One of the more unique traditions adopted into Ghanaian funerary culture is the use of fantasy coffins that carry the dead into the afterlife, just like the ones Eric has crafted for the last 25 years.

Locally referred to as abebu adekai (proverbial coffins), these figurative designs have been primarily used by the Ga people, one of Ghana's ethnic groups, since around the 1950s.

They’re typically crafted to resemble a person’s trade and symbolise the work they’ll continue in the afterlife, like a cocoa bean for a cocoa farmer or a fish for a fisherman.
Painted in striking colors and finished with minuscule details, they could easily pass for impressive sculptures rather than their more solemn use.