Shout-Out for Yodeling? Swiss Seek Recognition from UN Cultural Agency as Tradition Turns Modern 

A yodel group sings at a Swiss festival in 2016. (AFP/Getty Images) 
A yodel group sings at a Swiss festival in 2016. (AFP/Getty Images) 
TT

Shout-Out for Yodeling? Swiss Seek Recognition from UN Cultural Agency as Tradition Turns Modern 

A yodel group sings at a Swiss festival in 2016. (AFP/Getty Images) 
A yodel group sings at a Swiss festival in 2016. (AFP/Getty Images) 

Yodel-ay-hee ... what?! Those famed yodeling calls that for centuries have echoed through the Alps, and more recently have morphed into popular song and folk music, could soon reap a response — from faraway Paris.

Switzerland's government is looking for a shout-out from UN cultural agency UNESCO, based in the French capital, to include the tradition of yodeling on its list of intangible cultural heritage. A decision is expected by year-end.

Modern-day promoters emphasize that the yodel is far more than the mountain cries of yesteryear by falsetto-bellowing male herders in suspenders who intone alongside giant Alphorns atop verdant hillsides. It’s now a popular form of singing.

Over the last century, yodeling clubs sprouted up in Switzerland, building upon the tradition and broadening its appeal — with its tones, techniques and tremolos finding their way deeper into the musical lexicon internationally in classical, jazz and folk. US country crooners prominently blended yodels into their songs in the late 1920s and 30s.

About seven years ago, the Lucerne University of Applied Sciences and Arts, or HSLU by its German-language acronym, became the first Swiss university to teach yodeling.

"For me, actually, in Switzerland we have four languages but I think really we have five languages. We have a fifth: The yodel," said HSLU professor Nadja Räss, alluding to the official German, French, Italian and Romansh languages in Switzerland. Yodeling exists in neighboring Austria, Germany and Italy, but Swiss yodeling is distinctive because of its vocal technique, she said.

In its early days, yodeling involved chants of wordless vowel sounds, or "natural yodeling," with melodies but no lyrics. More recently, "yodeling song" has included verses and a refrain.

The Swiss government says at least 12,000 yodelers take part through about 780 groups of the Swiss Yodeling Association.

In Switzerland, Räss said, yodeling is built on the "sound colors of the voice" and features two types: one centering on the head — with a "u" sound — and one emanating from deeper down in the chest — with an "o" sound.

And even within Switzerland, styles vary: Yodeling in the northern region near Appenzell is more "melancholic, slower," while in the country's central regions, the sounds are "more intense and shorter," she said.

What began as mostly a male activity is now drawing more and more women in a country that only finalized the right to vote for all women in the 1980s — long after most of its European neighbors.

Julien Vuilleumier, a scientific adviser for the Federal Office of Culture who is spearheading the Swiss request, said it's tough to trace the origins of yodeling, which factors into the imagery of the Swiss Alps.

"Some say it's a means of communication between valleys, using these very distinctive sounds that can carry a long way. Others believe it's a form of singing," he said. "What we know is that ... yodeling has always been transformed and updated."

UNESCO's government-level committee for Intangible Heritage in New Delhi will decide in mid-December. The classification aims to raise public awareness of arts, craftsmanship, rituals, knowledge and traditions that are passed down over generations.

Also among the 68 total nominations this year are traditions like Thanakha face powder in Myanmar; Ghanaian highlife music; the fermented Kyrgyz beverage Maksym; and the El Joropo music and dance tradition in Venezuela.

The list is different from the UNESCO World Heritage List, which enshrines protections for physical sites that are considered important to humanity, like the Pyramids of Giza in Egypt.

Räss of the Lucerne university says that candidates for the intangible heritage list are asked to specify the future prospects of cultural traditions.

"We figured out some projects to bring it to the future. And one of those is that we bring the yodel to the primary school," said Räss, who herself grew up yodeling. She said 20 Swiss school teachers know how to yodel and are trying it with their classes.

