In Oil-Rich Oman, Efforts to Preserve Frankincense ‘White Gold’ 

A harvester collects frankincense resin from a Boswellia tree, in the Dawkah valley in Oman's southern Dhofar region, on July 27, 2025. (AFP)
A harvester collects frankincense resin from a Boswellia tree, in the Dawkah valley in Oman's southern Dhofar region, on July 27, 2025. (AFP)
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In Oil-Rich Oman, Efforts to Preserve Frankincense ‘White Gold’ 

A harvester collects frankincense resin from a Boswellia tree, in the Dawkah valley in Oman's southern Dhofar region, on July 27, 2025. (AFP)
A harvester collects frankincense resin from a Boswellia tree, in the Dawkah valley in Oman's southern Dhofar region, on July 27, 2025. (AFP)

The arid Dawkah valley is home to one of Oman's most prized resources: not oil or gas but frankincense trees, their fragrant sap harvested for millennia by residents who call it "white gold".

Located in Oman's southern Dhofar region, bordering Yemen, the valley is the world's largest such reserve, home to around 5,000 frankincense trees that dot the barren earth, their trunks bearing kernels that exude a distinctive woody scent.

"For us, frankincense is more precious than gold. It's a treasure," said Abdullah Jaddad, a frankincense harvester resting in the shade of a tree.

The oil extracted from the sap of the frankincense tree is used in perfume and skincare, but it is also sold as solid beads of fragrance in local markets.

The high-end Omani perfume-maker Amouage, which manages the reserve, sells its luxury scents internationally for hundreds of dollars a bottle -- with one limited edition perfume containing frankincense sold for nearly $2,000.

The Dawkah valley is one of the rare places in the world where the Boswellia tree, from which frankincense resin is extracted, grows. Since 2000, it has been a UNESCO World Heritage Site as part of the Land of Frankincense listing, along with Khor Rori, Al Baleed and Shisr.

- Like oil -

With its unique earthy scent, frankincense has long been used as incense, but also in traditional medicine, and even religious rituals.

Before modern technology, the frankincense trade, which began in the third millennium BC, extended from Dhofar via sea and caravan routes to Mesopotamia, the Indus Valley and Ancient Egypt, all the way to Greece, Rome and even China.

"Frankincense had roughly the same value as oil today," according to Ahmed al-Murshidi, who heads the Khor Rori site.

The ancient port of Samahram, which forms part of the Khor Rori site, served as the gateway for frankincense to the world.

As Jaddad collected dried beads of sap from the trees, he told AFP that the type of frankincense found in the valley was the Najdi -- one of four main varieties.

The Najdi and Hojari varieties are used for their medicinal properties, according to Faisal Hussein Bin Askar, whose father founded the Bin Askar frankincense shop, in business since the 1950s.

"The cleaner and purer the frankincense, the more suitable it is for drinking as a treatment, while the rest is used as incense," he said, adding that several factories in Dhofar are specialized in frankincense skincare and oils.

The highest-grade and rarest frankincense has a light green color.

- 'Quick to anger' -

The resin is harvested by hand using traditional methods that involve cutting the bark to release the sap and leaving it for a few days to harden.

Harvesting the tree requires care and skilled craftsmanship.

As one guide put it to a group of tourists at the Land of Frankincense Museum in Salalah: "the frankincense tree is quick to anger".

"We strike the tree in specific, small spots, about five times, to preserve" the plant, said Musallam bin Saeed Jaddad, who works in the reserve.

"No one should cut open a frankincense tree... it could kill it," he said.

In 2022, Amouage partnered with Omani authorities to develop the Dawkah reserve and provide jobs for the local community, only harvesting a fifth of the trees to preserve them.

Each tree has a unique code and is monitored by a team of specialists, with donations open to anyone wanting to help the reserve in exchange for small gifts of frankincense products every year.

