Seven Georgians Tried in France over Theft of Rare Russian Books

 A bookseller holds a book while standing at a book shop in the GUM department store, during the annual Red Square Book Festival, celebrating Alexander Pushkin's birthday in Moscow, on Friday, June 5, 2026. (AP)
A bookseller holds a book while standing at a book shop in the GUM department store, during the annual Red Square Book Festival, celebrating Alexander Pushkin's birthday in Moscow, on Friday, June 5, 2026. (AP)
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Seven Georgians Tried in France over Theft of Rare Russian Books

 A bookseller holds a book while standing at a book shop in the GUM department store, during the annual Red Square Book Festival, celebrating Alexander Pushkin's birthday in Moscow, on Friday, June 5, 2026. (AP)
A bookseller holds a book while standing at a book shop in the GUM department store, during the annual Red Square Book Festival, celebrating Alexander Pushkin's birthday in Moscow, on Friday, June 5, 2026. (AP)

Seven Georgian nationals will be tried in Paris starting Tuesday for the theft of rare editions of Russian literary classics from prestigious French libraries, including works by Alexander Pushkin.

The trial is the latest case seeking justice for a spate of similar thefts in recent years from libraries across Europe, suspected to be the work of an organized network.

The thefts targeted rare Russian classics worth millions of euros in total, including by 19th-century literary greats Pushkin and Nikolai Gogol.

The defendants on trial in France have been charged with criminal conspiracy and intent to commit an offence, while some of them are also charged with theft of an exhibited cultural object. They face up to 10 years in prison.

Two are being tried in absentia, with warrants out for their arrests.

Two others -- identified only as Mikheil Z. and Beqa T. -- have already been convicted and imprisoned in other countries for similar crimes and have been temporarily handed over to France.

Mikheil Z., 50, was sentenced last year in Lithuania to three years and four months in prison for the organized theft of 19th-century publications valued at 606,000 euros ($698,000).

Beqa T., 49, was sentenced to three years and six months in prison in Estonia.

French investigating judges suspect the defendants were part of "an organized criminal network", according to parts of the investigation seen by AFP.

The thefts, which also hit Germany, Switzerland and the Czech Republic, spurred the creation of a joint investigation team under the European Union police and justice coordination agencies Europol and Eurojust that led to several arrests in 2024.

- 'Strengthening its protection' -

The crimes in France took place in 2023 at the Diderot Library of the Ecole Normale Superieure (ENS) in the eastern city of Lyon, and at the National Library of France (BnF) and the University Library of Languages and Civilizations (BULAC) in Paris.

According to investigators, the thieves went to the libraries to consult rare and valuable works, photographing and measuring them, and returned later to replace them with virtually undetectable copies.

Between March and October 2023, Mikheil Z. went to the BnF 40 times to request access to manuscripts, mainly by Pushkin, claiming he was doing research on democracy in 19th-century Russian literature.

In November, the library realized nine works had been replaced with copies, with an estimated loss of 650,000 euros.

Mikheil Z. admitted to investigators that he stole the works but denied working with the other defendants, claiming he was driven by greed and had sold the books in Russia.

In June 2024, Russia's Litfond auction house listed in its catalogue a second edition of Pushkin's "The Prisoner of the Caucasus", a book corresponding to a copy stolen from the BnF.

The auction house told French authorities it had documentation proving the book was acquired from its owner in Russia in 2014/2015.

In the eyes of the investigative judges, the thefts may be linked to a desire to repatriate Russia's cultural heritage at a time when Moscow's relations with Europe have been increasingly strained over the Russian invasion of Ukraine.

None of the stolen works have been found, though BnF lawyer Alexandre de Konn said the institution "has not given up hope of recovering these works".

The library "remains true to its mission: to continue making heritage open to the public while constantly strengthening its protection", he told AFP.



Red Sea Museum Concludes Six-Month 'Sunken Treasures' Exhibition

The galleries showcased underwater archaeological discoveries and Saudi Arabia's ongoing efforts to protect and document submerged cultural assets - SPA
The galleries showcased underwater archaeological discoveries and Saudi Arabia's ongoing efforts to protect and document submerged cultural assets - SPA
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Red Sea Museum Concludes Six-Month 'Sunken Treasures' Exhibition

The galleries showcased underwater archaeological discoveries and Saudi Arabia's ongoing efforts to protect and document submerged cultural assets - SPA
The galleries showcased underwater archaeological discoveries and Saudi Arabia's ongoing efforts to protect and document submerged cultural assets - SPA

The "Sunken Treasures: The Maritime Heritage of the Red Sea" exhibition concluded its six-month run at the Red Sea Museum in Historic Jeddah, offering visitors an educational journey into centuries of maritime trade, navigation, and pilgrimage.

Housed at the historic Bab Al-Bunt building since February 25, the exhibition highlighted the Red Sea's historical role as a vital trade artery connecting the Arabian Peninsula with the Mediterranean, Africa, and Asia.

Structured across four thematic zones, the galleries showcased underwater archaeological discoveries and Saudi Arabia's ongoing efforts to protect and document submerged cultural assets, SPA reported.

Among the exhibition's centerpiece displays was the 18th-century Umluj shipwreck, discovered submerged 20 to 22 meters deep amid coral reefs. Its recovered cargo—including commercial containers, pottery, coins, ceramics, and daily shipboard tools alongside antique navigational instruments and nautical maps—illustrated the vibrant human exchange that traversed regional waters.

Organized in collaboration with the Heritage Commission and the Historic Jeddah Program, the exhibition was also part of the summer season's cultural offerings, combining interactive public programming with scientific research to bolster cultural tourism and raise awareness of the Kingdom's underwater heritage.


