The Volunteers Battling to Save Romania's Cultural Treasures

Exterior view of Neptune Imperial Baths building and the wrought iron bridge that is closed for access- in Baile Herculane on July 29, 2025. (Photo by Daniel MIHAILESCU / AFP)
Exterior view of Neptune Imperial Baths building and the wrought iron bridge that is closed for access- in Baile Herculane on July 29, 2025. (Photo by Daniel MIHAILESCU / AFP)
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The Volunteers Battling to Save Romania's Cultural Treasures

Exterior view of Neptune Imperial Baths building and the wrought iron bridge that is closed for access- in Baile Herculane on July 29, 2025. (Photo by Daniel MIHAILESCU / AFP)
Exterior view of Neptune Imperial Baths building and the wrought iron bridge that is closed for access- in Baile Herculane on July 29, 2025. (Photo by Daniel MIHAILESCU / AFP)

Graffiti covers the crumbling walls of the main thermal baths in one of Europe's oldest spa towns.

But after decades of neglect, a group of young architects is working to restore the picturesque Romanian resort that once attracted emperors, AFP reported.

"Someone once said that if you drink water from the spring from Herculane, you never leave," said 31-year-old architect Oana Chirila.

"I was struck by the beauty of the place," she said of the town in the southwest of the country, surrounded by mountains and crossed by a river.

"And at the same time shocked by its condition," she said of the decrepit state of the old thermal baths.

She first stumbled upon Baile Herculane eight years ago, purely by chance, she said.
Her group's restoration efforts here are just one of several recent civil society initiatives launched to protect some of Romania's historic monuments.

An estimated 800 of them are in an advanced state of decay or in danger of crumbling altogether. Some of those are already considered to represent a danger to the public.

The neglect is the result of Romania's chaotic transition from Communism to democracy, which was marked by opaque privatizations, often resulting in interminable legal battles and investigations by anti-corruption prosecutors.

Built in 1886, the Neptune Imperial Baths attracted illustrious clients in its heyday, with its warm sulphur treatments.

They included Austria's Emperor Franz Joseph and his wife Elisabeth, popularly known as Sisi. Franz Joseph described the town as Europe's "most beautiful spa resort".

Now the baths are closed, their interior walls covered in graffiti, rubble on the floor and rain leaking in.

Despite the decay, tourists still frequently stop to marvel at and photograph the long, rusty facade, some trying to peek inside through the broken windows.

For the moment, Chirila and her team of volunteers are confined to doing conservation work on the baths' outer structure.

They could not restore the building until legal disputes between the authorities and the private owners are solved, she explained, adding: "There's always this fear that it might collapse."

"Most of the historical monuments are in their current state –- meaning constant decay –- because they are legally blocked," preventing any use of public or European funds for their restoration.

For the moment then, along one side of the riverbank, people take dips in three basins with sulphur water -- dubbed "little bathtubs" by Chirila.

It was her team that refurbished the basins and built the changing booths and wooden pavilions, one of a number of projects they have undertaken in the town.

When AFP met her, about a dozen students were helping out with the renovation of a path through the woods.

In recent years, Baile Herculane, a town of 3,800, has seen a steady rise in tourists, say local officials.

Some 160,000 tourists came in 2024 -- up from 90,000 in 2020 -- many for spa treatments, but also for the hiking and climbing.

"The resort has changed," Aura Zidarita, 50, a doctor, told AFP. She remained hopeful it could once again become a "pearl of Europe".

Initiatives such as Chirila's have multiplied in recent years, according to Stefan Balici, president of the Romanian Order of Architects.

They represent "a lesson in how citizens' initiatives can intervene in heritage preservation", in a country with little record of investing in the restoration of its monuments.

In 2019, young architects got involved in another spa resort, Baile Govora.

Chirila admitted she sometimes feared her work on the Imperial Baths is like "putting a bandage on a patient in sepsis".

But Balici had no doubt of its value. Without her intervention, he said, the building would be "a pile of rubble" by now.

Chirila said she also drew hope from those like herself who believed in investing in the country's heritage.

"Herculane ended up like this because of corruption," she said.

"But we hope that thanks to good people it will heal."



Archaeologists at Pompeii Use AI to Reveal the Face of One of the Victims

A view of the Pompeii Archeological Park, near Naples, southern Italy, on Dec. 14, 2022. (AP)
A view of the Pompeii Archeological Park, near Naples, southern Italy, on Dec. 14, 2022. (AP)
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Archaeologists at Pompeii Use AI to Reveal the Face of One of the Victims

A view of the Pompeii Archeological Park, near Naples, southern Italy, on Dec. 14, 2022. (AP)
A view of the Pompeii Archeological Park, near Naples, southern Italy, on Dec. 14, 2022. (AP)

Archaeologists at the ancient Roman site of Pompeii have used artificial intelligence for the first time to digitally reconstruct the face of a victim of the AD 79 eruption of Mount Vesuvius that smothered the city, offering a new way to understand one of history’s most famous natural disasters.

The digital portrait represents an older man who was among two victims discovered as they attempted to flee the city toward the coast of what is now Italy during the volcanic eruption. Researchers believe the man died earlier in the disaster, during a heavy fall of volcanic debris.

The reconstruction was developed by the Pompeii Archaeological Park in collaboration with the University of Padua and is based on archaeological survey data from excavations near the Porta Stabia necropolis, just outside the walls of the ancient city.

