Hungarian Master of Absurdist Excess László Krasznahorkai Wins Nobel Literature Prize

This photo taken on July 26, 2021 shows Hungarian writer Laszlo Krasznahorkai posing for a photo in Salzburg, on the occasion of the presentation of the Austrian State Prize for European Literature 2021. (Photo by Leo NEUMAYR / APA / AFP) / Austria OUT
This photo taken on July 26, 2021 shows Hungarian writer Laszlo Krasznahorkai posing for a photo in Salzburg, on the occasion of the presentation of the Austrian State Prize for European Literature 2021. (Photo by Leo NEUMAYR / APA / AFP) / Austria OUT
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Hungarian Master of Absurdist Excess László Krasznahorkai Wins Nobel Literature Prize

This photo taken on July 26, 2021 shows Hungarian writer Laszlo Krasznahorkai posing for a photo in Salzburg, on the occasion of the presentation of the Austrian State Prize for European Literature 2021. (Photo by Leo NEUMAYR / APA / AFP) / Austria OUT
This photo taken on July 26, 2021 shows Hungarian writer Laszlo Krasznahorkai posing for a photo in Salzburg, on the occasion of the presentation of the Austrian State Prize for European Literature 2021. (Photo by Leo NEUMAYR / APA / AFP) / Austria OUT

Hungarian writer László Krasznahorkai, whose surreal and anarchic novels combine a bleak world view with mordant humor, won the Nobel Prize in literature Thursday for work the judges said upholds the power of art in the midst of “apocalyptic terror.”

The Nobel judges said the 71-year-old author, whose novels sometimes consist of just one long sentence, is “a great epic writer” whose work “is characterized by absurdism and grotesque excess.”

He’s the first Nobel literature winner from Hungary since Imre Kertesz in 2002 and joins a list of laureates that includes Ernest Hemingway, Toni Morrison and Kazuo Ishiguro.

“I am calm and very nervous,” Krasznahorkai told Radio Sweden after getting news of the prize, which comes with an award of more than $1 million. “This is the first day in my life when I got a Nobel Prize. I don't know what's coming in the future.”

The work that won the Nobel Prize in literature The American writer and critic Susan Sontag once described Krasznahorkai as the “contemporary master of the Apocalypse.” His work has echoes of other European writers who explored the absurd tragicomedy of existence, including Franz Kafka and Samuel Beckett, The Associated Press said.

Zsuzsanna Varga, a Hungarian literature expert at the University of Glasgow, said Krasznahorkai’s novels probe the “utter hopelessness” of human existence, while also being “incredibly funny.”

Krasznahorkai’s near-endless sentences made his work the “Hotel California” of literature — once readers get into it, “you can never leave,” she said.

Varga suggested readers new to Krasznahorkai’s work start with “Satantango,” his 1985 debut, which centered around the few remaining residents of a dying collective farm and set the tone for what was to follow.

Krasznahorkai has since written more than 20 books, including “The Melancholy of Resistance,” a surreal, disturbing tale involving a traveling circus and a stuffed whale, and “Baron Wenckheim’s Homecoming,” the sprawling saga of a gambling-addicted aristocrat.

“Herscht 07769,” from 2021, is set in a German town riven with unrest. Written as a series of letters to then-German Chancellor Angela Merkel, it has just one period in its 400 pages.

Several works, including “Satantango,” and “The Melancholy of Resistance” were turned into films by Hungarian director Béla Tarr.

Krasznahorkai also wrote several books inspired by his travels to China and Japan, including “A Mountain to the North, a Lake to the South, Paths to the West, a River to the East,” published in Hungarian in 2003.

How Krasznahorkai came to win Krasznahorkai had been on the Nobel radar for some time, committee member Steve Sem-Sandberg said, calling his literary output “almost half a century of pure excellence.”

The writer was born in the southeastern Hungarian city of Gyula, near the border with Romania, and studied law at universities in Szeged and Budapest before shifting his focus to literature.

Varga, the academic, said Krasznahorkai developed a cult following among young Hungarians during the twilight of Communism in the 1980s, when “authors were pretty much like pop stars.”

János Szegő, Krasznahorkai’s editor at the Budapest-based Magvető publishing house, said that the author’s works deal with “life on the periphery,” and are interested in “the techniques of power.”

“All the populist tendencies of our time can also be found in his novels — from barbarism to the manipulation of the masses,” Szegő said.

Krasznahorkai has been a critic of autocratic Hungarian Prime Minister Viktor Orbán, especially his government's lack of support for Ukraine after the Russian invasion.