A distillery is set to be built in the reserve to extract the frankincense oil, a process for now completed in France, said Mohammed Faraj Istanbuli, the reserve supervisor.

"The government is carrying out vital projects, like building roads for example, which threatens other areas where frankincense trees grow," he said.

"We bring those trees... to the reserve. We have saved about 600 trees so far."



Italy Uncovers Basilica Designed by Vitruvius, the 'Father of Architecture'

A handout photo made available by Regione Marche press office shows the excavations in Piazza Andrea Costa from which large columns emerge, remains believed of the Basilica of Vitruvius, in Fano, Italy, 19 January 2026. (EPA/Regione Marche press office)
A handout photo made available by Regione Marche press office shows the excavations in Piazza Andrea Costa from which large columns emerge, remains believed of the Basilica of Vitruvius, in Fano, Italy, 19 January 2026. (EPA/Regione Marche press office)
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Italy Uncovers Basilica Designed by Vitruvius, the 'Father of Architecture'

A handout photo made available by Regione Marche press office shows the excavations in Piazza Andrea Costa from which large columns emerge, remains believed of the Basilica of Vitruvius, in Fano, Italy, 19 January 2026. (EPA/Regione Marche press office)
A handout photo made available by Regione Marche press office shows the excavations in Piazza Andrea Costa from which large columns emerge, remains believed of the Basilica of Vitruvius, in Fano, Italy, 19 January 2026. (EPA/Regione Marche press office)

Italian officials on Monday hailed the discovery of a more than 2,000-year-old public building attributed to Vitruvius, the ancient Roman architect and engineer known as the "father of architecture."

"It is a sensational finding ... something that our grandchildren will be talking about," Italian Culture Minister Alessandro Giuli told a press conference.

Vitruvius, who lived in the ‌1st century BC, ‌is celebrated for having written "De architectura," ‌or ⁠The Ten ‌Books on Architecture, the oldest surviving treatise on the subject.

His teachings on the classical proportions of buildings have inspired artists over centuries, including Leonardo da Vinci, whose famous drawing of the human body is known as the "Vitruvian Man."

Archaeologists believe they have found ⁠the remains of an ancient basilica, or public building, in the central ‌Italian city of Fano northeast of ‍Rome, that was created ‍by Vitruvius.

"I feel like this is the discovery ‍of the century, because scientists and researchers have been searching for this basilica for over 500 years," said the Mayor of Fano Luca Serfilippi.

"We have absolute match" between what was discovered and the descriptions given by Vitruvius in his books, regional archaeological superintendent Andrea Pessina told reporters.

The basilica had a rectangular layout, with 10 columns on the long side, and four on the short ones, Pessina said.

During excavation, when traces of four columns emerged, archaeologists used Vitruvius' descriptions to calculate where the top right column should be. When they started digging, they found it immediately, Pessina said.

"The are few certainties in archaeology ... but we were impressed by the precision" of the match, he added.

Further digging will determine whether more of the ‌basilica lies underground and if the site can be shown to the public, the superintendent said.


French TV Broadcasts Louvre Robbery Images

People wait for the Louvre museum to open as employees at the Louvre Museum vote to extend a strike that has disrupted operations at the world's most visited museum, Thursday, Dec. 18, 2025 in Paris. (AP)
People wait for the Louvre museum to open as employees at the Louvre Museum vote to extend a strike that has disrupted operations at the world's most visited museum, Thursday, Dec. 18, 2025 in Paris. (AP)
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French TV Broadcasts Louvre Robbery Images

People wait for the Louvre museum to open as employees at the Louvre Museum vote to extend a strike that has disrupted operations at the world's most visited museum, Thursday, Dec. 18, 2025 in Paris. (AP)
People wait for the Louvre museum to open as employees at the Louvre Museum vote to extend a strike that has disrupted operations at the world's most visited museum, Thursday, Dec. 18, 2025 in Paris. (AP)

Footage of the spectacular robbery at the Louvre Museum has been broadcast for the first time on French television, showing the brazen jewel thieves breaking into display cases.

