Picasso on a Plate: Unseen Ceramics Up for Auction

Artworks by Pablo Picasso are pictured during the media preview of 'Picasso for Asia: A Conversation' at M+ in Hong Kong. May JAMES / AFP
Artworks by Pablo Picasso are pictured during the media preview of 'Picasso for Asia: A Conversation' at M+ in Hong Kong. May JAMES / AFP
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Picasso on a Plate: Unseen Ceramics Up for Auction

Artworks by Pablo Picasso are pictured during the media preview of 'Picasso for Asia: A Conversation' at M+ in Hong Kong. May JAMES / AFP
Artworks by Pablo Picasso are pictured during the media preview of 'Picasso for Asia: A Conversation' at M+ in Hong Kong. May JAMES / AFP

A clutch of one-off and hitherto unseen ceramic plates and dishes by Pablo Picasso are going under the hammer in Geneva on June 19.

Emblematic motifs from Picasso's artistic universe -- pigeons, fish, a goat, a bull, and a bird adorn the colorful plates and dishes, AFP said.

"It's a truly exceptional collection. The plates and dishes we have here are real Picasso works," Bernard Piguet, director of the Piguet auction house in Geneva, told AFP.

"These unique pieces belonged to Picasso's estate, and in the early 1980s, his heirs gave them to one of their friends," he said.

The close friend, a French art lover whose name has not been revealed, kept them until his death. His heirs have decided to put the ceramics up for sale.

Made between 1947 and 1963 in the Madoura workshop in Vallauris on the southeast French coast, the ceramic artworks are being exhibited to the general public for the first time ahead of Thursday's auction.

'Reasonable' prices

The seven pieces are being sold in separate lots.

Two large platters decorated with pigeons are both expected to fetch between 30,000 and 50,000 Swiss francs ($37,000-$61,500).

A third plate depicting three blue, pink, and brick-colored fish on a white background, resembling a child's drawing, is estimated at 20,000 to 30,000 francs.

A thin brick, titled "Head of a Bearded Man", and painted with ceramic pastels in yellow, white, garnet, brown, blue orange and green, has the same estimate.

Glazed on a painted background in shades of grey, brown, and black, a terracotta plate depicting a goat's head bears the prestigious stamp "Original Picasso print" on the back. It is valued at 20,000-30,000 francs.

The two others feature a bull on a hexagonal terracotta tile (15,000-20,000 francs), and a stylized bird on a plate painted in black and white (15,000-25,000 francs).

"It's a lot," Piguet said of the price. "But don't forget that these are works of art in their own right and unique pieces" without replicas.

"If you step back from Picasso's work and his drawings, which are becoming practically unaffordable today, you have here original works by Picasso that command a reasonable estimate."

New outlet

Picasso was one of the most influential artists of the 20th century. The prolific Spanish painter died in 1973, aged 91.

He created thousands of plates, platters, vases, pitchers, and other earthenware utensils in the Madoura ceramics studio, run by the pottery couple Georges and Suzanne Ramie.

After World War II, "Picasso was already an internationally-renowned artist," said Adeline Bisch Balerna, head of paintings and sculptures at Piguet.

"He had already opened up a huge number of avenues for all artists; the great, well-known works had been created, and he was seeking new means of expression for his art."

Picasso would visit the Madoura studio, meet Georges Ranie, and be "captivated by all the possibilities offered" by this new artistic outlet, she explained.

Piguet is also auctioning two Picasso works "never before seen on the art market", from the same family friend's collection: "Serenade" (1919), an Indian ink and watercolor painting estimated at 20,000-30,000 francs, and the pencil drawing "Famille balzacienne" (1962), valued at 80,000-120,000 francs.

Unseen Klein

Meanwhile the contemporary art in Thursday's sale includes one of French artist Yves Klein's first blue monochromes, in what is its first appearance on the art market, according to Piguet auction house.

From 1959, "Monochrome bleu sans titre (IKB 328)", estimated at 100,000-150,000 francs, is painted in International Klein Blue, the deep blue hue developed by the artist himself.

"In daylight, it really has this luminous blue, this completely fascinating Klein blue. And when you put it indoors, you see it as a dark blue, almost midnight blue," said Bernard Piguet.

Klein died in 1962 aged 34, following a series of heart attacks.

The work comes from the collection of the Swiss artist couple Muriel and Gerald Minkoff, who liked to exchange their works with their contemporaries.

It was discovered by their successors in their Geneva apartment, according to Piguet.



Once a National Obsession, Traditional Korean Wrestling Fights for Survival 

An elderly spectator watches a ssireum match during a Lunar New Year Ssireum championship at the Taean Complex Indoor Gymnasium in Taean, South Korea, February 14, 2026. (Reuters)
An elderly spectator watches a ssireum match during a Lunar New Year Ssireum championship at the Taean Complex Indoor Gymnasium in Taean, South Korea, February 14, 2026. (Reuters)
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Once a National Obsession, Traditional Korean Wrestling Fights for Survival 

An elderly spectator watches a ssireum match during a Lunar New Year Ssireum championship at the Taean Complex Indoor Gymnasium in Taean, South Korea, February 14, 2026. (Reuters)
An elderly spectator watches a ssireum match during a Lunar New Year Ssireum championship at the Taean Complex Indoor Gymnasium in Taean, South Korea, February 14, 2026. (Reuters)

As South Korea's global cultural influence expands in areas such as music, film and television, one form of entertainment struggling to attract attention even at home is Korea's traditional style of wrestling, known as ssireum.

Ssireum - pronounced like "see room" - had its heyday in the 1980s and early 1990s, when there were as many as eight professional teams and the top wrestlers became household names. Since then, it has been squeezed by tighter budgets and a public quick to move on to new trends.

