Saudi Culture Ministry Relocates to New Headquarters in Diriyah

The Saudi Culture Ministry will oversee the national pavilion with participation from several entities
The Saudi Culture Ministry will oversee the national pavilion with participation from several entities
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Saudi Culture Ministry Relocates to New Headquarters in Diriyah

The Saudi Culture Ministry will oversee the national pavilion with participation from several entities
The Saudi Culture Ministry will oversee the national pavilion with participation from several entities

Diriyah Company has announced the completion of the relocation of the Ministry of Culture to its new headquarters in Diriyah’s Northern District, developed as part of the company’s integrated urban masterplan. The move underscores the growing presence of national cultural institutions within Diriyah, reinforcing its role as a fully integrated destination for culture, governance, and contemporary living.

The relocation follows the memorandum of understanding signed between the Ministry of Culture and the Diriyah Gate Development Authority in mid-2022. The agreement laid the foundation for collaboration between the Diriyah Project and the Ministry of Culture to encourage coordination, development, and the delivery of cultural projects, initiatives, and events in line with Diriyah’s master plan.

Commenting on the occasion, Group CEO of Diriyah Company Jerry Inzerillo said: “We are pleased that the Ministry of Culture has chosen Diriyah as its headquarters, and we are proud of our partnership with the Ministry in developing its new headquarters. This milestone reflects the pace at which we are advancing Diriyah as a fully integrated urban destination for living, working, and visiting. The relocation of the ministry marks an important step in delivering world-class work environments and office spaces, aligned with our vision to position Diriyah as a vibrant global urban hub.”

Ministry of Culture spokesperson Abdulrahman Al-Mutawa affirmed that the ministry’s relocation to its new headquarters in Diriyah embodies the connection of Saudi culture to its deep historical roots. He noted that “this relocation is an extension of the ministry’s vision to entrench Saudi culture as a pillar of national development, and to strengthen its integration with historical sites of civilizational value, contributing to highlighting the Kingdom’s cultural depth and enhancing Diriyah’s standing as a global cultural and historical center.”

The new headquarters is the largest standalone office building in Diriyah to date, with a total built-up area of 33,168 square meters. It has been designed to accommodate the ministry’s teams and operational requirements, offering an integrated work environment supported by advanced digital infrastructure, tailored office layouts, and high-quality facilities.

The project has been awarded by LEED, the world's widely recognized green building rating system obtaining LEED Gold–certified under LEED v4 for Building Design and Construction: Core and Shell Development and a Gold Commercial certification under the national green building rating system, Mostadam, reflecting its sustainable approach across energy efficiency, water conservation, waste management, and health and wellbeing, in line with Saudi Vision 2030 objectives.

The development also reflects Diriyah Company’s broader commitment to thoughtful urban planning and its long-term vision to establish Diriyah as a leading center for culture, education, arts, and entertainment, anchored by its unique setting that includes the UNESCO World Heritage Site of At-Turaif and a growing collection of cultural and historical destinations

As part of its wider development program, Diriyah Company is delivering a $63 billion integrated urban project that has attracted more than five million. Several key destinations opened in 2024, including Bab Samhan, a Luxury Collection Hotel and Zallal, a vibrant mixed-use district combining dining, retail, and office spaces in a traditional setting.

Development works are continuing, with the project targeting more than 50 million visitors annually by 2030, the creation of 180,000 jobs, and accommodation for around 100,000 residents.



Red Sea Museum Concludes Six-Month 'Sunken Treasures' Exhibition

The galleries showcased underwater archaeological discoveries and Saudi Arabia's ongoing efforts to protect and document submerged cultural assets - SPA
The galleries showcased underwater archaeological discoveries and Saudi Arabia's ongoing efforts to protect and document submerged cultural assets - SPA
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Red Sea Museum Concludes Six-Month 'Sunken Treasures' Exhibition

The galleries showcased underwater archaeological discoveries and Saudi Arabia's ongoing efforts to protect and document submerged cultural assets - SPA
The galleries showcased underwater archaeological discoveries and Saudi Arabia's ongoing efforts to protect and document submerged cultural assets - SPA

The "Sunken Treasures: The Maritime Heritage of the Red Sea" exhibition concluded its six-month run at the Red Sea Museum in Historic Jeddah, offering visitors an educational journey into centuries of maritime trade, navigation, and pilgrimage.

Housed at the historic Bab Al-Bunt building since February 25, the exhibition highlighted the Red Sea's historical role as a vital trade artery connecting the Arabian Peninsula with the Mediterranean, Africa, and Asia.

Structured across four thematic zones, the galleries showcased underwater archaeological discoveries and Saudi Arabia's ongoing efforts to protect and document submerged cultural assets, SPA reported.

Among the exhibition's centerpiece displays was the 18th-century Umluj shipwreck, discovered submerged 20 to 22 meters deep amid coral reefs. Its recovered cargo—including commercial containers, pottery, coins, ceramics, and daily shipboard tools alongside antique navigational instruments and nautical maps—illustrated the vibrant human exchange that traversed regional waters.

Organized in collaboration with the Heritage Commission and the Historic Jeddah Program, the exhibition was also part of the summer season's cultural offerings, combining interactive public programming with scientific research to bolster cultural tourism and raise awareness of the Kingdom's underwater heritage.


