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Red Sea Museum to Open in Historic Jeddah on December 6

The Red Sea Museum will also launch with a vibrant public program of workshops - SPA
The Red Sea Museum will also launch with a vibrant public program of workshops - SPA
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Red Sea Museum to Open in Historic Jeddah on December 6

The Red Sea Museum will also launch with a vibrant public program of workshops - SPA
The Red Sea Museum will also launch with a vibrant public program of workshops - SPA

The Museums Commission announced that the Red Sea Museum will open to the public on December 6, 2025, in the heart of Historic Jeddah, a UNESCO World Heritage Site.

Housed in the restored Bab Al-Bunt building, a regional landmark which once served as the gateway to Saudi Arabia, the museum will serve as a cultural anchor for the region, dedicated to preserving and sharing the Red Sea’s tangible, intangible, and natural heritage.

Visitors will experience a world-class museum that blends historic architecture with cutting-edge design, innovation, and inclusive storytelling, SPA reported.

Minister of Culture and Chairman of the Museums Commission Prince Bader bin Abdullah bin Farhan affirmed that the Red Sea Museum embodies the Kingdom’s commitment to safeguarding and preserving the national heritage, and to building a cultural infrastructure that enhances quality of life through culture, the arts, and education, while empowering creatives in support of the goals of Saudi Vision 2030.

The Red Sea Museum is the guardian of the Red Sea’s natural and cultural heritage. It pieces together the region’s stories of cultural exchange, creativity, and connection through an inclusive museum experience, driven by museological expertise, innovation, and the latest museum design and technology.

The museum’s vision is to foster cross-cultural exchange of knowledge, celebrating the diversity of the Red Sea and the legacy of its people through time. Its mission is to revive Bab Al-Bunt into a world-class museum, dedicated to preserving and celebrating the Red Sea’s rich natural and cultural heritage. It brings communities together through dynamic exhibitions and programming, driven by a commitment to social and environmental sustainability.

The museum is located inside the historic Bab Al-Bunt building, at the point where land meets sea. The building has been restored according to the highest environmental sustainability standards for heritage conservation, as part of the Quality of Life Program initiatives supporting the goals of Saudi Vision 2030 to elevate the cultural sector’s infrastructure and strengthen its sustainable urban presence.

Bab Al-Bunt has retained its architectural spirit and regained its role as Jeddah’s first gateway to the world over the past century. Today, it returns as a cultural landmark that connects past and present, highlighting Historic Jeddah as a bridge between cultures along the Red Sea coast.

The museum’s permanent collection features over 1,000 artifacts and artworks presented across seven themes in 23 galleries. These include Al-Bunt, mapping the history and transformation of the Bab Al-Bunt building itself; Salam Upon the Sea, exploring the origins and cultural significance of the Red Sea; Orientation, unearthing the navigation tools and methods used by sailors and travelers; A Living Sea, celebrating the region’s biodiversity and coastal communities; Sea of Abundance, charting the Red Sea’s maritime trade, cartography, and cultural exchange; Sea of Faith, tracing historic journeys to sacred cities and iconic artifacts; and Sea of Inspiration, showcasing artistic interpretations of the Red Sea.

Historic artifacts such as Chinese porcelain, incense burners, coral, jewelry, navigational tools, astrolabes, maps, sacred manuscripts, and photographs are presented alongside modern and contemporary artworks by Saudi, regional, and international artists, creating a dialogue between past and present.

Opening alongside the museum, the inaugural temporary exhibition The Gate of Gates by Saudi artist Moath Alofi, curated by Philippe Cardinal, documents the transformation of Bab Al-Bunt and its role as a gateway between past and present. The exhibition invites visitors to reflect on the building’s layered history and its renewed role as a cultural landmark.

The Red Sea Museum will also launch with a vibrant public program of workshops, masterclasses, talks, and panel discussions. Highlights include artisan training through Made in the Red Sea, collaborative sustainability projects such as Red Sea Art, and cultural performances including Music of the Red Sea, a unique symphony and parade celebrating the region’s musical traditions.

The opening of the Red Sea Museum reflects the mission of Historic Jeddah to preserve cultural heritage in a modern, sustainable form while creating opportunities for economic and cultural growth.

