Police Say Louvre Defenses Lagged as Jewel-Heist Suspects Near Custody Cutoff 

French CRS riot police officers walk near the glass Pyramid of the Louvre Museum, after French police arrested suspects in the Louvre heist case, in Paris, France October 27, 2025. (Reuters)
French CRS riot police officers walk near the glass Pyramid of the Louvre Museum, after French police arrested suspects in the Louvre heist case, in Paris, France October 27, 2025. (Reuters)
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Police Say Louvre Defenses Lagged as Jewel-Heist Suspects Near Custody Cutoff 

French CRS riot police officers walk near the glass Pyramid of the Louvre Museum, after French police arrested suspects in the Louvre heist case, in Paris, France October 27, 2025. (Reuters)
French CRS riot police officers walk near the glass Pyramid of the Louvre Museum, after French police arrested suspects in the Louvre heist case, in Paris, France October 27, 2025. (Reuters)

Paris police acknowledged major gaps in the Louvre’s defenses on Wednesday, turning this month's dazzling daylight theft into a national reckoning over how France protects its treasures.

Paris Police Chief Patrice Faure told Senate lawmakers that aging systems and slow-moving fixes left weak seams in the world’s most-visited museum.

“A technological step has not been taken,” he told lawmakers, noting parts of the video network are even still analog, producing lower-quality images that are slow to share in real time.

A long-promised revamp — a $93 million project requiring roughly 60 kilometers (37 miles) of new cabling — “will not be finished before 2029–2030,” he said.

Faure also disclosed that the Louvre’s authorization to operate its security cameras quietly expired in July and wasn’t renewed — a paperwork lapse that some see as a symbol of broader negligence after thieves forced a window to the Apollo Gallery, cut into cases with power tools and fled with eight pieces of the French crown jewels within minutes while tourists were inside.

“Officers arrived extremely fast,” Faure said, but he added the lag occurred earlier in the chain — from first detection, to museum security, to the emergency line, to police command.

Faure and his team said the first alert to police came not from the Louvre’s alarms, but from a cyclist outside who dialed the emergency line after seeing helmeted men with a basket lift.

Suspects' custody expiring

Officials say two suspects were arrested over the weekend, including one stopped at Charles-de-Gaulle Airport as he tried to leave France.

Under French rules for organized theft, custody can run up to 96 hours; that limit expires late Wednesday, when prosecutors must charge the suspects, release them, or seek a judge’s extension.

The Louvre values the eight stolen pieces at about $102 million. None has been confirmed recovered.

The theft has also exposed an insurance blind spot: officials say the jewels were not privately insured. The French state self-insures its national museums, because premiums for covering priceless heritage are astronomically high, meaning the Louvre will receive no payout for the loss. The financial blow, like the cultural wound, is total.

Faure pushed back on quick fixes. He rejected calls for a permanent police post inside the palace-museum, warning it would set an unworkable precedent and do little against fast, mobile crews. “I am firmly opposed,” he said. “The issue is not a guard at a door; it is speeding the chain of alert.”

He urged lawmakers to authorize tools currently off-limits: AI-based anomaly detection and object tracking (not facial recognition) to flag suspicious movements and follow scooters or gear across city cameras in real time.

The Oct. 19 heist was swift and simple. In the morning rush, thieves reached the jewel gallery near streetside windows, cut through reinforced cases and vanished in minutes. Former bank robber David Desclos told the AP the operation was textbook and vulnerabilities were glaringly obvious in the layout of the gallery.

Museum and culture officials under pressure

Culture Minister Rachida Dati, under pressure, has stayed defensive, refusing the Louvre director’s resignation and insisting alarms worked while acknowledging “security gaps did exist.” She has kept details to a minimum, citing ongoing investigations.

The reckoning lands at a museum already under strain. In June, the Louvre shut in a spontaneous staff strike, including security agents, over unmanageable crowds, chronic understaffing and “untenable” conditions.

Unions say mass tourism and construction pinch points create blind spots, a vulnerability underscored by thieves who rolled a basket lift to the Seine-facing façade and reached a hall displaying the crown jewels.

Faure said police will now track surveillance-permit deadlines across institutions to prevent repeats of the July lapse. But he stressed the larger fix is disruptive and slow: ripping out and rebuilding core systems while the palace stays open, and updating the law so police can act on suspicious movement in real time - before a scooter disappears into Paris traffic and diamonds into history.

