Medieval Book in Rome Has Been Hiding the Oldest English Poem

From left, Elisabetta Magnanti, Mark Faulkner of Dublin's Trinity College, Andrea Cappa and Valentina Longo of Rome's National Central Library examine a manuscript containing a rare, long-lost copy of Caedmon's Hymn — the first poem ever written down in Old English — at Rome's National Library, Thursday, May 8, 2026. (AP Photo/Andrea Rosa)
From left, Elisabetta Magnanti, Mark Faulkner of Dublin's Trinity College, Andrea Cappa and Valentina Longo of Rome's National Central Library examine a manuscript containing a rare, long-lost copy of Caedmon's Hymn — the first poem ever written down in Old English — at Rome's National Library, Thursday, May 8, 2026. (AP Photo/Andrea Rosa)
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Medieval Book in Rome Has Been Hiding the Oldest English Poem

From left, Elisabetta Magnanti, Mark Faulkner of Dublin's Trinity College, Andrea Cappa and Valentina Longo of Rome's National Central Library examine a manuscript containing a rare, long-lost copy of Caedmon's Hymn — the first poem ever written down in Old English — at Rome's National Library, Thursday, May 8, 2026. (AP Photo/Andrea Rosa)
From left, Elisabetta Magnanti, Mark Faulkner of Dublin's Trinity College, Andrea Cappa and Valentina Longo of Rome's National Central Library examine a manuscript containing a rare, long-lost copy of Caedmon's Hymn — the first poem ever written down in Old English — at Rome's National Library, Thursday, May 8, 2026. (AP Photo/Andrea Rosa)

The researchers in Ireland looked at their computer screen, marveling at a medieval book tracked down in a Roman library. They flipped through its digitized pages and found their sought-after treasure: the oldest surviving English poem.

“We were extremely surprised. We were speechless. We couldn’t believe our eyes when we first saw that,” Elisabetta Magnanti, a visiting research fellow at Trinity College Dublin's school of English, told The Associated Press.

What's more, she said, the poem was within the main body of Latin text: "It was extraordinary.”

Composed in Old English by a Northumbrian agricultural worker in the 7th century, "Caedmon’s Hymn" appears within some copies of the “Ecclesiastical History of the English People,” written in Latin by a monk and saint known as the Venerable Bede. His history is one of the most widely reproduced texts from the Middle Ages, with over 200 manuscripts, according to Magnanti's colleague Mark Faulkner, an associate professor of medieval literature at Trinity.

He considers Caedmon’s poem to be the start of English literature.

The manuscript he and Magnanti found is one of the oldest, dating from the 9th century. Two earlier copies contain the poem in Old English, but as afterthoughts — translated from Latin and scrawled into the margin by later scribes or appended but not within the text's main body, according to the researchers.

The discovery sheds light on the English language's wide diffusion, long before what was previously understood, Faulkner said in Rome, where the duo had traveled to view the text in person for the first time.

“Prior to the discovery of the Rome manuscript, the earliest one was from the early 12th century. So this is three centuries earlier than that. And so it attests to the importance that was already being attached to the English in the early 9th century,” Faulkner said.

And it's something of a miracle they uncovered it at all.

The book had a long and twisted provenance Caedmon is said to have composed the poem while working at Whitby Abbey in North Yorkshire, after guests at a feast began reciting poems, Faulkner said.

“Embarrassed that he didn’t know anything suitable, Caedmon left the feast and went to bed," he said. "A figure then appeared to him in his dreams telling him to sing about creation, which Caedmon miraculously did, producing the nine-line hymn."

Some 1,400 years later, this copy of his poem resurfaced in Rome’s main public library — but not before crossing the Atlantic Ocean at least twice and changing hands even more times.

Monks transcribed this copy of Bede's history in the scriptorium of the Benedictine abbey of Nonantola, one of the most important transcription centers during the Middle Ages, located near modern-day Modena in northern Italy, according to Valentina Longo, curator of medieval and modern manuscripts at Rome's National Central Library.

In the 17th century, as the abbey's importance declined, its vast collection of manuscripts was shifted to another abbey in Rome, then moved to the Vatican and finally on to a small church.

Along the way, some of the texts went missing, only to emerge in the early 19th century in the possession of famous international collectors, Longo said.