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Culture

Red Sea Film Foundation Marks Record Presence in the Race for Oscars with 12 Supported Films

Red Sea Film Foundation Marks Record Presence in the Race for Oscars with 12 Supported Films
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Red Sea Film Foundation Marks Record Presence in the Race for Oscars with 12 Supported Films

Red Sea Film Foundation Marks Record Presence in the Race for Oscars with 12 Supported Films

A record 12 Red Sea Film Foundation-supported films have entered the race for Best International Feature Film at the 99th Academy Awards, representing 12 countries across Saudi Arabia, the Arab world, Africa and Asia.

Eleven have been selected as the official submissions of their respective countries: "A Matter of Life and Death, Roqia, Soumsoum, the Night of the Stars, The Stories, Guria, Four Seasons in Java, Sink, Strawberries, Ben’Imana, We Are All Strangers, and The Other Side of the Sun."

They are joined by Angh, which won the Platform Award at the 2026 Toronto International Film Festival. Under new Academy rules introduced for the 99th Academy Awards, the Platform Award winner is among a select group of international festival prize winners eligible to submit directly for consideration in the category, according to SPA.

CEO of the Red Sea Film Foundation Faisal Baltyuor said: “The Red Sea Fund backs a broad slate of films each year, and for twelve of them to reach the Oscars race is an extraordinary moment of pride for the Red Sea Film Foundation. For eleven, being chosen by their countries as the official submission is in itself a significant recognition of the filmmakers and their work, and a testament to the talent and the stories emerging from Saudi Arabia, the Arab world, Africa and Asia. It reflects the growing impact of our commitment to empowering filmmakers and championing their creative visions, from the earliest stages of development through to the international stage. It has been a privilege to be part of their journeys, and we wish them every success as they continue in the Academy Awards race.”

The milestone caps a strong year for Foundation-supported cinema across Cannes, Venice and Toronto. At TIFF 2026 the Foundation marked its largest presence at the festival with eight supported films, culminating in Angh’s Platform Award, while Ben’Imana — now Rwanda’s official submission — won the Caméra d’Or at Cannes earlier in the year.

The shortlist for Best International Feature Film will be announced on December 15, 2026, with nominations on January 21, 2027. The 99th Academy Awards take place on March 14, 2027, in Los Angeles.

Culture

22 Private Museums in Aseer Document Region's Cultural Heritage

Nationwide, licensed private museums rose to 118 at the end of 2025, up 19 from 99 a year earlier, with Aseer accounting for about 18.6% of the total - SPA
Nationwide, licensed private museums rose to 118 at the end of 2025, up 19 from 99 a year earlier, with Aseer accounting for about 18.6% of the total - SPA
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22 Private Museums in Aseer Document Region's Cultural Heritage

Nationwide, licensed private museums rose to 118 at the end of 2025, up 19 from 99 a year earlier, with Aseer accounting for about 18.6% of the total - SPA
Nationwide, licensed private museums rose to 118 at the end of 2025, up 19 from 99 a year earlier, with Aseer accounting for about 18.6% of the total - SPA

Aseer Region had 22 licensed private museums at the end of 2025, tying Makkah Region for the highest number in the Kingdom, ahead of Riyadh Region with 20 and Eastern Region with 17, according to the Ministry of Culture's State of Culture in Saudi Arabia 2025 report.

Established by individuals dedicated to collecting and preserving heritage, the museums hold agricultural tools, cooking and storage vessels, traditional weapons, coins, documents, attire, jewelry, and craft equipment, SPA reported.

Together they document the lives of people across the region's varied environments, from the Sarawat highlands to the Tihama foothills and the coast, each of which shaped distinct styles of housing, dress, tools, and crafts.

The museums also enrich Aseer's tourism offering, complementing its historical sites, heritage villages, and folk arts, and can be built into travel and cultural itineraries.

Nationwide, licensed private museums rose to 118 at the end of 2025, up 19 from 99 a year earlier, with Aseer accounting for about 18.6% of the total.

A survey of 39 private museums found that 41% hold between 100 and 5,000 items and another 41% have more than 10,000. However, about 60% have no website and 66% lack social media accounts, underscoring the need to strengthen their digital presence and widen public access.

