Gaza Antiquities Rescued Ahead of Israeli Strike

(FILES) Palestinian students work at the archaeological site of Saint Hilarion, also known as Tell Umm Amer, in the central Gaza Strip on March 7, 2023. (Photo by Mahmud HAMS / AFP)
(FILES) Palestinian students work at the archaeological site of Saint Hilarion, also known as Tell Umm Amer, in the central Gaza Strip on March 7, 2023. (Photo by Mahmud HAMS / AFP)
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Gaza Antiquities Rescued Ahead of Israeli Strike

(FILES) Palestinian students work at the archaeological site of Saint Hilarion, also known as Tell Umm Amer, in the central Gaza Strip on March 7, 2023. (Photo by Mahmud HAMS / AFP)
(FILES) Palestinian students work at the archaeological site of Saint Hilarion, also known as Tell Umm Amer, in the central Gaza Strip on March 7, 2023. (Photo by Mahmud HAMS / AFP)

Nearly three decades of archaeological finds in Gaza were hurriedly evacuated Thursday from a Gaza City building threatened by an Israeli strike, an official in charge of the antiquities told AFP.

"This was a high-risk operation, carried out in an extremely dangerous context for everyone involved -- a real last-minute rescue," said Olivier Poquillon, director of the French Biblical and Archaeological School of Jerusalem (EBAF), whose storehouse housed the relics.

On Wednesday morning, Israeli authorities ordered EBAF -- one of the oldest academic institutions in the region -- to evacuate its archaeological storehouse located on the ground floor of a residential tower in Gaza City that was due to be targeted.

The Israeli army did not confirm the warning when asked by AFP, but several sources said France, UNESCO and the Latin Patriarchate of Jerusalem played a key role in securing a brief reprieve that allowed most of the artifacts to be removed.

"With almost no international actors left on the ground, no infrastructure, nothing functioning, we had to improvise transport, labor and logistics," said Poquillon.

The evacuation, he added, was carried out in strict secrecy, with "the overriding concern, as a religious organization, of not endangering human lives", as Israeli military pressed operations in the territory's largest urban hub.

The depot contained around 180 cubic meters of finds from Gaza's five main archaeological sites, including the fourth-century Saint Hilarion Monastery, listed as a UNESCO World Heritage site.

All of these sites have been damaged, EBAF said, expressing concern for "unique" mosaics left exposed despite their fragility.

Poquillon said Gaza has "an extremely ancient heritage, very precious for the region, showing the succession and coexistence of peoples, cultures and religions.”

Of Gaza's two museums, one has been destroyed and the other heavily damaged since the war erupted nearly two years ago.

Researchers told AFP that aside from scattered ruins highly vulnerable to bombardment, the EBAF storehouse was the only significant repository of artifacts left in the Palestinian territory.

The rediscovery of Gaza's past began in the wake of the 1993 Oslo accords.

Two years later, the newly created Gaza antiquities service opened its first archaeological dig in cooperation with EBAF, unearthing remnants of the ancient Greek port of Anthedon and a Roman necropolis.

Excavations stalled after Hamas seized power in 2007 and Israel imposed a blockade, resuming years later with support from the British Council and French NGO Premiere Urgence Internationale (PUI).

Now, with Israel contemplating a full takeover of Gaza and ceasefire talks stalled, archaeologists say prospects for renewed excavations are remote.

UNESCO, which has already identified damage to 94 heritage sites in Gaza using satellite images, including the 13th-century Pasha's Palace, has not yet been able to take a full inventory.

"We saved a large part, but in a rescue you always lose things, and you always face painful choices," said Rene Elter, an archaeologist affiliated with EBAF and scientific coordinator for PUI.

The depot, he said, was especially valuable because collections had been classified systematically.

"Many items have been broken or lost, but they had been photographed or drawn, so the scientific information is preserved," Elter explained.

"Perhaps that will be the only trace that remains of Gaza's archaeology -- in books, publications, libraries."



French TV Broadcasts Louvre Robbery Images

People wait for the Louvre museum to open as employees at the Louvre Museum vote to extend a strike that has disrupted operations at the world's most visited museum, Thursday, Dec. 18, 2025 in Paris. (AP)
People wait for the Louvre museum to open as employees at the Louvre Museum vote to extend a strike that has disrupted operations at the world's most visited museum, Thursday, Dec. 18, 2025 in Paris. (AP)
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French TV Broadcasts Louvre Robbery Images

People wait for the Louvre museum to open as employees at the Louvre Museum vote to extend a strike that has disrupted operations at the world's most visited museum, Thursday, Dec. 18, 2025 in Paris. (AP)
People wait for the Louvre museum to open as employees at the Louvre Museum vote to extend a strike that has disrupted operations at the world's most visited museum, Thursday, Dec. 18, 2025 in Paris. (AP)

Footage of the spectacular robbery at the Louvre Museum has been broadcast for the first time on French television, showing the brazen jewel thieves breaking into display cases.

The images, filmed by surveillance cameras, were shown by the TF1 and public France Televisions channels on Sunday evening, three months after the hugely embarrassing break-in in October.