In an interview with Swedish newspaper Svenska Dagbladet earlier this year, Krasznahorkai expressed criticism both of Orbán’s political system and the nationalism present in Hungarian society.

“There is no hope left in Hungary today and it is not only because of the Orbán regime,” he told the paper. “The problem is not only political, but also social.”

Orbán nonetheless congratulated the writer in a Facebook post, saying: “The pride of Hungary, the first Nobel Prize winner from Gyula, László Krasznahorkai.”

How Krasznahorkai and others reacted Krasznahorkai received the 2015 Man Booker International Prize for his body of work and the National Book Award for Translated Literature in the US in 2019 for “Baron Wenckheim’s Homecoming.”

He said none of his career was planned.

“I wanted at first to write only one book. And I didn’t want to be a writer,” he told Swedish radio, but rereading his first novel he discovered it wasn’t perfect.

“I started to write another one because I wanted to correct ‘Satantango,’” he said, and later “I tried to write a new book to correct the first two. ... My life is a permanent correction.”

The literature prize has been awarded by the Nobel committee of the Swedish Academy 117 times to a total of 121 winners. Last year's winner was South Korean author Han Kang. The 2023 winner was Norwegian writer Jon Fosse, whose work includes a seven-book epic made up of a single sentence.

The literature prize is the fourth to be announced this week, following the 2025 Nobels in medicine, physics and chemistry.

The winner of the Nobel Peace Prize will be announced Friday. The final Nobel, the Nobel Memorial Prize in Economic Sciences, will be announced Monday.

Nobel Prize award ceremonies are held on Dec. 10, the anniversary of Alfred Nobel’s death in 1896. Nobel was a wealthy Swedish industrialist and the inventor of dynamite who founded the prizes.

Each prize carries an award of 11 million Swedish kronor (nearly $1.2 million). Winners also receive an 18-carat gold medal and a diploma.



Czech ‘Arks’ Help Preserve Ukraine’s Cultural Heritage

A photo taken in Prague's National Museum shows a 3D scanner in the Archa III (Ark Project) truck on March 24, 2026 in Prague, Czech Republic. (AFP)
A photo taken in Prague's National Museum shows a 3D scanner in the Archa III (Ark Project) truck on March 24, 2026 in Prague, Czech Republic. (AFP)
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Czech ‘Arks’ Help Preserve Ukraine’s Cultural Heritage

A photo taken in Prague's National Museum shows a 3D scanner in the Archa III (Ark Project) truck on March 24, 2026 in Prague, Czech Republic. (AFP)
A photo taken in Prague's National Museum shows a 3D scanner in the Archa III (Ark Project) truck on March 24, 2026 in Prague, Czech Republic. (AFP)

The National Museum in Prague on Tuesday unveiled a van containing a 3D scanning device that will soon travel to war-ravaged Ukraine to help preserve its cultural artifacts.

The Archa (Ark) III is a Volkswagen van comprising a studio equipped with a robot and three cameras to create precise models of endangered historic items in Ukraine, which has been battling a full-scale Russian invasion since 2022.

"Archa III is a unique mobile digitization device enabling us to create high-quality 3D images of endangered artifacts and collection items out in the field," National Museum director Michal Lukes told reporters.

He added the scanners could handle both tiny objects and more sizeable items even inside museums.

"In this way, we can create precise digital copies of items that can then serve for documentation and research purposes, but also for restoration, potential reconstruction, or the production of copies," he added.

Museum staff will drive the van to Kyiv in early April and hand it over to Ukrainian partners under the project carried out in cooperation with the foundation of Czech billionaire Karel Komarek.

It follows an Archa I container equipped to conserve and restore books and an Archa II van digitizing two-dimensional items, which Prague sent to Ukraine earlier.

The foundation, which worked on the first two "Arks" with other institutions, said they have so far handled almost 40,000 pages of documents, such as historic newspapers retrieved from the Regional Scientific Library in Kherson.

"The van comprises an autonomous robotic system designed for photogrammetry and 3D output," said the museum's IT director Martin Soucek.

Speed is crucial, and the robot moving along three axes can generate thousands of high-quality photographs within minutes.

"It then uses the photographs to create a hyper-realistic model with high detail, a so-called digital twin," Soucek added.

The project also involves expert training and a website on which the scanned artifacts will be exhibited.

Vitalii Usatyi, the charge d'affaires at the Ukrainian embassy in Prague, hailed the van for being able to work across Ukraine, "including regions exposed to risks related to the Russian aggression".

"This is crucial for preserving cultural heritage," he added.

