Two Newly Discovered Bach Organ Works Unveiled in Germany

This handout picture released on November 17, 2025 by the Bach Archive Leipzig shows an employee of the archive holding a print of two long-lost organ pieces written by a teenage Johann Sebastian Bach during a presentation as part of the festival week celebrating the 75th anniversary of the Bach Archive Leipzig at the St. Thomas Church in Leipzig. (Jens Schlueter / Bach Archive / AFP)
This handout picture released on November 17, 2025 by the Bach Archive Leipzig shows an employee of the archive holding a print of two long-lost organ pieces written by a teenage Johann Sebastian Bach during a presentation as part of the festival week celebrating the 75th anniversary of the Bach Archive Leipzig at the St. Thomas Church in Leipzig. (Jens Schlueter / Bach Archive / AFP)
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Two Newly Discovered Bach Organ Works Unveiled in Germany

This handout picture released on November 17, 2025 by the Bach Archive Leipzig shows an employee of the archive holding a print of two long-lost organ pieces written by a teenage Johann Sebastian Bach during a presentation as part of the festival week celebrating the 75th anniversary of the Bach Archive Leipzig at the St. Thomas Church in Leipzig. (Jens Schlueter / Bach Archive / AFP)
This handout picture released on November 17, 2025 by the Bach Archive Leipzig shows an employee of the archive holding a print of two long-lost organ pieces written by a teenage Johann Sebastian Bach during a presentation as part of the festival week celebrating the 75th anniversary of the Bach Archive Leipzig at the St. Thomas Church in Leipzig. (Jens Schlueter / Bach Archive / AFP)

Two long-lost organ pieces written by a teenage Johann Sebastian Bach were unveiled in Germany on Monday in a discovery described as a "great moment for the world of music".

The two solo organ works, written while Bach was working as an organ teacher in the town of Arnstadt in Thuringia early in his career, first caught the attention of researchers over 30 years ago.

But it is only now that experts have been able to prove they were written by Bach after finally confirming the identity of the person who penned the manuscripts.

The Chaconne in D minor BWV 1178 and Chaconne in G minor BWV 1179 have been added to the official catalogue of Bach's works as of Monday.

They were also performed for the first time in 320 years at the St Thomas Church in Leipzig, where Bach is buried and served as a cantor for 27 years.

In a press conference before the works were performed, Culture Minister Wolfram Weimer hailed the discovery as a "global sensation" and a "great moment for the world of music".

"This is a source of great joy for many, many music lovers around the world," he said.

Bach researcher Peter Wollny first came across the works in the Royal Library of Belgium in 1992, according to the Bach Archive in Leipzig, which documents and researches the composer's life and work.

The manuscripts were undated and unsigned but are thought to have been written in around 1705, when Bach would have been 18 years old.

Wollny was fascinated by the works from the outset because they contained several characteristics that were unique to Bach during that period.

But the identity of the manuscript writer remained a mystery.

Several years ago, experts came across some very similar handwriting in a letter dating from 1729 written by a former pupil of Bach in Arnstadt, Salomon Guenther John.

But since the letter was written 20 years after the manuscripts and the handwriting was not identical, more evidence was needed.

It was only recently that earlier samples of John's writing were found, from around the same period, providing definitive proof that the handwriting was his.

"I searched for a long time for the missing piece of the puzzle to identify the compositions -- now the whole picture is clear," Wollny said.

"We can now say with certainty that the copies were made around 1705 by Bach's pupil Salomon Guenther John."

Ton Koopman, the Dutch organist and head of the Bach Archive who performed the works on Monday, said they were "of a very high quality".

"When one thinks of the young Bach or Mozart, it is often assumed that genius comes later in life -- but that is not the case," he said.

"I am convinced that organists worldwide will be very grateful for this virtuoso, lively new repertoire and will perform it regularly in future."

Bach was born in Eisenach in central Germany in 1685 and died in 1750.

Founded 75 years ago, the Bach Archive has helped to unearth several previously lost works by the composer.

In 2004, a Bach cantata that had been lost for decades was rediscovered in the papers of Japanese pianist Chieko Hara.



Once a National Obsession, Traditional Korean Wrestling Fights for Survival 

An elderly spectator watches a ssireum match during a Lunar New Year Ssireum championship at the Taean Complex Indoor Gymnasium in Taean, South Korea, February 14, 2026. (Reuters)
An elderly spectator watches a ssireum match during a Lunar New Year Ssireum championship at the Taean Complex Indoor Gymnasium in Taean, South Korea, February 14, 2026. (Reuters)
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Once a National Obsession, Traditional Korean Wrestling Fights for Survival 

An elderly spectator watches a ssireum match during a Lunar New Year Ssireum championship at the Taean Complex Indoor Gymnasium in Taean, South Korea, February 14, 2026. (Reuters)
An elderly spectator watches a ssireum match during a Lunar New Year Ssireum championship at the Taean Complex Indoor Gymnasium in Taean, South Korea, February 14, 2026. (Reuters)

As South Korea's global cultural influence expands in areas such as music, film and television, one form of entertainment struggling to attract attention even at home is Korea's traditional style of wrestling, known as ssireum.

Ssireum - pronounced like "see room" - had its heyday in the 1980s and early 1990s, when there were as many as eight professional teams and the top wrestlers became household names. Since then, it has been squeezed by tighter budgets and a public quick to move on to new trends.

Twenty-year-old Lee Eun-soo, who began training at the age ‌of nine, is ‌taking part in this year's Lunar New Year ‌tournament, ⁠the showcase event ⁠for the more than 1,500-year-old sport.

