Saudi Museums Commission Hosts Talk on Conservation and Display of Artifacts, Art Collections

The Saudi Museums Commission logo
The Saudi Museums Commission logo
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Saudi Museums Commission Hosts Talk on Conservation and Display of Artifacts, Art Collections

The Saudi Museums Commission logo
The Saudi Museums Commission logo

The Saudi Museums Commission has recently hosted an engaging open talk on “Conservation, Preservation, and Display of Artifacts and Art Collections,” as part of the commission’s monthly series of dialogues aimed at exploring innovative strategies and best practices in preserving cultural heritage.

Moderated by Tariq Abdulhakim Museum Acting Director Tayeb AlTayeb, the event featured insights from renowned experts, including Red Sea Museum Director Eman Zidan, former Director of the National Museum of Beirut Anne-Marie Afeiche, and Director of the Restoration and Conservation Center at the Grand Egyptian Museum Dr. Hussein Kamal.

The panel emphasized the critical role of conservation and restoration in protecting cultural heritage. Kamal shared the remarkable work of the Grand Egyptian Museum’s Restoration Center. Afeiche highlighted Lebanon's historical challenges, where innovative methods, such as cement blocks, were used to conserve artifacts in the National Museum.

The importance of public involvement in conservation was a central theme of the event. Zidan remarked that "protecting collections is a shared responsibility—it is about communities, individuals, and future generations." Examples of successful engagement included the children’s choir at the Tariq Abdulhakim Museum, run by the Museums Commission, which celebrated musical heritage and connected young audiences to their cultural roots.
Zidan also mentioned the Museums Commission’s efforts to raise public awareness of the importance of safeguarding cultural heritage, referring to the commission’s campaign “Telling Tomorrow’s Story”, which introduced the public to the Ministry of Culture’s collection and valuable artifacts, and presented the museums as guardians of such cultural heritage.
The role of media in raising awareness about conservation was a key focus. Speakers highlighted the importance of documenting restoration processes and sharing these stories through social media, television, and documentaries. Kamal shared how the Grand Egyptian Museum will use behind-the-scenes videos to showcase restoration efforts, making the process accessible and engaging for the public.
This open talk reflects the Museums Commission’s commitment to safeguarding cultural heritage through advancing conservation and preservation practices across the Kingdom and the region. By embracing innovation and fostering collaboration, the commission ensures that Saudi Arabia’s cultural heritage remains vibrant and accessible for future generations.



'Cezanne at Home': Show Retraces Artist's Roots in Southern France

Works that Cezanne painted in his native city and family home will be on display at the Granet museum. Christophe SIMON / AFP
Works that Cezanne painted in his native city and family home will be on display at the Granet museum. Christophe SIMON / AFP
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'Cezanne at Home': Show Retraces Artist's Roots in Southern France

Works that Cezanne painted in his native city and family home will be on display at the Granet museum. Christophe SIMON / AFP
Works that Cezanne painted in his native city and family home will be on display at the Granet museum. Christophe SIMON / AFP

A city in southern France is celebrating its most famous local painter Paul Cezanne with an exhibition showcasing his works inspired by the sun-drenched landscapes of the Provence region.

Paintings by Cezanne, created in his hometown of Aix-en-Provence and at his family estate, went on display Saturday at the Granet Museum in the city for the over three-month exhibition, which is expected to draw hundreds of thousands of visitors.

The theme of the exhibit is "Cezanne at home," said the city's mayor Sophie Joissains, said AFP.

The vivid southern French countryside provided most of the inspiration for Cezanne's works, composed mainly of still lifes and landscapes.

But the artist, known as one of the fathers of modern art, was hated by critics and shunned by his native city during his life and even years after his death.

"As long as I live, no Cezanne will enter the museum," then-conservator of the Granet Museum Henri Pontier promised after Cezanne died in 1906.

For decades, "a modest copy of a classic male nude, made during his studies, was the only work of Cezanne's in the museum of his city," said Bruno Ely, current director of the museum and the exhibit's curator.

The century-long rift between Cezanne and his native city came to an end in 2006 when the Granet Museum held its first exhibition of the artist's work.

The city has since declared 2025 "Cezanne's Year," organizing a series of events celebrating his work and leaving any historical estrangement firmly in the past.

The "Cezanne au Jas de Bouffan" (Cezane at the Jas de Bouffan) exhibit displays 135 paintings, drawings and etchings, originating from museums and collectors from over a dozen different countries.

The evolution of Cezanne's painting style will be on display, from his earlier darker works featuring thick paint spread with a palette knife to impressionism to a pre-cubist style.

Though the Provence region where Cezanne roamed was "tiny," it was "enough for him to reinvent painting", said Ely.

The exhibition comes alongside major restoration efforts at the three-storey Jas de Bouffan manor home, where the Cezanne family lived in the late 19th century.

Young Cezanne adorned the estate's living room with colorful frescos, perhaps with the intention of impressing his banker father, who had wanted his son to be a lawyer or a financer.

The exhibition runs to October 12.