This copy of Bede's history went to renowned English antiquarian Thomas Phillipps. He fell on hard times, selling off bits and pieces of his collection, and Swiss bibliophile Martin Bodmer secured the book. From there, somehow, it arrived in New York City, in the trove of Austrian-born rare bookseller H.P. Kraus during the 20th century.

Italy's culture ministry was scouring the world for the Nonantola abbey's missing manuscripts, snapping them up in auctions and from collectors around the world. It bought the copy of Bede's history from Kraus in 1972, Longo said, and since then the illustrious text has remained in Rome's library — but received scant notice.

Enter Magnanti, who had spent over four years studying Bede’s history and was compiling a catalog of extant copies.

“I knew that the book was listed in the library’s catalog, so I was almost certain that the book was, in fact, still here," she said. “I realized that, because of the very complex history of this book, no big scholar had really looked at it. So it had been virtually unstudied."

She emailed the library, which confirmed the book was in its stacks. Three months later, she received digital images of the entire manuscript.

The library is making more rare books available The library has digitized the entire Nonantolan collection and it is freely accessible through the website, Longo said.

It's part of a massive project by the library to make thousands of rare books and manuscripts available to researchers around the world, according to Andrea Cappa, the library's head of manuscripts and the rare books reading room.

“The discovery made by the experts of Trinity College is just one starting point, a single manuscript that might pave the way for countless other discoveries, in countless other fields, through international cooperation like this,” Cappa said.



Twice a Year, a Golden Sunbeam Illuminates a 3,000-Year-Old Pharaonic Temple

 Tourists crowd to film the sun as it sends a beam of light into the Great Temple of Ramses II's dark inner chamber in Abu Simbel, 870 kilometers (540 miles) south of Cairo, Egypt, Thursday, Oct. 22, 2026, a rare 3,200-year-old astronomical ceremony that happens twice a year. (AP)
Tourists crowd to film the sun as it sends a beam of light into the Great Temple of Ramses II's dark inner chamber in Abu Simbel, 870 kilometers (540 miles) south of Cairo, Egypt, Thursday, Oct. 22, 2026, a rare 3,200-year-old astronomical ceremony that happens twice a year. (AP)
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Twice a Year, a Golden Sunbeam Illuminates a 3,000-Year-Old Pharaonic Temple

 Tourists crowd to film the sun as it sends a beam of light into the Great Temple of Ramses II's dark inner chamber in Abu Simbel, 870 kilometers (540 miles) south of Cairo, Egypt, Thursday, Oct. 22, 2026, a rare 3,200-year-old astronomical ceremony that happens twice a year. (AP)
Tourists crowd to film the sun as it sends a beam of light into the Great Temple of Ramses II's dark inner chamber in Abu Simbel, 870 kilometers (540 miles) south of Cairo, Egypt, Thursday, Oct. 22, 2026, a rare 3,200-year-old astronomical ceremony that happens twice a year. (AP)

Hundreds of tourists from around the world and locals gathered at dawn Thursday at a temple in southern Egypt, with some sleeping outside it overnight to witness a solar phenomenon that has taken place here for millennia.

Twice a year, on Oct. 22 and Feb. 22 — dates believed to mark the ascension of Ramesses II to the throne and his birthday — the sun sends a beam of light into the Great Temple of Ramses II’s dark inner chamber to illuminate the statues of the pharaoh and two gods beside him.

The illumination, a result of the temple's alignment with the sun, lasts about 20 minutes.

“Today is a very special day, as you can see. It’s a celebration and a historic holiday," Hisham Khela, a local tour guide for Italian tourists, told The Associated Press.

Egyptology enthusiasts and other visitors stood in a messy single-file line with phone cameras in hand, some with selfie sticks and most with bags under their eyes from waking up so early. Although huge crowds turned up, they looked tiny beside the giant statues lining the temple, which overlooks the Nile.

To mark the phenomenon, colorfully dressed performers scattered in front of the temple smiled and danced in unison to meditative chimes, the percussion of the tabla and the distinct sound of mizmars, an ancient Egyptian trumpet.

Inside the temple, visitors huddled tightly in near-total darkness in front of the statues of Ramesses II and the gods Amun-Ra and Ra-Horakhty, lit by a beam of sunlight that traveled about 60 meters (200 feet) into the temple, according to the National Research Institute of Astronomy and Geophysics.