Pompeii, a UNESCO World Heritage site near Naples, was buried under ash and pumice when Mount Vesuvius erupted nearly 2,000 years ago, preserving the city and thousands of its inhabitants in remarkable detail.

Archaeologists found the victim holding a terracotta mortar, which they interpret as an improvised attempt to shield his head from falling lapilli, the small volcanic stones rained down during the eruption.

Ancient accounts, including those of Roman writer Pliny the Younger, describe residents using objects to protect themselves as ash and debris blanketed the city.

The man was also carrying an oil lamp, a small iron ring and 10 bronze coins, personal objects that offer insight into his final moments, as well as daily life in Pompeii before the catastrophe.

The digital portrait was created using artificial intelligence and photo-editing techniques designed to translate skeletal and archaeological data into a realistic human likeness.

“The vastness of archaeological data is now such that only with the help of artificial intelligence will we be able to adequately protect and enhance them. If used well, AI can contribute to a renewal of classical studies,” Pompeii park director Gabriel Zuchtriegel said in a statement.

The project aims to make archaeological research more accessible and emotionally engaging for the public while maintaining a scientific foundation, researchers said.


Visual Arts Commission's Bedayat Exhibition Attracts Over 13,000 Visitors

Visual Arts Commission's Bedayat Exhibition Attracts Over 13,000 Visitors
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Visual Arts Commission's Bedayat Exhibition Attracts Over 13,000 Visitors

Visual Arts Commission's Bedayat Exhibition Attracts Over 13,000 Visitors

The “Bedayat: Beginnings of the Saudi Art Movement” exhibition highlighted the early development of the art movement in Saudi Arabia, showcasing the experiences of pioneering artists and their contributions to shaping the local visual arts scene.

Organized by the Visual Arts Commission and held at the National Museum of Saudi Arabia in Riyadh, the exhibition attracted more than 13,000 visitors throughout its run, SPA reported.

The exhibition was accompanied by a diverse cultural program comprising around 17 events, including workshops, panel discussions, and specialized courses, led by a select group of experts.

This exhibition is part of the commission’s efforts to document Saudi Arabia’s artistic heritage and strengthen its presence both locally and internationally, contributing to the development of the cultural sector and enhancing its sustainability.


Diriyah Company Awards $490 Million Construction Contract for Iconic Saudi Arabia Museum of Contemporary Art

Diriyah Company Awards $490 Million Construction Contract for Iconic Saudi Arabia Museum of Contemporary Art
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Diriyah Company Awards $490 Million Construction Contract for Iconic Saudi Arabia Museum of Contemporary Art

Diriyah Company Awards $490 Million Construction Contract for Iconic Saudi Arabia Museum of Contemporary Art

Diriyah Company has awarded a $490 million construction contract for the Saudi Arabia Museum of Contemporary Art (SAMoCA), in Diriyah.

The contract has been awarded to a joint venture between Hassan Allam Construction Saudi L.L.C., and Albawani Company Ltd., reflecting Diriyah Company’s ambition to develop a major cultural destination that attracts visitors and supports long-term growth.

SAMoCA is a flagship project by the Museums Commission. It aims to document, research, exhibit, and champion Saudi modern and contemporary art practices. The museum will serve as a premier center of artistic exploration, deepening understanding and appreciation of Saudi modern and contemporary art, while supporting Saudi artists across generations to imagine and shape the Kingdom’s creative possibilities, SPA reported.

The museum, designed by Godwin Austen Johnson, one of the Gulf’s most established UK-based firms, with multidisciplinary support from Rafaat Miller Consulting, has a gross floor area of 45,252 sqm and a total built-up area of 77,428 sqm. Notably, SAMoCA has recently achieved Mostadam Gold sustainability certification at both the design and construction stages.

The new museum at Diriyah will serve as the flagship home of SAMoCA, while SAMOCA at JAX Center continues to operate as a dynamic exhibition space in Riyadh’s creative district.

Group Chief Executive Officer of Diriyah Company Jerry Inzerillo said: “The Saudi Arabia Museum of Contemporary Art will provide Saudi and international artists with a truly world-class platform – one that invites global voices to engage with the Kingdom as it is today.

This iconic asset will further elevate Diriyah’s reputation as the Kingdom’s capital of culture – and underscores our unwavering commitment to developing a vibrant city that serves our community, and the nation at large.”

Chief Executive Officer of the Museums Commission Eng. Abdullah bin Abdulaziz Al-Hammad added: “The Saudi Arabia Museum of Contemporary Art will be the epicenter of Saudi modern and contemporary art. Set against the historic legacy of Diriyah, it is designed to document and champion generations of Saudi artists, from pioneers to emerging voices, while inviting international dialogue into that story. We are committed to ensuring this dynamic platform remains accessible and inspiring for all.”

Diriyah, the $63.2 billion integrated urban development, has now awarded over $29 billion in construction contracts. Once complete, it will contribute approximately $18.6 billion directly to the Kingdom’s GDP, create more than 180,000 jobs, will be home to an estimated 100,000 people and welcome 50 million annual visits.

It will also include museums, shopping districts, a university, the Diriyah Opera House, the Diriyah Arena, a variety of food and beverage outlets, and nearly 40 world-class resorts and hotels spanning its two main masterplans.