They show the two burglars, one wearing a black balaclava and a yellow high-visibility jacket, the other dressed in black with a motorcycle helmet, as they force their way into the Apollo Gallery.

After breaking in through a reinforced window with a high-powered disk cutters, they begin slicing into display cases under the eyes of several staff members who do not intervene.

Managers at the Louvre have stressed that staff are not trained to confront thieves and are asked to prioritize the evacuation of visitors.

During the roughly four minutes that the two men were inside the gallery, one staff member can be seen holding a bollard used to orient visitor through the gallery, according to France Televisions.

The images form a key part of the ongoing criminal investigation into the October 19 heist.

Details of the footage have been reported in French newspapers, including Le Parisien.

Four suspects are in police custody, including the two suspected thieves, but the eight stolen items of French crown jewels worth an estimated $102 million have not been found.

The security failures highlighted by the break-in on a Sunday morning in broad daylight have lead to major pressure on director Laurence des Cars, who has apologized.

Metal bars have since been installed over the windows of the Apollo Gallery.


Cultural Development Fund Highlights Economic Value of Saudi Culture in Davos

The Cultural Development Fund (CDF) logo
The Cultural Development Fund (CDF) logo
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Cultural Development Fund Highlights Economic Value of Saudi Culture in Davos

The Cultural Development Fund (CDF) logo
The Cultural Development Fund (CDF) logo

The Cultural Development Fund (CDF) is participating in the Saudi House pavilion initiative, led by the Ministry of Economy and Planning, during the Annual Meeting of the World Economic Forum 2026, held in Davos, Switzerland, from January 19 to 23.

Through this participation, CDF aims to showcase the economic value of Saudi culture, highlight its role in diversifying the national economy and enhancing quality of life, attract international investment in the cultural sector, and spotlight Saudi cultural entrepreneurship.

According to a statement from the fund, the CDF’s participation includes a networking breakfast bringing together global economic leaders and investors from various countries, with the aim of raising awareness of Saudi culture as an economic force and a key pillar of Saudi Vision 2030.

The event will also provide a platform for exchanging perspectives and opportunities with international investors and financial institutions, while offering a closer look at the enablers of the Saudi cultural sector and its investment opportunities.

As part of the event, the CDF will host a panel discussion titled “Investing in Culture as an Economic Engine” that will feature CEO of the Cultural Development Fund Majed bin Abdulmohsen Al-Hugail, alongside Deputy Minister of Cultural Strategies and Policies at the Ministry of Culture Albara Al-Auhali.

The discussion will address the economic value of culture globally and locally, highlighting the CDF’s role in providing financial solutions that support cultural enterprises and enable their contribution to GDP growth and quality of life. The session will also explore cultural policies and their impact on strengthening the sector’s economic and investment potential.

Within the NextOn dialogue series organized by the Saudi House in Davos, the Cultural Development Fund will enable supported cultural projects to share their success stories and highlight their role in enhancing cultural production and increasing its economic value.

Participating entrepreneurs include Co-Founder of AlMashtal Creative Incubator Princess Noura bint Saud bin Naif, and CEO of Arabian Housing and Building company (AHB) Khalid Henaidy, who will speak about the role of entrepreneurship in shaping the future of the Kingdom’s cultural economy.

‏This participation underscores the CDF’s role as a center of excellence and financial enabler for the cultural sector in the Kingdom, and forms part of its efforts to strengthen the presence of Saudi cultural dynamism on the global stage. It aligns with the CDF’s objectives to maximize the cultural sector’s economic and social impact, increase its contribution to GDP, quality of life, and advance the goals of Saudi Vision 2030.


Red Sea Museum Signs Cooperation Agreement to Support Artisans and Designers

The cooperation agreement aims to support local and regional artisans and designers. SPA
The cooperation agreement aims to support local and regional artisans and designers. SPA
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Red Sea Museum Signs Cooperation Agreement to Support Artisans and Designers

The cooperation agreement aims to support local and regional artisans and designers. SPA
The cooperation agreement aims to support local and regional artisans and designers. SPA

Saudi Arabia’s Museums Commission announced the signing of a cooperation agreement between the Red Sea Museum and Ahmed Angawi Studio to launch the "Made in the Red Sea" initiative at the Red Sea Museum in the heart of Historic Jeddah, aiming to support local and regional artisans and designers.

The initiative aims to preserve traditional skills and develop contemporary products inspired by the rich heritage, traditions and the tangible and intangible culture of the Red Sea region, for sale at the museum gift shop.

It builds on the momentum of the Saudi Ministry of Culture's Year of Handicrafts 2025 initiative launched to reinforce pride in national identity and support artisans, as one of the goals of the National Culture Strategy.

The partnership includes content development, the delivery of workshops and the selection of participating artists and artisans, in addition to promoting the "Made in the Red Sea" initiative and overseeing specialized workshops in traditional wood designs inspired by the historic Bab Al Bunt building, which now houses the Red Sea Museum. These efforts contribute to a contemporary reinterpretation of its architectural elements.