Saving Gaza's Past, One Artifact at a Time

Palestinian curators working to restore ancient artifacts amid the ruins of war-devastated Gaza. (AFP)
Palestinian curators working to restore ancient artifacts amid the ruins of war-devastated Gaza. (AFP)
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Saving Gaza's Past, One Artifact at a Time

Palestinian curators working to restore ancient artifacts amid the ruins of war-devastated Gaza. (AFP)
Palestinian curators working to restore ancient artifacts amid the ruins of war-devastated Gaza. (AFP)

Armed with paintbrushes and wearing surgical gloves, volunteers inside a large tent in Gaza delicately brushed dust from a stone mosaic before placing it into storage, part of an effort to preserve cultural heritage hit by war.

More than 160 historic and cultural sites across the Palestinian territory have been damaged during the conflict between Israel and Hamas, according to the United Nations.

Many of these artifacts date back thousands of years.

"Several mosaic artworks have been lost or destroyed, either completely or partially," said Mohammed Abu Lahia, a Palestinian visual artist taking part in the preservation efforts in the south Gaza city of Khan Yunis.

"It is important that we work to revive this art, remind our children and our community, and send a message to the world that we are committed to our heritage and our Palestinian cause."

Beyond archaeological treasures, more recent cultural artifacts are also at risk of being damaged or buried beneath rubble from shelling and airstrikes.

More than 90 percent of Gaza's buildings have been damaged or destroyed during the conflict, according to the UN.

Over the centuries, Persians, Greeks, Romans, Byzantines and Ottomans all left their mark on Gaza, creating a rich historical landscape of churches, mosques, ports and artifacts, many of which have suffered damage during the conflict.

"This stone is a piece called a mortar, and it was used for grinding grains and herbs. It is approximately 5,000 years old," said Muhannad Abu Lahia, a cultural heritage guide with the Mayasem Association for Culture and Arts, the NGO leading the preservation efforts.

Behind him, artifacts already catalogued for safekeeping were stacked on wooden shelves inside weatherproof plastic containers.

- Preserving the past -

With Israel maintaining tight controls over goods entering the Gaza Strip -- restrictions that have at times contributed to severe shortages of food and other supplies -- volunteers have had to work without professional conservation equipment.

Instead, they gently removed dust from mosaics using ordinary paintbrushes and built a makeshift scanning station by mounting a camera above a box lined with black craft paper.

The improvised scanner allowed volunteers to digitize old photographs and paper documents, which were then uploaded to a computer for preservation.

Not everything entering storage is ancient.

Many items date from the 20th century, including the late Ottoman period, the British Mandate and the Egyptian administration. Their owners sought to save them from destruction or loss after being displaced.

"This is a paper archive containing maps of Khan Yunis and structural maps of the Khan Yunis area from the time of the British Mandate," said 29-year-old volunteer Taghreed Hajjari.

At one table, three women painstakingly rearranged hundreds of fragments to recreate a contemporary mosaic, using a printed copy of the original artwork as a guide and trimming excess stone with carpenter's pincers.

Many artifacts, however, remain beyond the so-called "Yellow Line", which separates territory under Hamas control from areas held by the Israeli forces.

Israel says it now controls more than 60 percent of the Gaza Strip, up from about half when the ceasefire took effect in October last year.

Volunteers say retrieving artifacts from Israeli-controlled areas remains extremely difficult.

Meanwhile, Hajjari said efforts continue to preserve everything still within reach, including documents that chronicle centuries of Gaza's history.

"We also have newspapers and documents here from the British Mandate and the Egyptian era until the arrival of the Palestinian Authority," she said.

"They were collected through visits and conversations with elderly residents.

"We documented their oral histories so they can serve as a reference for future generations."



Lebanon Returns 37 Artifacts Smuggled Out of Egypt

An artifact dating back to the Egyptian Pharaonic civilization, illegally smuggled out of Egypt, is displayed during a ceremony marking its handover to Egypt at the Lebanese National Museum in Beirut, Lebanon, 16 September 2026. (EPA)
An artifact dating back to the Egyptian Pharaonic civilization, illegally smuggled out of Egypt, is displayed during a ceremony marking its handover to Egypt at the Lebanese National Museum in Beirut, Lebanon, 16 September 2026. (EPA)
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Lebanon Returns 37 Artifacts Smuggled Out of Egypt

An artifact dating back to the Egyptian Pharaonic civilization, illegally smuggled out of Egypt, is displayed during a ceremony marking its handover to Egypt at the Lebanese National Museum in Beirut, Lebanon, 16 September 2026. (EPA)
An artifact dating back to the Egyptian Pharaonic civilization, illegally smuggled out of Egypt, is displayed during a ceremony marking its handover to Egypt at the Lebanese National Museum in Beirut, Lebanon, 16 September 2026. (EPA)

Lebanon on Wednesday returned to Egypt dozens of pharaonic artifacts that had been seized from the Beirut port years earlier.

