'Leave Our Marshes Alone': Iraqis Fear Oil Drilling Would Destroy Fabled Wetlands

A fisherman on Iraq's receding marshes that straddle the border with Iran. Asaad NIAZI / AFP
A fisherman on Iraq's receding marshes that straddle the border with Iran. Asaad NIAZI / AFP
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'Leave Our Marshes Alone': Iraqis Fear Oil Drilling Would Destroy Fabled Wetlands

A fisherman on Iraq's receding marshes that straddle the border with Iran. Asaad NIAZI / AFP
A fisherman on Iraq's receding marshes that straddle the border with Iran. Asaad NIAZI / AFP

Plans to drill for oil in the protected Mesopotamian Marshes of southern Iraq have galvanized villagers and activists determined to save the mythical wetlands already battered by years of drought.

"We will never accept it," marshes activist Murtada al-Janubi told a meeting, seeking to reassure anxious residents gathered in a traditional hall made of woven reeds from the wetlands, to discuss the government's plans for the UNESCO-listed area that is their home.

Everyone nodded in approval.

If they fail to save the Huwaizah Marshes, "a historical era... with its heritage and southern identity will vanish for ever", Janubi, 33, told AFP during a tour of the wetlands that straddle the Iraq-Iran border.

The millennia-old history of the marshes -- the reputed home of the biblical Garden of Eden -- "would end with this oilfield", said the moustached, tanned activist.

In 2023, as China became a major player across various sectors in Iraq, the oil-rich country awarded a Chinese firm the rights to explore the Huwaizah field.

Several residents of Abu Khsaf, the village in Missan province where the meeting with activist Janubi was held, said that at the time they did not fully grasp the implications.

Only this year, when heavy machinery was brought in to conduct seismic studies and open a new road, did the residents say they recognized a "threat" to the swamplands that have sustained their traditional way of life.

The government says that the oil and environment ministries are collaborating closely to avoid endangering the wetlands, and that any activity would occur near, not inside, the marshes.

Satellite images of the area from March, which AFP obtained from Planet Labs, show tracks left by heavy vehicles.

Wim Zwijnenburg of Dutch peace organization PAX said the images point to the "rapid" construction of "a 1.3-kilometre-long dirt road in the vegetation of the marshes".

'All we want is water'

Missan province already has several oilfields, including one just kilometers (miles) from the marshes.

Its emissions fill the sky with heavy grey smoke, and its gas flares can be seen from the fishing boats that roam the depleted marshes, suffering after years of harsh drought and dwindling water supplies.

Nestled between the Tigris and Euphrates rivers, the Mesopotamian Marshes depend on rivers and tributaries originating in neighboring Türkiye and Iran.

Sparse rainfall and reduced water flows blamed on climate change, upstream dams and government rationing have created shortages with severe impacts on the marsh ecosystem.

Residents expect the marshes to dry up in summer, hoping for a long-absent good rainy season to revive them.

The current water level in many areas is less than a meter (three feet) deep. Um al-Naaj lake, once teeming with fish, is now just three meters deep, compared with at least six before the drought.

Rowing his boat on the lake, fisherman Kazem Ali, 80, said that while the new project may create some jobs, "we, the average people, will not benefit".

"All we want is water," he said.

Rasul al-Ghurabi, a 28-year-old buffalo farmer, said he would never quit "the marshes and the freedom that comes with them" even if the oil company offered him a job.

Protected core

One cool March morning, as he led his buffaloes to the marshes to graze, Ghurabi was surprised to see workers laying cables and drilling holes.

A cable caused one of his animals to stumble, he said.

The marshes contain a core area that serves as a habitat for numerous species, including migratory waterbirds, surrounded by a buffer zone for protection.

Activists have accused authorities of conducting seismic studies within the core, which the state-owned Missan Oil Company denies, saying that the vehicles spotted in the area were carrying out work for a separate field nearby and had since left.