Twenty-year-old Lee Eun-soo, who began training at the age ‌of nine, is ‌taking part in this year's Lunar New Year ‌tournament, ⁠the showcase event ⁠for the more than 1,500-year-old sport.

Lee lamented that at his former high school, the ssireum team currently has no members and there is talk of disbanding it.

"I once tried to imagine my life if I hadn’t done ssireum," Lee said. "I don’t think I could live without it."

A ssireum match involves two wrestlers facing off in an ⁠eight-meter (26.25 ft) sandpit ring, gripping each other by a ‌cloth belt called a "satba" and using ‌strength, balance, timing and stamina to force the opponent to the ground.

Ssireum ‌was inscribed on UNESCO's Representative List of the Intangible Cultural Heritage ‌of Humanity in 2018, but that international recognition has not translated into commercial success. Its relative obscurity contrasts with the high profile of Japan's sumo, another centuries-old form of wrestling.

Unlike sumo, which is supported by ‌a centralized professional ranking system and six major annual tournaments - or Olympic wrestling, with its global reach - ⁠ssireum remains ⁠largely domestic.

"Sport is something people won't come to watch if they don’t know the wrestlers or even the sport itself," said Lee Tae-hyun, a former ssireum wrestler and Professor of Martial Arts at Yong In University, who has promoted the sport overseas and believes it has commercial potential with the right backing.

Lee Hye-soo, 25, a spectator at the Lunar New Year tournament, said many Koreans are now unfamiliar with ssireum.

"My grandfather liked watching ssireum, so I watched it with him a lot when I was young," she said.

"I like it now too, but I think it would be even better if it became more famous."


Saudi Arabia Concludes Guest of Honor Role at Damascus International Book Fair 2026

The Kingdom’s pavilion, led by the commission, attracted strong attendance and active engagement through its cultural activities - SPA
The Kingdom’s pavilion, led by the commission, attracted strong attendance and active engagement through its cultural activities - SPA
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Saudi Arabia Concludes Guest of Honor Role at Damascus International Book Fair 2026

The Kingdom’s pavilion, led by the commission, attracted strong attendance and active engagement through its cultural activities - SPA
The Kingdom’s pavilion, led by the commission, attracted strong attendance and active engagement through its cultural activities - SPA

The Literature, Publishing and Translation Commission concluded the Kingdom’s Guest of Honor participation at the Damascus International Book Fair 2026, held in the Syrian capital from February 6 to 16, drawing strong attendance and engagement from visitors and cultural enthusiasts.

The Kingdom's pavilion was highly praised for its rich cultural content and high-quality programs, reflecting the vitality and growth of the Kingdom’s literary and cultural scene, SPA reported.

Literature, Publishing and Translation Commission CEO Dr. Abdullatif Abdulaziz Al-Wasel stated that the Kingdom’s role as Guest of Honor at the Damascus International Book Fair 2026, represented by a high-level cultural delegation led by Minister of Culture Prince Bader bin Abdullah bin Farhan, highlights the depth of Saudi-Syrian cultural relations based on partnership and mutual respect.

He noted that the participation demonstrates the Kingdom’s commitment to enhancing cultural exchange, a key objective of the National Culture Strategy under Saudi Vision 2030. Through this strategy, the commission emphasizes fostering constructive dialogue among peoples, exchanging knowledge and expertise, and consolidating the Kingdom’s active role in the Arab and international cultural landscape.

The Kingdom’s pavilion, led by the commission, attracted strong attendance and active engagement through its cultural activities. It showcased the commission’s programs and initiatives in literature, publishing, and translation, and featured a comprehensive cultural program, including literary seminars, cultural discussions, and poetry evenings with prominent Saudi writers and intellectuals.

These efforts enriched cultural dialogue with fair visitors and strengthened the presence of Saudi literature in the Arab cultural scene.

This edition of the Damascus International Book Fair marks a significant cultural milestone, reaffirming the value of books as carriers of meaning, spaces for dialogue, and starting points for a cultural journey that reflects the aspirations of the Arab cultural landscape toward a more open and aware phase.


Qiddiya City Begins Construction of Landmark Performing Arts Center

The Qiddiya Performing Arts Center supports the city’s positioning as a destination for creativity and cultural expression - SPA
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Qiddiya City Begins Construction of Landmark Performing Arts Center

The Qiddiya Performing Arts Center supports the city’s positioning as a destination for creativity and cultural expression - SPA

Qiddiya Investment Company has announced the commencement of construction works for the Performing Arts Center in Qiddiya City, marking an important milestone in the development of Qiddiya City as a destination for entertainment, sports and culture.

The announcement coincided with the laying of the foundation stone, signaling the start of construction works to be carried out by Nesma and Partners.

During the ceremony, held at the project site perched on the edge of the Tuwaiq Mountains, Managing Director of Qiddiya Investment Company Abdullah Aldawood delivered a speech announcing the official start of construction. He highlighted the importance of the project as a transformative addition that strengthens Qiddiya City’s cultural offering.

The Qiddiya Performing Arts Center supports the city’s positioning as a destination for creativity and cultural expression, while contributing to the development of local talent and attracting international artistic experiences.

The Qiddiya Performing Arts Center has been designed by Tom Wiscombe Architecture, in collaboration with BSBG, and features a futuristic architectural style defined by monumental forms. The design comprises interlocking architectural panels and five illuminated blades that blend harmoniously with the desert landscape, forming a prominent cultural landmark within Qiddiya City.

The start of construction follows the launch of the first phase of Qiddiya City in December 2025, which included the opening of Six Flags Qiddiya City. It’s part of the company’s broader approach to developing integrated destinations that enhance quality of life and deliver distinctive experiences across entertainment, sports and culture.