"One of my life goals is that when I will die, in Switzerland every school child will be in contact with yodeling during their primary school time," she said. "I think it’s a very good chance for the future of the yodel to be on that (UNESCO) list."



Saudi Handicrafts Week Welcomes China as Guest of Honor

China's expanded presence reflects its cultural significance, with its pavilion showcasing a wide range of traditional Chinese handicrafts - SPA
China's expanded presence reflects its cultural significance, with its pavilion showcasing a wide range of traditional Chinese handicrafts - SPA
TT

Saudi Handicrafts Week Welcomes China as Guest of Honor

China's expanded presence reflects its cultural significance, with its pavilion showcasing a wide range of traditional Chinese handicrafts - SPA
China's expanded presence reflects its cultural significance, with its pavilion showcasing a wide range of traditional Chinese handicrafts - SPA

The third edition of the Saudi International Handicrafts Week (Banan) is a prominent cultural platform celebrating handicrafts locally and internationally, aligning with a broader strategy to revive traditional crafts, present them in a contemporary form reflecting the Kingdom’s cultural identity, and support the growing creative economy, SPA reported.

The exhibition, organized as part of the Year of Handicrafts 2025, reaffirms efforts to highlight this sector, empower its practitioners, and provide a space for artisans from across the Kingdom and the world to exchange experiences and diverse expertise.

This year, Banan features extensive international participation, showcasing artistic heritage and craft-making traditions from Oman, Kuwait, Bahrain, the UAE, Qatar, Syria, Jordan, Yemen, Tunisia, Morocco, Türkiye, Uzbekistan, Pakistan, Japan, Thailand, Indonesia, Korea, the Maldives, Bulgaria, the UK, France, Italy, Spain, Greece, Georgia, Austria, Hungary, Albania, Finland, Croatia, Colombia, Cuba, Peru, Chile, Mexico, the US, Australia, Nigeria, Comoros, and China, this edition's guest of honor.

China's expanded presence reflects its cultural significance, with its pavilion showcasing a wide range of traditional Chinese handicrafts and offering visitors a distinctive artistic experience.

This international diversity allows visitors to explore multiple schools of craftsmanship, discover models that blend heritage with innovation, and create new opportunities for cultural interaction and knowledge exchange among artisans.


Saudi Exports Launches Saudi Craft Sub-brand to Boost Handicrafts

Saudi Exports Launches Saudi Craft Sub-brand to Boost Handicrafts
TT

Saudi Exports Launches Saudi Craft Sub-brand to Boost Handicrafts

Saudi Exports Launches Saudi Craft Sub-brand to Boost Handicrafts

The Saudi Export Development Authority (Saudi Exports), represented by the Made in Saudi Program and in cooperation with the Heritage Commission, launched the "Saudi Craft" sub-brand—derived from the "Saudi Made" national identity—during the Saudi International Handicrafts Week (Banan), which is held under the patronage of Minister of Culture Prince Bader bin Abdullah bin Farhan.

This launch comes as part of efforts to support and empower Saudi handicrafts, highlight their economic and cultural value, and strengthen their presence in local and global markets, SPA reported.

It builds on the ongoing integration between the industry and culture ecosystems to develop national creative industries, in line with the declaration of 2025 as the Year of Handicrafts, aiming to empower artisans, open new horizons for their products to reach broader markets, boost the national economy, and reinforce Saudi cultural identity.

The authority affirmed that the Saudi Craft identity is one of the key components supporting the national industrial identity. It seeks to document Saudi handicrafts and showcase them as national products defined by creativity, authenticity, and quality under the Saudi Made identity umbrella.

The new identity also reflects a commitment to building an integrated system for promoting Saudi handicrafts locally and internationally, in cooperation with the Heritage Commission, which plays a central role in preserving handicraft heritage and empowering practitioners through training and qualification programs, as well as raising public awareness of the sector as one of the pillars of the Kingdom’s intangible cultural heritage.


