Beloved Sheepskin-Sack Cheese Bosnia Wants to Protect 

This photograph shows barrels filled with kajmak cheese at the workshop of Branka Buha in the hilly hamlet of Domrke, near the southern Bosnian town of Gacko on November 19, 2025. (AFP)
This photograph shows barrels filled with kajmak cheese at the workshop of Branka Buha in the hilly hamlet of Domrke, near the southern Bosnian town of Gacko on November 19, 2025. (AFP)
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Beloved Sheepskin-Sack Cheese Bosnia Wants to Protect 

This photograph shows barrels filled with kajmak cheese at the workshop of Branka Buha in the hilly hamlet of Domrke, near the southern Bosnian town of Gacko on November 19, 2025. (AFP)
This photograph shows barrels filled with kajmak cheese at the workshop of Branka Buha in the hilly hamlet of Domrke, near the southern Bosnian town of Gacko on November 19, 2025. (AFP)

High in the mountain meadows of southern Bosnia, farmer Branka Buha monitors her cows through a GPS signal on her husband's phone.

But when it comes to making her kajmak cheese, she sticks to the traditional method: ageing it in sheepskin sacks.

"It's a tradition passed down from my mother, from my mother-in-law. Now, I'm passing it on to my daughter-in-law," said 55-year-old Buha.

Her dairy is nestled in the hilly hamlet of Domrke, near Gacko.

At 1,200 meters (3,900 feet), and with lots of grass and wind, Buha says she has everything she needs to produce good "kajmak iz mjesine", a creamy cheese aged in animal hide -- typically sheep or lambskin around here.

Her eight cows freely wander the mountain pastures during the day, returning themselves in the evening to be milked, although one has a GPS collar in case they get lost or run into bears or wolves.

Her kajmak is a slightly crumblier, more flavorful cousin of the creamy "kaymak" people across the Balkans and Türkiye love to spread on their bread.

After milking her cows, Buha cooks the milk in a large pot before pouring it into enamel bowls or wooden containers.

"A day or two later, depending on the ambient temperature, we skim off the milk skin that forms on the surface of the milk," she said, scooping up a thick yellow layer with a spoon.

Salt is added and then it is left to rest in a wooden barrel for around 20 days, then wrapped in animal hide.

"The longer it stays in the skin, the more it matures and acquires the specific flavor of the skin. That is what makes it unique," Buha said.

Buha also makes the sheepskin bags. Once the skin is shaved off, the hide is dried over smoke.

When dry, "we wash it carefully and stuff it with kajmak, which is then aged in the skin for up to a month. But it can even stay there for a year," she added.

"It is an ancient preservation method. When there was no electricity or other modern means of preservation, the skin was used to preserve this cheese," said Dragana Milovic, head of the Gacko Kajmak Producers Association.

Much stronger than the traditional kajmak sold in local shops and markets, the cheese has notes of smoke and lamb that set it apart.

With her husband, Buha produces between 500 and 600 kilos (1,100 and 1,325 pounds) of kajmak each year.

They sell their cheese at their farm or to restaurants, where it is usually served with meat dishes.

It is also eaten on toast with honey, or added to "cicvara", a traditional cornmeal dish not unlike polenta.

In 2024, kajmak was granted national Protected Designation of Origin (PDO) status, raising its price per kilo from 40 convertible marks ($24) to 50 ($30).

This means the cheese can be made only with milk from cows that graze in the Gacko region. The cows must also be fed only with locally harvested hay.

The Gacko Kajmak Producers Association recently applied for PDO status at the EU level, said Milovic.

As a formal candidate for membership of the 27-nation bloc, Bosnia-Herzegovina has the right to protect its products there.

But with only small amounts of the sheepskin-sack kajmak being produced, it is more a matter of "prestige" than as an export earner, Milovic added.



Saudi Heritage Commission Uncovers Over 1,700 Artifacts at Ancient Al-Juhfah Miqat Site

Discoveries included diverse fragments used in daily life, six pottery kilns, a water channel - SPA
Discoveries included diverse fragments used in daily life, six pottery kilns, a water channel - SPA
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Saudi Heritage Commission Uncovers Over 1,700 Artifacts at Ancient Al-Juhfah Miqat Site

Discoveries included diverse fragments used in daily life, six pottery kilns, a water channel - SPA
Discoveries included diverse fragments used in daily life, six pottery kilns, a water channel - SPA

Saudi Arabia's Heritage Commission completed the first season of its joint scientific mission with the University of Exeter at the ancient Al-Juhfah Miqat site, uncovering more than 1,700 artifacts, including pottery, glass, stone pieces, shells, and worked objects, confirming the site's significance along the Egyptian pilgrimage route.

Discoveries included diverse fragments used in daily life, six pottery kilns, a water channel believed to have served pilgrims and travelers, and 13 tombstones dating to the Umayyad and Abbasid periods. Some finds originated from the Levant, Egypt, and Ethiopia, reflecting the diverse origins of pilgrims who passed through this miqat, SPA reported.

Al-Juhfah Miqat is located 187 kilometers northwest of Makkah and has been an established miqat since the early Islamic period, associated with the Prophet's migration, and is known to have flourished in the second Hijri century, with water facilities and shops serving pilgrims.

These works are part of the Heritage Commission's efforts to survey and document archaeological sites along the Hijrah route between Makkah and Madinah, using advanced technologies to reveal the historical and civilizational depth of the Kingdom.