For first-timers, ancient history created modern memories.

Janice Souudi, who traveled from Atlanta, Georgia, said it was her first time in Egypt, and she said it won’t be her last.

“I came here today for the huge temple statues and how well preserved they are. But I was most impressed with the colors of the carvings and hieroglyphics and imagery," she said. "Beautiful, stunning, worth it!”

In the 1960s, archaeologists carried out a massive project to dismantle and relocate the temple, moving it out of the path of rising waters created by the Aswan High Dam.

Engineers took care to preserve the temple’s alignment with the sun, so that more than 3,000 years after it was built, the light still finds its way inside.


AlUla's Dadan Excavations Explore Ancient Civilizations in 2026–2027 Archaeology Season

The work aims to study historical sites and uncover evidence that sheds light on the development of ancient civilizations in northwestern Arabia. (SPA)
The work aims to study historical sites and uncover evidence that sheds light on the development of ancient civilizations in northwestern Arabia. (SPA)
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AlUla's Dadan Excavations Explore Ancient Civilizations in 2026–2027 Archaeology Season

The work aims to study historical sites and uncover evidence that sheds light on the development of ancient civilizations in northwestern Arabia. (SPA)
The work aims to study historical sites and uncover evidence that sheds light on the development of ancient civilizations in northwestern Arabia. (SPA)

Archaeological excavations and research are continuing at Dadan in AlUla as part of the 2026–2027 archaeology season, launched by the Royal Commission for AlUla in AlUla and Khaybar.

The work aims to study historical sites and uncover evidence that sheds light on the development of ancient civilizations in northwestern Arabia.

Photographs taken by the Saudi Press Agency (SPA) have documented ongoing excavations at Dadan, focusing on funerary and residential areas as part of the second phase of the archaeological project. Building on five years of research, the work aims to trace the development of the ancient city and provide further insights into patterns of human settlement and daily life.

This season's work includes specialized archaeological studies and digital documentation of historical sites and findings.

Saudi specialists and university students are also participating in fieldwork and research, gaining practical experience and developing their skills in excavation, documentation, and archaeological analysis.

In Khaybar, research projects are exploring the relationship between people and the ancient oasis across different historical periods.

The projects involve studying ancient environments, sediment records, and natural resources, while other studies trace human activity in Khaybar from the Neolithic period through the Islamic eras.

The work is part of the Royal Commission for AlUla's efforts to support scientific research, preserve cultural heritage, and develop national expertise in archaeology and documentation. Together, these efforts aim to expand knowledge of the region's history and successive civilizations.


Saudi Visual Arts Commission Signs MoU with Cité Internationale des Arts in Paris to Strengthen Collaboration in Visual Arts

Saudi Visual Arts Commission Signs MoU with Cité Internationale des Arts in Paris to Strengthen Collaboration in Visual Arts
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Saudi Visual Arts Commission Signs MoU with Cité Internationale des Arts in Paris to Strengthen Collaboration in Visual Arts

Saudi Visual Arts Commission Signs MoU with Cité Internationale des Arts in Paris to Strengthen Collaboration in Visual Arts

The Saudi Visual Arts Commission has signed a memorandum of understanding with Cité Internationale des arts in Paris to strengthen collaboration, exchange expertise in the visual arts, and explore areas of cooperation that support artists and practitioners and broaden their access to artistic, cultural, and professional exchange.

Areas of collaboration include developing visual arts-related initiatives and residency programs, exploring opportunities to involve local and international artists and talent in programs organized by both parties, and supporting Saudi artists and expanding their opportunities to connect with the global art scene, SPA reported.

The two parties will also collaborate on organizing joint initiatives and exhibitions, exchanging expertise and knowledge, and engaging experts and professionals in mentorship, professional guidance, and talent development initiatives.

The MoU forms part of the commission’s efforts to support the visual arts ecosystem in Saudi Arabia, strengthen international cultural exchange and collaboration, and expand opportunities for artists and cultural practitioners to engage and develop professionally, in line with the objectives of Saudi Vision 2030 to support the growth of the cultural sector, empower practitioners, and enhance the Kingdom’s cultural presence internationally.