Ancient Bread Rises Again as Türkiye Recreates 5,000-year-old Loaf 

This photograph shows Kulluoba bread, a 5,000-year-old bread unearthed in an archeological excavation in Eskisehir province, in central Türkiye, exhibited at Eskisehir ETI archeology museum, on May 23, 2025. (AFP)
This photograph shows Kulluoba bread, a 5,000-year-old bread unearthed in an archeological excavation in Eskisehir province, in central Türkiye, exhibited at Eskisehir ETI archeology museum, on May 23, 2025. (AFP)
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Ancient Bread Rises Again as Türkiye Recreates 5,000-year-old Loaf 

This photograph shows Kulluoba bread, a 5,000-year-old bread unearthed in an archeological excavation in Eskisehir province, in central Türkiye, exhibited at Eskisehir ETI archeology museum, on May 23, 2025. (AFP)
This photograph shows Kulluoba bread, a 5,000-year-old bread unearthed in an archeological excavation in Eskisehir province, in central Türkiye, exhibited at Eskisehir ETI archeology museum, on May 23, 2025. (AFP)

In the early Bronze Age, a piece of bread was buried beneath the threshold of a newly built house in what is today central Türkiye.

Now, more than 5,000 years later, archaeologists have unearthed it, and helped a local bakery to recreate the recipe with customers lining up to buy it.

Round and flat like a pancake, 12 centimeters (five inches) in diameter, the bread was discovered during excavations at Kulluoba, a site near the central Anatolian city of Eskisehir.

"This is the oldest baked bread to have come to light during an excavation, and it has largely been able to preserve its shape," said Murat Turkteki, archaeologist and director of the excavation.

"Bread is a rare find during an excavation. Usually, you only find crumbs," he told AFP.

"But here, it was preserved because it had been burnt and buried," he said.

The bread was charred and buried under the entrance of a dwelling built around 3,300 BC.

A piece had been torn off before the bread was burnt, then buried when the house was built.

"It makes us think of a ritual of abundance," Turkteki said.

Unearthed in September 2024, the charred bread has been on display at the Eskisehir Archaeological Museum since Wednesday.

"We were very moved by this discovery. Talking to our excavation director, I wondered if we could reproduce this bread," said the city's mayor, Ayse Unluce.

Analyses showed that the bread was made with coarsely ground emmer flour, an ancient variety of wheat, and lentil seeds, with the leaf of an as yet undetermined plant used as yeast.

Ancient emmer seeds no longer exist in Türkiye.

To get as close as possible to the original recipe, the municipality, after analyzing the ancient bread, decided to use Kavilca wheat, a variety that is close to ancient emmer, as well as bulgur and lentils.

At the Halk Ekmek bakery (meaning "People's Bread" in Turkish), promoted by the municipality to offer low-cost bread, employees have been shaping 300 loaves of Kulluoba by hand every day.

"The combination of ancestral wheat flour, lentils and bulgur results in a rich, satiating, low-gluten, preservative-free bread," said Serap Guler, the bakery's manager.

The first Kulluoba loaves, marketed as 300-gram (11-ounce) cakes that cost 50 Turkish lira (around $1.28), sold out within hours.

"I rushed because I was afraid there wouldn't be any left. I'm curious about the taste of this ancient bread," said customer Suzan Kuru.

In the absence of written traces, the civilization of Kulluoba remains largely mysterious.

In the Bronze Age, the Hattians, an Anatolian people who preceded the Hittites, lived in the Eskisehir region.

"Kulluoba was a medium-sized urban agglomeration engaged in commercial activities, crafts, agriculture and mining. There was clearly a certain family and social order," said archaeologist Deniz Sari.

The rediscovery of the bread has sparked interest in the cultivation of ancient wheats better adapted to drought.

Once rich in water sources, the province of Eskisehir is today suffering from drought.

"We're facing a climate crisis, but we're still growing corn and sunflowers, which require a lot of water," said Unluce, the local mayor.

"Our ancestors are teaching us a lesson. Like them, we should be moving towards less thirsty crops," she added.

The mayor wants to revive the cultivation of Kavilca wheat in the region, which is resistant to drought and disease.

"We need strong policies on this subject. Cultivating ancient wheat will be a symbolic step in this direction," she said.

"These lands have preserved this bread for 5,000 years and given us this gift. We have a duty to protect this heritage and pass it on."



Italy Displays Paintings from an Ancient Etruscan Tomb, Its Latest Cultural Acquisition

 People look at the newly acquired Tomb of Francois, a 4th-century BC masterpiece bought last month by Italy's Culture Ministry for 15 million euros, at the National Etruscan Museum of Villa Giulia in Rome, Italy, June 30, 2026. (Reuters)
People look at the newly acquired Tomb of Francois, a 4th-century BC masterpiece bought last month by Italy's Culture Ministry for 15 million euros, at the National Etruscan Museum of Villa Giulia in Rome, Italy, June 30, 2026. (Reuters)
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Italy Displays Paintings from an Ancient Etruscan Tomb, Its Latest Cultural Acquisition

 People look at the newly acquired Tomb of Francois, a 4th-century BC masterpiece bought last month by Italy's Culture Ministry for 15 million euros, at the National Etruscan Museum of Villa Giulia in Rome, Italy, June 30, 2026. (Reuters)
People look at the newly acquired Tomb of Francois, a 4th-century BC masterpiece bought last month by Italy's Culture Ministry for 15 million euros, at the National Etruscan Museum of Villa Giulia in Rome, Italy, June 30, 2026. (Reuters)

Italy on Tuesday put on display one of the best-known examples of Etruscan painting, panels from a tomb that it acquired for 15 million euros ($17 million) in the Culture Ministry’s buying spree of big-ticket pieces of the country's cultural heritage.

