In Oil-Rich Oman, Efforts to Preserve Frankincense ‘White Gold’ 

A harvester collects frankincense resin from a Boswellia tree, in the Dawkah valley in Oman's southern Dhofar region, on July 27, 2025. (AFP)
A harvester collects frankincense resin from a Boswellia tree, in the Dawkah valley in Oman's southern Dhofar region, on July 27, 2025. (AFP)
TT

In Oil-Rich Oman, Efforts to Preserve Frankincense ‘White Gold’ 

A harvester collects frankincense resin from a Boswellia tree, in the Dawkah valley in Oman's southern Dhofar region, on July 27, 2025. (AFP)
A harvester collects frankincense resin from a Boswellia tree, in the Dawkah valley in Oman's southern Dhofar region, on July 27, 2025. (AFP)

The arid Dawkah valley is home to one of Oman's most prized resources: not oil or gas but frankincense trees, their fragrant sap harvested for millennia by residents who call it "white gold".

Located in Oman's southern Dhofar region, bordering Yemen, the valley is the world's largest such reserve, home to around 5,000 frankincense trees that dot the barren earth, their trunks bearing kernels that exude a distinctive woody scent.

"For us, frankincense is more precious than gold. It's a treasure," said Abdullah Jaddad, a frankincense harvester resting in the shade of a tree.

The oil extracted from the sap of the frankincense tree is used in perfume and skincare, but it is also sold as solid beads of fragrance in local markets.

The high-end Omani perfume-maker Amouage, which manages the reserve, sells its luxury scents internationally for hundreds of dollars a bottle -- with one limited edition perfume containing frankincense sold for nearly $2,000.

The Dawkah valley is one of the rare places in the world where the Boswellia tree, from which frankincense resin is extracted, grows. Since 2000, it has been a UNESCO World Heritage Site as part of the Land of Frankincense listing, along with Khor Rori, Al Baleed and Shisr.

- Like oil -

With its unique earthy scent, frankincense has long been used as incense, but also in traditional medicine, and even religious rituals.

Before modern technology, the frankincense trade, which began in the third millennium BC, extended from Dhofar via sea and caravan routes to Mesopotamia, the Indus Valley and Ancient Egypt, all the way to Greece, Rome and even China.

"Frankincense had roughly the same value as oil today," according to Ahmed al-Murshidi, who heads the Khor Rori site.

The ancient port of Samahram, which forms part of the Khor Rori site, served as the gateway for frankincense to the world.

As Jaddad collected dried beads of sap from the trees, he told AFP that the type of frankincense found in the valley was the Najdi -- one of four main varieties.

The Najdi and Hojari varieties are used for their medicinal properties, according to Faisal Hussein Bin Askar, whose father founded the Bin Askar frankincense shop, in business since the 1950s.

"The cleaner and purer the frankincense, the more suitable it is for drinking as a treatment, while the rest is used as incense," he said, adding that several factories in Dhofar are specialized in frankincense skincare and oils.

The highest-grade and rarest frankincense has a light green color.

- 'Quick to anger' -

The resin is harvested by hand using traditional methods that involve cutting the bark to release the sap and leaving it for a few days to harden.

Harvesting the tree requires care and skilled craftsmanship.

As one guide put it to a group of tourists at the Land of Frankincense Museum in Salalah: "the frankincense tree is quick to anger".

"We strike the tree in specific, small spots, about five times, to preserve" the plant, said Musallam bin Saeed Jaddad, who works in the reserve.

"No one should cut open a frankincense tree... it could kill it," he said.

In 2022, Amouage partnered with Omani authorities to develop the Dawkah reserve and provide jobs for the local community, only harvesting a fifth of the trees to preserve them.

Each tree has a unique code and is monitored by a team of specialists, with donations open to anyone wanting to help the reserve in exchange for small gifts of frankincense products every year.

A distillery is set to be built in the reserve to extract the frankincense oil, a process for now completed in France, said Mohammed Faraj Istanbuli, the reserve supervisor.

"The government is carrying out vital projects, like building roads for example, which threatens other areas where frankincense trees grow," he said.

"We bring those trees... to the reserve. We have saved about 600 trees so far."



Saudi Culture Ministry Launches UK-KSA Arabian Peninsula Cultural Research Fellowships

The Saudi flag. Asharq Al-Awsat
The Saudi flag. Asharq Al-Awsat
TT

Saudi Culture Ministry Launches UK-KSA Arabian Peninsula Cultural Research Fellowships

The Saudi flag. Asharq Al-Awsat
The Saudi flag. Asharq Al-Awsat

The Ministry of Culture has launched the UK-KSA Arabian Peninsula Cultural Research Fellowships in partnership with Effat University and the National Archives of the United Kingdom, to support archival-based research, advance cultural inquiry on the Arabian Peninsula, and strengthen collaboration between researchers and institutions in Saudi Arabia and the United Kingdom.

The program includes a 10-week research residency at the National Archives of the United Kingdom, where participants receive hands-on training in archival methods and gain access to a wide range of archival collections and cultural institutions across the UK. It supports diverse areas of cultural research related to the Arabian Peninsula.

This initiative aligns with the Ministry of Culture’s strategic vision for advancing cultural research, reflecting its commitment to fostering both local and international collaboration and promoting meaningful cultural exchange.

The fellowship is open to researchers and cultural heritage specialists capable of conducting independent research in English, regardless of their professional level.


