Ancient Site Sparks Heated Political Debate about India's Past

A view of an excavated site in Keeladi. (Archaeological Survey of India)
A view of an excavated site in Keeladi. (Archaeological Survey of India)
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Ancient Site Sparks Heated Political Debate about India's Past

A view of an excavated site in Keeladi. (Archaeological Survey of India)
A view of an excavated site in Keeladi. (Archaeological Survey of India)

The Keeladi village in India's southern Tamil Nadu state has unearthed archeological finds that have sparked a political and historical debate.

Amid coconut groves, a series of 15ft (4.5m) deep trenches reveal ancient artifacts buried in layers of soil - fragments of terracotta pots, and traces of long-lost brick structures, BBC reported on Monday.

Experts from the Tamil Nadu State Department of Archaeology estimate the artifacts to be 2,000 to 2,500 years old, with the oldest dating back to around 580 BCE. They say these findings challenge and reshape existing narratives about early civilization in the Indian subcontinent.

With politicians, historians, and epigraphists weighing in, Keeladi has moved beyond archaeology, becoming a symbol of state pride and identity amid competing historical narratives.

Yet history enthusiasts say it remains one of modern India's most compelling and accessible discoveries - offering a rare opportunity to deepen understanding of a shared past.

Keeladi, a village 12km (7 miles) from Madurai on the banks of the Vaigai river, was one of 100 sites shortlisted for excavation by Archaeological Survey of India (ASI) archaeologist Amarnath Ramakrishnan in 2013.

He selected a 100-acre site there because of its proximity to ancient Madurai and the earlier discovery of red-and-black pottery ware by a schoolteacher in 1975.

Ajay Kumar, leading the state archaeology team at Keeladi, said the key finds are elaborate brick structures and water systems - evidence of a 2,500-year-old urban settlement.

“This was a literate, urban society where people had separate spaces for habitation, burial practices and industrial work,” Kumar said, noting it's the first large, well-defined ancient urban settlement found in southern India.

William Daniel, a teacher from neighboring Kerala, said the discoveries made him feel proud about his heritage.

“It gives people from the south [of India] something to feel proud about, that our civilization is just as ancient and important as the one in the north [of India],” he said.

The politics surrounding Keeladi reflects a deep-rooted north-south divide - underscoring how understanding the present requires grappling with the past.

India's first major civilization, the Indus Valley, emerged in the north and central regions between 3300 and 1300 BCE. After its decline, a second urban phase, the Vedic period, rose in the Gangetic plains, lasting until the 6th Century BCE.

This phase saw major cities, powerful kingdoms and the rise of Vedic culture - a foundation for Hinduism. As a result, urbanization in ancient India is often viewed as a northern phenomenon, with a dominant narrative that the northern Aryans "civilized" the Dravidian south.

This is especially evident in the mainstream understanding of the spread of literacy.

It is believed that the Ashokan Brahmi script - found on Mauryan king Ashoka's rock edicts in northern and central India, dating back to the 3rd Century BCE - is the predecessor of most scripts in South and Southeast Asia.

Epigraphists like Iravatham Mahadevan and Y Subbarayalu have long held the view that the Tamil Brahmi script - the Tamil language spoken in Tamil Nadu and written in the Brahmi script - was an offshoot of the Ashokan Brahmi script.

But now, archaeologists from the Tamil Nadu state department say that the excavations at Keeladi are challenging this narrative.

“We have found graffiti in the Tamil Brahmi script dating back to the 6th Century BCE, which shows that it is older than the Ashokan Brahmi script. We believe that both scripts developed independently and, perhaps, emerged from the Indus Valley script,” Kumar said.

Epigraphist S Rajavelu, former professor of marine archaeology at the Tamil University, agrees with Kumar and said other excavation sites in the state too have unearthed graffiti in the Tamil Brahmi script dating back to the 5th and 4th Century BCE.

But some experts say that more research and evidence are needed to conclusively prove the antiquity of the Tamil Brahmi script.