For Desclos, the practical answer is unsentimental: vault the originals and display perfect replicas. Romance aside, he argues, the point is that the real objects survive.

Experts fear the stolen pieces may already be broken down and stones recut to erase their past - a prospect that adds urgency to France’s debate over how it guards what the world comes to see.



Red Sea International Film Festival Held Amid Wide Participation from Film Stars, Creators

The festival runs until December 13 with the wide participation of local and international film stars and creators
The festival runs until December 13 with the wide participation of local and international film stars and creators
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Red Sea International Film Festival Held Amid Wide Participation from Film Stars, Creators

The festival runs until December 13 with the wide participation of local and international film stars and creators
The festival runs until December 13 with the wide participation of local and international film stars and creators

The fifth annual Red Sea International Film Festival is being held under the patronage of Minister of Culture Prince Bader bin Abdullah bin Farhan at Culture Square in Historic Jeddah under the theme "In Love with Cinema.”

It runs until December 13 with the wide participation of local and international film stars and creators.

In his opening speech, the minister welcomed the festival's guests, saying "Here in the beautiful city of Jeddah - alive with creativity, culture, and the arts - I am pleased to welcome those who have joined us in previous successful editions, as well as those attending for the first time to experience an event that reflects the energy of our youth and the richness of our culture.”

With the generous support of the Crown Prince and Prime Minister, the minister noted that the cultural sector has witnessed an unprecedented renaissance, positioning culture as a cornerstone of Saudi Arabia's future.

The minister pointed out that over the past seven years, the Ministry of Culture has worked to preserve the Kingdom's diverse heritage and build a thriving cultural landscape encompassing the arts, language, music, handicrafts, and the film sector, affirming that cinema is one of the most powerful tools of cultural influence globally and plays a pivotal role in strengthening understanding among peoples.

He added that the Red Sea Film Foundation embodies the Kingdom's vision of empowering youth, supporting creatives, and reinforcing Saudi Arabia's presence as a promising cinematic destination.

The festival opened with the film "Giant" in its Middle East and North Africa premiere.

Red Sea Film Foundation Chief Executive Officer Faisal Baltyuor explained that the choice of opening film reflects the festival's vision of supporting voices and stories from the Middle East, Asia, and Africa, and bringing them to global audiences.

Chairwoman of the Board of Trustees for Red Sea Film Foundation Jomana Alrashid stated that the foundation has, over five years, helped build an effective ecosystem that enables filmmakers from Arab, Asian, and African countries to lead their projects.

She noted that seven films supported by the "Red Sea Fund" were nominated for the Oscars, and that this year's edition features 111 films from more than 70 countries, highlighting 38 female directors.

This year, the festival offers a diverse cinematic program featuring selected global screenings and Arab works shown for the first time, in addition to an official competition that attracts films from five continents, and a series of panel discussions and talent-support programs designed to empower new voices and strengthen Arab presence in the international cinematic landscape.


‘Amazing’ Figurines Find in Egyptian Tomb Solves Mystery

This undated handout photograph released on November 25, 2025 by MFFT-EPHE/PSL shows funerary statuette, knonw as ouchbetis, found in the royal necropolis of Tanis (San el-Hagar). (Simone Nannucci / MFFT - EPHE/PSL / AFP)
This undated handout photograph released on November 25, 2025 by MFFT-EPHE/PSL shows funerary statuette, knonw as ouchbetis, found in the royal necropolis of Tanis (San el-Hagar). (Simone Nannucci / MFFT - EPHE/PSL / AFP)
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‘Amazing’ Figurines Find in Egyptian Tomb Solves Mystery

This undated handout photograph released on November 25, 2025 by MFFT-EPHE/PSL shows funerary statuette, knonw as ouchbetis, found in the royal necropolis of Tanis (San el-Hagar). (Simone Nannucci / MFFT - EPHE/PSL / AFP)
This undated handout photograph released on November 25, 2025 by MFFT-EPHE/PSL shows funerary statuette, knonw as ouchbetis, found in the royal necropolis of Tanis (San el-Hagar). (Simone Nannucci / MFFT - EPHE/PSL / AFP)

A treasure trove of 225 funerary figurines have been discovered inside a tomb in the ancient Egyptian capital of Tanis in the Nile Delta, a rare find that has also solved a long-running mystery.

"Finding figurines in place inside a royal tomb has not happened in the Tanis necropolis since 1946," French Egyptologist Frederic Payraudeau told reporters in Paris on Friday.