Diriyah Art Futures Opens Second Edition of 'CONTINUUM' Exhibition

Diriyah Art Futures (DAF) launched its latest exhibition CONTINUUM ’26 on Thursday, showcasing the works of its second cohort of emerging artists and the program’s mentors. (SPA)
Diriyah Art Futures (DAF) launched its latest exhibition CONTINUUM ’26 on Thursday, showcasing the works of its second cohort of emerging artists and the program’s mentors. (SPA)
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Diriyah Art Futures Opens Second Edition of 'CONTINUUM' Exhibition

Diriyah Art Futures (DAF) launched its latest exhibition CONTINUUM ’26 on Thursday, showcasing the works of its second cohort of emerging artists and the program’s mentors. (SPA)
Diriyah Art Futures (DAF) launched its latest exhibition CONTINUUM ’26 on Thursday, showcasing the works of its second cohort of emerging artists and the program’s mentors. (SPA)

Diriyah Art Futures (DAF), the first center for New Media Arts in the Middle East and North Africa, launched its latest exhibition CONTINUUM ’26 on Thursday, showcasing the works of its second cohort of emerging artists and the program’s mentors.

Visitors explored a diverse range of cutting-edge technological media, including immersive and multimedia installations, light, sound, moving image, virtual reality, mixed reality, and AI-generated projects, the Saudi Press Agency reported.

CONTINUUM ’26 features artworks produced by 16 emerging artists and two mentors during DAF’s year-long Emerging New Media Artists Program. Curated by Irini Papadimitriou and Bushra Alghamdi, Assistant Curator, the exhibition explores questions surrounding memory, identity, place, belonging, repetition, and interspecies relationships.

Developed under the mentorship of artists Louis-Philippe Demers and Rick Treweek, the artworks explore the boundaries between the real and the artificial, human and artificial intelligence, the organic and synthetic.

Speaking at the exhibition launch, CEO of the Museums Commission Eng. Abdullah bin Abdulaziz Al-Hammad said: “Programs like the Emerging New Media Artists Program represent the long-term, deliberate investment needed to shape the future of the Kingdom's museum sector.

“By providing our artists with world-class facilities, mentorship, and the dedicated time to refine their craft, we are fueling innovation and sparking vital cultural conversations. CONTINUUM 26 brings a full year of that dedication into the public eye.”

The opening program kicked off with a panel conversation between exhibition artists Noel Apitta, Njood Albwardi, Badriya Alsalem, and Harpreet Sareen, in conversation with Bushra Alghamdi about the ideas behind their works in CONTINUUM '26.

The artists discussed the exhibition's themes – the power of artificial intelligence; memory and time; and embodied perception – exploring how each artist navigated their creative process and what questions drove them.

CONTINUUM ’26 is the second installment in a series of exhibitions at DAF, spotlighting diverse voices shaping the future of New Media Art in the region and beyond.

Developed in collaboration with Le Fresnoy – Studio national des arts contemporains in France, the Emerging New Media Artists Program gives emerging artists access to cutting-edge professional equipment and a production budget, as well as a wide range of multidisciplinary learning opportunities.

CONTINUUM ’26 is open to the public at Diriyah Art Futures and runs until November 7. The exhibition is accompanied by a public program of workshops, talks and other activities spanning AI, VR, digital photography, and much more.

Meet the Artists: an invitation to encounter the works of CONTINUUM '26 through the perspectives of the artists who made them. Over the opening weekend, artists will discuss the ideas and processes behind their works with visitors.


US Hands Over Ancient Sarcophagus Fragments to Lebanon

This New York City Police Department photo shows one of three ancient sarcophagi fragments that the FBI Art Crime Team returned to the government of Lebanon during a September 2, 2026, ceremony in New York. (New York City Police Department)
This New York City Police Department photo shows one of three ancient sarcophagi fragments that the FBI Art Crime Team returned to the government of Lebanon during a September 2, 2026, ceremony in New York. (New York City Police Department)
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US Hands Over Ancient Sarcophagus Fragments to Lebanon

This New York City Police Department photo shows one of three ancient sarcophagi fragments that the FBI Art Crime Team returned to the government of Lebanon during a September 2, 2026, ceremony in New York. (New York City Police Department)
This New York City Police Department photo shows one of three ancient sarcophagi fragments that the FBI Art Crime Team returned to the government of Lebanon during a September 2, 2026, ceremony in New York. (New York City Police Department)

The United States on Thursday announced the return of Roman-era sarcophagus fragments to Lebanon that were looted from the southern city of Tyre and recovered by an FBI investigation.

The decorative, lead fragments were returned to the Lebanese consulate in New York on Wednesday, ahead of their repatriation, the US embassy in Lebanon said.

The recovery "reflects the strong US-Lebanon partnership in the fight against illicit trafficking of cultural property", the embassy said.

Lebanese Culture Minister Ghassan Salame said the fragments "were unearthed in the Tyre area during illegal excavations".

"The fragments bear distinctive artistic, decorative and technical characteristics typical of workshops that produced lead sarcophagus in Tyre, which were among the city's active and prolific workshops in antiquity."

According to the FBI, the antiquities "were stolen from illicit excavations in or around Tyre and were exported outside of Lebanon's borders".

The trade in looted antiquities is widespread in the Middle East. New York, one of the world's art capitals, is home to many wealthy collectors, galleries, and auction houses.

In December 2017, three ancient artifacts were returned to Lebanon, including a bull's head of Greek origin that had been exhibited at the Met Gala, valued at $1.2 million.

Salame said the Tyre region "is exceptionally rich in archaeological heritage" and "has recently suffered severe destruction" due to heavy Israeli strikes during the latest war between Israel and Iran-backed Hezbollah.

UNESCO, the United Nations cultural agency, added Tyre to its World Heritage in Danger list in July.