Japan’s Sushi Legend Jiro Ono Turns 100 and Is Not Ready for Retirement 

In this photo released by Bureau of Social Welfare, Tokyo Metropolitan Government, sushi legend Jiro Ono, right, shows a gift from Tokyo Gov. Yuriko Koike to celebrate his 100th birthday in front of his restaurant, Sukiyabashi Jiro in Tokyo on Sept. 18, 2025. (Bureau of Social Welfare, Tokyo Metropolitan Government via AP)
In this photo released by Bureau of Social Welfare, Tokyo Metropolitan Government, sushi legend Jiro Ono, right, shows a gift from Tokyo Gov. Yuriko Koike to celebrate his 100th birthday in front of his restaurant, Sukiyabashi Jiro in Tokyo on Sept. 18, 2025. (Bureau of Social Welfare, Tokyo Metropolitan Government via AP)
TT

Japan’s Sushi Legend Jiro Ono Turns 100 and Is Not Ready for Retirement 

In this photo released by Bureau of Social Welfare, Tokyo Metropolitan Government, sushi legend Jiro Ono, right, shows a gift from Tokyo Gov. Yuriko Koike to celebrate his 100th birthday in front of his restaurant, Sukiyabashi Jiro in Tokyo on Sept. 18, 2025. (Bureau of Social Welfare, Tokyo Metropolitan Government via AP)
In this photo released by Bureau of Social Welfare, Tokyo Metropolitan Government, sushi legend Jiro Ono, right, shows a gift from Tokyo Gov. Yuriko Koike to celebrate his 100th birthday in front of his restaurant, Sukiyabashi Jiro in Tokyo on Sept. 18, 2025. (Bureau of Social Welfare, Tokyo Metropolitan Government via AP)

Japanese sushi legend Jiro Ono won three Michelin stars for more than a decade, the world’s oldest head chef to do so. He has served the world’s dignitaries and his art of sushi was featured in an award-winning film.

After all these achievements and at the age of 100, he is not ready to fully retire.

“I plan to keep going for about five more years,” Ono said last month as he marked Japan's “Respect for the Aged Day” with a gift and a certificate ahead of his birthday.

What’s the secret of his health? “To work,” Ono replied to the question by Tokyo Gov. Yuriko Koike, who congratulated him.

“I can no longer come to the restaurant every day ... but even at 100, I try to work if possible. I believe the best medicine is to work."

Ono, the founder of Sukiyabashi Jiro, a tiny, 10-seat sushi bar in the basement of a building in Tokyo’s posh Ginza district, turned 100 Monday.

In one of the world's fastest-aging countries, he is now among Japan's nearly 100,000 centenarians, according to government statistics.

Born in the central Japanese city of Hamamatsu in 1925, Ono began his apprenticeship at age 7 at the Japanese restaurant of a local inn. He moved to Tokyo and became a sushi chef at 25 and opened his own restaurant, Sukiyabashi Jiro, 15 years later in 1965.

He has devoted his life seeking perfection in making sushi.

“I haven’t reached perfection yet,” Ono, then 85, said in “Jiro Dreams of Sushi,” a film released in 2012. “I’ll continue to climb trying to reach the top, but nobody knows where the top is.”

Director David Gelb said his impression of Ono was “of a teacher and a fatherly figure to all who were in his restaurant.”

At the beginning, Gelb felt intimidated by the “gravitas" of the legend but was soon disarmed by Ono's sense of humor and kindness, he told the Associated Press in an interview from New Orleans. “He's very funny and very sweet.”

“I was filming an octopus being massaged for an hour, and he was worried about me,” Gelb recalled. Ono told him he was afraid the director was making the most boring film ever and that he could leave if he wanted to.

“He was so generous and kind of humble of him to do that,” Gelb said. “Of course I was determined, and I was like, no way ... Massaging the octopus to me is fascinating.”

Ono is devoted to what he serves to his regular clients, even turning down the Japanese government when it called to make a reservation for then-US President Barack Obama and former Prime Minister Shinzo Abe in 2014.

