Mount Olympus, Home of Ancient Greek Gods, is a Candidate for UNESCO World Heritage List

Snow patches remain on the upper slopes of Mount Olympus in northern Greece, Tuesday, July 14, 2026. (AP Photo/Petros Giannakouris)
Snow patches remain on the upper slopes of Mount Olympus in northern Greece, Tuesday, July 14, 2026. (AP Photo/Petros Giannakouris)
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Mount Olympus, Home of Ancient Greek Gods, is a Candidate for UNESCO World Heritage List

Snow patches remain on the upper slopes of Mount Olympus in northern Greece, Tuesday, July 14, 2026. (AP Photo/Petros Giannakouris)
Snow patches remain on the upper slopes of Mount Olympus in northern Greece, Tuesday, July 14, 2026. (AP Photo/Petros Giannakouris)

Snow-capped for much of the year, Mount Olympus, mythological home of ancient Greece’s 12 Olympian gods, has captured the imagination through the millennia. Rising to 2,918 meters (9,573 feet) from a base practically at sea level, the ancient Greeks believed the throne of Zeus, king of the gods, stood on the highest of its craggy, often mist-shrouded peaks.

Now, modern-day Greeks hope their tallest mountain will be inducted into UNESCO’s World Heritage List as a mixed cultural and natural site. The nomination is to be discussed when the World Heritage Committee meets in Busan, South Korea from Sunday through July 29.

“Olympus is our life. It is the place we grew up in,” said Evagelos Geroliolios, mayor of Dion-Olympus, based in Litochoro, the mountain’s main town. “It is the place we see every day, but at the same time, it is also a place which carries with it myth, history, biodiversity, extraordinary beauty and a very great cultural weight.”

Few locations are as central to ancient Greek mythology as Mount Olympus. It was here that Zeus was said to have established his court after overthrowing his father, Cronus, in a 10-year war that ended the reign of the Titans.

Interest in Olympus may receive another boost with the theatrical release this week of Christopher Nolan’s “The Odyssey,” a new adaptation of Homer’s epic, in which the mountain serves as the home of Zeus and the Olympian gods who influence Odysseus’ journey.

On one of Olympus’s lower peaks, excavations have uncovered an open-air sanctuary, with the oldest finds dating to the Hellenistic period, which ran from 323 B.C. to 30 B.C. According to Greece’s original UNESCO nomination, the sanctuary is believed to have been one mentioned by the ancient philosopher and historian Plutarch, who in the 2nd century wrote of processions to one of Olympus’s peaks for animal sacrifices to Zeus.

The mountain retained religious significance into the Christian era. Α chapel on the peak of Prophet Elias, at 2,803 meters, is believed to be the highest altitude chapel in the Christian Orthodox world. The mountain’s Enipeas Gorge holds the remains of a monastery founded in 1542, while a roughly 20-minute walk from there leads to the Holy Cave of St. Dionysios, a chapel built into a cave from where a small spring flows, believed to carry holy water.

The mountain’s slopes, which reach practically to the sea, also host a wealth of flora and fauna, including endemic species. It is this blending of culture, myth, natural beauty and biodiversity that locals hope will see their mountain declared a World Heritage site, The Associated Press reported.

Sunflowers bloom in Kalyvia Varikou, near Litochoro in northern Greece, backdropped by Mount Olympus, Wednesday, July 15, 2026. (AP Photo/Petros Giannakouris)

“It is a place we love. It is a place that many people from all over the world visit to see, to live, to experience. We want to protect it,” Geroliolios said. Its inclusion on UNESCO’s list would be “something very big that goes beyond not just local boundaries, but national boundaries. It is something that concerns the entire world. It is very important.”

Greece began the process to have Mount Olympus recognized as a World Heritage site in 2014, inscribing it on its Tentative List — the mandatory first step in any nomination. The Tentative List is where countries include sites they can then formally nominate over the next five to 10 years.

The nomination process includes a preliminary assessment followed by submission of a full nomination file, which is then evaluated over 14 months by advisory bodies, including the International Council on Monuments and Sites, ICOMOS, and the International Union for Conservation of Nature.

Recommendations by the advisory bodies are then discussed during the World Heritage Committee’s annual meeting, where representatives of 21 countries vote on nominated sites.

Greece's Mount Olympus nomination is far from certain. A draft of the Busan meeting's agenda indicates the committee will refer the nomination back to Greece and request further details.

A statue of Alexander the Great holding Nike, the Greek goddess of victory, stands near Litochoro in northern Greece, Tuesday, July 14, 2026, backdropped by Mount Olympus' highest peaks, Mytikas and Stefani. (AP Photo/Petros Giannakouris)

Still, locals hope the mountain’s cultural and natural wonders will secure it a place and will play a role in securing more protection for the mountain.

The need for protection The mayor, Geroliolios, said inclusion on the World Heritage list “places some greater obligations on our part to protect this environment.”

