Shout-Out for Yodeling? Swiss Seek Recognition from UN Cultural Agency as Tradition Turns Modern 

A yodel group sings at a Swiss festival in 2016. (AFP/Getty Images) 
A yodel group sings at a Swiss festival in 2016. (AFP/Getty Images) 
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Shout-Out for Yodeling? Swiss Seek Recognition from UN Cultural Agency as Tradition Turns Modern 

A yodel group sings at a Swiss festival in 2016. (AFP/Getty Images) 
A yodel group sings at a Swiss festival in 2016. (AFP/Getty Images) 

Yodel-ay-hee ... what?! Those famed yodeling calls that for centuries have echoed through the Alps, and more recently have morphed into popular song and folk music, could soon reap a response — from faraway Paris.

Switzerland's government is looking for a shout-out from UN cultural agency UNESCO, based in the French capital, to include the tradition of yodeling on its list of intangible cultural heritage. A decision is expected by year-end.

Modern-day promoters emphasize that the yodel is far more than the mountain cries of yesteryear by falsetto-bellowing male herders in suspenders who intone alongside giant Alphorns atop verdant hillsides. It’s now a popular form of singing.

Over the last century, yodeling clubs sprouted up in Switzerland, building upon the tradition and broadening its appeal — with its tones, techniques and tremolos finding their way deeper into the musical lexicon internationally in classical, jazz and folk. US country crooners prominently blended yodels into their songs in the late 1920s and 30s.

About seven years ago, the Lucerne University of Applied Sciences and Arts, or HSLU by its German-language acronym, became the first Swiss university to teach yodeling.

"For me, actually, in Switzerland we have four languages but I think really we have five languages. We have a fifth: The yodel," said HSLU professor Nadja Räss, alluding to the official German, French, Italian and Romansh languages in Switzerland. Yodeling exists in neighboring Austria, Germany and Italy, but Swiss yodeling is distinctive because of its vocal technique, she said.

In its early days, yodeling involved chants of wordless vowel sounds, or "natural yodeling," with melodies but no lyrics. More recently, "yodeling song" has included verses and a refrain.

The Swiss government says at least 12,000 yodelers take part through about 780 groups of the Swiss Yodeling Association.

In Switzerland, Räss said, yodeling is built on the "sound colors of the voice" and features two types: one centering on the head — with a "u" sound — and one emanating from deeper down in the chest — with an "o" sound.

And even within Switzerland, styles vary: Yodeling in the northern region near Appenzell is more "melancholic, slower," while in the country's central regions, the sounds are "more intense and shorter," she said.

What began as mostly a male activity is now drawing more and more women in a country that only finalized the right to vote for all women in the 1980s — long after most of its European neighbors.

Julien Vuilleumier, a scientific adviser for the Federal Office of Culture who is spearheading the Swiss request, said it's tough to trace the origins of yodeling, which factors into the imagery of the Swiss Alps.

"Some say it's a means of communication between valleys, using these very distinctive sounds that can carry a long way. Others believe it's a form of singing," he said. "What we know is that ... yodeling has always been transformed and updated."

UNESCO's government-level committee for Intangible Heritage in New Delhi will decide in mid-December. The classification aims to raise public awareness of arts, craftsmanship, rituals, knowledge and traditions that are passed down over generations.

Also among the 68 total nominations this year are traditions like Thanakha face powder in Myanmar; Ghanaian highlife music; the fermented Kyrgyz beverage Maksym; and the El Joropo music and dance tradition in Venezuela.

The list is different from the UNESCO World Heritage List, which enshrines protections for physical sites that are considered important to humanity, like the Pyramids of Giza in Egypt.

Räss of the Lucerne university says that candidates for the intangible heritage list are asked to specify the future prospects of cultural traditions.

"We figured out some projects to bring it to the future. And one of those is that we bring the yodel to the primary school," said Räss, who herself grew up yodeling. She said 20 Swiss school teachers know how to yodel and are trying it with their classes.