Gazans Begin to Restore Historic Fort Damaged in War

Work has begun to rehabilitate the Pasha's Palace Museum a former fort turned heritage site housing 40,000 artifacts representing the succession of civilizations in Gaza © Omar AL-QATTAA / AFP
Work has begun to rehabilitate the Pasha's Palace Museum a former fort turned heritage site housing 40,000 artifacts representing the succession of civilizations in Gaza © Omar AL-QATTAA / AFP
TT

Gazans Begin to Restore Historic Fort Damaged in War

Work has begun to rehabilitate the Pasha's Palace Museum a former fort turned heritage site housing 40,000 artifacts representing the succession of civilizations in Gaza © Omar AL-QATTAA / AFP
Work has begun to rehabilitate the Pasha's Palace Museum a former fort turned heritage site housing 40,000 artifacts representing the succession of civilizations in Gaza © Omar AL-QATTAA / AFP

One bucket at a time, Palestinian workers cleared sand and crumbling mortar from the remains of an former medieval fortress turned museum in Gaza City, damaged by two years of fighting between Israel and Hamas.

A dozen workers in high visibility jackets worked by hand to excavate the bombarded buildings that remain of the Pasha Palace Museum -- which reputedly once housed Napoleon Bonaparte during a one-night stay in Gaza -- stacking stones to be reused in one pile, and rubble to be discarded in another.

Overhead, an Israeli surveillance drone buzzed loudly while the team toiled in silence.

"The Pasha Palace Museum is one of the most important sites destroyed during the recent war on Gaza City," Hamouda al-Dahdar, the cultural heritage expert in charge of the restoration works, told AFP, adding that more than 70 percent of the palace's buildings were destroyed.

As of October 2025, the UN's cultural heritage agency, UNESCO, had identified damage at 114 sites since the start of the war in Gaza on October 7, 2023, including the Pasha Palace.

Other damaged sites include the Saint Hilarion Monastery complex -- one of the oldest Christian monasteries in the Middle East -- and Gaza City's Omari Mosque.

Issam Juha, director of the Center for Cultural Heritage Preservation, the nonprofit organization in the Israeli-occupied West Bank who is helping coordinate the castle's restoration at a distance, said the main issue was getting materials into Gaza.

"There are no more materials and we are only managing debris, collecting stones, sorting these stones, and have minimal intervention for the consolidation," Juha told AFP.

Israel imposed severe restrictions on the Gaza Strip at the start of the war, causing shortages of everything including food and medicine.

After a US-brokered ceasefire deal came into effect in October, aid trucks began flowing in greater numbers, but each item crossing into Gaza must be approved by strict Israeli vetting, humanitarian organizations say.

Juha said the ceasefire had allowed workers to resume their excavations.

Before, he said, it was unsafe for them to work and "people were threatened by drones that were scanning the place and shooting".

Juha said that at least 226 heritage and cultural sites were damaged during the war, arguing his number was higher than UNESCO's because his teams in Gaza were able to access more areas.

Juha's organization is loosely affiliated with the Ramallah-based Palestinian Authority's ministry of antiquities, he said.

"Our cultural heritage is the identity and memory of the Palestinian people," Dahdar said in Gaza City.

"Before the war, the Pasha's Palace contained more than 17,000 artefacts, but unfortunately all of them disappeared after the invasion of the Old City of Gaza," he said.

He added that his team had since recovered 20 important artefacts dating back to the Roman, Byzantine and Islamic eras.

Gaza's history stretches back thousands of years, making the tiny Palestinian territory a treasure trove of archaeological artefacts from past civilizations including Canaanites, Egyptians, Persians and Greeks.

"We are... salvaging the archaeological stones in preparation for future restoration work, as well as rescuing and extracting any artefacts that were on display inside the Pasha Palace," Dahdar said.

As the pile of excavated rubble already several metres high grew, one craftsman carefully restored a piece of stonework bearing a cross mounted with an Islamic crescent.

Another delicately brushed the dust off stonework bearing Islamic calligraphy.

"We are not talking about just an old building, but rather we are dealing with buildings dating back to different eras," said Dahdar.