Environmental protection is also foremost in the mind of mountain guide Babis Marinidis, president of the Alpine Club of Litochoro.

Including Olympus on UNESCO’s World Heritage list would likely attract more people to the mountain and the surrounding area, Marinidis said. “How many people can this mountain, this ecosystem, bear?” he asked.

Although much of Olympus was designated a national park decades ago and there are regulations in place, many are openly flouted, with Marinidis saying visitors regularly ignore “no swimming” or “no camping” signs.

The ever-growing number of visitors had led local authorities to consider imposing entrance fees and registering visitor numbers. “I used to be against that,” Marinidis said. “But now with so many people, I believe some limit must be imposed.”



Bones from Iraqi Cave Hint at Violence and Compassion in Neanderthals

The entrance to Shanidar Cave in Iraq's Kurdistan region, a site of important Neanderthal remains, is seen in an undated photograph released on October 15, 2026. Prof Graeme Barker/Handout via REUTERS
The entrance to Shanidar Cave in Iraq's Kurdistan region, a site of important Neanderthal remains, is seen in an undated photograph released on October 15, 2026. Prof Graeme Barker/Handout via REUTERS
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Bones from Iraqi Cave Hint at Violence and Compassion in Neanderthals

The entrance to Shanidar Cave in Iraq's Kurdistan region, a site of important Neanderthal remains, is seen in an undated photograph released on October 15, 2026. Prof Graeme Barker/Handout via REUTERS
The entrance to Shanidar Cave in Iraq's Kurdistan region, a site of important Neanderthal remains, is seen in an undated photograph released on October 15, 2026. Prof Graeme Barker/Handout via REUTERS

The bones of a Neanderthal from a cave in Iraq's Kurdistan region are offering evidence of both violence and compassion in the closest evolutionary cousins of our species, exhibiting a wound apparently from a fatal spear attack as well as signs of an earlier nonfatal injury that may have elicited kindly care.

Researchers have discovered at Shanidar Cave in the Zagros Mountains of northern Iraq a partial skeleton of a Neanderthal, aged in the mid-40s, that included a left shoulder blade, or scapula, with a circular hole six-tenths of an inch (15 mm) wide indicative of a deeply penetrating stab.

The bones of this individual, who they call Shanidar A, were unearthed from under about 25 feet (7.5 meters) of rocks and sediment inside the cave and date to about 75,000 years ago.

The researchers were unable to determine Shanidar A's sex.

According to Reuters, the researchers said the injury's shape suggests it was caused by a forceful thrust using a sharpened wooden spear, a type of weapon Neanderthals are known to have used, rather than a spear with a stone tip. It was a weapon employed in hunting large mammals that were an important food source.

"The ⁠spear would have ⁠gone through the skin and major muscles, especially the pectoralis, as well as the ribcage and muscles between the ribs, and the lung," said biological anthropologist Emma Pomeroy of the University of Cambridge in England, lead author of the study published on Thursday in the journal Scientific Reports.

"The location could be like the kind of 'heart shot' hunters use to kill animals quickly by puncturing the heart, but that is a bit speculative. We do see heart shots as a hunting strategy both today and in the archaeological record. Neanderthals would have known this would lead to a quick death," Pomeroy said.

University of Cambridge archaeologist and study co-author Graeme Barker, who has led Shanidar Cave excavations since 2015, said the likeliest scenario ⁠is interpersonal violence.

The researchers said the violence probably occurred either between members of a particular Neanderthal group or between members of rival Neanderthal groups, calling a Homo sapiens attack or an accidental injury less likely.

The researchers found shards of bone displaced by the weapon. The injury indicated that the spear entered from above with a downward trajectory, penetrating the left chest cavity from the front and traveling through the body before punching the hole in the scapula, causing quick death.

In addition to the scapula, the researchers found some ribs, a nearly complete right hand and seven teeth, mostly from the front of the lower jaw, belonging to Shanidar A. The teeth bore evidence that this Neanderthal had survived brutal injury at least a year before death — a blow to the face resulting in front teeth being smashed and lost. One tooth was split, with half remaining rotated in the mouth and others pushed out of position.

"The pain would have been extreme, and basic needs like eating and drinking would have been difficult, perhaps meaning Shanidar A needed food mashing and being able ⁠to rest. It's likely that Shanidar ⁠A did need some care from members of the group for some basic needs during recovery," Pomeroy said.

Shanidar A was one of five Neanderthals, four adults and one infant, whose bodies were carefully tucked behind a rock pillar in the cave in a burial cluster within a generation or so of each other. The cave was occupied by Neanderthals for tens of thousands of years as a seasonal campsite, and later by Homo sapiens.

Neanderthals were more robustly built than Homo sapiens, with larger brows. They lived as hunter-gatherers and inhabited Eurasia from the Atlantic coast to the Ural Mountains from about 400,000 years ago until a bit after 40,000 years ago, disappearing after Homo sapiens became established in the region.