"One of my life goals is that when I will die, in Switzerland every school child will be in contact with yodeling during their primary school time," she said. "I think it’s a very good chance for the future of the yodel to be on that (UNESCO) list."



Arab League Calls for Promoting Values of Coexistence, Inter-cultural dialogue

The League of Arab States logo
The League of Arab States logo
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Arab League Calls for Promoting Values of Coexistence, Inter-cultural dialogue

The League of Arab States logo
The League of Arab States logo

The League of Arab States affirmed the importance of consolidating the values of coexistence and mutual respect, promoting a culture of dialogue, and enhancing social cooperation, as these represent the foundation for building stable and prosperous societies amid the increasing cultural and religious diversity witnessed around the world, Emirates News Agency (WAM) reported.

In a statement issued ahead of the International Day for Tolerance, observed annually on November 16, the Cairo-based pan-Arab organization explained that respecting the right of others to differ and believing that diversity is a source of civilizational richness constitute a fundamental pillar for achieving true peace and strengthening social stability, WAM said. It stressed that tolerance is a human and ethical value that no society aspiring to progress can dispense with.

The League stressed the need to integrate the values of tolerance, dialogue, and coexistence into the vision of societies and the mission of their institutions, considering tolerance a bridge toward a safer, more just, and more humane future.

In this context, the League of Arab States is working on adopting the “Arab Declaration on Tolerance and Peace” as a guiding framework to support future efforts to anchor mutual respect and peaceful coexistence. The declaration also aims to enhance communication between different cultures and reject all forms of hatred, extremism, and discrimination, ensuring the preservation of human dignity regardless of religion, color, language, or culture.

The International Day for Tolerance is an annual observance day declared by UNESCO in 1995 to generate and raise public awareness about intolerance and promoting mutual respect, human rights, and cultural diversity.


Vatican Returns to Canada Artifacts Connected to Indigenous People

A pair of gauntlets made in the late 19th-century Cree-Metif native Canadian traditional style by indigenous activist Gregory Scofield. Gregory Scofield, AP
A pair of gauntlets made in the late 19th-century Cree-Metif native Canadian traditional style by indigenous activist Gregory Scofield. Gregory Scofield, AP
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Vatican Returns to Canada Artifacts Connected to Indigenous People

A pair of gauntlets made in the late 19th-century Cree-Metif native Canadian traditional style by indigenous activist Gregory Scofield. Gregory Scofield, AP
A pair of gauntlets made in the late 19th-century Cree-Metif native Canadian traditional style by indigenous activist Gregory Scofield. Gregory Scofield, AP

The Vatican on Saturday returned 62 artifacts connected to the Indigenous peoples of Canada to the country's Catholic bishops, offering what it called "a concrete sign of dialogue, respect and fraternity", a statement said.

Pope Leo gifted the objects to the Canadian Conference of Catholic Bishops following a meeting with their representatives including their president, Bishop Pierre Goudreault, said Reuters.

"The CCCB will proceed, as soon as possible, to transfer these artifacts to the National Indigenous Organizations (NIOs). The NIOs will then ensure that the artifacts are reunited with their communities of origin," the Canadian bishops said.

Catholic missionaries sent the artifacts to Rome on the occasion of a 1925 exhibition held by Pope Pius XI that displayed more than 100,000 objects. Nearly half of them later formed a new Missionary Ethnological Museum and were transferred to the Vatican Museums in the 1970s.

In 2022, the late Pope Francis issued a historic apology to Canada's Indigenous peoples ahead of his visit to the country for the Catholic Church's role in residential schools where many children suffered abuse and were buried in unmarked graves.

The repatriation of the native artifacts held at the Vatican Museums was also part of the talks between the Church and the Indigenous leaders.


