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Red Sea Museum to Open in Historic Jeddah on December 6

The Red Sea Museum will also launch with a vibrant public program of workshops - SPA
The Red Sea Museum will also launch with a vibrant public program of workshops - SPA
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Red Sea Museum to Open in Historic Jeddah on December 6

The Red Sea Museum will also launch with a vibrant public program of workshops - SPA
The Red Sea Museum will also launch with a vibrant public program of workshops - SPA

The Museums Commission announced that the Red Sea Museum will open to the public on December 6, 2025, in the heart of Historic Jeddah, a UNESCO World Heritage Site.

Housed in the restored Bab Al-Bunt building, a regional landmark which once served as the gateway to Saudi Arabia, the museum will serve as a cultural anchor for the region, dedicated to preserving and sharing the Red Sea’s tangible, intangible, and natural heritage.

Visitors will experience a world-class museum that blends historic architecture with cutting-edge design, innovation, and inclusive storytelling, SPA reported.

Minister of Culture and Chairman of the Museums Commission Prince Bader bin Abdullah bin Farhan affirmed that the Red Sea Museum embodies the Kingdom’s commitment to safeguarding and preserving the national heritage, and to building a cultural infrastructure that enhances quality of life through culture, the arts, and education, while empowering creatives in support of the goals of Saudi Vision 2030.

The Red Sea Museum is the guardian of the Red Sea’s natural and cultural heritage. It pieces together the region’s stories of cultural exchange, creativity, and connection through an inclusive museum experience, driven by museological expertise, innovation, and the latest museum design and technology.

The museum’s vision is to foster cross-cultural exchange of knowledge, celebrating the diversity of the Red Sea and the legacy of its people through time. Its mission is to revive Bab Al-Bunt into a world-class museum, dedicated to preserving and celebrating the Red Sea’s rich natural and cultural heritage. It brings communities together through dynamic exhibitions and programming, driven by a commitment to social and environmental sustainability.

The museum is located inside the historic Bab Al-Bunt building, at the point where land meets sea. The building has been restored according to the highest environmental sustainability standards for heritage conservation, as part of the Quality of Life Program initiatives supporting the goals of Saudi Vision 2030 to elevate the cultural sector’s infrastructure and strengthen its sustainable urban presence.

Bab Al-Bunt has retained its architectural spirit and regained its role as Jeddah’s first gateway to the world over the past century. Today, it returns as a cultural landmark that connects past and present, highlighting Historic Jeddah as a bridge between cultures along the Red Sea coast.

The museum’s permanent collection features over 1,000 artifacts and artworks presented across seven themes in 23 galleries. These include Al-Bunt, mapping the history and transformation of the Bab Al-Bunt building itself; Salam Upon the Sea, exploring the origins and cultural significance of the Red Sea; Orientation, unearthing the navigation tools and methods used by sailors and travelers; A Living Sea, celebrating the region’s biodiversity and coastal communities; Sea of Abundance, charting the Red Sea’s maritime trade, cartography, and cultural exchange; Sea of Faith, tracing historic journeys to sacred cities and iconic artifacts; and Sea of Inspiration, showcasing artistic interpretations of the Red Sea.

Historic artifacts such as Chinese porcelain, incense burners, coral, jewelry, navigational tools, astrolabes, maps, sacred manuscripts, and photographs are presented alongside modern and contemporary artworks by Saudi, regional, and international artists, creating a dialogue between past and present.

Opening alongside the museum, the inaugural temporary exhibition The Gate of Gates by Saudi artist Moath Alofi, curated by Philippe Cardinal, documents the transformation of Bab Al-Bunt and its role as a gateway between past and present. The exhibition invites visitors to reflect on the building’s layered history and its renewed role as a cultural landmark.

The Red Sea Museum will also launch with a vibrant public program of workshops, masterclasses, talks, and panel discussions. Highlights include artisan training through Made in the Red Sea, collaborative sustainability projects such as Red Sea Art, and cultural performances including Music of the Red Sea, a unique symphony and parade celebrating the region’s musical traditions.

