Ukrainian Haiku Poet Finds Small Miracles in War

For Vladislava Simonova, haiku is a way of finding poetry in ordinary moments. Tetiana DZHAFAROVA / AFP
For Vladislava Simonova, haiku is a way of finding poetry in ordinary moments. Tetiana DZHAFAROVA / AFP
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Ukrainian Haiku Poet Finds Small Miracles in War

For Vladislava Simonova, haiku is a way of finding poetry in ordinary moments. Tetiana DZHAFAROVA / AFP
For Vladislava Simonova, haiku is a way of finding poetry in ordinary moments. Tetiana DZHAFAROVA / AFP

A temperamental lift leads to the apartment in central Ukraine of a 27-year-old poet celebrated in Japan but almost unknown in her own country.

With pink hair, fuchsia sweater and matching socks, Vladislava Simonova tells the story of her burgeoning career 7,800 kilometers (4,850 miles) away in a country she has never visited.

But here in the central Ukrainian city of Poltava, she lives near a trolleybus depot, which is just one of the sites targeted by Russian drones whose constant buzzing puts her on edge.

Just as she mentions the word "explosion" to describe the terror of Russian strikes, a drone whizzes overhead and explodes in the distance.

Next to her, a shelf holds 15 books with colorful spines -- a collection of contemporary Ukrainian poets -- two Japanese teapots, three religious icons and a figurine of Phoebe Buffay from the series "Friends".

"I never thought that I would be writing about war," she told AFP.

"With time, I somehow came to realize that ... tiny details can convey the tragedy of this great war much better than perhaps dozens of reports," she added.

Simonova is among a whole generation of artists bearing witness to the invasion that has devastated Ukrainian cultural life.

Simonova said she discovered haiku -- her preferred form -- in 2013, when she was a teenager.

The three-line poems, made up of 17 syllables in a 5-7-5 pattern, were codified in 17th-century Japan to capture the beauty of nature, daily life and fleeting moments with simplicity.

For years, she studied the Japanese masters -- Basho, Buson, Issa -- and wrote more than 600 haiku which, she said, gradually became less "clumsy":

He walks so proudly,

On soft apricot petals

This plump little cat.

24.04.2015

Not bothered by rain,

I tremble my way back home

With a pine sapling.

16.10.2014

- 'Communion' -

In 2018, Simonova won a competition organized by a Japanese foundation.

When Russia launched its full-scale invasion in February 2022, she was living in Kharkiv.

Russian forces tried to seize the northeastern city and have been shelling it constantly since being pushed back.

For three months when Russian troops first crossed the border, she survived by living in an underground shelter.

Instead of a storm --

The rumbling of explosions.

Springtime has arrived.

14.05.2022

A house in ruins.

Through the hole in the rooftop,

Stars are glimmering.

14.05.2022

In March 2022, from her shelter, Simonova gave a written interview to Japan's The Asahi Shimbun newspaper.

A few weeks later, renowned poet Madoka Mayuzumi got in touch.

She told AFP that Simonova has a "deep understanding" of the essence of haiku.

"Even in the midst of war, she gazes up at the moon and stars and admires flowers... her haiku reflect a communion with nature," Mayuzumi said.

"Despite the themes that tend to be sombre, her work possesses a sense of optimism," Mayuzumi added.

Bees oblivious

To the air-raid siren's sound.

Linden trees in bloom.

19.06.2022

With around 10 others, Mayuzumi helped Simonova translate and publish her first collection in Japan in 2023.

The book received "very high praise", Mayuzumi said.

Throughout Japan's history, she added, people have written haiku in dark times, including after the 1945 atomic bombings and the 2011 tsunami.

- 'Cherry blossoms' -

In August 2022, the underground shelter in Kharkiv where Simonova had lived was destroyed by a Russian missile. She moved to Poltava.

She published a second collection in Japan in 2024, followed by another in Denmark in early 2026.

She dreams of publishing one in Ukraine.

Before the war, she wrote in Russian. She later switched to Ukrainian.

The translation of the poems was complex. The two related languages often use words of different lengths -- "umbrella", for example, is one syllable in Russian, but four in Ukrainian.

Simonova does not read prose, "only poetry". And the Bible. She belongs to Poltava's tiny Catholic community.

