Medieval Book in Rome Has Been Hiding the Oldest English Poem

From left, Elisabetta Magnanti, Mark Faulkner of Dublin's Trinity College, Andrea Cappa and Valentina Longo of Rome's National Central Library examine a manuscript containing a rare, long-lost copy of Caedmon's Hymn — the first poem ever written down in Old English — at Rome's National Library, Thursday, May 8, 2026. (AP Photo/Andrea Rosa)
From left, Elisabetta Magnanti, Mark Faulkner of Dublin's Trinity College, Andrea Cappa and Valentina Longo of Rome's National Central Library examine a manuscript containing a rare, long-lost copy of Caedmon's Hymn — the first poem ever written down in Old English — at Rome's National Library, Thursday, May 8, 2026. (AP Photo/Andrea Rosa)
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Medieval Book in Rome Has Been Hiding the Oldest English Poem

From left, Elisabetta Magnanti, Mark Faulkner of Dublin's Trinity College, Andrea Cappa and Valentina Longo of Rome's National Central Library examine a manuscript containing a rare, long-lost copy of Caedmon's Hymn — the first poem ever written down in Old English — at Rome's National Library, Thursday, May 8, 2026. (AP Photo/Andrea Rosa)
From left, Elisabetta Magnanti, Mark Faulkner of Dublin's Trinity College, Andrea Cappa and Valentina Longo of Rome's National Central Library examine a manuscript containing a rare, long-lost copy of Caedmon's Hymn — the first poem ever written down in Old English — at Rome's National Library, Thursday, May 8, 2026. (AP Photo/Andrea Rosa)

The researchers in Ireland looked at their computer screen, marveling at a medieval book tracked down in a Roman library. They flipped through its digitized pages and found their sought-after treasure: the oldest surviving English poem.

“We were extremely surprised. We were speechless. We couldn’t believe our eyes when we first saw that,” Elisabetta Magnanti, a visiting research fellow at Trinity College Dublin's school of English, told The Associated Press.

What's more, she said, the poem was within the main body of Latin text: "It was extraordinary.”

Composed in Old English by a Northumbrian agricultural worker in the 7th century, "Caedmon’s Hymn" appears within some copies of the “Ecclesiastical History of the English People,” written in Latin by a monk and saint known as the Venerable Bede. His history is one of the most widely reproduced texts from the Middle Ages, with over 200 manuscripts, according to Magnanti's colleague Mark Faulkner, an associate professor of medieval literature at Trinity.

He considers Caedmon’s poem to be the start of English literature.

The manuscript he and Magnanti found is one of the oldest, dating from the 9th century. Two earlier copies contain the poem in Old English, but as afterthoughts — translated from Latin and scrawled into the margin by later scribes or appended but not within the text's main body, according to the researchers.

The discovery sheds light on the English language's wide diffusion, long before what was previously understood, Faulkner said in Rome, where the duo had traveled to view the text in person for the first time.

“Prior to the discovery of the Rome manuscript, the earliest one was from the early 12th century. So this is three centuries earlier than that. And so it attests to the importance that was already being attached to the English in the early 9th century,” Faulkner said.

And it's something of a miracle they uncovered it at all.

The book had a long and twisted provenance Caedmon is said to have composed the poem while working at Whitby Abbey in North Yorkshire, after guests at a feast began reciting poems, Faulkner said.

“Embarrassed that he didn’t know anything suitable, Caedmon left the feast and went to bed," he said. "A figure then appeared to him in his dreams telling him to sing about creation, which Caedmon miraculously did, producing the nine-line hymn."

Some 1,400 years later, this copy of his poem resurfaced in Rome’s main public library — but not before crossing the Atlantic Ocean at least twice and changing hands even more times.

Monks transcribed this copy of Bede's history in the scriptorium of the Benedictine abbey of Nonantola, one of the most important transcription centers during the Middle Ages, located near modern-day Modena in northern Italy, according to Valentina Longo, curator of medieval and modern manuscripts at Rome's National Central Library.

In the 17th century, as the abbey's importance declined, its vast collection of manuscripts was shifted to another abbey in Rome, then moved to the Vatican and finally on to a small church.

Along the way, some of the texts went missing, only to emerge in the early 19th century in the possession of famous international collectors, Longo said.

This copy of Bede's history went to renowned English antiquarian Thomas Phillipps. He fell on hard times, selling off bits and pieces of his collection, and Swiss bibliophile Martin Bodmer secured the book. From there, somehow, it arrived in New York City, in the trove of Austrian-born rare bookseller H.P. Kraus during the 20th century.

