In Oil-Rich Oman, Efforts to Preserve Frankincense ‘White Gold’ 

A harvester collects frankincense resin from a Boswellia tree, in the Dawkah valley in Oman's southern Dhofar region, on July 27, 2025. (AFP)
A harvester collects frankincense resin from a Boswellia tree, in the Dawkah valley in Oman's southern Dhofar region, on July 27, 2025. (AFP)
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In Oil-Rich Oman, Efforts to Preserve Frankincense ‘White Gold’ 

A harvester collects frankincense resin from a Boswellia tree, in the Dawkah valley in Oman's southern Dhofar region, on July 27, 2025. (AFP)
A harvester collects frankincense resin from a Boswellia tree, in the Dawkah valley in Oman's southern Dhofar region, on July 27, 2025. (AFP)

The arid Dawkah valley is home to one of Oman's most prized resources: not oil or gas but frankincense trees, their fragrant sap harvested for millennia by residents who call it "white gold".

Located in Oman's southern Dhofar region, bordering Yemen, the valley is the world's largest such reserve, home to around 5,000 frankincense trees that dot the barren earth, their trunks bearing kernels that exude a distinctive woody scent.

"For us, frankincense is more precious than gold. It's a treasure," said Abdullah Jaddad, a frankincense harvester resting in the shade of a tree.

The oil extracted from the sap of the frankincense tree is used in perfume and skincare, but it is also sold as solid beads of fragrance in local markets.

The high-end Omani perfume-maker Amouage, which manages the reserve, sells its luxury scents internationally for hundreds of dollars a bottle -- with one limited edition perfume containing frankincense sold for nearly $2,000.

The Dawkah valley is one of the rare places in the world where the Boswellia tree, from which frankincense resin is extracted, grows. Since 2000, it has been a UNESCO World Heritage Site as part of the Land of Frankincense listing, along with Khor Rori, Al Baleed and Shisr.

- Like oil -

With its unique earthy scent, frankincense has long been used as incense, but also in traditional medicine, and even religious rituals.

Before modern technology, the frankincense trade, which began in the third millennium BC, extended from Dhofar via sea and caravan routes to Mesopotamia, the Indus Valley and Ancient Egypt, all the way to Greece, Rome and even China.

"Frankincense had roughly the same value as oil today," according to Ahmed al-Murshidi, who heads the Khor Rori site.

The ancient port of Samahram, which forms part of the Khor Rori site, served as the gateway for frankincense to the world.

As Jaddad collected dried beads of sap from the trees, he told AFP that the type of frankincense found in the valley was the Najdi -- one of four main varieties.

The Najdi and Hojari varieties are used for their medicinal properties, according to Faisal Hussein Bin Askar, whose father founded the Bin Askar frankincense shop, in business since the 1950s.

"The cleaner and purer the frankincense, the more suitable it is for drinking as a treatment, while the rest is used as incense," he said, adding that several factories in Dhofar are specialized in frankincense skincare and oils.

The highest-grade and rarest frankincense has a light green color.

- 'Quick to anger' -

The resin is harvested by hand using traditional methods that involve cutting the bark to release the sap and leaving it for a few days to harden.

Harvesting the tree requires care and skilled craftsmanship.

As one guide put it to a group of tourists at the Land of Frankincense Museum in Salalah: "the frankincense tree is quick to anger".

"We strike the tree in specific, small spots, about five times, to preserve" the plant, said Musallam bin Saeed Jaddad, who works in the reserve.

"No one should cut open a frankincense tree... it could kill it," he said.

In 2022, Amouage partnered with Omani authorities to develop the Dawkah reserve and provide jobs for the local community, only harvesting a fifth of the trees to preserve them.

Each tree has a unique code and is monitored by a team of specialists, with donations open to anyone wanting to help the reserve in exchange for small gifts of frankincense products every year.

A distillery is set to be built in the reserve to extract the frankincense oil, a process for now completed in France, said Mohammed Faraj Istanbuli, the reserve supervisor.

