Picasso on a Plate: Unseen Ceramics Up for Auction

Artworks by Pablo Picasso are pictured during the media preview of 'Picasso for Asia: A Conversation' at M+ in Hong Kong. May JAMES / AFP
Artworks by Pablo Picasso are pictured during the media preview of 'Picasso for Asia: A Conversation' at M+ in Hong Kong. May JAMES / AFP
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Picasso on a Plate: Unseen Ceramics Up for Auction

Artworks by Pablo Picasso are pictured during the media preview of 'Picasso for Asia: A Conversation' at M+ in Hong Kong. May JAMES / AFP
Artworks by Pablo Picasso are pictured during the media preview of 'Picasso for Asia: A Conversation' at M+ in Hong Kong. May JAMES / AFP

A clutch of one-off and hitherto unseen ceramic plates and dishes by Pablo Picasso are going under the hammer in Geneva on June 19.

Emblematic motifs from Picasso's artistic universe -- pigeons, fish, a goat, a bull, and a bird adorn the colorful plates and dishes, AFP said.

"It's a truly exceptional collection. The plates and dishes we have here are real Picasso works," Bernard Piguet, director of the Piguet auction house in Geneva, told AFP.

"These unique pieces belonged to Picasso's estate, and in the early 1980s, his heirs gave them to one of their friends," he said.

The close friend, a French art lover whose name has not been revealed, kept them until his death. His heirs have decided to put the ceramics up for sale.

Made between 1947 and 1963 in the Madoura workshop in Vallauris on the southeast French coast, the ceramic artworks are being exhibited to the general public for the first time ahead of Thursday's auction.

'Reasonable' prices

The seven pieces are being sold in separate lots.

Two large platters decorated with pigeons are both expected to fetch between 30,000 and 50,000 Swiss francs ($37,000-$61,500).

A third plate depicting three blue, pink, and brick-colored fish on a white background, resembling a child's drawing, is estimated at 20,000 to 30,000 francs.

A thin brick, titled "Head of a Bearded Man", and painted with ceramic pastels in yellow, white, garnet, brown, blue orange and green, has the same estimate.

Glazed on a painted background in shades of grey, brown, and black, a terracotta plate depicting a goat's head bears the prestigious stamp "Original Picasso print" on the back. It is valued at 20,000-30,000 francs.

The two others feature a bull on a hexagonal terracotta tile (15,000-20,000 francs), and a stylized bird on a plate painted in black and white (15,000-25,000 francs).

"It's a lot," Piguet said of the price. "But don't forget that these are works of art in their own right and unique pieces" without replicas.

"If you step back from Picasso's work and his drawings, which are becoming practically unaffordable today, you have here original works by Picasso that command a reasonable estimate."

New outlet

Picasso was one of the most influential artists of the 20th century. The prolific Spanish painter died in 1973, aged 91.

He created thousands of plates, platters, vases, pitchers, and other earthenware utensils in the Madoura ceramics studio, run by the pottery couple Georges and Suzanne Ramie.

After World War II, "Picasso was already an internationally-renowned artist," said Adeline Bisch Balerna, head of paintings and sculptures at Piguet.

"He had already opened up a huge number of avenues for all artists; the great, well-known works had been created, and he was seeking new means of expression for his art."

Picasso would visit the Madoura studio, meet Georges Ranie, and be "captivated by all the possibilities offered" by this new artistic outlet, she explained.

Piguet is also auctioning two Picasso works "never before seen on the art market", from the same family friend's collection: "Serenade" (1919), an Indian ink and watercolor painting estimated at 20,000-30,000 francs, and the pencil drawing "Famille balzacienne" (1962), valued at 80,000-120,000 francs.

Unseen Klein

Meanwhile the contemporary art in Thursday's sale includes one of French artist Yves Klein's first blue monochromes, in what is its first appearance on the art market, according to Piguet auction house.

From 1959, "Monochrome bleu sans titre (IKB 328)", estimated at 100,000-150,000 francs, is painted in International Klein Blue, the deep blue hue developed by the artist himself.

"In daylight, it really has this luminous blue, this completely fascinating Klein blue. And when you put it indoors, you see it as a dark blue, almost midnight blue," said Bernard Piguet.

Klein died in 1962 aged 34, following a series of heart attacks.

The work comes from the collection of the Swiss artist couple Muriel and Gerald Minkoff, who liked to exchange their works with their contemporaries.

It was discovered by their successors in their Geneva apartment, according to Piguet.



Culture Being Strangled by Kosovo's Political Crisis

The cinema has been waiting for much-needed repairs for years. Armend NIMANI / AFP
The cinema has been waiting for much-needed repairs for years. Armend NIMANI / AFP
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Culture Being Strangled by Kosovo's Political Crisis

The cinema has been waiting for much-needed repairs for years. Armend NIMANI / AFP
The cinema has been waiting for much-needed repairs for years. Armend NIMANI / AFP

Kosovo's oldest cinema has been dark and silent for years as the famous theater slowly disintegrates under a leaky roof.

Signs warn passers-by in the historic city of Prizren that parts of the Lumbardhi's crumbling facade could fall while it waits for its long-promised refurbishment.