The ministry announced in May that it had acquired the fresco panels, dating from the 4th century, from members of the Torlonia family, one of Italy’s ancient noble families whose vast collection of antiquity has long been kept out of the public domain.

The Francois Tomb was discovered in 1857 by the French archaeologist Alessandro Francois in Vulci, on land owned by the Torlonia family. The frescoes were detached from the necropolis in 1863 and became part of the Torlonia private collection, while the contents of the tomb were divided up among Francois, colleagues and the family.

The Italian government has been trying to get possession of the tomb since 1921, as part of its effort to bring back into the Italian public patrimony artifacts and antiquities that were acquired or looted during the boom of archaeological excavations in the 1800s and beyond.

The Etruscan Civilization occupied swaths of what is today central Italy for centuries was a major Mediterranean trading power. Much of it was destroyed by the subsequent Roman Empire.

The tomb is opening to the public Wednesday at Rome’s Villa Giulia National Etruscan Museum. Alongside the fresco panels are jewels, Etruscan vases and other items that were discovered inside the tomb, now belong in museum collections around the world and were loaned to Italy for the exhibition.

The tomb marks the Culture Ministry’s third major acquisition this year of expensive, culturally important artworks. It paid $14.9 million for Antonello da Messina’s “Ecce Homo” and around $35 million for a rare portrait by Caravaggio depicting Maffeo Barberini, the future Pope Urban VIII.

The funds have come from the ministry’s annual budget for acquisitions, but Culture Minister Alessandro Giuli has prioritized buying fewer, bigger-ticket items of cultural importance rather than smaller, lesser artworks and antiquities, officials said.

“In recent months, the Ministry of Culture has invested a great deal of money in acquiring masterpieces,” said Massimo Osanna, director general of Italian museums in the ministry.

Giuli has said the tomb is a “fundamental” part of Italian history that was now being returned to the Italian public to enjoy.

Luana Toniolo, director of the Villa Giulia museum, called the tomb one of the greatest masterpieces of antiquity and Etruscan painting, and one of the best preserved. Among other things, the paintings depict the sacrifice of Trojan prisoners and battles of Etruscan heroes.


Sunken Treasures Exhibition Showcases Historic Maps of the Red Sea

Historic maps of the Red Sea on display at the "Sunken Treasures: The Maritime Heritage of the Red Sea" exhibition. (SPA)
Historic maps of the Red Sea on display at the "Sunken Treasures: The Maritime Heritage of the Red Sea" exhibition. (SPA)
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Sunken Treasures Exhibition Showcases Historic Maps of the Red Sea

Historic maps of the Red Sea on display at the "Sunken Treasures: The Maritime Heritage of the Red Sea" exhibition. (SPA)
Historic maps of the Red Sea on display at the "Sunken Treasures: The Maritime Heritage of the Red Sea" exhibition. (SPA)

Historic maps of the Red Sea on display at the "Sunken Treasures: The Maritime Heritage of the Red Sea" exhibition document the strategic importance of this vital maritime corridor and reflect how geographers, travelers, and cartographers viewed the region over the centuries.

More than geographical illustrations, the maps serve as historical records of the Red Sea's role as a gateway for trade, pilgrimage, and cultural exchange linking Asia, Africa, and Europe, the Saudi Press Agency said on Tuesday.

Among the exhibits at the Red Sea Museum is a 17th-century map that provides an early depiction of the region. It highlights mapmakers' understanding of the Red Sea's importance as a major maritime route connecting the Mediterranean Sea with the Indian Ocean, while illustrating the ports and shipping routes that played a central role in global commerce.

The maps demonstrate how the Red Sea's strategic location made it a hub for economic and cultural exchange. Merchant vessels carrying spices, incense, textiles, and minerals sailed its waters alongside ships transporting pilgrims from across the Islamic world, establishing the Red Sea as one of history's busiest and most influential maritime routes.

The collection also reflects the evolution of geographical and navigational knowledge. Compiled using the expertise of sailors, captains, and travelers, the maps documented coastlines, islands, and ports, serving as essential references for maritime navigation before the advent of modern navigational technologies. They also illustrate the accumulation of scientific knowledge that deepened understanding of the Red Sea's geography and maritime environment.


Historic Jeddah Enriches Visitor Experience with Traditional Crafts and Cultural Activities

Historic Jeddah offers immersive cultural experiences through interactive programs that combine learning with hands-on participation. (SPA)
Historic Jeddah offers immersive cultural experiences through interactive programs that combine learning with hands-on participation. (SPA)
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Historic Jeddah Enriches Visitor Experience with Traditional Crafts and Cultural Activities

Historic Jeddah offers immersive cultural experiences through interactive programs that combine learning with hands-on participation. (SPA)
Historic Jeddah offers immersive cultural experiences through interactive programs that combine learning with hands-on participation. (SPA)

Historic Jeddah offers immersive cultural experiences through interactive programs that combine learning with hands-on participation, enabling visitors to explore local heritage and discover traditional crafts in an environment that blends creativity and education, further strengthening its position as a vibrant cultural destination, the Saudi Press Agency said on Tuesday.

The activities featured a variety of workshops, including handmade bookbinding, mosaic art for children, painting on canvas bags, and crafting perfumes from natural ingredients, providing participants with opportunities to explore diverse artistic materials and techniques.

These activities reflect the concept of a comprehensive cultural experience by going beyond showcasing handicrafts to allowing visitors to observe production processes, interact with artisans, and participate in workshops, educational tours, and community programs, thereby deepening their understanding of traditional crafts and their historical and cultural significance.

The experience presents a model that uses culture to discover both place and people, transforming a visit to Historic Jeddah into an educational journey that extends beyond sightseeing by bringing together heritage, creativity, and community engagement, reinforcing the Kingdom’s cultural identity.