A recent UNESCO report said that 523 cultural sites had been verified as damaged as of March 11, including 153 religious sites, 273 buildings of historical or artistic interest, 39 museums, 33 monuments, 20 libraries, four archaeological sites and one archive.


In Lebanon’s Tyre, Ancient Site Threatened by Israeli Bombs

This photograph taken on March 23, 2026, shows smoke as it rises from the site of an Israeli air strike at the background of the archaeological site of the ruins of the Phoenician Port in the southern Lebanese city of Tyre. (AFP)
This photograph taken on March 23, 2026, shows smoke as it rises from the site of an Israeli air strike at the background of the archaeological site of the ruins of the Phoenician Port in the southern Lebanese city of Tyre. (AFP)
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In Lebanon’s Tyre, Ancient Site Threatened by Israeli Bombs

This photograph taken on March 23, 2026, shows smoke as it rises from the site of an Israeli air strike at the background of the archaeological site of the ruins of the Phoenician Port in the southern Lebanese city of Tyre. (AFP)
This photograph taken on March 23, 2026, shows smoke as it rises from the site of an Israeli air strike at the background of the archaeological site of the ruins of the Phoenician Port in the southern Lebanese city of Tyre. (AFP)

At an archaeological site in southern Lebanon's Tyre, small signs bearing a blue and white emblem provide a symbolic shield, meant to protect the ancient ruins from bombardment.

One of the oldest cities on the Mediterranean coast, Tyre is located around 20 kilometers (12 miles) from the Israeli border, and has been the target of several strikes since Lebanon was drawn into the Middle East war by Hezbollah's March 2 rocket attack on Israel.

The Al-Bass site is centered on a necropolis that dates back three millennia to Tyre's time as a major Phoenician city and was still in use until the Arab conquests of the 7h Century.

An organization linked to UNESCO, the United Nations' cultural heritage agency, launched the signs initiative near the site, part of a push that covers more than 30 locations across the country.

It is a reminder that the 1954 Hague Convention obliges warring parties to protect cultural property.

On March 6, an Israeli strike hit just a few meters away, killing eight people according to Lebanon's health ministry.

The target, a family home, is now a pile of rubble.

"They were our neighbors... They thought that being close to an archaeological site protected them, that because this is a World Heritage site it would not be struck," said Nader Saqlawi, director of archaeological excavations in the south for Lebanon's culture ministry.

Museum employees place Enhanced Protection Emblems, a special symbol used under international humanitarian law to protect critical sites during armed conflict, at the archaeological site of the Roman hippodrome in the southern Lebanese city of Tyre, on March 23, 2026. (AFP)

- Human remains -

The team from the ministry that came to inspect possible damage to the monuments found human remains -- "a hand and pieces of flesh" -- on the roof of the site's museum, which is still under construction, he said.

The museum suffered damage, its windows were blown out, but the explosion did not reach the necropolis nor the Roman-era triumphal arch, aqueducts and hippodrome that are also part of the site.

In antiquity, the city of Tyre was at various times Phoenician, Persian, Hellenistic, Roman and Byzantine.

While many of its inhabitants have fled the latest war, others remain alongside the city's precious relics.

Lebanese Culture Minister Ghassan Salame condemned what he called Israel's aggression.

"The archaeological sites do not contain any military or security presence. Therefore, this argument cannot be used to justify their bombing," he said.

There was no immediate comment in response to AFP's request from the Israeli army, which usually says it is targeting Hezbollah sites or operatives with its attacks.

"Lebanon is full of archaeological riches... and the Beirut depots do not have the capacity to accommodate all these threatened objects," said David Sassine, an expert at the International Alliance for the Protection of Heritage.

This photograph taken on March 23, 2026, shows boxes filled with fragments of ancient pottery collected after an Israeli strike near the archaeological site of the Roman hippodrome in the southern Lebanese city of Tyre. (AFP)

- 'No one cares' -

There is also no guarantee that the objects would be safer in the capital, which is itself regularly bombed by Israel, and transporting the items from the south of the country, even under military escort, "remains risky", Sassine said.

During the previous Israel-Hezbollah conflict in 2024, gold coins, millennia-old amphorae and valuable sarcophagi were transferred to Beirut, where they have remained.

Tyre was heavily damaged by Israeli strikes during that war, while much of the population evacuated at the time.

Closer to the border, the citadel in the village of Shamaa was also partly destroyed by the Israeli military.

Saqlawi of the culture ministry said he believed attacks on historic sites were intentional.

"The Israelis know everything. They know your shoe size... and they know very well this is an archaeological site," he said.