"The city deserves to have the cinema renovated and preserved. Only junkies gathering there benefit from it now," nextdoor neighbor butcher Arsim Futko, 62, told AFP.

For seven years, it waited for a European Union-funded revamp, only for the money to be suddenly withdrawn with little explanation.

Now it awaits similar repairs promised by the national government that has since been paralyzed by inconclusive elections in February.

And it is anyone's guess whether the new government that will come out of Sunday's snap election will keep the promise.

'Collateral damage'

Cinema director Ares Shporta said the cinema has become "collateral damage" in a broader geopolitical game after the EU hit his country with sanctions in 2023.

The delayed repairs "affected our morale, it affected our lives, it affected the trust of the community in us," Shporta said.

Brussels slapped Kosovo with sanctions over heightened tensions between the government and the ethnic Serb minority that live in parts of the country as Pristina pushed to exert more control over areas still tightly linked to Belgrade.

Cultural institutions have been among the hardest-hit sectors, as international funding dried up and local decisions were stalled by the parliamentary crisis.

According to an analysis by the Kosovo think tank, the GAP Institute for Advanced Studies, sanctions have resulted in around 613 million euros ($719 million) being suspended or paused, with the cultural sector taking a hit of 15-million-euro hit.

'Ground zero'

With political stalemate threatening to drag on into another year, there are warnings that further funding from abroad could also be in jeopardy.

Since February's election when outgoing premier Albin Kurti topped the polls but failed to win a majority, his caretaker government has been deadlocked with opposition lawmakers.

Months of delays, spent mostly without a parliament, meant little legislative work could be done.

Ahead of the snap election on Sunday, the government said that more than 200 million euros ($235 million) will be lost forever due to a failure to ratify international agreements.

Once the top beneficiary of the EU Growth Plan in the Balkans, Europe's youngest country now trails most of its neighburs, the NGO Group for Legal and Political Studies' executive director Njomza Arifi told AFP.

"While some of the countries in the region have already received the second tranches, Kosovo still remains at ground zero."

Although there have been some enthusiastic signs of easing a half of EU sanctions by January, Kurti's continued push against Serbian institutions and influence in the country's north continues to draw criticism from both Washington and Brussels.

'On the edge'

Across the river from the Lumbardhi, the funding cuts have also been felt at Dokufest, a documentary and short film festival that draws people to the region.

"The festival has had to make staff cuts. Unfortunately, there is a risk of further cuts if things don't change," Dokufest artistic director Veton Nurkollari said.

"Fortunately, we don't depend on just one source because we could end up in a situation where, when the tap is turned off, everything is turned off."

He said that many in the cultural sector were desperate for the upcoming government to get the sanctions lifted by ratification of the agreements that would allow EU funds to flow again.

"Kosovo is the only one left on the edge and without these funds."


Saudi Culture Ministry Concludes Intangible Cultural Heritage Documentation Project in Al-Ahsa

Saudi Culture Ministry Concludes Intangible Cultural Heritage Documentation Project in Al-Ahsa
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Saudi Culture Ministry Concludes Intangible Cultural Heritage Documentation Project in Al-Ahsa

Saudi Culture Ministry Concludes Intangible Cultural Heritage Documentation Project in Al-Ahsa

The Saudi Ministry of Culture concluded the project to survey, document, and archive intangible cultural heritage in Al-Ahsa Governorate by holding a workshop in the governorate, attended by stakeholders and relevant entities, as part of the ministry’s efforts to preserve national cultural heritage and strengthen Saudi cultural identity, reported the Saudi Press Agency on Thursday.

The project included a field survey covering various cities and villages across Al-Ahsa, during which diverse elements of intangible cultural heritage were identified and documented. These included oral traditions, performing arts, skills associated with traditional cultural crafts, social practices, and knowledge related to nature and the local environment.

The work was carried out in cooperation with concerned entities, specialized experts, and local practitioners.

The workshop reviewed the project’s final outcomes and presented reports on documentation and digital archiving activities.

It discussed mechanisms to ensure the sustainability of these efforts and the transmission of this cultural legacy to future generations, contributing to greater community awareness of the value and importance of intangible cultural heritage.


Hail Region Pavilion Showcases Heritage Artifacts at Camel Festival

The pavilion aims to connect visitors to Hail's history and social legacy - SPA
The pavilion aims to connect visitors to Hail's history and social legacy - SPA
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Hail Region Pavilion Showcases Heritage Artifacts at Camel Festival

The pavilion aims to connect visitors to Hail's history and social legacy - SPA
The pavilion aims to connect visitors to Hail's history and social legacy - SPA

Hail Region pavilion at the Ministry of Interior’s Security Oasis exhibition, part of the 10th King Abdulaziz Camel Festival in Al-Sayahid, features heritage artifacts that reflect the region's renowned hospitality.

The display includes ancient trays and copperware from nearly seventy years ago.

According to SPA, these traditional food preparation and serving vessels have garnered significant interest from visitors. They document daily life in old Hail and its deep-rooted social traditions, particularly in gatherings and special occasions.

The pavilion aims to connect visitors to Hail's history and social legacy, fostering appreciation for national heritage and ensuring cultural preservation for future generations.