The opening of the Red Sea Museum reflects the mission of Historic Jeddah to preserve cultural heritage in a modern, sustainable form while creating opportunities for economic and cultural growth.

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Culture

Libyans Savor Shared Heritage at Reopened National Museum

Libyans visit the National Museum after its reopening, following a closure of more than a decade in the Libyan capital Tripoli on December 23, 2025. (AFP)
Libyans visit the National Museum after its reopening, following a closure of more than a decade in the Libyan capital Tripoli on December 23, 2025. (AFP)
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Libyans Savor Shared Heritage at Reopened National Museum

Libyans visit the National Museum after its reopening, following a closure of more than a decade in the Libyan capital Tripoli on December 23, 2025. (AFP)
Libyans visit the National Museum after its reopening, following a closure of more than a decade in the Libyan capital Tripoli on December 23, 2025. (AFP)

In a historic building in central Tripoli, Libyans wander past ancient statues and artifacts, rediscovering a heritage that transcends political divides at their national museum which reopened this month after a 2011 uprising.

"I got here barely 15 minutes ago but I already feel like I've been transported somewhere. It's a different world," said architecture student Nirmine Miladi, 22.

In the waterfront building known as the red citadel -- once the seat of power -- visitors journey through a history that includes ancient art, Greek and Roman antiquities and Ottoman-era weapons and jewellery.

Miladi's sister Aya, 26, an interior design student, said she liked the bright new museum's layout, "the careful lighting, the screens and interactive tools" that all help make the museum accessible to all.

Libya plunged into chaos after a NATO-backed uprising toppled and killed longtime leader Moammar al-Gadhafi in 2011, and the country has struggled to regain stability.

Since then, the North African country has been divided, with two rival executives vying for power: a Tripoli-based Government of National Unity and an administration based in Benghazi in the country's east.

Mohamed Fakroun, head of international cooperation at the antiquities department, said the museum went through "a dark period during its 14-year closure".

Fearing looting and vandalism after Gadhafi's overthrow, the antiquities department removed "all the artifacts until the country re-stabilized", said Fakroun, 63, who has worked at the French archaeological mission to Libya for almost four decades.

- 'National symbol' -

Curator Fathiya Abdallah Ahmad is among a handful of people who knew the location of secret, sealed rooms where the museum's treasures were taken into hiding for more than a decade.

She said the antiquities department and staff worked to "preserve a historic and cultural heritage that belongs to all Libyans".

This allowed the works to be safeguarded until the museum could reopen "in a modern format that conforms to international standards", she added.

The bright new facility includes digital projections and interactive screens as well as videos, audio guides and QR codes enabling visitors to delve further.

Fakroun noted the museum has a room dedicated to Roman emperor Septimius Severus, who was born in the ancient city of Leptis Magna -- now a UNESCO World Heritage site east of Tripoli.

Another room is dedicated to stolen items that have since been returned, including from the United States and the United Kingdom, he added.

Interior design student Aya Miladi said many Libyans saw the museum's inauguration as the "return of a national symbol".

It is also "a step towards reconciliation between Libyans and with their often little-known past", after years of war, as well as a sign of stability, she added.

- 'Not without past' -

Teacher Fatima al-Faqi, 48, said there was "a world of difference" between the reopened museum and the dark, dusty facility she visited 30 years ago on a school trip.

This time, she was leading a group of high-school students to help them "discover Libya's history and nourish their sense of patriotism", she said, as pupils goggled at items from Roman statues to stuffed animals in the natural history section.

The Tripoli government has invested more than five million dollars in rehabilitating the museum and its surrounding area, despite the oil-rich country's economic woes including frequent cash and fuel shortages.

Fakroun said the six-year renovations were carried out in cooperation with the French mission and the ALIPH foundation -- the International Alliance for the Protection of Heritage.

