Seven Georgians Tried in France over Theft of Rare Russian Books

 A bookseller holds a book while standing at a book shop in the GUM department store, during the annual Red Square Book Festival, celebrating Alexander Pushkin's birthday in Moscow, on Friday, June 5, 2026. (AP)
A bookseller holds a book while standing at a book shop in the GUM department store, during the annual Red Square Book Festival, celebrating Alexander Pushkin's birthday in Moscow, on Friday, June 5, 2026. (AP)
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Seven Georgians Tried in France over Theft of Rare Russian Books

 A bookseller holds a book while standing at a book shop in the GUM department store, during the annual Red Square Book Festival, celebrating Alexander Pushkin's birthday in Moscow, on Friday, June 5, 2026. (AP)
A bookseller holds a book while standing at a book shop in the GUM department store, during the annual Red Square Book Festival, celebrating Alexander Pushkin's birthday in Moscow, on Friday, June 5, 2026. (AP)

Seven Georgian nationals will be tried in Paris starting Tuesday for the theft of rare editions of Russian literary classics from prestigious French libraries, including works by Alexander Pushkin.

The trial is the latest case seeking justice for a spate of similar thefts in recent years from libraries across Europe, suspected to be the work of an organized network.

The thefts targeted rare Russian classics worth millions of euros in total, including by 19th-century literary greats Pushkin and Nikolai Gogol.

The defendants on trial in France have been charged with criminal conspiracy and intent to commit an offence, while some of them are also charged with theft of an exhibited cultural object. They face up to 10 years in prison.

Two are being tried in absentia, with warrants out for their arrests.

Two others -- identified only as Mikheil Z. and Beqa T. -- have already been convicted and imprisoned in other countries for similar crimes and have been temporarily handed over to France.

Mikheil Z., 50, was sentenced last year in Lithuania to three years and four months in prison for the organized theft of 19th-century publications valued at 606,000 euros ($698,000).

Beqa T., 49, was sentenced to three years and six months in prison in Estonia.

French investigating judges suspect the defendants were part of "an organized criminal network", according to parts of the investigation seen by AFP.

The thefts, which also hit Germany, Switzerland and the Czech Republic, spurred the creation of a joint investigation team under the European Union police and justice coordination agencies Europol and Eurojust that led to several arrests in 2024.

- 'Strengthening its protection' -

The crimes in France took place in 2023 at the Diderot Library of the Ecole Normale Superieure (ENS) in the eastern city of Lyon, and at the National Library of France (BnF) and the University Library of Languages and Civilizations (BULAC) in Paris.

According to investigators, the thieves went to the libraries to consult rare and valuable works, photographing and measuring them, and returned later to replace them with virtually undetectable copies.

Between March and October 2023, Mikheil Z. went to the BnF 40 times to request access to manuscripts, mainly by Pushkin, claiming he was doing research on democracy in 19th-century Russian literature.

In November, the library realized nine works had been replaced with copies, with an estimated loss of 650,000 euros.

Mikheil Z. admitted to investigators that he stole the works but denied working with the other defendants, claiming he was driven by greed and had sold the books in Russia.

In June 2024, Russia's Litfond auction house listed in its catalogue a second edition of Pushkin's "The Prisoner of the Caucasus", a book corresponding to a copy stolen from the BnF.

The auction house told French authorities it had documentation proving the book was acquired from its owner in Russia in 2014/2015.

In the eyes of the investigative judges, the thefts may be linked to a desire to repatriate Russia's cultural heritage at a time when Moscow's relations with Europe have been increasingly strained over the Russian invasion of Ukraine.

None of the stolen works have been found, though BnF lawyer Alexandre de Konn said the institution "has not given up hope of recovering these works".

The library "remains true to its mission: to continue making heritage open to the public while constantly strengthening its protection", he told AFP.



India to Build Mega-Museum with World’s ‘Largest Display Area’

 Pedestrians walk amid smog at the Kartavya Path near India gate in New Delhi on November 3, 2026. (AFP)
Pedestrians walk amid smog at the Kartavya Path near India gate in New Delhi on November 3, 2026. (AFP)
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India to Build Mega-Museum with World’s ‘Largest Display Area’

 Pedestrians walk amid smog at the Kartavya Path near India gate in New Delhi on November 3, 2026. (AFP)
Pedestrians walk amid smog at the Kartavya Path near India gate in New Delhi on November 3, 2026. (AFP)

India's cabinet approved on Wednesday a mega-museum showcasing the country's history and civilization, which the government said will cost around $340 million and have the largest display area in the world.