The Huwaizah oilfield was discovered in the 1970s, and Iraq shares it with Iran, which has been extracting oil for a long time.

The Missan Oil Company says that 300 square kilometers (116 square miles) of the field's area overlap with the marshes' buffer zone, but that the oilfield does not encroach on the core.

An environmental impact assessment concluded in 2024 would provide "the baseline for work in the field", the company said, adding that exploration would take place "without harming the natural habitat".

According to environment ministry official Jassem Falahi, the protected status of the marshes does not bar development projects.

"But investment is subject to specific conditions and standards that must not disturb the core area... or affect the site and its biodiversity," he told AFP.

Balance

Iraqi activist Ahmed Saleh Neema, a vocal advocate for the protection of the marshes, expressed concerns that oil companies might not adhere to regulations and further drain the marshes.

A UNESCO spokesperson told AFP that "concerns have been raised in recent years" over the potential impact of oil-related activities on the marshes.

Across the border in Iran, local media have long warned against the environmental impact of oil projects.

In a report earlier this year, two decades into oil activities in the wetlands known in Iran as Hoor al-Azim, the Tasnim news agency said energy companies had obstructed water flows and drained areas to build infrastructure.

Tasnim also said that oilfields have polluted water resources.

Environmental activist Neema said authorities should strike "a balance between two great resources: the oil and the marshes".

Iraq is one of the world's largest oil producers, and crude sales account for 90 percent of state revenues.

But while oil is financially vital, the marshes represent the livelihood of its people and "the heritage, the folklore, and the reputation of Iraq", Neema said.

Back in the village of Abu Khsaf, Janubi said: "Our region is already teeming with oilfields. Isn't that enough?"

"Leave our marshes alone."



AlUla Marks World Heritage Day, Showcases Millennia of Human Civilization

AlUla remains committed to the preservation of its archaeological sites and inscriptions through specialized restoration and rehabilitation projects - SPA
AlUla remains committed to the preservation of its archaeological sites and inscriptions through specialized restoration and rehabilitation projects - SPA
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AlUla Marks World Heritage Day, Showcases Millennia of Human Civilization

AlUla remains committed to the preservation of its archaeological sites and inscriptions through specialized restoration and rehabilitation projects - SPA
AlUla remains committed to the preservation of its archaeological sites and inscriptions through specialized restoration and rehabilitation projects - SPA

AlUla Governorate is celebrating World Heritage Day, observed annually on April 18, by showcasing a historical legacy spanning thousands of years as a crossroads of ancient civilizations and a living testament to cultural continuity and architectural development, reinforcing its status as a premier global cultural center, SPA reported.

The governorate is home to landmarks of universal value, most notably Hegra, the first Saudi site inscribed on the UNESCO World Heritage List.

Other significant sites include AlUla Old Town, featuring over 900 traditional mud-brick houses that reflect the region's historical social fabric and unique architectural heritage.

AlUla remains committed to the preservation of its archaeological sites and inscriptions through specialized restoration and rehabilitation projects.

These efforts ensure the sustainability of its heritage for future generations, aligning with international standards for protecting human history and promoting global cultural awareness.


UK Proposal to Charge Tourists to Visit Museums Sparks Backlash

FILE PHOTO: People walk in front of the British Museum in London, Britain, September 28, 2023. REUTERS/Hollie Adams/File Photo
FILE PHOTO: People walk in front of the British Museum in London, Britain, September 28, 2023. REUTERS/Hollie Adams/File Photo
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UK Proposal to Charge Tourists to Visit Museums Sparks Backlash

FILE PHOTO: People walk in front of the British Museum in London, Britain, September 28, 2023. REUTERS/Hollie Adams/File Photo
FILE PHOTO: People walk in front of the British Museum in London, Britain, September 28, 2023. REUTERS/Hollie Adams/File Photo

Britain is considering introducing entry fees for tourists visiting some of England's most renowned museums, a proposal that has drawn criticism from restitution groups and countries while disputed artefacts remain on display.