“I said no as the restaurant was fully booked, then they agreed to come later in the evening,” Ono recalled. “But (Obama) was enjoying sushi and I was happy.”

Ono’s son Yoshikazu, who has worked with his father and now serves as head chef at the Ginza restaurant, said Obama smiled and winked at them when he tried medium fatty tuna sushi.

His restaurant earned three Michelin stars in 2007, as he became the first sushi chef to do so, and has kept the status until 2019, when he was recognized by the Guinness World Records as the oldest head chef of a three-Michelin-star restaurant, at age 93 years and 128 days.

In 2020, Sukiyabashi Jiro was dropped from the guide because it started taking reservations only from regulars or through top hotels.

In recent years Ono serves sushi only to his special guests, “as my hands don't work so well.”

But he hasn’t given up. His son says Ono, watching television news about the death of Japan’s oldest male at 113, said 13 more years seems doable.

“I will aim for 114,” Ono said.

“I cherish my life so I get to work for a long time,” Ono says. He doesn’t drink alcohol, takes a walk regularly and eats well.

Asked about his favorite sushi, Ono instantly replied: “Maguro, kohada and anago (tuna, gizzard shad and saltwater eel).”

“It’s an incredible thing that this tradition continues and that he’s still going strong 100 years in ... It’s an inspiration to everyone,” Gelb said, wishing Ono happy birthday in Japanese.



AlUla's Dadan Excavations Explore Ancient Civilizations in 2026–2027 Archaeology Season

The work aims to study historical sites and uncover evidence that sheds light on the development of ancient civilizations in northwestern Arabia. (SPA)
The work aims to study historical sites and uncover evidence that sheds light on the development of ancient civilizations in northwestern Arabia. (SPA)
TT

AlUla's Dadan Excavations Explore Ancient Civilizations in 2026–2027 Archaeology Season

The work aims to study historical sites and uncover evidence that sheds light on the development of ancient civilizations in northwestern Arabia. (SPA)
The work aims to study historical sites and uncover evidence that sheds light on the development of ancient civilizations in northwestern Arabia. (SPA)

Archaeological excavations and research are continuing at Dadan in AlUla as part of the 2026–2027 archaeology season, launched by the Royal Commission for AlUla in AlUla and Khaybar.

The work aims to study historical sites and uncover evidence that sheds light on the development of ancient civilizations in northwestern Arabia.

Photographs taken by the Saudi Press Agency (SPA) have documented ongoing excavations at Dadan, focusing on funerary and residential areas as part of the second phase of the archaeological project. Building on five years of research, the work aims to trace the development of the ancient city and provide further insights into patterns of human settlement and daily life.

This season's work includes specialized archaeological studies and digital documentation of historical sites and findings.

Saudi specialists and university students are also participating in fieldwork and research, gaining practical experience and developing their skills in excavation, documentation, and archaeological analysis.

In Khaybar, research projects are exploring the relationship between people and the ancient oasis across different historical periods.

The projects involve studying ancient environments, sediment records, and natural resources, while other studies trace human activity in Khaybar from the Neolithic period through the Islamic eras.

The work is part of the Royal Commission for AlUla's efforts to support scientific research, preserve cultural heritage, and develop national expertise in archaeology and documentation. Together, these efforts aim to expand knowledge of the region's history and successive civilizations.


Saudi Visual Arts Commission Signs MoU with Cité Internationale des Arts in Paris to Strengthen Collaboration in Visual Arts

Saudi Visual Arts Commission Signs MoU with Cité Internationale des Arts in Paris to Strengthen Collaboration in Visual Arts
TT

Saudi Visual Arts Commission Signs MoU with Cité Internationale des Arts in Paris to Strengthen Collaboration in Visual Arts

Saudi Visual Arts Commission Signs MoU with Cité Internationale des Arts in Paris to Strengthen Collaboration in Visual Arts

The Saudi Visual Arts Commission has signed a memorandum of understanding with Cité Internationale des arts in Paris to strengthen collaboration, exchange expertise in the visual arts, and explore areas of cooperation that support artists and practitioners and broaden their access to artistic, cultural, and professional exchange.