Italy's culture ministry was scouring the world for the Nonantola abbey's missing manuscripts, snapping them up in auctions and from collectors around the world. It bought the copy of Bede's history from Kraus in 1972, Longo said, and since then the illustrious text has remained in Rome's library — but received scant notice.

Enter Magnanti, who had spent over four years studying Bede’s history and was compiling a catalog of extant copies.

“I knew that the book was listed in the library’s catalog, so I was almost certain that the book was, in fact, still here," she said. “I realized that, because of the very complex history of this book, no big scholar had really looked at it. So it had been virtually unstudied."

She emailed the library, which confirmed the book was in its stacks. Three months later, she received digital images of the entire manuscript.

The library is making more rare books available The library has digitized the entire Nonantolan collection and it is freely accessible through the website, Longo said.

It's part of a massive project by the library to make thousands of rare books and manuscripts available to researchers around the world, according to Andrea Cappa, the library's head of manuscripts and the rare books reading room.

“The discovery made by the experts of Trinity College is just one starting point, a single manuscript that might pave the way for countless other discoveries, in countless other fields, through international cooperation like this,” Cappa said.



Gold, Gems and Renoirs: France’s Museums Grapple with a Wave of Smash-and-Grab Thefts

 The entrance of the Renoir Museum is pictured after thieves stole four valuable Renoir paintings, in Cagnes-sur-Mer, Tuesday, Sept. 8, 2026. (AP)
The entrance of the Renoir Museum is pictured after thieves stole four valuable Renoir paintings, in Cagnes-sur-Mer, Tuesday, Sept. 8, 2026. (AP)
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Gold, Gems and Renoirs: France’s Museums Grapple with a Wave of Smash-and-Grab Thefts

 The entrance of the Renoir Museum is pictured after thieves stole four valuable Renoir paintings, in Cagnes-sur-Mer, Tuesday, Sept. 8, 2026. (AP)
The entrance of the Renoir Museum is pictured after thieves stole four valuable Renoir paintings, in Cagnes-sur-Mer, Tuesday, Sept. 8, 2026. (AP)

At a museum in eastern France, two men disguised with wigs used a sledgehammer and a hammer to smash a display case and make off with a 2,500-year-old gold necklace. The heist took under four minutes.

In a smash-and-grab at another French museum, three masked robbers stole 27 pieces of jewelry valued at more than 4.5 million euros (US$5.2 million), busting through two doors to break in.

Those thefts took place in July. This week, thieves sliced through a fence and climbed through the window of a museum on the French Riviera and fled with two paintings by Pierre-Auguste Renoir. They abandoned two other artworks by the Impressionist master as they made their escape.

The rash of the robberies, coming on the heels of last year's stunning jewel heist in France's most famous and most visited museum, the Louvre, show how the country is both blessed and cursed by its troves of treasure accumulated over centuries of conquest, creativity and having money to spend on art.

France's passion for paintings, sculptures, ancient artifacts and other valuables and curios is a source of national pride and identity. Thousands of museums that house collections big and small help transmit France's love of culture and history from one generation to the next. The biggest also draw millions of tourists who pump money into the French economy.

But keeping all that wealth safe is costly and difficult. Criminals see museums as soft targets. The brazen and agonizing theft of 88 million euros ($102 million) worth of crown jewels from display cases in the Louvre's Apollo gallery served as a wake-up call. But it was only the most shocking example of broader threats to museums, and not just in France.

“When the jewels of a French king disappear, to be melted down because of the price of gold, it is tragic. It breaks everyone’s heart,” said Guillaume Poitrinal, president of a foundation that funds the renovation and protection of French cultural sites, the Fondation du patrimoine.

“We need to make it more difficult to steal works of art and objects that are part of France’s cultural heritage and belong to all French people. That is absolutely essential. And to achieve that, we need to invest,” he said in an interview with The Associated Press.

The Renoir heist took just minutes

Before dawn Tuesday, two robbers made off with “Portrait of Madame Colonna Romano” and “Young Woman at the Well.” They dropped “Portrait of Madame Pichon” and “Coco Reading” as they fled through the garden of the Renoir Museum in Cagnes-sur-Mer.

They cut through a fence with an electric knife or saw and entered the museum through the ground floor, said Bryan Masson, mayor of the town between Cannes and Nice on the Mediterranean coast.