The museum seeks to convey a hope-filled message about Libya's identity to its visitors, most of whom "were not born when it was last open before 2011", he added.

Visitor Sarah al-Motamid, 34, said that "many people don't know about our country's ancient history and look at us as if we were worthless".

She said she was visiting with her six-year-old daughter Mariam because she wanted her to "understand that we are not without a past or civilization".

Culture

Cultural Camp at King Abdulaziz Camel Festival Showcases Saudi Heritage

The camp celebrates authentic Saudi heritage and reinforces culture as a cornerstone of national identity - SPA
The camp celebrates authentic Saudi heritage and reinforces culture as a cornerstone of national identity - SPA
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Cultural Camp at King Abdulaziz Camel Festival Showcases Saudi Heritage

The camp celebrates authentic Saudi heritage and reinforces culture as a cornerstone of national identity - SPA
The camp celebrates authentic Saudi heritage and reinforces culture as a cornerstone of national identity - SPA

The cultural camp is a key feature of the 10th King Abdulaziz Camel Festival, held in Al-Sayahid desert. The camp celebrates authentic Saudi heritage and reinforces culture as a cornerstone of national identity, according to SPA.

It offers a range of programs, including live performances and interactive events, that highlight camels' historical significance in Arab culture and illustrate the values of patience, strength, and belonging.

The camp has attracted over 2,000 guests from 71 nationalities, emphasizing its global appeal as a cultural platform for diversity and tradition.

Visitors engage with cultural content through innovative methods that merge authenticity with modern technology, enhancing awareness of the camel's cultural legacy. This initiative aligns with Saudi Vision 2030 by preserving heritage and connecting younger generations with their roots.

Culture

Tuwaiq Sculpture 2026 Announces 25 Participating Artists for Seventh Edition

The 2026 edition features a month-long live sculpting phase alongside a community engagement program - SPA
The 2026 edition features a month-long live sculpting phase alongside a community engagement program - SPA
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Tuwaiq Sculpture 2026 Announces 25 Participating Artists for Seventh Edition

The 2026 edition features a month-long live sculpting phase alongside a community engagement program - SPA
The 2026 edition features a month-long live sculpting phase alongside a community engagement program - SPA

Under the Royal Commission for Riyadh City and Riyadh Art, Tuwaiq Sculpture has announced the selection of 25 artists for the seventh edition of the annual sculpture symposium and exhibition, taking place from January 10 to February 22, 2026.

This year’s edition unfolds under the curatorial theme “Traces of What Will Be,” inviting artists to reflect on how sculptural form can express the physical, cultural and conceptual traces that shape the future of cities and communities, SPA reported.

A total of 25 artists from 18 countries, including Saudi artists, have been selected for the seventh edition. Their proposals reflect a diverse range of artistic approaches, responding to the theme through explorations of transformation, place, and materiality.

Director of the Tuwaiq Sculpture Symposium Sarah Alruwayti said: "The seventh edition of Tuwaiq Sculpture received more than 590 applications, reflecting the cultural diversity and global interest in the symposium. The selection of the 25 participating artists was carried out by a jury of industry experts and specialists. Their proposals show meaningful engagement with the theme and reflect the strength and diversity of contemporary sculptural practice. We look forward to welcoming them to Riyadh for the creation of new works that will become lasting additions to the city.”

Building on the evolving material practice of the symposium, Tuwaiq Sculpture 2026 introduces two sculpting categories: granite with optional stainless-steel integration and reclaimed metal. Twenty artists will work in granite, while five will create new works in reclaimed metal. Over four weeks, they will produce large-scale sculptures that will later be added to Riyadh Art’s permanent public art collection.

The 2026 edition features a month-long live sculpting phase alongside a community engagement program, inviting visitors to witness the creation of artworks and take part in panel discussions and workshops. The symposium will conclude with a public exhibition showcasing the completed sculptures from its seventh edition.