Areas of collaboration include developing visual arts-related initiatives and residency programs, exploring opportunities to involve local and international artists and talent in programs organized by both parties, and supporting Saudi artists and expanding their opportunities to connect with the global art scene, SPA reported.

The two parties will also collaborate on organizing joint initiatives and exhibitions, exchanging expertise and knowledge, and engaging experts and professionals in mentorship, professional guidance, and talent development initiatives.

The MoU forms part of the commission’s efforts to support the visual arts ecosystem in Saudi Arabia, strengthen international cultural exchange and collaboration, and expand opportunities for artists and cultural practitioners to engage and develop professionally, in line with the objectives of Saudi Vision 2030 to support the growth of the cultural sector, empower practitioners, and enhance the Kingdom’s cultural presence internationally.


Pompeii’s Grandest House Gets a $1.6 Million Restoration Funded by Private Sponsor

 In this undated handout photo provided on Tuesday, Oct. 20, 2026, by the Pompeii Archaeological Park, restorers work inside the House of Marcus Fabius Rufus in Pompeii, near Naples, Italy. (Silvia Vacca/ Pompeii Archaeological Park via AP)
In this undated handout photo provided on Tuesday, Oct. 20, 2026, by the Pompeii Archaeological Park, restorers work inside the House of Marcus Fabius Rufus in Pompeii, near Naples, Italy. (Silvia Vacca/ Pompeii Archaeological Park via AP)
TT

Pompeii’s Grandest House Gets a $1.6 Million Restoration Funded by Private Sponsor

 In this undated handout photo provided on Tuesday, Oct. 20, 2026, by the Pompeii Archaeological Park, restorers work inside the House of Marcus Fabius Rufus in Pompeii, near Naples, Italy. (Silvia Vacca/ Pompeii Archaeological Park via AP)
In this undated handout photo provided on Tuesday, Oct. 20, 2026, by the Pompeii Archaeological Park, restorers work inside the House of Marcus Fabius Rufus in Pompeii, near Naples, Italy. (Silvia Vacca/ Pompeii Archaeological Park via AP)

An ancient residence believed to be the grandest in the Pompeii archaeological site is being restored with the entire 1.4 million euros ($1.6 million) cost being covered by a private sponsor, officials announced Tuesday.

The house of Marcus Fabius Rufus, modeled after Rome’s imperial palaces and buried in the eruption of Mt. Vesuvio that destroyed the ancient city in 79 A.D., has been inaccessible to the public since 1980. Originally built on Pompeii’s city walls, it features four floors connected by a maze of corridors and staircases.

Part of it is expected to open to guided groups by Christmas, officials for the Archeological Park of Pompeii said.

The renovation is being paid for by a German entrepreneur, Frank Hoefer, who contacted the archaeological park after reading superintendent Gabriel Zuchtriegel’s 2023 book: “Pompeii: The Enchanted City.”

“Restoring the spectacular residence of Marcus Fabius Rufus ... is a project I find exciting,” Hoefer said in a release. “I also have the impression that Pompeii is very open to innovative approaches to preservation and public access.”

Zuchtriegel said the goal is to expand such sponsorships.

“This does not mean that from tomorrow on if we had 50 such sponsors we would be able to abolish the entrance ticket, putting it at just a symbolic one-euro price, but it is a perspective towards which we have to work to develop the site,” Zuchtriegel said in a video statement.

Structural work was carried out on the house from 2021-2023, and current renovations are focused on the frescoes, including the famous Venus of Pompeii located in a chapel within the residence. The owner was believed to be a magistrate or a freedman of the imperial household.

Zuchtriegel said work was also being done to make the complex more accessible, and digital technology was being developed to help people grasp the “incredible labyrinth” that makes up the house.

“At times, you feel like you are in a 19th-century palace in Naples, yet this is a Roman house from 2,000 years ago,” Zuchtriegel said.