Rebooted Harlem Museum Celebrates Rise of Black Art

To mark its reopening, the Studio Museum is mounting a retrospective on Ton Lloyd, whose works were shown in the museum's 1968 inaugural show. TIMOTHY A. CLARY / AFP
To mark its reopening, the Studio Museum is mounting a retrospective on Ton Lloyd, whose works were shown in the museum's 1968 inaugural show. TIMOTHY A. CLARY / AFP
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Rebooted Harlem Museum Celebrates Rise of Black Art

To mark its reopening, the Studio Museum is mounting a retrospective on Ton Lloyd, whose works were shown in the museum's 1968 inaugural show. TIMOTHY A. CLARY / AFP
To mark its reopening, the Studio Museum is mounting a retrospective on Ton Lloyd, whose works were shown in the museum's 1968 inaugural show. TIMOTHY A. CLARY / AFP

As the Studio Museum reopens this weekend in its gleaming new building, New York's premier institution for Black art finds itself looking back and looking forward at the same time.

Colorful signs featuring permanent works have sprouted near the museum's home in Harlem, a center point in Black life and imagination in America for more than a century, AFP said.

The museum, closed for the more than seven-year project, has commissioned new works to commemorate the reboot, which features expanded studios for the institution's artists-in-residence program.

But the 57-year-old museum is also hearkening back to its roots with a retrospective of the late Tom Lloyd, whose electronically programmed wall sculptures anticipated today's digital age.

Some of the same pieces were hung in the museum's inaugural 1968 show back when works by artists of African descent were mostly absent from New York's leading museums.

Today's art scene is very different.

Rashid Johnson, Amy Sherald and others are regularly showcased in shows at the Guggenheim, Whitney and other nameplate New York museums, which have also hosted retrospectives belatedly recognizing Black movements.

"In the time of the museum's life, we have seen this incredible trajectory and some of that is a result of the work that the museum did in its establishment and its early years," said Studio Museum director Thelma Golden, who oversaw a more than $300 million drive to finance a teardown and newbuild project that cements the museum's ties to Harlem.

"The aperture opens, but even with that, we still believe deeply in the work that continues to need to be done."

'Truly current work'

The museum's history is laid out in photos of the 1968 groundbreaking, and there are posters of jazz nights, "Uptown Friday" gatherings, high school programs and of shows such as a retrospective of James Van Der Zee, a famed photographer during the Harlem Renaissance.

The founders' ambitions included creating a place distinct from New York establishments like the Museum of Modern Art.

The Studio Museum will present "truly current work," founders wrote in 1966. The work "could turn out to be a flash in the pan or could conceivably begin an entire new school or new direction in art."

Backers also sought to redefine Harlem, "which is all too often equated with slums, violence and other evils," and to deepen the commitment of supporters -- some white -- to "make New York City a united city rather than one which is currently divided by an invisible Berlin wall."

Key turning points included 1981, when the Studio Museum broke ground at its current address at 144 West 125th Street.

Another shift came after Golden joined in 2000, when the mission statement was expanded beyond US-born creators to artists of African descent "locally, nationally and internationally."

Signature works

That broadened scope is boldly expressed on the building's exterior with a red, black and green flag by David Hammons inspired by the Pan-African flag of the 1920s associated with activist Marcus Garvey.

Another signature work is Houston Conwill's "The Joyful Mysteries," containing statements by seven prominent Black Americans written for future generations. The time capsules will be opened in September 2034, 50 years after their creation.

The new edifice itself nods to Harlem's architectural vernacular, with a mass of geometries in gray concrete and glass. The building has received rapturous reviews, and this weekend offers the public a first look.

Golden described the site as aiming to "redefine what a museum can be in its space and content."

She credited her predecessors, not all of whom lived to see Black art achieve mainstream acceptance.

"I am well aware that they did not get to see the fruits of the labor," Golden told AFP. "The inheritance I have from them is that they believed so deeply that that belief carries from '68 to this moment."