Such a find has also never happened before further south in Egypt's Valley of the Kings near modern Luxor -- apart from the tomb of the famous boy king Tutankhamun in 1922 -- because most such sites have been looted throughout history, he added.

Payraudeau, who leads the French Tanis excavation mission, said the remarkable discovery was made on the morning of October 9.

The team had already excavated the other three corners of a narrow tomb occupied by an imposing, unnamed sarcophagus.

"When we saw three or four figurines together, we knew right away it was going to be amazing," Payraudeau said.

"I ran out to tell my colleagues and the officials. After that it was a real struggle. It was the day before the weekend -- normally, we stop at 2 pm. We thought: 'This is not possible.'"

The team then set up lights to work through the night.

It took 10 days to carefully extract all of the 225 small green figurines.

They were "carefully arranged in a star shape around the sides of a trapezoidal pit and in horizontal rows at the bottom," Payraudeau said.

The funerary figurines, which are known as ushabti, were intended as servants to accompany the dead into the afterlife.

More than half the figurines are women, which is "quite exceptional", Payraudeau said.

Located in the Nile Delta, Tanis was founded around 1050 BC as the capital of the Egyptian kingdom during the 21st dynasty.

At the time, the Valley of the Kings -- which had been looted during the reign of pharaohs including Ramses -- was abandoned and the royal necropolis was moved to Tanis, Payraudeau said.

- One mystery leads to another -

The royal symbol on the newly discovered figurines also solves a long-standing mystery by identifying who was buried in the sarcophagus.

It was Pharaoh Shoshenq III, who reigned from 830 to 791 BC.

This was "astonishing" because the walls of a different tomb at the site -- and the largest sarcophagus there -- bear his name, Payraudeau said.

"Why isn't he buried in this tomb?" the expert asked.

"Obviously, for a pharaoh, building a tomb is a gamble because you can never be sure your successor will bury you there," he said.

"Clearly, we have new proof that these gambles are not always successful," Payraudeau said with a smile.

Shoshenq III's four-decade reign was turbulent, marred by a "very bloody civil war between upper and lower Egypt, with several pharaohs fighting for power," he said.

So it is possible that the royal succession did not go as planned and the pharaoh was not buried in his chosen tomb.

Another possibility is that his remains were moved later due to looting.

But it is "difficult to imagine that a 3.5 by 1.5-meter granite sarcophagus could have been reinstalled in such a small place," Payraudeau said.

After the figurines are studied, they will be displayed in an Egyptian museum, Payraudeau said.


Literature, Publishing and Translation Commission Launches Riyadh Int’l Philosophy Conference

The three-day event is organized by the Literature, Publishing and Translation Commission. SPA
The three-day event is organized by the Literature, Publishing and Translation Commission. SPA
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Literature, Publishing and Translation Commission Launches Riyadh Int’l Philosophy Conference

The three-day event is organized by the Literature, Publishing and Translation Commission. SPA
The three-day event is organized by the Literature, Publishing and Translation Commission. SPA

The fifth edition of the Riyadh International Philosophy Conference 2025 launched on Thursday at King Fahd National Library.

The three-day event is organized by the Literature, Publishing and Translation Commission under the theme “Philosophy Between East and West: Concepts, Origins, and Mutual Influences.”

This year’s conference continues the intellectual path it began five years ago, maintaining its role as a global platform that brings together thinkers, scholars, and experts from various countries and affirms the Kingdom’s position as an international center for knowledge production and cross-cultural dialogue.

The conference opened with remarks by CEO of the Literature, Publishing and Translation Commission Dr. Abdullatif Alwasel, who welcomed the guests and said the fifth edition builds on a project launched five years ago and has grown into a firmly established initiative that strengthens the presence of philosophy, enriches cultural dialogue, and reinforces the Kingdom’s standing as a global platform for knowledge and thought.

The conference features sixty speakers, including philosophers, thinkers, and researchers from different countries and philosophical traditions, giving the program intellectual diversity that strengthens its role as an international platform for dialogue and the exchange of expertise.

More than forty panel discussions will cover the foundations of Eastern and Western philosophy, modes of reasoning, and pathways of mutual influence between intellectual traditions. The sessions will also address contemporary issues related to human meaning, cultural shifts, and the role of philosophy in interpreting modern realities, offering varied perspectives and expanded approaches that deepen philosophical discussions.

The conference is expected to welcome around 7,000 visitors, reflecting the growing interest in philosophy and the humanities within the Kingdom.