Diriyah Art Futures Opens Second Edition of 'CONTINUUM' Exhibition

Diriyah Art Futures (DAF) launched its latest exhibition CONTINUUM ’26 on Thursday, showcasing the works of its second cohort of emerging artists and the program’s mentors. (SPA)
Diriyah Art Futures (DAF) launched its latest exhibition CONTINUUM ’26 on Thursday, showcasing the works of its second cohort of emerging artists and the program’s mentors. (SPA)
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Diriyah Art Futures Opens Second Edition of 'CONTINUUM' Exhibition

Diriyah Art Futures (DAF) launched its latest exhibition CONTINUUM ’26 on Thursday, showcasing the works of its second cohort of emerging artists and the program’s mentors. (SPA)
Diriyah Art Futures (DAF) launched its latest exhibition CONTINUUM ’26 on Thursday, showcasing the works of its second cohort of emerging artists and the program’s mentors. (SPA)

Diriyah Art Futures (DAF), the first center for New Media Arts in the Middle East and North Africa, launched its latest exhibition CONTINUUM ’26 on Thursday, showcasing the works of its second cohort of emerging artists and the program’s mentors.

Visitors explored a diverse range of cutting-edge technological media, including immersive and multimedia installations, light, sound, moving image, virtual reality, mixed reality, and AI-generated projects, the Saudi Press Agency reported.

CONTINUUM ’26 features artworks produced by 16 emerging artists and two mentors during DAF’s year-long Emerging New Media Artists Program. Curated by Irini Papadimitriou and Bushra Alghamdi, Assistant Curator, the exhibition explores questions surrounding memory, identity, place, belonging, repetition, and interspecies relationships.

Developed under the mentorship of artists Louis-Philippe Demers and Rick Treweek, the artworks explore the boundaries between the real and the artificial, human and artificial intelligence, the organic and synthetic.

Speaking at the exhibition launch, CEO of the Museums Commission Eng. Abdullah bin Abdulaziz Al-Hammad said: “Programs like the Emerging New Media Artists Program represent the long-term, deliberate investment needed to shape the future of the Kingdom's museum sector.

“By providing our artists with world-class facilities, mentorship, and the dedicated time to refine their craft, we are fueling innovation and sparking vital cultural conversations. CONTINUUM 26 brings a full year of that dedication into the public eye.”

The opening program kicked off with a panel conversation between exhibition artists Noel Apitta, Njood Albwardi, Badriya Alsalem, and Harpreet Sareen, in conversation with Bushra Alghamdi about the ideas behind their works in CONTINUUM '26.

The artists discussed the exhibition's themes – the power of artificial intelligence; memory and time; and embodied perception – exploring how each artist navigated their creative process and what questions drove them.

CONTINUUM ’26 is the second installment in a series of exhibitions at DAF, spotlighting diverse voices shaping the future of New Media Art in the region and beyond.

Developed in collaboration with Le Fresnoy – Studio national des arts contemporains in France, the Emerging New Media Artists Program gives emerging artists access to cutting-edge professional equipment and a production budget, as well as a wide range of multidisciplinary learning opportunities.

CONTINUUM ’26 is open to the public at Diriyah Art Futures and runs until November 7. The exhibition is accompanied by a public program of workshops, talks and other activities spanning AI, VR, digital photography, and much more.

Meet the Artists: an invitation to encounter the works of CONTINUUM '26 through the perspectives of the artists who made them. Over the opening weekend, artists will discuss the ideas and processes behind their works with visitors.


US Hands Over Ancient Sarcophagus Fragments to Lebanon

This New York City Police Department photo shows one of three ancient sarcophagi fragments that the FBI Art Crime Team returned to the government of Lebanon during a September 2, 2026, ceremony in New York. (New York City Police Department)
This New York City Police Department photo shows one of three ancient sarcophagi fragments that the FBI Art Crime Team returned to the government of Lebanon during a September 2, 2026, ceremony in New York. (New York City Police Department)
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US Hands Over Ancient Sarcophagus Fragments to Lebanon

This New York City Police Department photo shows one of three ancient sarcophagi fragments that the FBI Art Crime Team returned to the government of Lebanon during a September 2, 2026, ceremony in New York. (New York City Police Department)
This New York City Police Department photo shows one of three ancient sarcophagi fragments that the FBI Art Crime Team returned to the government of Lebanon during a September 2, 2026, ceremony in New York. (New York City Police Department)

The United States on Thursday announced the return of Roman-era sarcophagus fragments to Lebanon that were looted from the southern city of Tyre and recovered by an FBI investigation.

The decorative, lead fragments were returned to the Lebanese consulate in New York on Wednesday, ahead of their repatriation, the US embassy in Lebanon said.

The recovery "reflects the strong US-Lebanon partnership in the fight against illicit trafficking of cultural property", the embassy said.

Lebanese Culture Minister Ghassan Salame said the fragments "were unearthed in the Tyre area during illegal excavations".

"The fragments bear distinctive artistic, decorative and technical characteristics typical of workshops that produced lead sarcophagus in Tyre, which were among the city's active and prolific workshops in antiquity."

According to the FBI, the antiquities "were stolen from illicit excavations in or around Tyre and were exported outside of Lebanon's borders".

The trade in looted antiquities is widespread in the Middle East. New York, one of the world's art capitals, is home to many wealthy collectors, galleries, and auction houses.

In December 2017, three ancient artifacts were returned to Lebanon, including a bull's head of Greek origin that had been exhibited at the Met Gala, valued at $1.2 million.

Salame said the Tyre region "is exceptionally rich in archaeological heritage" and "has recently suffered severe destruction" due to heavy Israeli strikes during the latest war between Israel and Iran-backed Hezbollah.

UNESCO, the United Nations cultural agency, added Tyre to its World Heritage in Danger list in July.