Ancient Bread Rises Again as Türkiye Recreates 5,000-year-old Loaf 

This photograph shows Kulluoba bread, a 5,000-year-old bread unearthed in an archeological excavation in Eskisehir province, in central Türkiye, exhibited at Eskisehir ETI archeology museum, on May 23, 2025. (AFP)
This photograph shows Kulluoba bread, a 5,000-year-old bread unearthed in an archeological excavation in Eskisehir province, in central Türkiye, exhibited at Eskisehir ETI archeology museum, on May 23, 2025. (AFP)
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Ancient Bread Rises Again as Türkiye Recreates 5,000-year-old Loaf 

This photograph shows Kulluoba bread, a 5,000-year-old bread unearthed in an archeological excavation in Eskisehir province, in central Türkiye, exhibited at Eskisehir ETI archeology museum, on May 23, 2025. (AFP)
This photograph shows Kulluoba bread, a 5,000-year-old bread unearthed in an archeological excavation in Eskisehir province, in central Türkiye, exhibited at Eskisehir ETI archeology museum, on May 23, 2025. (AFP)

In the early Bronze Age, a piece of bread was buried beneath the threshold of a newly built house in what is today central Türkiye.

Now, more than 5,000 years later, archaeologists have unearthed it, and helped a local bakery to recreate the recipe with customers lining up to buy it.

Round and flat like a pancake, 12 centimeters (five inches) in diameter, the bread was discovered during excavations at Kulluoba, a site near the central Anatolian city of Eskisehir.

"This is the oldest baked bread to have come to light during an excavation, and it has largely been able to preserve its shape," said Murat Turkteki, archaeologist and director of the excavation.

"Bread is a rare find during an excavation. Usually, you only find crumbs," he told AFP.

"But here, it was preserved because it had been burnt and buried," he said.

The bread was charred and buried under the entrance of a dwelling built around 3,300 BC.

A piece had been torn off before the bread was burnt, then buried when the house was built.

"It makes us think of a ritual of abundance," Turkteki said.

Unearthed in September 2024, the charred bread has been on display at the Eskisehir Archaeological Museum since Wednesday.

"We were very moved by this discovery. Talking to our excavation director, I wondered if we could reproduce this bread," said the city's mayor, Ayse Unluce.

Analyses showed that the bread was made with coarsely ground emmer flour, an ancient variety of wheat, and lentil seeds, with the leaf of an as yet undetermined plant used as yeast.

Ancient emmer seeds no longer exist in Türkiye.

To get as close as possible to the original recipe, the municipality, after analyzing the ancient bread, decided to use Kavilca wheat, a variety that is close to ancient emmer, as well as bulgur and lentils.

At the Halk Ekmek bakery (meaning "People's Bread" in Turkish), promoted by the municipality to offer low-cost bread, employees have been shaping 300 loaves of Kulluoba by hand every day.

"The combination of ancestral wheat flour, lentils and bulgur results in a rich, satiating, low-gluten, preservative-free bread," said Serap Guler, the bakery's manager.

The first Kulluoba loaves, marketed as 300-gram (11-ounce) cakes that cost 50 Turkish lira (around $1.28), sold out within hours.

"I rushed because I was afraid there wouldn't be any left. I'm curious about the taste of this ancient bread," said customer Suzan Kuru.

In the absence of written traces, the civilization of Kulluoba remains largely mysterious.

In the Bronze Age, the Hattians, an Anatolian people who preceded the Hittites, lived in the Eskisehir region.

"Kulluoba was a medium-sized urban agglomeration engaged in commercial activities, crafts, agriculture and mining. There was clearly a certain family and social order," said archaeologist Deniz Sari.

The rediscovery of the bread has sparked interest in the cultivation of ancient wheats better adapted to drought.

Once rich in water sources, the province of Eskisehir is today suffering from drought.

"We're facing a climate crisis, but we're still growing corn and sunflowers, which require a lot of water," said Unluce, the local mayor.

"Our ancestors are teaching us a lesson. Like them, we should be moving towards less thirsty crops," she added.

