Ukrainian Haiku Poet Finds Small Miracles in War

For Vladislava Simonova, haiku is a way of finding poetry in ordinary moments. Tetiana DZHAFAROVA / AFP
For Vladislava Simonova, haiku is a way of finding poetry in ordinary moments. Tetiana DZHAFAROVA / AFP
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Ukrainian Haiku Poet Finds Small Miracles in War

For Vladislava Simonova, haiku is a way of finding poetry in ordinary moments. Tetiana DZHAFAROVA / AFP
For Vladislava Simonova, haiku is a way of finding poetry in ordinary moments. Tetiana DZHAFAROVA / AFP

A temperamental lift leads to the apartment in central Ukraine of a 27-year-old poet celebrated in Japan but almost unknown in her own country.

With pink hair, fuchsia sweater and matching socks, Vladislava Simonova tells the story of her burgeoning career 7,800 kilometers (4,850 miles) away in a country she has never visited.

But here in the central Ukrainian city of Poltava, she lives near a trolleybus depot, which is just one of the sites targeted by Russian drones whose constant buzzing puts her on edge.

Just as she mentions the word "explosion" to describe the terror of Russian strikes, a drone whizzes overhead and explodes in the distance.

Next to her, a shelf holds 15 books with colorful spines -- a collection of contemporary Ukrainian poets -- two Japanese teapots, three religious icons and a figurine of Phoebe Buffay from the series "Friends".

"I never thought that I would be writing about war," she told AFP.

"With time, I somehow came to realize that ... tiny details can convey the tragedy of this great war much better than perhaps dozens of reports," she added.

Simonova is among a whole generation of artists bearing witness to the invasion that has devastated Ukrainian cultural life.

Simonova said she discovered haiku -- her preferred form -- in 2013, when she was a teenager.

The three-line poems, made up of 17 syllables in a 5-7-5 pattern, were codified in 17th-century Japan to capture the beauty of nature, daily life and fleeting moments with simplicity.

For years, she studied the Japanese masters -- Basho, Buson, Issa -- and wrote more than 600 haiku which, she said, gradually became less "clumsy":

He walks so proudly,

On soft apricot petals

This plump little cat.

24.04.2015

Not bothered by rain,

I tremble my way back home

With a pine sapling.

16.10.2014

- 'Communion' -

In 2018, Simonova won a competition organized by a Japanese foundation.

When Russia launched its full-scale invasion in February 2022, she was living in Kharkiv.

Russian forces tried to seize the northeastern city and have been shelling it constantly since being pushed back.

For three months when Russian troops first crossed the border, she survived by living in an underground shelter.

Instead of a storm --

The rumbling of explosions.

Springtime has arrived.

14.05.2022

A house in ruins.

Through the hole in the rooftop,

Stars are glimmering.

14.05.2022

In March 2022, from her shelter, Simonova gave a written interview to Japan's The Asahi Shimbun newspaper.

A few weeks later, renowned poet Madoka Mayuzumi got in touch.

She told AFP that Simonova has a "deep understanding" of the essence of haiku.

"Even in the midst of war, she gazes up at the moon and stars and admires flowers... her haiku reflect a communion with nature," Mayuzumi said.

"Despite the themes that tend to be sombre, her work possesses a sense of optimism," Mayuzumi added.

Bees oblivious

To the air-raid siren's sound.

Linden trees in bloom.

19.06.2022

With around 10 others, Mayuzumi helped Simonova translate and publish her first collection in Japan in 2023.

The book received "very high praise", Mayuzumi said.

Throughout Japan's history, she added, people have written haiku in dark times, including after the 1945 atomic bombings and the 2011 tsunami.

- 'Cherry blossoms' -

In August 2022, the underground shelter in Kharkiv where Simonova had lived was destroyed by a Russian missile. She moved to Poltava.

She published a second collection in Japan in 2024, followed by another in Denmark in early 2026.

She dreams of publishing one in Ukraine.

Before the war, she wrote in Russian. She later switched to Ukrainian.

The translation of the poems was complex. The two related languages often use words of different lengths -- "umbrella", for example, is one syllable in Russian, but four in Ukrainian.

Simonova does not read prose, "only poetry". And the Bible. She belongs to Poltava's tiny Catholic community.

During AFP's visit, she suggests going to the park, says goodbye to her husband -- who stays at home -- before hurrying down the stairs of her Soviet-era apartment block. The lift was not working.

It is a cold spring Sunday and the park is almost empty. She sits on a tree branch near a pond, wearing a multicolored puffer jacket.

Since childhood, Simonova has suffered from a serious heart condition that leaves her exhausted.