Makkah Museum Displays Rare Quran Manuscript Dating Back to 1843

The manuscript is distinguished by its precise script written in black ink with full diacritical marks - SPA
The manuscript is distinguished by its precise script written in black ink with full diacritical marks - SPA
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Makkah Museum Displays Rare Quran Manuscript Dating Back to 1843

The manuscript is distinguished by its precise script written in black ink with full diacritical marks - SPA
The manuscript is distinguished by its precise script written in black ink with full diacritical marks - SPA

The Holy Quran Museum in the Hira Cultural District in Makkah showcases a collection of rare Quranic artifacts and collectibles that document Muslims’ care for the Holy Quran throughout the ages. Among the most notable exhibits is a rare Quran dating back to 1259 AH, corresponding to 1843 AD, which stands as a historical testament to the beauty of Quranic manuscript writing and ornamentation.

The manuscript is distinguished by its precise script written in black ink with full diacritical marks. Its pages are adorned with gilded borders, golden verse separators, and intricate floral decorations that highlight the advanced craftsmanship achieved in the gilding and embellishment of Quran manuscripts during that historical period, SPA reported.

Information accompanying the artifact indicates that the Quran later underwent restoration and rebinding to protect it from deterioration. This step helped preserve this rare Quranic treasure and maintain it as a witness to a cultural and civilizational legacy spanning more than a century and a half.

The display of this Quran is part of the educational and cultural content presented by the Holy Quran Museum, which enables visitors and pilgrims to explore diverse examples of historical Qurans and rare manuscripts and to learn about the various stages of writing, copying, and decorating Quranic manuscripts across different Islamic eras.

The museum serves as a prominent cultural and educational destination in Makkah, highlighting the historical efforts of Muslims in serving and preserving the Holy Quran. It also promotes awareness of the value of Islamic heritage associated with the Holy Quran through modern museum displays and interactive educational experiences that enrich visitors’ experiences and enhance their connection with the history of the Holy Quran.


Nigerian Museum Revamp Brings Treasures within Reach

Tinuke Odunfa, the interior designer of the gallery, aimed to modernize the space and present Nigerian history in an an 'immersive' environment. OLYMPIA DE MAISMONT / AFP
Tinuke Odunfa, the interior designer of the gallery, aimed to modernize the space and present Nigerian history in an an 'immersive' environment. OLYMPIA DE MAISMONT / AFP
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Nigerian Museum Revamp Brings Treasures within Reach

Tinuke Odunfa, the interior designer of the gallery, aimed to modernize the space and present Nigerian history in an an 'immersive' environment. OLYMPIA DE MAISMONT / AFP
Tinuke Odunfa, the interior designer of the gallery, aimed to modernize the space and present Nigerian history in an an 'immersive' environment. OLYMPIA DE MAISMONT / AFP

Gazing at two large engraved 16th-century elephant tusks on display at Nigeria's National Museum Lagos, a guide surprised visitors by telling them: "You can touch them gently".

One of the three galleries at the museum in Nigeria's cultural and entertainment hub has been remodeled to allow visitors to interact with some artefacts, reversing the typical ban on touching exhibits, as well as take unrestricted photographs in an effort to engage younger audiences, curator Nkechi Adedeji told AFP.

As the group felt the texture of the elephant tusks to the tune of Afrobeats softly playing on overhead speakers, a young photographer was busy snapping away, likely for a social media post.

According to Tinuke Odunfa, the interior designer of the gallery, the plan was to modernize the space and present Nigerian history in an "intentional" and "immersive" environment.

"Everything was intentional in terms of how the space should be experienced, in terms of the colors, how the space leads you," Odunfa told AFP.

The gallery holds one of the country's most extensive collections, including major archaeological and ethnographic artefacts such as 5th-century terracotta by indigenous Nok people.

Its white walls are lined with artefacts encased in glass, arranged chronologically from the oldest to the newest, each accompanied by brief notes.

A few other items of the permanent exhibition, "Echoes of the Past", especially those made of wood and metal, are laid out in such a way that visitors can touch and "feel them", the museum's head of exhibition Olusegun Adeleye, 51, said.

Low ambient lighting casts a soft glow across the gallery, giving the space a quiet, reflective atmosphere.

Lagos, the vibrant mega city of more than 20 million people, and often described as Nigeria's melting pot, inspired Odunfa's design.

- 'Coming in droves' -

Since the renovated gallery opened to the public in April, it has been drawing more visitors than before, Adedeji said, without giving figures.

Its Instagram-ready spaces are drawing more schoolchildren and young adults, with pictures and videos increasingly shared online, making it a popular destination among "content creators".

"They come here, do content and before you know it, it is all over the place," Adedeji said. "Youths are coming in droves now".

"I love the way the artefacts are displayed," Oyin Isioye, a 25-year-old photographer, visiting the museum for the first time, told AFP. "I learned a lot of things... where the artefacts are from, what they represent."

- Repatriation calls -

In one corner of the gallery, three empty cases contain a sheet of paper bearing the inscription "British museum, how far??" (meaning "what's up?" in Nigerian Pidgin).

The installation sends a message to foreign museums that Nigeria is ready to pursue the repatriation of its looted artefacts.

Western museums, including those in Britain, the Netherlands and Germany, have in recent years returned several hundred artefacts, but countless more remain in galleries in Europe and America.

"This renovation shows that we can protect and preserve our objects ourselves, we do not need any other country to do it for us," said Adedeji.

The remodeling, funded by a private entity, also aimed at creating more display areas for the collection, the bulk of which are kept in storage.

More projects are in the works. Another gallery at the Lagos museum has been shut for renovation, along with other sites nationwide.

And Nigerian authorities are seeking partners to support future upgrades in preparation for more repatriated artefacts.