Culture

Ghassan Salame to Asharq Al-Awsat: Lebanon’s War-Damaged Heritage Could Take a Generation to Restore

The platform was launched at the Lebanese National Library in Beirut. (Ministry of Culture)
The platform was launched at the Lebanese National Library in Beirut. (Ministry of Culture)
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Ghassan Salame to Asharq Al-Awsat: Lebanon’s War-Damaged Heritage Could Take a Generation to Restore

The platform was launched at the Lebanese National Library in Beirut. (Ministry of Culture)
The platform was launched at the Lebanese National Library in Beirut. (Ministry of Culture)

Family photographs, home videos, letters, interviews and old songs are finding a new home in a digital archive created by Lebanon’s Culture Ministry to preserve personal memories as part of the country’s collective history.

Presented at the National Library, the “Archiving Lebanon’s Heritage” platform aims to build a global digital archive of Lebanon’s tangible and intangible heritage, including its natural and personal heritage, for future generations.

Developed by the ministry in partnership with the Heritage International Institute (HII) and other international organizations, the platform invites contributions from Lebanese at home and abroad, as well as anyone with accounts or records of the country’s past.

The initiative was unveiled in the presence of Culture Minister Ghassan Salame, Italian Ambassador Fabrizio Marcelli, HII President Sergio Iovino and Lebanon’s Director General of Antiquities Sarkis Khoury.

Salame with Italian Ambassador Fabrizio Marcelliat the launch ceremony. (Ministry of Culture)

Treasures hidden in Lebanese homes

Speaking to Asharq Al-Awsat, Salame explained that the latest war had damaged archaeological sites, historic markets and Lebanon’s tangible and intangible cultural heritage.

“I cannot put a precise figure on these losses. They certainly exceed millions of dollars, and restoring what was damaged could take an entire generation,” he noted.

The minister stressed that the war had affected all Lebanese in one way or another, describing its impact as “the theft of our intimate history, a history that is priceless.”

He stressed the importance of preserving existing heritage through modern technologies that can extend the lifespan of photographs, documents and other historical records.

Salame pointed out that private collections may contain materials more significant than those held by some public institutions.

While preparing the exhibition “Between the Lines of the Constitution” to mark the centenary of Lebanon’s Constitution, organizers discovered valuable documents preserved by families because a relative had held a particular position or worked in a field connected to them.

“These are treasures hidden in homes and within families,” Salame observed, stressing that the scale of these private collections should not be underestimated.

The platform accepts digital copies rather than originals. Contributors wishing to donate original documents can deposit them with the National Library for safekeeping. A written agreement protects contributors’ intellectual property rights, which remain exclusively theirs. They may also withdraw their materials from the platform at any time.

Lebanese Culture Minister Ghassan Salame delivers remarks at the event. (Ministry of Culture)

Contributors control access

Donors can decide how widely their submissions are shared, from keeping them in a completely private, protected archive to authorizing their publication.

Iovino described the initiative as providing the foundations for a “digital fortress” open to millions of Lebanese expatriates, as well as friends of Lebanon and people around the world.

Contributors, he stressed, retain full ownership of their memories and control over their accessibility.

Khoury urged Lebanese not to be discouraged by the heritage lost to war.

“Our story does not end with these losses or with the damage to our tangible and intangible heritage,” he told Asharq Al-Awsat. “We are the ones who create our heritage, as we have throughout history. Our memories help save what remains.”

Italy pledges continued support

Marcelli reaffirmed Italy’s commitment to preserving Lebanon’s cultural heritage, citing its involvement in restoring the Beirut National Museum and other museums damaged by the port explosion.

He also highlighted recent restoration work at the historic Mar Mikhael railway station, carried out in cooperation with UNESCO and the UN refugee agency.

Although these projects differ, they share a common goal: preserving historical evidence and making it accessible to the public. The new initiative, however, shifts the focus from monuments and institutions to the lives of individuals, families and communities.

Marcelli underscored the value of microhistory, which examines everyday experiences rather than focusing exclusively on major political events, wars, institutions and prominent figures.

The basic idea is that studying a seemingly marginal event, an ordinary person or a small community can reveal important insights into how an entire society functions, he said.