Lee lamented that at his former high school, the ssireum team currently has no members and there is talk of disbanding it.

"I once tried to imagine my life if I hadn’t done ssireum," Lee said. "I don’t think I could live without it."

A ssireum match involves two wrestlers facing off in an ⁠eight-meter (26.25 ft) sandpit ring, gripping each other by a ‌cloth belt called a "satba" and using ‌strength, balance, timing and stamina to force the opponent to the ground.

Ssireum ‌was inscribed on UNESCO's Representative List of the Intangible Cultural Heritage ‌of Humanity in 2018, but that international recognition has not translated into commercial success. Its relative obscurity contrasts with the high profile of Japan's sumo, another centuries-old form of wrestling.

Unlike sumo, which is supported by ‌a centralized professional ranking system and six major annual tournaments - or Olympic wrestling, with its global reach - ⁠ssireum remains ⁠largely domestic.

"Sport is something people won't come to watch if they don’t know the wrestlers or even the sport itself," said Lee Tae-hyun, a former ssireum wrestler and Professor of Martial Arts at Yong In University, who has promoted the sport overseas and believes it has commercial potential with the right backing.

Lee Hye-soo, 25, a spectator at the Lunar New Year tournament, said many Koreans are now unfamiliar with ssireum.

"My grandfather liked watching ssireum, so I watched it with him a lot when I was young," she said.

"I like it now too, but I think it would be even better if it became more famous."


Saudi Arabia Concludes Guest of Honor Role at Damascus International Book Fair 2026

The Kingdom’s pavilion, led by the commission, attracted strong attendance and active engagement through its cultural activities - SPA
The Kingdom’s pavilion, led by the commission, attracted strong attendance and active engagement through its cultural activities - SPA
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Saudi Arabia Concludes Guest of Honor Role at Damascus International Book Fair 2026

The Kingdom’s pavilion, led by the commission, attracted strong attendance and active engagement through its cultural activities - SPA
The Kingdom’s pavilion, led by the commission, attracted strong attendance and active engagement through its cultural activities - SPA

The Literature, Publishing and Translation Commission concluded the Kingdom’s Guest of Honor participation at the Damascus International Book Fair 2026, held in the Syrian capital from February 6 to 16, drawing strong attendance and engagement from visitors and cultural enthusiasts.

The Kingdom's pavilion was highly praised for its rich cultural content and high-quality programs, reflecting the vitality and growth of the Kingdom’s literary and cultural scene, SPA reported.

Literature, Publishing and Translation Commission CEO Dr. Abdullatif Abdulaziz Al-Wasel stated that the Kingdom’s role as Guest of Honor at the Damascus International Book Fair 2026, represented by a high-level cultural delegation led by Minister of Culture Prince Bader bin Abdullah bin Farhan, highlights the depth of Saudi-Syrian cultural relations based on partnership and mutual respect.

He noted that the participation demonstrates the Kingdom’s commitment to enhancing cultural exchange, a key objective of the National Culture Strategy under Saudi Vision 2030. Through this strategy, the commission emphasizes fostering constructive dialogue among peoples, exchanging knowledge and expertise, and consolidating the Kingdom’s active role in the Arab and international cultural landscape.

The Kingdom’s pavilion, led by the commission, attracted strong attendance and active engagement through its cultural activities. It showcased the commission’s programs and initiatives in literature, publishing, and translation, and featured a comprehensive cultural program, including literary seminars, cultural discussions, and poetry evenings with prominent Saudi writers and intellectuals.

These efforts enriched cultural dialogue with fair visitors and strengthened the presence of Saudi literature in the Arab cultural scene.

This edition of the Damascus International Book Fair marks a significant cultural milestone, reaffirming the value of books as carriers of meaning, spaces for dialogue, and starting points for a cultural journey that reflects the aspirations of the Arab cultural landscape toward a more open and aware phase.


Qiddiya City Begins Construction of Landmark Performing Arts Center

The Qiddiya Performing Arts Center supports the city’s positioning as a destination for creativity and cultural expression - SPA
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Qiddiya City Begins Construction of Landmark Performing Arts Center

The Qiddiya Performing Arts Center supports the city’s positioning as a destination for creativity and cultural expression - SPA

Qiddiya Investment Company has announced the commencement of construction works for the Performing Arts Center in Qiddiya City, marking an important milestone in the development of Qiddiya City as a destination for entertainment, sports and culture.

The announcement coincided with the laying of the foundation stone, signaling the start of construction works to be carried out by Nesma and Partners.

During the ceremony, held at the project site perched on the edge of the Tuwaiq Mountains, Managing Director of Qiddiya Investment Company Abdullah Aldawood delivered a speech announcing the official start of construction. He highlighted the importance of the project as a transformative addition that strengthens Qiddiya City’s cultural offering.

The Qiddiya Performing Arts Center supports the city’s positioning as a destination for creativity and cultural expression, while contributing to the development of local talent and attracting international artistic experiences.

The Qiddiya Performing Arts Center has been designed by Tom Wiscombe Architecture, in collaboration with BSBG, and features a futuristic architectural style defined by monumental forms. The design comprises interlocking architectural panels and five illuminated blades that blend harmoniously with the desert landscape, forming a prominent cultural landmark within Qiddiya City.

The start of construction follows the launch of the first phase of Qiddiya City in December 2025, which included the opening of Six Flags Qiddiya City. It’s part of the company’s broader approach to developing integrated destinations that enhance quality of life and deliver distinctive experiences across entertainment, sports and culture.