During AFP's visit, she suggests going to the park, says goodbye to her husband -- who stays at home -- before hurrying down the stairs of her Soviet-era apartment block. The lift was not working.

It is a cold spring Sunday and the park is almost empty. She sits on a tree branch near a pond, wearing a multicolored puffer jacket.

Since childhood, Simonova has suffered from a serious heart condition that leaves her exhausted.

She discovered haiku in a hospital, in an anthology that also contained "Persian poems".

As the wind blows, she stands up and reads aloud for the first time in public, reciting each poem twice.

The first is for friends no longer around:

They scatter away

Like cherry blossoms in wind,

People I hold close.

The second is a memory of Kharkiv.

I clutch in my palm

Some fragments of a missile.

The pain stays with me.

She leafs through her pink-covered collection, then chooses one last poem.

What a sky it is!

And yet from that very sky

Missiles fall on us.



Lebanon Archaeological Finds Showcase Rich Heritage Despite War Woes

An archaeologist displays an artifact found from an archaeological site in the northern coastal Lebanese town of Batroun on August 14, 2026. (AFP)
An archaeologist displays an artifact found from an archaeological site in the northern coastal Lebanese town of Batroun on August 14, 2026. (AFP)
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Lebanon Archaeological Finds Showcase Rich Heritage Despite War Woes

An archaeologist displays an artifact found from an archaeological site in the northern coastal Lebanese town of Batroun on August 14, 2026. (AFP)
An archaeologist displays an artifact found from an archaeological site in the northern coastal Lebanese town of Batroun on August 14, 2026. (AFP)

From a Roman temple to ancient olive presses, Lebanon keeps turning up archaeological treasures even as the latest Israel-Hezbollah war has caused excavations to grind to a halt at precious heritage sites in the country's south.

Important discoveries in recent years include the remains of columns and bases from a Roman temple in Maasser al-Shouf in the mountains southeast of Beirut, nestled next to a millennia-old cedar forest.

"A whole system was built around this temple," which dates to between the first century BC and the second century AD, said Myriam Ziade, regional antiquities official with the culture ministry.

She said the site was turned into a Crusader fortress between the 12th and 13th centuries.

The local municipality reported finding huge stone blocks on the hill in 2017, and excavations began five years later with a team from an Italian university, with the dig revealing the ruins of the large temple, she told AFP.

Archaeologists are to soon resume work at the site, located "on a network of roads leading from the Mediterranean coast to the Bekaa valley" in the country's east, she said.

The eastern city of Baalbek has one of Lebanon's best-known landmarks: a stunningly well-preserved Roman temple complex set against the mountainous border with Syria.

- Protecting heritage -

Lebanon is brimming with archaeological finds showcasing its rich history over thousands of years, from the Phoenician, Persian, Roman and Byzantine periods, the Crusades, and Arab and Islamic sultanates and empires.

After Iran-backed Hezbollah drew Lebanon into the Middle East war in March, triggering heavy Israeli airstrikes and a ground invasion in the south, the United Nations cultural agency UNESCO last month added several Lebanese sites to its World Heritage in Danger list.

Members from the team of archaeologists work at an archaeological site in the northern coastal Lebanese town of Batroun on August 14, 2026. (AFP)

They include the southern coastal city of Tyre, home to a Roman triumphal arch and a second-century hippodrome.

The list also includes five castles in south Lebanon's Jabal Amel area, among them the Crusader-era Beaufort fortress, which Israeli forces have been occupying since May.

Sarkis Khoury, head of antiquities at Lebanon's culture ministry, told AFP the war had forced archaeologists to switch tack.

We are "now focused on protecting endangered heritage in southern Lebanon and in the Bekaa, particularly in the Baalbek region", he said.

"Excavations in dangerous areas have come to a halt, and archaeological missions are going through a period of minimal activity throughout Lebanon, especially in the southern regions."

He said foreign archaeological teams had stopped going to Lebanon.

- Ancient port city -

Still, some work continues.

In Batroun, a northern coastal city home to the ruins of a small Roman amphitheater, an archaeologist was surrounded by tools and papers, documenting the latest finds as waves lapped rocks nearby.

Samar Karam, in charge of archaeological sites in north Lebanon, said a Roman-era olive press was found on private property along with pottery weights and items for textile production.

On another nearby property overlooking an ancient sea wall, excavations revealed two stone quarries "one Roman and the other Phoenician", she said.