First announced in 2023, the project received approval as Prime Minister Narendra Modi's Hindu nationalist government renewed its emphasis on the country's pre-colonial cultural identity.

The museum's name, Yuge Yugeen Bharat, translates roughly as "India through the ages" and invokes the country's ancient Sanskrit name, Bharat.

It will occupy former civil service offices in New Delhi, known as North and South Blocks, which were designed by British architects Edwin Lutyens and Herbert Baker in the 1920s.

In a statement, the cabinet said the museum will be "spread over a proposed built-up area of approximately 178,509 square meters".

"Benchmarked against major international museums, Yuge Yugeen Bharat Museum is going to be the museum (with) the largest display area in the world," it added.

India's cabinet said the Yuge Yugeen Bharat is "envisaged as a landmark civilizational museum showcasing the continuity, diversity and richness of Bharat's (India's) civilizational heritage".

The first gallery is expected to open to the public by the end of 2027, with project completion scheduled for financial year 2030-31.

Modi came to national power in May 2014, and has since taken multiple steps to glorify the country's heritage and culture.

His government built the world's tallest statue, a 182-meter (597-foot) monument to Vallabhbhai Patel, for his role in bringing princely states into India.

Modi also backed the revamp of New Delhi's historic administrative district in his second term and moved lawmakers to a new parliament building in 2023.

"The Museum is envisaged as a national public cultural institution... it will provide opportunities for learning, research, cultural engagement and appreciation of India's civilizational heritage," the government statement said on Wednesday.

Around 1.8 million objects have been identified from national and state museums, archaeological collections and private holdings for potential display.

The museum is designed to accommodate up to 10 million visitors a year.


The Hidden, Teeming World of Rembrandt’s Night Watch

 Rembrandt's "The Night Watch" hangs in Amsterdam's Rijksmuseum. (AFP)
Rembrandt's "The Night Watch" hangs in Amsterdam's Rijksmuseum. (AFP)
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The Hidden, Teeming World of Rembrandt’s Night Watch

 Rembrandt's "The Night Watch" hangs in Amsterdam's Rijksmuseum. (AFP)
Rembrandt's "The Night Watch" hangs in Amsterdam's Rijksmuseum. (AFP)

For years, millions of people have marveled at Rembrandt's use of light and shadows to depict the militia in his masterpiece, the "Night Watch".

Little did they know they were also looking at a hidden world of characters, some of them from as far away as Japan.

A new exhibition, "The Night Watch Lives," lifts the veil on this clandestine universe: the microbes covering one of the most famous works of the Dutch Golden Age paintings.

A joint effort by Rijksmuseum, where "The Night Watch" hangs and Amsterdam's Artis-Micropia Museum (more commonly known as the city's "microbe zoo") reveals the microscopic world covering the iconic painting.

The bacteria, isolated from samples taken over six months at around sixty different spots on the painting and subsequently cultivated into colonies, are displayed in Petri dishes alongside a life-size reproduction of the painting at the Artis-Micropia museum.

"We found a lot of microbes that are very commonly found, for instance, on human skin, or in the soil," Eline van Bloois, a microbiologist at the museum, told AFP.

The microbes are not harmful to the painting itself, van Bloois said, and it was impossible to determine if some of them could be a remnant from the great master himself.

"It would be really cool, right? If they could be linked to Rembrandt. But unfortunately, from one microbe, you cannot say whether it's been on there for 400 years or for a day," she said.

- 'Beauty of science' -

One of the most surprising findings was Microbacterium saccharophilum, a bacteria commonly found at a Japanese sugar refinery. It was found in an area where the varnish had been removed.

"That's something that will keep me up for years," van Bloois said.

"That's the beauty of science, because you ask one question, and you get 100 questions in return."

"As a microbiologist, I never imagined I would have the chance to get so close to this masterpiece," she said.

"Art and science are often seen as being at opposite ends of the spectrum, but this installation shows how closely these worlds are connected."