She discovered haiku in a hospital, in an anthology that also contained "Persian poems".

As the wind blows, she stands up and reads aloud for the first time in public, reciting each poem twice.

The first is for friends no longer around:

They scatter away

Like cherry blossoms in wind,

People I hold close.

The second is a memory of Kharkiv.

I clutch in my palm

Some fragments of a missile.

The pain stays with me.

She leafs through her pink-covered collection, then chooses one last poem.

What a sky it is!

And yet from that very sky

Missiles fall on us.



International Day of Intangible Cultural Heritage Highlights Rich Cultural Legacy of Makkah

Traditional crafts and old professions also form an important part of the city’s cultural memory - SPA
Traditional crafts and old professions also form an important part of the city’s cultural memory - SPA
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International Day of Intangible Cultural Heritage Highlights Rich Cultural Legacy of Makkah

Traditional crafts and old professions also form an important part of the city’s cultural memory - SPA
Traditional crafts and old professions also form an important part of the city’s cultural memory - SPA

The International Day of Intangible Cultural Heritage, observed annually on October 17, highlights the importance of preserving human heritage as an integral part of communities’ national identity and an opportunity to raise awareness of the need to protect it from disappearing amid the rapid transformations taking place around the world, SPA reported.

Makkah has a distinctive cultural and social character shaped by its religious and historical significance and its role as a gathering place for pilgrims, Umrah performers, and visitors from around the world. This has contributed to the diversity of its customs and social practices, as well as the emergence of distinctive styles of dress, food, hospitality, and folk arts that have become part of the city’s unique identity over time.

The values of generosity toward guests, warm hospitality, social solidarity, and community ties represent an integral part of the culture of Makkah’s residents. These values are reflected in social occasions, holidays, the holy month of Ramadan, and the Hajj and Umrah seasons through customs involving family gatherings, sharing food, welcoming guests, serving coffee and dates, and celebrating various occasions with neighbors and relatives.

Traditional Makkah cuisine is one of the most prominent expressions of this heritage, featuring a variety of popular dishes, sweets, and other foods. Their significance extends beyond their ingredients and preparation methods to include the stories, customs, and ways of serving and sharing them that reflect the city’s social life, according to SPA.

Traditional crafts and old professions also form an important part of the city’s cultural memory. These include crafts associated with pottery products and traditional household utensils. Documenting these skills is particularly important for preserving inherited knowledge and highlighting its value as part of Makkah’s history of work and production.

Celebrating intangible cultural heritage in Makkah carries significance beyond the city itself, given its place in the Islamic consciousness and its rich heritage, which reflects the interaction of human cultures across the ages. Preserving this legacy remains a shared responsibility requiring coordinated efforts by institutions, families, practitioners, and researchers to ensure the continuity of inherited practices and safeguard their cultural and social value.


Hira Cultural District Launches Interactive Experience Evoking World of Islamic Caravans

The event also includes stalls modeled on traditional Islamic caravan markets - SPA
The event also includes stalls modeled on traditional Islamic caravan markets - SPA
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Hira Cultural District Launches Interactive Experience Evoking World of Islamic Caravans

The event also includes stalls modeled on traditional Islamic caravan markets - SPA
The event also includes stalls modeled on traditional Islamic caravan markets - SPA

The Hira Cultural District in Makkah has launched an event along a heritage trail inspired by the world of Islamic caravans, evoking caravan journeys and the exchange of knowledge, values, and stories associated with them.

The event enriches the visitor experience and presents historical heritage in an interactive format combining education, entertainment, and shopping.

Running until the end of December 2026, the event gives visitors the chance to discover the human values, diverse knowledge, and inherited stories carried by caravans throughout the ages. The experience combines storytelling, interactive scenes, and commercial practices inspired by traditional markets, SPA reported.

The event features several experiences designed to engage visitors in the social and commercial life associated with caravans.

One highlight is the "storyteller's majlis," which presents historical tales and poetry with audience participation in an atmosphere that recreates traditional Arab gatherings and their role in passing news, stories, and poetry from one generation to the next.

The event also includes stalls modeled on traditional Islamic caravan markets, where visitors can take part in practical experiences involving weighing goods, bartering, and shopping. They can also watch performances and interactive scenes depicting daily life in old markets and the interactions among merchants, travelers, and craftspeople.