"Thirty-seven antiquities... were seized from Beirut port in 2020, having arrived from an Arab port," Lebanese Culture Minister Ghassan Salameh said during a handover ceremony at the Beirut national museum.

"After investigating the identity and ownership of these items, it was determined that they belonged to Egypt," he added.

Five of the items were on display at the ceremony, including masks made of fabric, wood and clay.

"Cooperation between states... contributes to preserving humanity's heritage," Egyptian ambassador Alaa Moussa said at the ceremony.

Laura Salloum, an official with Lebanon's directorate of antiquities, told AFP that at the time of their seizure, the items were stored in a single container.

They "had been purchased by a Lebanese national without any official documentation regarding their source -- namely, Egypt," she said.

Antiquities smuggling is common in Egypt. Over the past decade, Cairo has recovered nearly 30,000 archaeological artifacts, according to officials.


Cultural Sector Participates in UNESCO Global Forum on Ethics of AI in Riyadh

The cultural sector's participation in the forum underscores the Ministry of Culture's interest in technological developments - SPA
The cultural sector's participation in the forum underscores the Ministry of Culture's interest in technological developments - SPA
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Cultural Sector Participates in UNESCO Global Forum on Ethics of AI in Riyadh

The cultural sector's participation in the forum underscores the Ministry of Culture's interest in technological developments - SPA
The cultural sector's participation in the forum underscores the Ministry of Culture's interest in technological developments - SPA

The cultural sector is participating in the fourth edition of the UNESCO Global Forum on the Ethics of Artificial Intelligence (AI) in Riyadh, taking part in panel discussions and workshops.

These sessions address cultural and linguistic diversity in AI, the ethical use of AI in museums, and the future of work in the field in the age of AI and digital technologies, SPA reported.

The forum brings together more than 100 international speakers and experts to discuss responsible governance frameworks and the ethical and safe development of emerging technologies, with a focus on issues including digital diplomacy, government readiness assessment, privacy, and the protection of cultural and linguistic diversity.

The cultural sector's participation in the forum underscores the Ministry of Culture's interest in technological developments, support for cultural innovation, and efforts to highlight AI-related cultural initiatives, products, and services.

It also provides a broad platform for exchanging expertise and experience with leading local and international experts and specialists.


Ithra Unveils 96th Saudi National Day Celebrations

The festival features a curated selection of Saudi films - SPA
The festival features a curated selection of Saudi films - SPA
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Ithra Unveils 96th Saudi National Day Celebrations

The festival features a curated selection of Saudi films - SPA
The festival features a curated selection of Saudi films - SPA

The King Abdulaziz Center for World Culture (Ithra) will celebrate the 96th Saudi National Day with a five-day program of diverse cultural events running from September 22 to 26, inviting local and international visitors to explore the Kingdom's origins and future ambitions.

This year's National Day program centers on the theme "Glory Through Our People," exploring the evolution of culture and the blend of heritage and modernity.⁠‌​‌‌​​​‌‌​‌‌‌‌​​‌‌‌​⁠ The celebrations kick off with a grand military parade, followed by a full program featuring 36 curated and distinct experiences designed to engage visitors, SPA reported.

​‌‌​​​‌‌​‌‌‌‌​​‌‌‌The event includes an examination of the unique architectural languages of the Kingdom's various regions in the "Inspired by Our Roots" workshop and also include "Saudi Calligraphy Art" sessions, where guests are invited to engage with the aesthetic power of Arabic script.

For those seeking immersive programs, Ithra is also integrating technology with "Pride Salute," a motion-sensing experience that translates military ceremonial movements into digital art, and a sonic experiment "Who Leads the Rhythm," that blends traditional Saudi instruments with contemporary electronic sounds to create innovative sounds.

The festival features a curated selection of Saudi films including ​‌‌‌‌​​‌‌"The Destination," a documentary film that showcases the Kingdom's transformative progress under Saudi Vision 2030, to new experimental films like Marjouj and Irtizaz.

At the Ithra museum, visitors can tour "Bedayat:⁠‌​‌‌​​​‌‌​‌‌‌‌​​‌‌‌​⁠ The Beginning of the Saudi Art Movement," an exhibition tracing the evolution of the national art scene from the 1960s to the 1980s. The exhibition, which features some of the most renowned early Saudi artists, also includes archival materials and examines how Saudi art has transformed over the decades.

The celebrations include an open-air concert in Ithra's Lush Garden featuring live musical performances alongside traditional folk ensembles. The program showcases the diverse sounds of the rhythmic folk dances of the West and South: the Majrour of Taif, the Khabiti, the Khatwa of the South, and the Rayeh of Bisha, as well as​​​‌‌​‌‌‌‌​​‌‌‌​⁠ a traditional sword dance, the Ardah, and the Samri, a poetic, melodious performance.

Ithra, an initiative by Aramco, is a leading cultural destination in Dhahran. The center focuses on enriching people's lives by offering impactful cultural and creative programs and initiatives.