Free admission to Britain's national museums and galleries was introduced in 2001 by former Labour Prime Minister Tony Blair in a bid to make culture more accessible to all.

Last month, the UK government said it would work with the museum sector to explore the potential benefits of charging international visitors at ⁠national museums, including how ⁠this could support the arts sector. It would provide an update of the consultation before the end of the year, it said.

However, the proposal is facing backlash amid growing calls worldwide for artefacts to be sent back to their communities or countries of origin, Reuters reported.

Although some efforts have been made to confront the long-standing issue, artifacts as well as human ⁠remains taken during the colonial era are still held in various museums across Europe. Some long-standing claims for artifacts involving the British Museum include Greece's Parthenon Sculptures, known as Elgin marbles, and Nigeria's Benin Bronzes.

The British Museum has previously said that the strength of its collection lies in enabling millions of visitors to understand the world's cultures and how they are interconnected.

Ghana, which has some of its regalia and other artifacts in British institutions, said charging foreign visitors to view such objects raises issues of "fairness," particularly where restitution discussions remain ongoing, ⁠foreign minister ⁠Samuel Okudzeto Ablakwa told Reuters.

The proposal, if implemented, would be "unethica," said Eric Phillips, vice chair of the Caribbean Community's reparations commission, a bloc of 15 member states including Jamaica and Barbados.

"Why should we have to pay to see our heritage?" Phillips said.

Arley Gill, chairman of Grenada's national reparations committee, said the priority should be to return the artifacts to their "rightful owners."

Open Restitution Africa (ORA) said Africans and others already face barriers to accessing artifacts taken from their countries and held in Western museums, including visa requirements and travel costs.

"Introducing entry fees further compounds these inequalities," ORA said.

Meanwhile, the US-based non-profit Restitution Study Group said a fee exemption for such visitors would be a "meaningful gesture."

The government declined to comment on the criticism.


Riyadh Art Unveils 75 Works in Expanding Public Art Collection Across Capital

The artworks are strategically distributed across major streets, public squares, cultural centers, and key urban hubs. SPA
The artworks are strategically distributed across major streets, public squares, cultural centers, and key urban hubs. SPA
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Riyadh Art Unveils 75 Works in Expanding Public Art Collection Across Capital

The artworks are strategically distributed across major streets, public squares, cultural centers, and key urban hubs. SPA
The artworks are strategically distributed across major streets, public squares, cultural centers, and key urban hubs. SPA

The Royal Commission for Riyadh City, through its “Riyadh Art” program, has unveiled 75 new artworks as part of a growing permanent collection installed across key locations in the capital.

The initiative forms part of broader efforts to expand the presence of public art in urban spaces, with additional installations planned in the coming period.

The program aims to enrich daily life in Riyadh by integrating art into the urban fabric, contributing to a dynamic cultural environment that reflects the capital's regional and international stature.

As one of the world’s largest public art initiatives, the Riyadh Art program now features 75 installations, with plans to expand the collection by adding 115 more works. The current collection includes contributions from 35 Saudi artists and 100 international artists representing 45 countries.

Among the internationally renowned artists featured are Anish Kapoor, Giuseppe Penone, and Jeff Koons, alongside prominent Saudi artists such as Zaman Jassim, Mohammed Alsaleem, and Manal AlDowayan.

The artworks are strategically distributed across major streets, public squares, cultural centers, and key urban hubs, enabling residents and visitors to engage with them as part of their everyday environment and reinforcing the role of art in public life.

The collection comprises both commissioned and acquired works. Commissioned pieces are specifically designed to respond to their surroundings, integrating with the urban context and patterns of movement within each location.

Recent commissions were selected through an international competition that attracted 161 artists, with 72 shortlisted participants submitting 70 proposals. These contributions have helped shape a diverse and evolving collection spanning the city’s main axes and public spaces.