The heist took under three minutes. Masson estimated the artworks' value at 9 million euros ($10.5 million). Offloading well-known, stolen art is impossible through legitimate channels, so the paintings could prove to be worth little or nothing for the thieves.

European police agency Europol says museum heists are becoming more violent, with sledgehammers, axes, crowbars and even explosives used for break-ins and to smash display cases.

Thieves also are increasingly targeting museum items with gold and other precious metals that can be melted down and with gemstones that can be removed and sold, the agency said in a report in August. Criminals believe “museum security measures are less robust than those in jewelry stores,” it said.

The ancient necklace stolen July 24 from the museum in Châtillon-sur-Seine, eastern France, was crafted from nearly half a kilo (a pound) of gold.

A record 10 burglaries targeted French and other European museums this summer, according to Jean-Christophe Castelain, director of Le Journal des Arts, a bimonthly revue of the art world.

“Eight of those 10 involved jewelry, coins or antique objects that can easily be melted down,” he said.

A distraught museum director shares her pain

The Lalique Museum in Wingen-sur-Moder, further east near France's border with Germany, has not reopened since the July 5 theft of jewelry there from six display cases busted open with sledgehammers and hammers. The public museum celebrates 19th-century jeweler and glassmaker René Lalique and his successors.

The pain is still raw for its director, Véronique Brumm Schaich. Her voice cracked with emotion during an interview. The museum is seeking 200,000 euros ($233,000) for security upgrades.

“Robbers’ tactics are evolving,” she said. “The recent examples show that we are not the only ones who need to go further in our efforts.”

Because of government budget squeezes, it's not yet clear how much funding will come from public coffers, she said. The museum is also collecting private donations, because “these are things that are extremely expensive,” she said.

“These are difficult times,” she said. “A burglary never comes at a good time, but this one came at an especially bad time.”

Some of the funding that the Fondation du patrimoine provides, including for museums, comes from a national lottery. To help boost museum revenues, the foundation is also launching a pass that will grant subscribers access to 500 museums, monuments and châteaux.

“France is a country where we love passing the buck,” said Poitrinal, the foundation president. “People say it is the state’s responsibility or the city’s responsibility. I say it's quite simple: it is everyone’s responsibility.”


Saudi Arabia’s Red Sea Museum Opens Submissions for Sea Art Fair

The community initiative encourages participants to transform recycled or repurposed materials into artworks
The community initiative encourages participants to transform recycled or repurposed materials into artworks
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Saudi Arabia’s Red Sea Museum Opens Submissions for Sea Art Fair

The community initiative encourages participants to transform recycled or repurposed materials into artworks
The community initiative encourages participants to transform recycled or repurposed materials into artworks

The Red Sea Museum in Historic Jeddah has announced an open call for submissions for its upcoming Sea Art Fair, inviting children, families, emerging artists, and creatives of all ages to participate.

The community initiative encourages participants to transform recycled or repurposed materials into artworks reflecting the Red Sea's marine life, coastal heritage, and local narratives. No prior professional artistic experience is required.

Submissions remain open until October 1. Following an evaluation period from October 5 to 20, selected works will be announced on October 25, with final pieces due by October 30.

The exhibition will take place from November 12 to 14 at the museum's historic Bab Al-Bunt building, advancing its mission to celebrate Red Sea culture and heritage through artistic expression and community engagement.


New Riyadh Exhibition Draws Inspiration from Travels of Ibn Battuta

The Saudi flag. Asharq Al-Awsat
The Saudi flag. Asharq Al-Awsat
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New Riyadh Exhibition Draws Inspiration from Travels of Ibn Battuta

The Saudi flag. Asharq Al-Awsat
The Saudi flag. Asharq Al-Awsat

The Misk Art Institute has announced the launch of its art exhibition "Along the Way," opening on September 16 at Prince Faisal bin Fahd Arts Hall in Riyadh and running through March 31, 2027.

The exhibition features 34 artists from Saudi Arabia and around the world, alongside a rare collection of historical manuscripts.

Drawing inspiration from the travels of Ibn Battuta, the exhibition explores travel as a transformative journey of knowledge and self-discovery, examining themes of maps, wayfinding, memory, and humanity's connection to nature through paintings, sculptures, installation art, and photography.

The exhibition also displays rare historical manuscripts, including the Book of Fixed Stars by Al-Sufi and Nuzhat al-Qulub by Al-Qazwini, which contains a circular world map, alongside an engraved brass astronomical disc from Persia, reflecting Islamic civilization's contributions to navigation and astronomy.