"The government is carrying out vital projects, like building roads for example, which threatens other areas where frankincense trees grow," he said.

"We bring those trees... to the reserve. We have saved about 600 trees so far."



Red Sea Museum Extends 'Sunken Treasures' Exhibition Until August 15

The exhibition offers a comprehensive educational and visual experience that traces the evolution of shipwrecks  - SPA
The exhibition offers a comprehensive educational and visual experience that traces the evolution of shipwrecks - SPA
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Red Sea Museum Extends 'Sunken Treasures' Exhibition Until August 15

The exhibition offers a comprehensive educational and visual experience that traces the evolution of shipwrecks  - SPA
The exhibition offers a comprehensive educational and visual experience that traces the evolution of shipwrecks - SPA

The Red Sea Museum is strengthening its cultural and educational offerings by extending its temporary exhibition, “Sunken Treasures: The Maritime Heritage of the Red Sea,” until August 15 at the Bab Al-Bunt building in Historic Jeddah.

The exhibition offers a comprehensive educational and visual experience that traces the evolution of shipwrecks from the remnants of maritime journeys into valuable historical archives and, ultimately, thriving natural habitats rich in coral reefs and marine life, SPA reported.

It reintroduces the Red Sea as a vital cultural and civilizational corridor that has long connected the Arabian Peninsula with Asia, Africa, and the Mediterranean, facilitating trade, cultural exchange, and human interaction across centuries.

The “Sunken Treasures” exhibition reflects the Red Sea Museum’s role as a knowledge platform dedicated to promoting public understanding and supporting scientific research in collaboration with the Heritage Commission and the Jeddah Historic District Program.


Saudi Film Commission Adds Kuwaiti Classic ‘Bas Ya Bahar’ to National Film Archive to Boost Cultural Cooperation

The Saudi Film Commission logo
The Saudi Film Commission logo
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Saudi Film Commission Adds Kuwaiti Classic ‘Bas Ya Bahar’ to National Film Archive to Boost Cultural Cooperation

The Saudi Film Commission logo
The Saudi Film Commission logo

The Film Commission of the Saudi Ministry of Culture announced the inclusion of the film "Bas Ya Bahar" (The Cruel Sea), one of the most prominent Gulf cinematic works, in the National Film Archive collection.

This step comes as part of the commission's efforts to preserve cinematic heritage, make these productions accessible to researchers, creators, and future generations, and highlight Arab cinematic works of cultural and historical significance, SPA reported.

Directed by Kuwaiti filmmaker Khalid Al-Siddiq in 1972, "Bas Ya Bahar" is the first full-length Kuwaiti feature film and one of the most important works in the history of Gulf cinema.

The film sheds light on the lives and hardships of pearl divers in their search for pearls before the discovery of oil, portraying the challenges faced by Gulf communities during that era.

 


Riyadh Art Expands Collection with Works by Italian, Indian Artists

Riyadh Art's permanent collection now comprises 75 artworks across the capital - SPA
Riyadh Art's permanent collection now comprises 75 artworks across the capital - SPA
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Riyadh Art Expands Collection with Works by Italian, Indian Artists

Riyadh Art's permanent collection now comprises 75 artworks across the capital - SPA
Riyadh Art's permanent collection now comprises 75 artworks across the capital - SPA

Riyadh Art has announced the installation of two new works in its permanent collection: "Run Beyond" by Italian artist Angelo Bonello and "Family Tree" by Indian artist Subodh Gupta, reflecting Riyadh's continued transformation into an open-air museum woven into the fabric of daily life.

The two works carry complementary themes—the first exploring movement and progress, the second evoking memory and human connection, together expressing a city undergoing rapid transformation while preserving its human and cultural dimension, SPA reported.

Riyadh Art's permanent collection now comprises 75 artworks across the capital, with new works planned for 2026, featuring artists from 47 countries alongside Saudi artists, making it one of the largest public art initiatives globally.