The two species interbred, with modern non-African human populations bearing residual Neanderthal DNA.

The cave, overlooking the Great Zab river valley, has been a source of information about Neanderthals since the 1950s, with Shanidar A now offering new insight into their behavior.

"We see evidence of two contrasting facets of human nature – care and violence – juxtaposed in the same individual," Pomeroy said.

"We see evidence all around us today that violence and care are both aspects of how we humans behave, and we see this here in Shanidar A, too. Neanderthals were like us in many respects, both the good and the bad, and this find really highlights that, going against stereotypes of Neanderthals as unintelligent, uncaring cavemen and cavewomen," Pomeroy said.


Riyadh Art Program and Wrth Sign MoU to Strengthen Cooperation in Cultural and Creative Fields

The agreement aims to develop initiatives that bring together contemporary and traditional arts, serve the objectives of both parties, and enhance their cultural impact - SPA
The agreement aims to develop initiatives that bring together contemporary and traditional arts, serve the objectives of both parties, and enhance their cultural impact - SPA
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Riyadh Art Program and Wrth Sign MoU to Strengthen Cooperation in Cultural and Creative Fields

The agreement aims to develop initiatives that bring together contemporary and traditional arts, serve the objectives of both parties, and enhance their cultural impact - SPA
The agreement aims to develop initiatives that bring together contemporary and traditional arts, serve the objectives of both parties, and enhance their cultural impact - SPA

The Riyadh Art Program, one of the programs of the Royal Commission for Riyadh City, signed a memorandum of understanding (MoU) with the Royal Institute of Traditional Arts "Wrth" to strengthen cooperation in cultural and creative fields.

The agreement aims to develop initiatives that bring together contemporary and traditional arts, serve the objectives of both parties, and enhance their cultural impact, SPA reported.

The MoU covers the development of joint creative initiatives that bring together contemporary and traditional arts through the exchange of expertise, art residency programs, and seasonal events.

It also includes cooperation to enhance the presence of both parties' projects and programs at relevant international events and forums.


Van Gogh Work Unseen in Public for 60 Years on Show in Hong Kong

Staff members pose with Vincent van Gogh's "Chataigniers en fleurs" (Chestnut Trees in Blossom) at a media preview ahead of its auction in New York, at Sotheby's in Hong Kong, China, October 13, 2026. REUTERS/Joyce Zhou
Staff members pose with Vincent van Gogh's "Chataigniers en fleurs" (Chestnut Trees in Blossom) at a media preview ahead of its auction in New York, at Sotheby's in Hong Kong, China, October 13, 2026. REUTERS/Joyce Zhou
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Van Gogh Work Unseen in Public for 60 Years on Show in Hong Kong

Staff members pose with Vincent van Gogh's "Chataigniers en fleurs" (Chestnut Trees in Blossom) at a media preview ahead of its auction in New York, at Sotheby's in Hong Kong, China, October 13, 2026. REUTERS/Joyce Zhou
Staff members pose with Vincent van Gogh's "Chataigniers en fleurs" (Chestnut Trees in Blossom) at a media preview ahead of its auction in New York, at Sotheby's in Hong Kong, China, October 13, 2026. REUTERS/Joyce Zhou

Hundreds of people queued on Tuesday outside a Hong Kong gallery to see a Vincent van Gogh painting on public display for the first time in six decades.

The Dutch artist's "Chataigniers en fleurs" ("Chestnut Trees in Blossom") was on show in Hong Kong ahead of its November 18 auction in New York, where it is expected to smash records and fetch around $180 million, according to Sotheby's.

It was one of 12 works owned by late Argentine collectors Nelly Arrieta de Blaquier and Carlos Pedro Blaquier. Others by Claude Monet, Camille Pissarro and Paul Cezanne will also go under the hammer.

The van Gogh, which according to Sotheby's was unseen by the public for over 60 years, portrays a blossoming chestnut tree with a solitary man walking past three women in Japanese attire.

Completed in 1890, it is from the last two months of van Gogh's life.

"It's one of the last, most expressive and hopeful works by van Gogh in this final phase of his career," Scott Niichel, a vice chairman at Sotheby's, told AFP.

It is one of approximately 70 works van Gogh created after leaving the psychiatric asylum of Saint-Remy, where he had created his famous "The Starry Night.”

During these final days of his life, van Gogh was producing at a frantic rate -- averaging around one work a day.

He died shortly after at the age of 37, two days after shooting himself in the chest following well-documented mental health struggles.

"This manic frenzy of paint application suggests he has so much more to give, and he's just racing to put it to canvas," Niichel said, noting the thickness of the paint layers.

"Orchard with Cypresses" set the current record for a van Gogh price point, selling for $117.2 million in a 2022 auction.

Niichel said that "anything is possible" for who might claim the painting in November.

"Our revealing in Hong Kong suggests that Asia is certainly a possibility."