AlUla Royal Commission, National Museum of Asian Art Strengthen Cooperation Through Residence Program

The initiative is part of the commission’s efforts to promote international cultural dialogue and highlight the region’s exceptional cultural heritage. (SPA)
The initiative is part of the commission’s efforts to promote international cultural dialogue and highlight the region’s exceptional cultural heritage. (SPA)
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AlUla Royal Commission, National Museum of Asian Art Strengthen Cooperation Through Residence Program

The initiative is part of the commission’s efforts to promote international cultural dialogue and highlight the region’s exceptional cultural heritage. (SPA)
The initiative is part of the commission’s efforts to promote international cultural dialogue and highlight the region’s exceptional cultural heritage. (SPA)

Saudi Arabia’s Royal Commission for AlUla has strengthened its cultural partnership with the National Museum of Asian Art, part of the Smithsonian Institution in Washington DC, by launching the “Rawi in Residence” program, with the participation of storytellers Atif AlBalawi and Wedad Yaseen.

The initiative is part of the commission’s efforts to promote international cultural dialogue and highlight the region’s exceptional cultural heritage, reported the Saudi Press Agency on Sunday.

The program is the first public-facing initiative under the partnership agreement between the commission and the museum. It was delivered through three interactive sessions involving museum visitors, families, curators, guides, and specialists in heritage and culture.

During the program, the two storytellers led a series of talks and interactive experiences highlighting AlUla’s cultural landscape and historical sites. They also highlighted its historical role as a major hub of cultural exchange along the Incense Route, drawing on storytelling and heritage interpretation techniques.

The initiative builds on field visits and the exchange of expertise between the commission and the museum, which contributed to shaping the “Rawi” concept and incorporating it into the museum’s summer program in Washington. This strengthened shared understanding of heritage interpretation methods and enhanced the visitor experience in line with the highest international standards.

The program is aligned with the Royal Commission for AlUla’s objectives of empowering AlUla’s young men and women and showcasing their capabilities at international forums. It builds on previous participation by storytellers at prominent global venues in Beijing, the UNESCO pavilion at the Venice Biennale, and the organization’s headquarters in Paris.

These efforts are in line with the objectives of Saudi Vision 2030 to celebrate Saudi national heritage and strengthen its cultural presence on the international stage.


Athens Is Cleaning Its All-Marble Olympic Stadium for the First Time in More Than a Century

A worker cleans the marble surfaces of the Panathenaic Stadium, also known as "Kallimarmaro," or beautiful marble, which hosted the first modern Olympic Games in 1896, using a high-pressure water hose during renovation work in Athens, Greece, Thursday, Aug. 13, 2026. (AP Photo/Thanassis Stavrakis)
A worker cleans the marble surfaces of the Panathenaic Stadium, also known as "Kallimarmaro," or beautiful marble, which hosted the first modern Olympic Games in 1896, using a high-pressure water hose during renovation work in Athens, Greece, Thursday, Aug. 13, 2026. (AP Photo/Thanassis Stavrakis)
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Athens Is Cleaning Its All-Marble Olympic Stadium for the First Time in More Than a Century

A worker cleans the marble surfaces of the Panathenaic Stadium, also known as "Kallimarmaro," or beautiful marble, which hosted the first modern Olympic Games in 1896, using a high-pressure water hose during renovation work in Athens, Greece, Thursday, Aug. 13, 2026. (AP Photo/Thanassis Stavrakis)
A worker cleans the marble surfaces of the Panathenaic Stadium, also known as "Kallimarmaro," or beautiful marble, which hosted the first modern Olympic Games in 1896, using a high-pressure water hose during renovation work in Athens, Greece, Thursday, Aug. 13, 2026. (AP Photo/Thanassis Stavrakis)

It has welcomed marathon runners, rock stars and the first modern Olympic athletes. Now it’s time for a monumental scrub.

Athens’ U-shaped Panathenaic Stadium — made entirely of white marble — is getting its first systematic cleaning in more than a century.

Rebuilt for the first modern Olympics in 1896, the site is the ceremonial send-off point for the Olympic flame, including for Los Angeles 2028.

A fresh look in Athens ahead of LA 2028 The stadium is made of the same glittering marble used on the Acropolis, making the cleanup job delicate.

The work is revealing a monument changed by time, weather and millions of visitors. Cleaners in white and blue overalls move across the stadium’s 47 steep tiers with thin spray lances, using clean water at carefully controlled, low pressure. Machines vacuum up the runoff as they go.

“The goal of cleaning is not to make everything white. It’s to remove the dirt and the first layers of organic material that are deposited on the surface,” said Dimitris Selemis, a senior conservator at the site.

“The idea is to clean all the material that (contains) dirt from the surface, so we have a better understanding of the monument,” he said, noting that there is more weed growth and dirt in areas that receive less direct sunlight.