The images, filmed by surveillance cameras, were shown by the TF1 and public France Televisions channels on Sunday evening, three months after the hugely embarrassing break-in in October.

They show the two burglars, one wearing a black balaclava and a yellow high-visibility jacket, the other dressed in black with a motorcycle helmet, as they force their way into the Apollo Gallery.

After breaking in through a reinforced window with a high-powered disk cutters, they begin slicing into display cases under the eyes of several staff members who do not intervene.

Managers at the Louvre have stressed that staff are not trained to confront thieves and are asked to prioritize the evacuation of visitors.

During the roughly four minutes that the two men were inside the gallery, one staff member can be seen holding a bollard used to orient visitor through the gallery, according to France Televisions.

The images form a key part of the ongoing criminal investigation into the October 19 heist.

Details of the footage have been reported in French newspapers, including Le Parisien.

Four suspects are in police custody, including the two suspected thieves, but the eight stolen items of French crown jewels worth an estimated $102 million have not been found.

The security failures highlighted by the break-in on a Sunday morning in broad daylight have lead to major pressure on director Laurence des Cars, who has apologized.

Metal bars have since been installed over the windows of the Apollo Gallery.


Cultural Development Fund Highlights Economic Value of Saudi Culture in Davos

The Cultural Development Fund (CDF) logo
The Cultural Development Fund (CDF) logo
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Cultural Development Fund Highlights Economic Value of Saudi Culture in Davos

The Cultural Development Fund (CDF) logo
The Cultural Development Fund (CDF) logo

The Cultural Development Fund (CDF) is participating in the Saudi House pavilion initiative, led by the Ministry of Economy and Planning, during the Annual Meeting of the World Economic Forum 2026, held in Davos, Switzerland, from January 19 to 23.

Through this participation, CDF aims to showcase the economic value of Saudi culture, highlight its role in diversifying the national economy and enhancing quality of life, attract international investment in the cultural sector, and spotlight Saudi cultural entrepreneurship.

According to a statement from the fund, the CDF’s participation includes a networking breakfast bringing together global economic leaders and investors from various countries, with the aim of raising awareness of Saudi culture as an economic force and a key pillar of Saudi Vision 2030.

The event will also provide a platform for exchanging perspectives and opportunities with international investors and financial institutions, while offering a closer look at the enablers of the Saudi cultural sector and its investment opportunities.

As part of the event, the CDF will host a panel discussion titled “Investing in Culture as an Economic Engine” that will feature CEO of the Cultural Development Fund Majed bin Abdulmohsen Al-Hugail, alongside Deputy Minister of Cultural Strategies and Policies at the Ministry of Culture Albara Al-Auhali.

The discussion will address the economic value of culture globally and locally, highlighting the CDF’s role in providing financial solutions that support cultural enterprises and enable their contribution to GDP growth and quality of life. The session will also explore cultural policies and their impact on strengthening the sector’s economic and investment potential.

Within the NextOn dialogue series organized by the Saudi House in Davos, the Cultural Development Fund will enable supported cultural projects to share their success stories and highlight their role in enhancing cultural production and increasing its economic value.

Participating entrepreneurs include Co-Founder of AlMashtal Creative Incubator Princess Noura bint Saud bin Naif, and CEO of Arabian Housing and Building company (AHB) Khalid Henaidy, who will speak about the role of entrepreneurship in shaping the future of the Kingdom’s cultural economy.

‏This participation underscores the CDF’s role as a center of excellence and financial enabler for the cultural sector in the Kingdom, and forms part of its efforts to strengthen the presence of Saudi cultural dynamism on the global stage. It aligns with the CDF’s objectives to maximize the cultural sector’s economic and social impact, increase its contribution to GDP, quality of life, and advance the goals of Saudi Vision 2030.