The ruins of rooms from Phoenician, Persian and Roman periods have been uncovered, their pink or grey flooring helping to distinguish them.

Archaeologists have found pieces of Greek pottery, as well as rooms and large jars for storing goods from the harbor, discoveries that Karam said showed the ancient city's "lively commercial activity".

Tombs in the city date to a variety of historical periods, she added.

A view of the Phoenician wall is pictured in the northern coastal Lebanese town of Batroun on August 14, 2026. (AFP)

- Hippodrome search -

In Beirut, whose history spans over 5,000 years, Laure Salloum oversees archaeological excavations in the chaotic modern city.

She said current digs were "really construction projects" where workers had stumbled across historical treasures.

A recent discovery uncovered the remains of a Roman-era olive press, while work was ongoing in central Beirut in search of "the remaining part" of a Roman hippodrome, Salloum said.

The hippodrome was initially unearthed years ago when excavations began for a commercial and residential complex.

Other accidental discoveries in the city have included a 2,000-year-old Roman bathhouse.

Such finds often cause development plans to grind to a halt.

"We're constantly making new discoveries," Khoury said.

"Lebanon is at the crossroads of a region that has been full of crises for thousands of years."


Sakaka Cultural House, Cinema Association Screen Five Short Films

Photo by SPA
Photo by SPA
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Sakaka Cultural House, Cinema Association Screen Five Short Films

Photo by SPA
Photo by SPA

The Sakaka Cultural House, in cooperation with the Cinema Association, hosted a cultural event featuring the screening of five independent short films to promote cinema culture and showcase local productions, SPA reported.

Marking the first collaboration between the two entities, the event aimed to enrich the region's cinematic landscape, provide an interactive platform connecting audiences with filmmakers, and foster critical discussion around the themes presented in the films.


Thieves Buy Tickets Before Plundering Necklace from Vienna Museum

Austrian media said the Van Cleef and Arpels necklace, with 673 precious stones, was worth several million dollars. (Getty Images)
Austrian media said the Van Cleef and Arpels necklace, with 673 precious stones, was worth several million dollars. (Getty Images)
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Thieves Buy Tickets Before Plundering Necklace from Vienna Museum

Austrian media said the Van Cleef and Arpels necklace, with 673 precious stones, was worth several million dollars. (Getty Images)
Austrian media said the Van Cleef and Arpels necklace, with 673 precious stones, was worth several million dollars. (Getty Images)

Two men bought tickets to enter Vienna's Museum of Applied Arts (MAK) before smashing a display case, grabbing a 200-carat platinum and diamond necklace and walking away, police said Friday.

Austrian media said the Van Cleef and Arpels necklace, with 673 precious stones, was worth several million dollars. It is the latest in a series of high-profile heists to hit European museums.

Police said the two men did not wear masks, paid to enter the museum and were clearly seen on surveillance cameras.

They "smashed a glass display case" with a hammer before "fleeing with the jewelry in an unknown direction," said a police statement.

The MAK museum confirmed the theft but said it would not comment while the investigation went ahead.

The necklace had been part of an exhibition devoted to the French designers Van Cleef and Arpels. Some 500 pieces had been on display since June. The exhibition was to end on September 27 but has been closed following the theft.

It was designed for the former Egyptian royal family, and was worn by Queen Nazli in 1939 for the marriage of her daughter Faiza to the future Shah of Iran, Mohammad Reza Pahlavi.

On its website, Van Cleef and Arpels called the stolen piece a "triumph of white jewelry". The French company did not immediately comment on the theft.

European museums have been hit by a series of spectacular thefts since thieves in October broke into the Louvre museum in Paris in broad daylight, escaping in less than eight minutes with jewelry worth $102 million.

Thieves on Thursday raided the Treasure of Villena -- one of the greatest Bronze Age gold collections -- at a museum in the Spanish city of Villena, taking most of the 50-plus mainly gold bracelets, bowls, bottles and other items on display.

Four works "of extraordinary value" by Renaissance artist Antonello da Messina were stolen from a museum in Sicily, Italy's culture ministry said Sunday.

Two days earlier, Italian police said they had recovered paintings by Renoir, Cezanne and Matisse worth over $10.4 million which were stolen from the Magnani-Rocca Foundation museum near Parma.