Ancient Site Sparks Heated Political Debate about India's Past

A view of an excavated site in Keeladi. (Archaeological Survey of India)
A view of an excavated site in Keeladi. (Archaeological Survey of India)
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Ancient Site Sparks Heated Political Debate about India's Past

A view of an excavated site in Keeladi. (Archaeological Survey of India)
A view of an excavated site in Keeladi. (Archaeological Survey of India)

The Keeladi village in India's southern Tamil Nadu state has unearthed archeological finds that have sparked a political and historical debate.

Amid coconut groves, a series of 15ft (4.5m) deep trenches reveal ancient artifacts buried in layers of soil - fragments of terracotta pots, and traces of long-lost brick structures, BBC reported on Monday.

Experts from the Tamil Nadu State Department of Archaeology estimate the artifacts to be 2,000 to 2,500 years old, with the oldest dating back to around 580 BCE. They say these findings challenge and reshape existing narratives about early civilization in the Indian subcontinent.

With politicians, historians, and epigraphists weighing in, Keeladi has moved beyond archaeology, becoming a symbol of state pride and identity amid competing historical narratives.

Yet history enthusiasts say it remains one of modern India's most compelling and accessible discoveries - offering a rare opportunity to deepen understanding of a shared past.

Keeladi, a village 12km (7 miles) from Madurai on the banks of the Vaigai river, was one of 100 sites shortlisted for excavation by Archaeological Survey of India (ASI) archaeologist Amarnath Ramakrishnan in 2013.

He selected a 100-acre site there because of its proximity to ancient Madurai and the earlier discovery of red-and-black pottery ware by a schoolteacher in 1975.

Ajay Kumar, leading the state archaeology team at Keeladi, said the key finds are elaborate brick structures and water systems - evidence of a 2,500-year-old urban settlement.

“This was a literate, urban society where people had separate spaces for habitation, burial practices and industrial work,” Kumar said, noting it's the first large, well-defined ancient urban settlement found in southern India.

William Daniel, a teacher from neighboring Kerala, said the discoveries made him feel proud about his heritage.

“It gives people from the south [of India] something to feel proud about, that our civilization is just as ancient and important as the one in the north [of India],” he said.

The politics surrounding Keeladi reflects a deep-rooted north-south divide - underscoring how understanding the present requires grappling with the past.

India's first major civilization, the Indus Valley, emerged in the north and central regions between 3300 and 1300 BCE. After its decline, a second urban phase, the Vedic period, rose in the Gangetic plains, lasting until the 6th Century BCE.

This phase saw major cities, powerful kingdoms and the rise of Vedic culture - a foundation for Hinduism. As a result, urbanization in ancient India is often viewed as a northern phenomenon, with a dominant narrative that the northern Aryans "civilized" the Dravidian south.

This is especially evident in the mainstream understanding of the spread of literacy.

It is believed that the Ashokan Brahmi script - found on Mauryan king Ashoka's rock edicts in northern and central India, dating back to the 3rd Century BCE - is the predecessor of most scripts in South and Southeast Asia.

Epigraphists like Iravatham Mahadevan and Y Subbarayalu have long held the view that the Tamil Brahmi script - the Tamil language spoken in Tamil Nadu and written in the Brahmi script - was an offshoot of the Ashokan Brahmi script.

But now, archaeologists from the Tamil Nadu state department say that the excavations at Keeladi are challenging this narrative.

“We have found graffiti in the Tamil Brahmi script dating back to the 6th Century BCE, which shows that it is older than the Ashokan Brahmi script. We believe that both scripts developed independently and, perhaps, emerged from the Indus Valley script,” Kumar said.

Epigraphist S Rajavelu, former professor of marine archaeology at the Tamil University, agrees with Kumar and said other excavation sites in the state too have unearthed graffiti in the Tamil Brahmi script dating back to the 5th and 4th Century BCE.

But some experts say that more research and evidence are needed to conclusively prove the antiquity of the Tamil Brahmi script.



Italy Uncovers Basilica Designed by Vitruvius, the 'Father of Architecture'

A handout photo made available by Regione Marche press office shows the excavations in Piazza Andrea Costa from which large columns emerge, remains believed of the Basilica of Vitruvius, in Fano, Italy, 19 January 2026. (EPA/Regione Marche press office)
A handout photo made available by Regione Marche press office shows the excavations in Piazza Andrea Costa from which large columns emerge, remains believed of the Basilica of Vitruvius, in Fano, Italy, 19 January 2026. (EPA/Regione Marche press office)
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Italy Uncovers Basilica Designed by Vitruvius, the 'Father of Architecture'

A handout photo made available by Regione Marche press office shows the excavations in Piazza Andrea Costa from which large columns emerge, remains believed of the Basilica of Vitruvius, in Fano, Italy, 19 January 2026. (EPA/Regione Marche press office)
A handout photo made available by Regione Marche press office shows the excavations in Piazza Andrea Costa from which large columns emerge, remains believed of the Basilica of Vitruvius, in Fano, Italy, 19 January 2026. (EPA/Regione Marche press office)

Italian officials on Monday hailed the discovery of a more than 2,000-year-old public building attributed to Vitruvius, the ancient Roman architect and engineer known as the "father of architecture."

"It is a sensational finding ... something that our grandchildren will be talking about," Italian Culture Minister Alessandro Giuli told a press conference.

Vitruvius, who lived in the ‌1st century BC, ‌is celebrated for having written "De architectura," ‌or ⁠The Ten ‌Books on Architecture, the oldest surviving treatise on the subject.

His teachings on the classical proportions of buildings have inspired artists over centuries, including Leonardo da Vinci, whose famous drawing of the human body is known as the "Vitruvian Man."