Mustapha Najdi, a guard at the archaeological sites, was at the Al-Bass site when the March 6 strike hit.

"I heard a very violent impact. I fled and alerted the authorities," he said.

"No one cares about us," Najdi lamented, calling on "everyone who can to exert pressure to stop this barbarity".

"This civilization represents history, represents us all, Lebanese and non-Lebanese."


India’s Historic Haveli Homes Caught Between Revival and Ruin

 This photograph taken on February 2, 2026 shows a hospitality staff arranging tableware at the Dharampura Haveli, an 18th-century haveli-turned-heritage hotel in the old quarters of Delhi. (AFP)
This photograph taken on February 2, 2026 shows a hospitality staff arranging tableware at the Dharampura Haveli, an 18th-century haveli-turned-heritage hotel in the old quarters of Delhi. (AFP)
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India’s Historic Haveli Homes Caught Between Revival and Ruin

 This photograph taken on February 2, 2026 shows a hospitality staff arranging tableware at the Dharampura Haveli, an 18th-century haveli-turned-heritage hotel in the old quarters of Delhi. (AFP)
This photograph taken on February 2, 2026 shows a hospitality staff arranging tableware at the Dharampura Haveli, an 18th-century haveli-turned-heritage hotel in the old quarters of Delhi. (AFP)

Once the grand residences of Mughal-era nobility, the Indian capital's haveli homes now stand at a fragile crossroads -- a handful lovingly restored but many more sliding quietly into ruin.

Across Old Delhi -- the 17th century walled city founded as the Mughal capital Shahjahanabad -- cracked facades, shuttered gateways and sagging balconies tell the story of a heritage under siege from neglect, inheritance battles and relentless urban pressure.

Only a few restored pockets provide a glimpse of what once was -- airy courtyards, carved sandstone pillars and homes built around a deeply social way of life.

Inside one restored mansion that now houses a cultural center, sunlight filters through stained glass onto carved sandstone arches, the air infused with freshly polished wood and rosewater.

Musicians tune their instruments in a frescoed courtyard, where nobles may once have entertained guests, offering a rare peek into Old Delhi's rich architectural past.

But outside in the narrow lanes of Old Delhi's Chandni Chowk district, the contrast is stark.

Many havelis are abandoned or on the verge of collapsing, their carved facades fading beneath peeling paint.

The contrast reflects two futures -- one of careful restoration and the other of gradual decay.

- 'Who will pay?' -

The Kathika Cultural Centre's founder Atul Khanna said his initiative hoped to create an immersive cultural space inside a restored structure.

But he admitted that conservation in Old Delhi remains a huge challenge.

Many havelis are split among multiple heirs, with no single stakeholder willing or able to invest in costly upkeep.

"When there are multiple ownerships, that becomes a challenge," he said.

"If the haveli is decaying, who is going to spend the money?"

Khanna also blamed bureaucratic hurdles for discouraging restoration.

"There should be some kind of a single window for anyone who is working with heritage," he said, arguing that easing red tape would be more effective than offering subsidies for restoration.

Another prominent restoration is the 18th century Haveli Dharampura, now converted into a heritage hotel.

"Restoration in Old Delhi is still isolated unless there is sustained support and awareness," said Vidyun Goel, whose family owns the property.

Residents say family disputes and the push to convert properties into shops or apartments have led to rapid decline.

In nearby Roshanpura, only a scattering of old homes still stand. Among them, the century-old Mathur ki Haveli is a rare example of a lived-in heritage home.

- Showpiece projects -

"We are in love with this house," said Ashok Mathur, a fourth-generation resident who continues to live in the ancestral property despite mounting challenges.

Wooden ceilings are deteriorating, floors are wearing thin and doors require constant repair, he said, walking through rooms that bear only traces of intricate craftsmanship.

Still, he said he has never considered leaving -- although he can only imagine the social world that once defined haveli life.

"There is no community left," Mathur, 56, said. "We are living in a cocoon."

Conservationist K. T. Ravindran said that while Old Delhi is economically vibrant, its havelis suffer from unclear titles and multiple claimants.

"Often buildings that look intact from outside conceal deeper damage," he said, noting that the condition was worse in the inner lanes hidden from public view.

Ravindran said revival was still possible, but only through neighborhood-level regeneration rather than isolated showpiece projects.

Oral historian Sohail Hashmi said each haveli once formed part of "a larger social ecosystem of neighborhoods, crafts and traditions", with architecture and community deeply intertwined.

As Khanna put it, the loss goes beyond architecture.

"When you lose a haveli, you are not only losing the structure," he said.

"Every element in it is a piece of art."