Through its diverse programs and events, the Hira Cultural District continues to strengthen its position as a cultural and tourism destination that enriches visitors' journeys in Makkah and deepens their connection with the area's history and civilizational heritage through content that combines authenticity with modern


After a Year in Turmoil, the Louvre Faces Uncertain Future

(FILES) Visitors take a picture of the window which was broken during the reopening to the public of the Apollo Gallery, where French crown jewels worth 88 million euros were stolen in 2025 in a brazen heist, at the Musée du Louvre in Paris on July 22, 2026. (Photo by LOU BENOIST / POOL / AFP)
(FILES) Visitors take a picture of the window which was broken during the reopening to the public of the Apollo Gallery, where French crown jewels worth 88 million euros were stolen in 2025 in a brazen heist, at the Musée du Louvre in Paris on July 22, 2026. (Photo by LOU BENOIST / POOL / AFP)
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After a Year in Turmoil, the Louvre Faces Uncertain Future

(FILES) Visitors take a picture of the window which was broken during the reopening to the public of the Apollo Gallery, where French crown jewels worth 88 million euros were stolen in 2025 in a brazen heist, at the Musée du Louvre in Paris on July 22, 2026. (Photo by LOU BENOIST / POOL / AFP)
(FILES) Visitors take a picture of the window which was broken during the reopening to the public of the Apollo Gallery, where French crown jewels worth 88 million euros were stolen in 2025 in a brazen heist, at the Musée du Louvre in Paris on July 22, 2026. (Photo by LOU BENOIST / POOL / AFP)

The Louvre is gradually plugging the security gaps exposed by the spectacular burglary of October 19 last year, but its reputation has taken a battering and its creaking infrastructure is a growing source of concern.

The beloved Parisian museum, the most visited in the world, has spent a year as the subject of police investigations, government reports and parliamentary inquiries following the theft of eight crown jewels in broad daylight a year ago.

The heist exposed a string of failures, from old or non-existent CCTV cameras and a chronic shortage of equipment to the lack of a modern security control room and a security director.
"We still feel the trauma of the burglary," Valerie Baud, a workers' representative from the CFDT trade union, told AFP.

Parliament has heard how, in the run-up to the burglary, the institution had spent just three million euros ($3.4 million) out of 83 million euros earmarked for a security masterplan because of administrative delays, management decisions and red tape.

The museum had "prioritized projects that were visible and attractive", the French Court of Auditors found in one of many damning judgements.

That report and others, compounded by a staff strike and a spate of other incidents -- including a water leak and a major ticket-fraud scandal -- hastened the downfall of Louvre president Laurence des Cars, who resigned in February.

"The Louvre needs a change in security culture, which has yet to happen and will take several years," said Laurent Lafon, who is monitoring the museum as chairman of the Senate's culture committee.

"The Louvre's leaders must embrace the idea that security is a priority, which wasn't the case," he told AFP.

(FILES) Louvre's President Christophe Leribault poses during the reopening to the public of the Apollo Gallery, at the Musee du Louvre in Paris on July 22, 2026. (Photo by LOU BENOIST / POOL / AFP)

New museum chief Christophe Leribault, who replaced des Cars in February, argues that change is taking place.

"The security masterplan is making rapid progress," he told AFP in a written statement, while stressing the "complexity" of carrying out the work while keeping the museum open to the public.

The museum has pledged to invest around 20 million euros a year until 2032 and, since July, has a new dedicated security director.

Short-term worries about security are also giving way to longer-term questions about how to finance a palace-wide modernization program.

Every year, nearly nine million visitors walk the Louvre's galleries, many unaware of the decrepit state of some of the rooms, the ageing plumbing and wiring, as well as poor ventilation in summer and non-existent heating in winter.

Leribault issued his most alarming warning yet earlier this week, telling Le Figaro newspaper "that if the Louvre is not repaired, updated, and transformed, it will very quickly fall behind and will eventually have to close its doors to the public."

French President Emmanuel Macron unveiled his vision -- called "Louvre - Nouvelle Renaissance" -- in January 2025 which included a new entrance and gallery for the Mona Lisa among other changes.

It came with an eye-watering proposed price tag of a billion euros -- which now looks unrealistic for a country facing a severe budget crunch.

Unions accused him and Louvre management of prioritizing grandiose plans for an architectural overhaul instead of more modest changes that would improve the visitor experience.

"We can step up security without going through with this project, which does not address the priorities and states as its goal an unsustainable increase in visitor numbers," said Christian Galani, a representative of the hard-left CGT union.

Leribault remains committed to it, however.

Part of his task as Louvre head is finding new private sources of income from donors who will be invited to sponsor work -- and earn public recognition and perhaps naming rights in return.
Other sources of income could come from further ticket price hikes.

The target is 360 million euros.

"It's a huge challenge, and I don't know whether I'll succeed," he said in June.