Crews are also using steam to remove blotches of chewing gum, which have turned black over time. Stadium officials say chewing gum, high heels and soft-drink stains are among the main culprits that stain the marble.

Now slowly being revealed, the original gleaming look of the venue earned it the widely used Greek nickname “Kallimarmaro,” or beautiful marble.

“We call it Kallimarmaro because it is made of the finest marble, the best that was ever produced ... We are very proud of it,” Isidoros Kouvelos, president of the Hellenic Olympic Committee, told The Associated Press in an interview.

“It needed to be cleaned of everything that has accumulated over all these years," he said. "This way the Panathenaic Stadium will show all its brilliance and will once again be the foremost monument of humanity for the Olympic Movement.”

Built into a natural ravine, the stadium’s site was used for ancient Greek athletic contests and later Roman spectacles before falling into centuries of disuse.

An African celebration planned in Athens Since its 1896 revival, it has staged fashion shows, rock concerts, boxing matches and national celebrations — as well as lavish patriotic ceremonies ordered by a military dictatorship in the 1960s.

Today, it’s a popular draw for tourists. Apart from the cleanup, the Kallimarmaro is also getting a new track, upgraded lighting and fresh support facilities. The project is privately funded by a shipping company and overseen by the Hellenic Olympic Committee with guidance from Culture Ministry experts.

The work will continue through 2026 but is currently concentrated on the stadium’s “sling,” or curved end, in time for the next torch-passing ceremony on Sept. 10.

That will be for the Dakar Youth Olympics, scheduled for Oct. 31-Nov. 13 in Senegal, which will be the first Olympic competition ever hosted in Africa.

IOC President Kirsty Coventry, a swimming gold medal winner from Zimbabwe, is due to attend the Sept. 10 ceremony, Kouvelos said.


Italian Police Recover Stolen Renoir, Cezanne and Matisse Worth 9 mn Euros

Carabinieri officers pose with three paintings by Paul Cezanne, Henri Matisse and Pierre-Auguste Renoir recovered after they were stolen from the Magnani Rocca Foundation in Mamiano, Italy, in this handout image released on August 14, 2026. Carabinieri/Handout via REUTERS
Carabinieri officers pose with three paintings by Paul Cezanne, Henri Matisse and Pierre-Auguste Renoir recovered after they were stolen from the Magnani Rocca Foundation in Mamiano, Italy, in this handout image released on August 14, 2026. Carabinieri/Handout via REUTERS
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Italian Police Recover Stolen Renoir, Cezanne and Matisse Worth 9 mn Euros

Carabinieri officers pose with three paintings by Paul Cezanne, Henri Matisse and Pierre-Auguste Renoir recovered after they were stolen from the Magnani Rocca Foundation in Mamiano, Italy, in this handout image released on August 14, 2026. Carabinieri/Handout via REUTERS
Carabinieri officers pose with three paintings by Paul Cezanne, Henri Matisse and Pierre-Auguste Renoir recovered after they were stolen from the Magnani Rocca Foundation in Mamiano, Italy, in this handout image released on August 14, 2026. Carabinieri/Handout via REUTERS

Paintings by Renoir, Cezanne and Matisse worth over nine million euros which were stolen from a museum in Italy in March have been recovered, Italian police said Friday.

The paintings were taken by masked thieves from the villa of the Magnani Rocca Foundation, near Parma in northern Italy, in a heist that lasted under three minutes.

Video footage released by the police showed two thieves wearing headlamps and with their faces covered entering the villa by breaking through a window, Reuters reported.

They headed straight into the room where the three paintings hung and took them off the wall, before heading back to the window and passing them through to an accomplice waiting outside.

They made off with "Fish" by Auguste Renoir, "Still Life with Cherries" by Paul Cezanne, and "Odalisque on the Terrace" by Henri Matisse.

The Renoir is worth six million euros, the Cezanne three million and the Matisse some 20,000 euros, police said.

The Magnani Rocca Foundation -- 20 kilometres (12 miles) from Parma -- houses the collection of art historian Luigi Magnani, which also includes works by Durer, Rubens, Van Dyck, Goya and Monet.

The theft is the latest in a series of robberies targeting major museums in Europe.

Last October, thieves broke into the Louvre in Paris -- the most visited museum in the world -- in broad daylight, escaping in less than eight minutes with jewellery worth $102 million.