'Cezanne at Home': Show Retraces Artist's Roots in Southern France

Works that Cezanne painted in his native city and family home will be on display at the Granet museum. Christophe SIMON / AFP
Works that Cezanne painted in his native city and family home will be on display at the Granet museum. Christophe SIMON / AFP
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'Cezanne at Home': Show Retraces Artist's Roots in Southern France

Works that Cezanne painted in his native city and family home will be on display at the Granet museum. Christophe SIMON / AFP
Works that Cezanne painted in his native city and family home will be on display at the Granet museum. Christophe SIMON / AFP

A city in southern France is celebrating its most famous local painter Paul Cezanne with an exhibition showcasing his works inspired by the sun-drenched landscapes of the Provence region.

Paintings by Cezanne, created in his hometown of Aix-en-Provence and at his family estate, went on display Saturday at the Granet Museum in the city for the over three-month exhibition, which is expected to draw hundreds of thousands of visitors.

The theme of the exhibit is "Cezanne at home," said the city's mayor Sophie Joissains, said AFP.

The vivid southern French countryside provided most of the inspiration for Cezanne's works, composed mainly of still lifes and landscapes.

But the artist, known as one of the fathers of modern art, was hated by critics and shunned by his native city during his life and even years after his death.

"As long as I live, no Cezanne will enter the museum," then-conservator of the Granet Museum Henri Pontier promised after Cezanne died in 1906.

For decades, "a modest copy of a classic male nude, made during his studies, was the only work of Cezanne's in the museum of his city," said Bruno Ely, current director of the museum and the exhibit's curator.

The century-long rift between Cezanne and his native city came to an end in 2006 when the Granet Museum held its first exhibition of the artist's work.

The city has since declared 2025 "Cezanne's Year," organizing a series of events celebrating his work and leaving any historical estrangement firmly in the past.

The "Cezanne au Jas de Bouffan" (Cezane at the Jas de Bouffan) exhibit displays 135 paintings, drawings and etchings, originating from museums and collectors from over a dozen different countries.

The evolution of Cezanne's painting style will be on display, from his earlier darker works featuring thick paint spread with a palette knife to impressionism to a pre-cubist style.

Though the Provence region where Cezanne roamed was "tiny," it was "enough for him to reinvent painting", said Ely.

The exhibition comes alongside major restoration efforts at the three-storey Jas de Bouffan manor home, where the Cezanne family lived in the late 19th century.

Young Cezanne adorned the estate's living room with colorful frescos, perhaps with the intention of impressing his banker father, who had wanted his son to be a lawyer or a financer.

The exhibition runs to October 12.



Historic Jeddah Marks 12 Years on UNESCO World Heritage List

Historic Jeddah was inscribed on the UNESCO World Heritage List after meeting three criteria of Outstanding Universal Value - SPA
Historic Jeddah was inscribed on the UNESCO World Heritage List after meeting three criteria of Outstanding Universal Value - SPA
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Historic Jeddah Marks 12 Years on UNESCO World Heritage List

Historic Jeddah was inscribed on the UNESCO World Heritage List after meeting three criteria of Outstanding Universal Value - SPA
Historic Jeddah was inscribed on the UNESCO World Heritage List after meeting three criteria of Outstanding Universal Value - SPA

This June marks the 12th anniversary of Historic Jeddah's inscription on the UNESCO World Heritage List, reflecting the Ministry of Culture's continued efforts to revitalize the area as part of Saudi Arabia's ongoing commitment to protecting and preserving cultural heritage and national identity.

Historic Jeddah was inscribed on the UNESCO World Heritage List after meeting three criteria of Outstanding Universal Value.

The site reflects the exchange of human values, building materials, and architectural styles across the Red Sea region. It also highlights its historic role as a center for trade and pilgrimage, enhancing its historical connection to Hajj from both architectural and urban perspectives, SPA reported.

The 12th anniversary of Historic Jeddah's presence on the UNESCO World Heritage List further reinforces its global status as a living heritage site, a distinctive cultural and tourism destination, and a vibrant center for culture, arts, and creativity.