Culture Ministry Signs Partnership with Guildhall School of Music & Drama for Riyadh University of Arts

Culture Ministry Signs Partnership with Guildhall School of Music & Drama for Riyadh University of Arts
TT

Culture Ministry Signs Partnership with Guildhall School of Music & Drama for Riyadh University of Arts

Culture Ministry Signs Partnership with Guildhall School of Music & Drama for Riyadh University of Arts

The Ministry of Culture signed on Thursday a partnership with Guildhall School of Music & Drama for Riyadh University of Arts (RUA)’s College of Music. The partnership aims to further develop cultural and artistic talent and drive cultural exchange.

Under the terms of the partnership, Guildhall School will work with RUA to co-design undergraduate, postgraduate and research programs spanning music performance, production and education, in addition to training and capability development opportunities for RUA’s faculty body.

The programs will help cultivate and support Saudi talent across a wide range of musical disciplines, as well as provide students with a firm understanding of creative processes, research pathways and professional skills.

Founded in 1880, Guildhall School is a vibrant, international community of musicians, actors and production artists. Ranked as number one in Arts, Drama and Music by the Complete University Guide 2025, and in the top three in the world for Music by the QS World University Rankings 2025, Guildhall delivers world-class professional training in partnership with distinguished artists, companies and ensembles, SPA reported.

The partnership with Guildhall School sits within a series of partnerships for the Riyadh University of Arts and its colleges with leading international institutions to co-design academic programs, collaborate in research, and offer enriching programs in cultural education and development.

In December 2025, RUA announced partnerships between their College of Film and the University of Southern California’s (USC) School of Cinematic Arts (SCA); between SOAS University of London and their College of Heritage and Civilization Studies; AMDA College of the Performing Art and RUA’s College of Theater and Performing Art; and between ESSEC Business School and RUA’s College of Cultural Management. A further agreement was signed with the Royal College of Art (RCA) and RUA’s College of Architecture and Design and College of Visual Arts and Photography in January 2026.

Riyadh University of Arts was established by royal decree and is headquartered in Riyadh. Its Board of Trustees is chaired by Minister of Culture Prince Bader bin Abdullah bin Farhan. The university is dedicated to advancing education in the fields of culture and the arts, serving as a cornerstone for creative learning and cultural innovation. It aims to empower students with the knowledge, skills, and vision needed to shape the future of Saudi Arabia’s creative economy.

The university will launch its programs in phases, gradually expanding to cover a wide range of fields and specialized disciplines. It will offer a comprehensive academic portfolio that supports continuous education across the arts and culture sectors, including short courses, diplomas, bachelor’s degrees, higher diplomas, master’s degrees, and PhDs.


Czech ‘Arks’ Help Preserve Ukraine’s Cultural Heritage

A photo taken in Prague's National Museum shows a 3D scanner in the Archa III (Ark Project) truck on March 24, 2026 in Prague, Czech Republic. (AFP)
A photo taken in Prague's National Museum shows a 3D scanner in the Archa III (Ark Project) truck on March 24, 2026 in Prague, Czech Republic. (AFP)
TT

Czech ‘Arks’ Help Preserve Ukraine’s Cultural Heritage

A photo taken in Prague's National Museum shows a 3D scanner in the Archa III (Ark Project) truck on March 24, 2026 in Prague, Czech Republic. (AFP)
A photo taken in Prague's National Museum shows a 3D scanner in the Archa III (Ark Project) truck on March 24, 2026 in Prague, Czech Republic. (AFP)

The National Museum in Prague on Tuesday unveiled a van containing a 3D scanning device that will soon travel to war-ravaged Ukraine to help preserve its cultural artifacts.

The Archa (Ark) III is a Volkswagen van comprising a studio equipped with a robot and three cameras to create precise models of endangered historic items in Ukraine, which has been battling a full-scale Russian invasion since 2022.

"Archa III is a unique mobile digitization device enabling us to create high-quality 3D images of endangered artifacts and collection items out in the field," National Museum director Michal Lukes told reporters.

He added the scanners could handle both tiny objects and more sizeable items even inside museums.

"In this way, we can create precise digital copies of items that can then serve for documentation and research purposes, but also for restoration, potential reconstruction, or the production of copies," he added.

Museum staff will drive the van to Kyiv in early April and hand it over to Ukrainian partners under the project carried out in cooperation with the foundation of Czech billionaire Karel Komarek.

It follows an Archa I container equipped to conserve and restore books and an Archa II van digitizing two-dimensional items, which Prague sent to Ukraine earlier.

The foundation, which worked on the first two "Arks" with other institutions, said they have so far handled almost 40,000 pages of documents, such as historic newspapers retrieved from the Regional Scientific Library in Kherson.

"The van comprises an autonomous robotic system designed for photogrammetry and 3D output," said the museum's IT director Martin Soucek.

Speed is crucial, and the robot moving along three axes can generate thousands of high-quality photographs within minutes.

"It then uses the photographs to create a hyper-realistic model with high detail, a so-called digital twin," Soucek added.

The project also involves expert training and a website on which the scanned artifacts will be exhibited.

Vitalii Usatyi, the charge d'affaires at the Ukrainian embassy in Prague, hailed the van for being able to work across Ukraine, "including regions exposed to risks related to the Russian aggression".

"This is crucial for preserving cultural heritage," he added.

A recent UNESCO report said that 523 cultural sites had been verified as damaged as of March 11, including 153 religious sites, 273 buildings of historical or artistic interest, 39 museums, 33 monuments, 20 libraries, four archaeological sites and one archive.