The mayor wants to revive the cultivation of Kavilca wheat in the region, which is resistant to drought and disease.

"We need strong policies on this subject. Cultivating ancient wheat will be a symbolic step in this direction," she said.

"These lands have preserved this bread for 5,000 years and given us this gift. We have a duty to protect this heritage and pass it on."



Red Sea Museum Extends 'Sunken Treasures' Exhibition Until August 15

The exhibition offers a comprehensive educational and visual experience that traces the evolution of shipwrecks  - SPA
The exhibition offers a comprehensive educational and visual experience that traces the evolution of shipwrecks - SPA
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Red Sea Museum Extends 'Sunken Treasures' Exhibition Until August 15

The exhibition offers a comprehensive educational and visual experience that traces the evolution of shipwrecks  - SPA
The exhibition offers a comprehensive educational and visual experience that traces the evolution of shipwrecks - SPA

The Red Sea Museum is strengthening its cultural and educational offerings by extending its temporary exhibition, “Sunken Treasures: The Maritime Heritage of the Red Sea,” until August 15 at the Bab Al-Bunt building in Historic Jeddah.

The exhibition offers a comprehensive educational and visual experience that traces the evolution of shipwrecks from the remnants of maritime journeys into valuable historical archives and, ultimately, thriving natural habitats rich in coral reefs and marine life, SPA reported.

It reintroduces the Red Sea as a vital cultural and civilizational corridor that has long connected the Arabian Peninsula with Asia, Africa, and the Mediterranean, facilitating trade, cultural exchange, and human interaction across centuries.

The “Sunken Treasures” exhibition reflects the Red Sea Museum’s role as a knowledge platform dedicated to promoting public understanding and supporting scientific research in collaboration with the Heritage Commission and the Jeddah Historic District Program.


Saudi Film Commission Adds Kuwaiti Classic ‘Bas Ya Bahar’ to National Film Archive to Boost Cultural Cooperation

The Saudi Film Commission logo
The Saudi Film Commission logo
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Saudi Film Commission Adds Kuwaiti Classic ‘Bas Ya Bahar’ to National Film Archive to Boost Cultural Cooperation

The Saudi Film Commission logo
The Saudi Film Commission logo

The Film Commission of the Saudi Ministry of Culture announced the inclusion of the film "Bas Ya Bahar" (The Cruel Sea), one of the most prominent Gulf cinematic works, in the National Film Archive collection.

This step comes as part of the commission's efforts to preserve cinematic heritage, make these productions accessible to researchers, creators, and future generations, and highlight Arab cinematic works of cultural and historical significance, SPA reported.

Directed by Kuwaiti filmmaker Khalid Al-Siddiq in 1972, "Bas Ya Bahar" is the first full-length Kuwaiti feature film and one of the most important works in the history of Gulf cinema.

The film sheds light on the lives and hardships of pearl divers in their search for pearls before the discovery of oil, portraying the challenges faced by Gulf communities during that era.

 


Riyadh Art Expands Collection with Works by Italian, Indian Artists

Riyadh Art's permanent collection now comprises 75 artworks across the capital - SPA
Riyadh Art's permanent collection now comprises 75 artworks across the capital - SPA
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Riyadh Art Expands Collection with Works by Italian, Indian Artists

Riyadh Art's permanent collection now comprises 75 artworks across the capital - SPA
Riyadh Art's permanent collection now comprises 75 artworks across the capital - SPA

Riyadh Art has announced the installation of two new works in its permanent collection: "Run Beyond" by Italian artist Angelo Bonello and "Family Tree" by Indian artist Subodh Gupta, reflecting Riyadh's continued transformation into an open-air museum woven into the fabric of daily life.

The two works carry complementary themes—the first exploring movement and progress, the second evoking memory and human connection, together expressing a city undergoing rapid transformation while preserving its human and cultural dimension, SPA reported.

Riyadh Art's permanent collection now comprises 75 artworks across the capital, with new works planned for 2026, featuring artists from 47 countries alongside Saudi artists, making it one of the largest public art initiatives globally.