Archaeologists Find Huge Viking Textile Production Site in Denmark

 Moesgaard Museum archaeologist Liv Stidsing Reher-Langberg holds a Viking Age weight loom unearthed in Aarhus, Denmark, on June 22, 2026. (AP)
Moesgaard Museum archaeologist Liv Stidsing Reher-Langberg holds a Viking Age weight loom unearthed in Aarhus, Denmark, on June 22, 2026. (AP)
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Archaeologists Find Huge Viking Textile Production Site in Denmark

 Moesgaard Museum archaeologist Liv Stidsing Reher-Langberg holds a Viking Age weight loom unearthed in Aarhus, Denmark, on June 22, 2026. (AP)
Moesgaard Museum archaeologist Liv Stidsing Reher-Langberg holds a Viking Age weight loom unearthed in Aarhus, Denmark, on June 22, 2026. (AP)

Archaeologists have discovered a huge Viking Age textile production site in Denmark that dates back more than 1,000 years and underlines the sophistication of Viking society.

Experts from the Moesgaard Museum said this week that the sprawling 100,000-square-meter (more than 1 million-square-foot) site features an area for processing flax as well as more than 80 pit houses — semi-submerged huts that were used as workshops and dwellings in Viking times.

It's located in Søften, 10 kilometers (6 miles) north of Denmark’s second-largest city, Aarhus, on the Jutland peninsula. The site dates back to the late Iron Age and early Viking Age, sometime between A.D. 600 and 950.

Archaeologist Liv Stidsing Reher-Langberg, who led the 10-month dig, said that “we have a clear focus on textile production, which makes this settlement different from other kinds of settlements of this period.”

“We have spindle whorls, we have weight looms; that tells us about what has been going on in the pit houses,” said Reher-Langberg, adding that archaeologists had also discovered silver coins, glass beads and pottery.

Experts found separate areas for production and crafts, plus a single residential home, which suggests work was overseen by a powerful individual with control over resources and production.

Reher-Langberg said that, over the last three decades, people with metal detectors had unearthed several silver coins in the area. A trial excavation 1½ years ago, before the start of construction work on a new road and industrial area, then piqued archaeologists’ interest.

“We could see in the trenches that it just keeps on going, with these houses and pit houses and textile production features,” Reher-Langberg said.

Moesgaard Museum historian Kasper Andersen said that the discovery at Søften is “another piece in the puzzle” to understanding the local economic, cultural and political structure at the time.

During the Viking era, Aarhus — then known as Aros — functioned as a center for royalty and international trade. And last year, archaeologists discovered another Viking site in Lisbjerg, just 4 kilometers (2½ miles) away, that was likely home to members of the nobility.

Goods and resources were likely brought from the countryside and settlements like Søften, before entering an extensive international trade network, Andersen said.

“When you have a production site of this scale, it cannot be only because of the local area. It needs to be understood as part of a greater network, a much bigger international perspective,” Andersen said.

Reher-Langberg hopes future carbon dating and pollen analysis might answer some lingering questions, for instance about what kind of textile production went on at the site.

During the Viking Age, considered to run from A.D. 793 to 1066, Norsemen known as Vikings undertook large-scale raids, colonization, conquest and trade throughout Europe, even reaching North America.

Andersen said that the discovery at Søften shows that Vikings were “not just simple, uncivilized, barbaric hordes, rambling about Europe.”

“To have a place like Søften, you need a very well-organized society with a production line, and you also need a market to have the production,” he said. “The textiles from Søften go into a market that’s much bigger than just the local area.”


Saudi Ambassador to Lebanon Visits Ameen Rihani Museum

Saudi Ambassador to Lebanon Fahd Al-Dosari is seen during his visit to the museum. (SPA)
Saudi Ambassador to Lebanon Fahd Al-Dosari is seen during his visit to the museum. (SPA)
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Saudi Ambassador to Lebanon Visits Ameen Rihani Museum

Saudi Ambassador to Lebanon Fahd Al-Dosari is seen during his visit to the museum. (SPA)
Saudi Ambassador to Lebanon Fahd Al-Dosari is seen during his visit to the museum. (SPA)

Saudi Ambassador to Lebanon Fahd Al-Dosari visited on Monday the Ameen Rihani Museum in the town of Freike in Matn District, reported the Saudi Press Agency.

The ambassador was received by members of the Rihani family, led by the museum's curator, Ameen Albert Rihani, who welcomed him and praised the historic relations between Saudi Arabia and Lebanon.

They recalled the historic meeting between King Abdulaziz bin Abdulrahman Al Saud and Lebanese writer and historian Ameen Rihani in 1922.

During the visit, Al-Dosari toured the museum's historical and literary sections and viewed the exhibition marking the centenary of the book “Rihaniyyat”.