"And surely these Petri dishes full of microbes are little works of art in their own right?"

The idea behind the exhibit was to spark people's curiosity about microbes, the life teeming all around humans.

It's part of "Operation Night Watch," a large-scale research and restoration project on the painting, which has been ongoing since 2019, in a specially designed glass chamber at the Rijksmuseum.

The exhibition will be open to the public from November 11.


Greek Theater Production Seeks to Show That Art Has No Age

 Participants rehearse “My Incurable Love: A Date with History,” a music production that is part of the Greek National Opera’s 65+ program, in Athens, Greece, Thursday, Oct. 22, 2026.(AP)
Participants rehearse “My Incurable Love: A Date with History,” a music production that is part of the Greek National Opera’s 65+ program, in Athens, Greece, Thursday, Oct. 22, 2026.(AP)
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Greek Theater Production Seeks to Show That Art Has No Age

 Participants rehearse “My Incurable Love: A Date with History,” a music production that is part of the Greek National Opera’s 65+ program, in Athens, Greece, Thursday, Oct. 22, 2026.(AP)
Participants rehearse “My Incurable Love: A Date with History,” a music production that is part of the Greek National Opera’s 65+ program, in Athens, Greece, Thursday, Oct. 22, 2026.(AP)

A recent Greek National Opera production afforded a group of seniors the chance to channel their young-at-heart energy into onstage performances, proving that no one's too old to learn something new.

It started with a class in 2018 that taught a simpler method for playing the guitar. The initiative took hold, eventually attracting more than 100 senior citizens who learned to play and sing during weekly sessions on the opera’s alternative stage.

End-of-season recitals evolved into the Oct. 23 sold-out production involving music, dance and stories from the 1980s — a decade of soaring hopes and deep disappointments that profoundly shaped modern Greece.

The roughly 70 performers' experiences formed the foundation of the show, titled “My Incurable Love: A Date with History,” and turned the stage into a space for collective memory and expression. It challenged the premise that retirement means surrendering to a sedentary lifestyle and extinguishing one’s creative spirit.

“We have a preconceived notion that, as you age, you stop learning and you no longer want to learn. That’s not the case,” Kiki Kerzeli, the show's conductor, told The Associated Press. “What we’ve seen is that these people don’t just crave entertainment — they have a thirst for learning, too.”

Among them was Sandra Paleologou, who at the age of 82 was one of the production's oldest participants. Her many years as a senior executive at a multinational pharmaceutical company prevented her from pursuing her passions: music, dancing, reading and painting. But retirement provided her with a new way of life.

“I started living with a capital L after my pension, because that’s when I stopped doing what I have to do and started doing what I’d like to do. And that was a rebirth for me, a renaissance,” she said, adding, “Art has absolutely no age.”

“I could wake up feeling 20, and then I could have a hard day, and by noon, oh, I feel over 100. And then I get some refreshing thoughts or news or whatever, or whatever I do. I may paint and I love my painting, and I go back to 40. In one day, I have so many ages,” she said.

At the packed Olympia Municipal Music Theatre “Maria Callas” in central Athens, relatives, friends and many others took in two 90-minute performances free of charge. The productions were the result of months of dedication, preparation and hard work.

At one rehearsal, on the eve of the big night, the director made corrections to some people’s positions, asking them to take note of their marks were on stage. The choreographer weaved through rows of dancers, helping some with their steps.

For the main event, Paleologou donned a black-strapped, blue-sequined dress and stood to tell her story: She had wanted to celebrate her birthday out on the town with her husband by dancing — while eight months pregnant. A nightclub employee asked her to leave the dance floor; they were in no mood to deliver her baby on the dance floor. Paleologou turned away from the mic amid laughter and applause before dancing back to her seat.

Another participant, Themis Kotsifakis, is a 68-year-old retired teacher and active trade unionist, who continues to advocate for the rights of pensioners. He delivered a monologue on stage about participating in union demos, and asked fellow cast members why they remembered the 1980s. “Because I gave birth to my children,” said one woman. “Because we watched ‘Dynasty,'” said another.

“We’re still here. We’re still alive and active,” Kotsifakis told the AP.

For audience members in the theater's seats on Oct. 23, that message came through from performers loud and clear.