Archaeologists believe they have found ⁠the remains of an ancient basilica, or public building, in the central ‌Italian city of Fano northeast of ‍Rome, that was created ‍by Vitruvius.

"I feel like this is the discovery ‍of the century, because scientists and researchers have been searching for this basilica for over 500 years," said the Mayor of Fano Luca Serfilippi.

"We have absolute match" between what was discovered and the descriptions given by Vitruvius in his books, regional archaeological superintendent Andrea Pessina told reporters.

The basilica had a rectangular layout, with 10 columns on the long side, and four on the short ones, Pessina said.

During excavation, when traces of four columns emerged, archaeologists used Vitruvius' descriptions to calculate where the top right column should be. When they started digging, they found it immediately, Pessina said.

"The are few certainties in archaeology ... but we were impressed by the precision" of the match, he added.

Further digging will determine whether more of the ‌basilica lies underground and if the site can be shown to the public, the superintendent said.


French TV Broadcasts Louvre Robbery Images

People wait for the Louvre museum to open as employees at the Louvre Museum vote to extend a strike that has disrupted operations at the world's most visited museum, Thursday, Dec. 18, 2025 in Paris. (AP)
People wait for the Louvre museum to open as employees at the Louvre Museum vote to extend a strike that has disrupted operations at the world's most visited museum, Thursday, Dec. 18, 2025 in Paris. (AP)
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French TV Broadcasts Louvre Robbery Images

People wait for the Louvre museum to open as employees at the Louvre Museum vote to extend a strike that has disrupted operations at the world's most visited museum, Thursday, Dec. 18, 2025 in Paris. (AP)
People wait for the Louvre museum to open as employees at the Louvre Museum vote to extend a strike that has disrupted operations at the world's most visited museum, Thursday, Dec. 18, 2025 in Paris. (AP)

Footage of the spectacular robbery at the Louvre Museum has been broadcast for the first time on French television, showing the brazen jewel thieves breaking into display cases.

The images, filmed by surveillance cameras, were shown by the TF1 and public France Televisions channels on Sunday evening, three months after the hugely embarrassing break-in in October.

They show the two burglars, one wearing a black balaclava and a yellow high-visibility jacket, the other dressed in black with a motorcycle helmet, as they force their way into the Apollo Gallery.

After breaking in through a reinforced window with a high-powered disk cutters, they begin slicing into display cases under the eyes of several staff members who do not intervene.

Managers at the Louvre have stressed that staff are not trained to confront thieves and are asked to prioritize the evacuation of visitors.

During the roughly four minutes that the two men were inside the gallery, one staff member can be seen holding a bollard used to orient visitor through the gallery, according to France Televisions.

The images form a key part of the ongoing criminal investigation into the October 19 heist.

Details of the footage have been reported in French newspapers, including Le Parisien.

Four suspects are in police custody, including the two suspected thieves, but the eight stolen items of French crown jewels worth an estimated $102 million have not been found.

The security failures highlighted by the break-in on a Sunday morning in broad daylight have lead to major pressure on director Laurence des Cars, who has apologized.

Metal bars have since been installed over the windows of the Apollo Gallery.


Cultural Development Fund Highlights Economic Value of Saudi Culture in Davos

The Cultural Development Fund (CDF) logo
The Cultural Development Fund (CDF) logo
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Cultural Development Fund Highlights Economic Value of Saudi Culture in Davos

The Cultural Development Fund (CDF) logo
The Cultural Development Fund (CDF) logo

The Cultural Development Fund (CDF) is participating in the Saudi House pavilion initiative, led by the Ministry of Economy and Planning, during the Annual Meeting of the World Economic Forum 2026, held in Davos, Switzerland, from January 19 to 23.

Through this participation, CDF aims to showcase the economic value of Saudi culture, highlight its role in diversifying the national economy and enhancing quality of life, attract international investment in the cultural sector, and spotlight Saudi cultural entrepreneurship.

According to a statement from the fund, the CDF’s participation includes a networking breakfast bringing together global economic leaders and investors from various countries, with the aim of raising awareness of Saudi culture as an economic force and a key pillar of Saudi Vision 2030.

The event will also provide a platform for exchanging perspectives and opportunities with international investors and financial institutions, while offering a closer look at the enablers of the Saudi cultural sector and its investment opportunities.

As part of the event, the CDF will host a panel discussion titled “Investing in Culture as an Economic Engine” that will feature CEO of the Cultural Development Fund Majed bin Abdulmohsen Al-Hugail, alongside Deputy Minister of Cultural Strategies and Policies at the Ministry of Culture Albara Al-Auhali.

The discussion will address the economic value of culture globally and locally, highlighting the CDF’s role in providing financial solutions that support cultural enterprises and enable their contribution to GDP growth and quality of life. The session will also explore cultural policies and their impact on strengthening the sector’s economic and investment potential.

Within the NextOn dialogue series organized by the Saudi House in Davos, the Cultural Development Fund will enable supported cultural projects to share their success stories and highlight their role in enhancing cultural production and increasing its economic value.

Participating entrepreneurs include Co-Founder of AlMashtal Creative Incubator Princess Noura bint Saud bin Naif, and CEO of Arabian Housing and Building company (AHB) Khalid Henaidy, who will speak about the role of entrepreneurship in shaping the future of the Kingdom’s cultural economy.

‏This participation underscores the CDF’s role as a center of excellence and financial enabler for the cultural sector in the Kingdom, and forms part of its efforts to strengthen the presence of Saudi cultural dynamism on the global stage. It aligns with the CDF’s objectives to maximize the cultural sector’s economic and social impact, increase its contribution to GDP, quality of life, and advance the goals of Saudi Vision 2030.