From the Louvre to AlUla: How Culture Built a Strategic Bridge Between Riyadh and Paris

Saudi Arabia and France boosted their culture cooperation through nine executive programs signed during President Emmanuel Macron’s visit to the Kingdom in December 2024. (SPA)
Saudi Arabia and France boosted their culture cooperation through nine executive programs signed during President Emmanuel Macron’s visit to the Kingdom in December 2024. (SPA)
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From the Louvre to AlUla: How Culture Built a Strategic Bridge Between Riyadh and Paris

Saudi Arabia and France boosted their culture cooperation through nine executive programs signed during President Emmanuel Macron’s visit to the Kingdom in December 2024. (SPA)
Saudi Arabia and France boosted their culture cooperation through nine executive programs signed during President Emmanuel Macron’s visit to the Kingdom in December 2024. (SPA)

When Saudi artifacts were exhibited at the Louvre Museum, the Saudi-French relationship had not yet reached its current breadth. At the time, culture was a window through which the French could discover the Kingdom's history, while Riyadh was testing a new avenue to introduce its heritage beyond its borders.

More than a decade and a half later, the landscape has changed. Culture has become one of the foundational components of the Saudi-French relationship, and AlUla has turned into one of the clearest examples of this cooperation.

Meanwhile, cinema, museums, heritage, tourism, sports, and major events have entered the network of interests linking the two nations.

The visit by Prince Mohammed bin Salman, Saudi Crown Prince and Prime Minister, to France comes at a time when these fields have become part of the Kingdom's new economy, rather than merely a cultural activity running parallel to political relations.

AlUla: When culture becomes an economic project

In AlUla, antiquities intersect with tourism, engineering with the environment, and arts with the economy. The Saudi-French partnership in the governorate has expanded the scope of cooperation to encompass urban planning, heritage, tourism, culture, education, training, and the arts, presenting a model that differs from the traditional relationship between an investing nation and foreign companies.

The project is not limited to developing a historical site, but is rather based on building a global destination that rests on local identity and benefits from international expertise.

This type of cooperation aligns directly with the goals of Saudi Vision 2030 to transform culture, tourism, and entertainment into active components of the economy.

A journey that began at the Louvre

AlUla was not the beginning; in 2010, the Louvre Museum hosted the "Roads of Arabia. Archaeology and History of the Kingdom of Saudi Arabia" exhibition, marking a milestone that reflected growing French interest in Saudi history. This was preceded by another exhibition in Paris in 1986, while the UNESCO headquarters in Paris hosted the Saudi Cultural Days events in 2012.

These milestones reveal a long trajectory in which the cultural relationship has shifted from introducing Saudi Arabia abroad to building joint projects within the Kingdom itself.

Culture and the economy come together

The most significant change is that culture is no longer a sector isolated from the economy. Tourism requires transport, hospitality, and technology; museums require engineering, operation, and education; and major events require sports, media, and digital services. Consequently, culture has become part of an interconnected economic system.

This is evident in the expanding scope of potential cooperation between the two countries to include tourism, hospitality, the creative economy, electronic gaming, and sports - sectors that align with the Kingdom’s direction toward building a more diversified economy.

Sports: A new opportunity for partnership

Sports give the relationship an added dimension. France's hosting of events related to the Esports World Cup, coinciding with the Crown Prince's visit, offers an example of the shift of sports from a space of competition to a space for economic and cultural rapprochement.

Saudi sports itself has become a global industry attracting investments, talents, and events, while France possesses extensive experience in organizing tournaments and major events.

Interests intersect here just as they do in culture and tourism: Saudi Arabia provides a growing market, projects, and capital, while France provides long-standing industrial, organizational, and cultural expertise.

Education: The least visible, longest-lasting investment

The exchange is not limited to projects; cooperation between universities, research centers, and educational institutions in both countries opens a different path for knowledge transfer and human capital development.

The importance of this track is evident in the sectors where the Kingdom aims to expand, particularly science, technology, innovation, health, and engineering.

While projects can be built within a few years, the talent that manages them can create an impact that lasts for decades.

Partnership and different experiences

The Saudi experience differs from the French one in many details, but this very difference creates space for cooperation.

France possesses a long history in culture, museums, arts, and creative industries, while Saudi Arabia is experiencing a vast transformation which it is reshaping its culture, tourism, entertainment, and sports sectors.

Therefore, the new partnership is not based on transferring a ready-made model from Paris to Riyadh, but rather on blending French expertise with the new Saudi project. This is what makes culture in the relations between the two countries more than a "soft file"; it is one of the tools through which to build a new economy, introduce peoples to one another, and forge shared interests that are not easily affected by changing political files.

Past to future

For nearly a century, Saudi-French relations have progressed through multiple stages: from the initial diplomatic representation to the historic meeting between King Faisal and de Gaulle, followed by expansion into the economy and defense, culminating in a new vision for partnership during the reign of Custodian of the Two Holy Mosques King Salman bin Abdulaziz.

Today, Riyadh does not go to Paris merely to speak of the past, but rather of a future city, a new museum, a tourist destination, an advanced creative and technological industry, an energy project, and a long-term investment.

Within this transformation lies one of the clearest characteristics of the Saudi-French relationship: the bridge that began with culture now carries the economy, politics, and technology along with it.



Security and History Dialogue 2026 Kicks Off in Riyadh with over 160 Speakers

The Security and History Dialogue 2026 conference begins Sunday in Riyadh with more than 160 speakers from within the Kingdom and abroad. (SPA)
The Security and History Dialogue 2026 conference begins Sunday in Riyadh with more than 160 speakers from within the Kingdom and abroad. (SPA)
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Security and History Dialogue 2026 Kicks Off in Riyadh with over 160 Speakers

The Security and History Dialogue 2026 conference begins Sunday in Riyadh with more than 160 speakers from within the Kingdom and abroad. (SPA)
The Security and History Dialogue 2026 conference begins Sunday in Riyadh with more than 160 speakers from within the Kingdom and abroad. (SPA)

Under the patronage of Minister of Interior Prince Abdulaziz bin Saud bin Naif bin Abdulaziz, the Security and History Dialogue 2026 conference begins Sunday in Riyadh with more than 160 speakers from within the Kingdom and abroad, the Saudi Press Agency reported.

The conference is organized by the Ministry of Interior and themed Our History and Our Future: Security and Growth.

Running through September 8, the conference, a national platform for dialogue and intellectual and historical exchange, will review Saudi Arabia's journey in the fields of security and growth.

It will explore the Kingdom's experience and transformations from various perspectives, including security, politics, economy, society, culture, national identity, awareness, international relations, and institution building.

The conference program includes more than 65 dialogue sessions and interactive meetings, with the participation of more than 30 entities. It is expected to attract more than 5,000 visitors.

The program will address a range of topics, including the history of the Kingdom and the roots of its security; the personality of Founding King Abdulaziz; citizenship, identity, and national heritage; the Kingdom's role in security and peace; the future of security capabilities and international partnerships; artificial intelligence and future security; and the role of women, family, citizens, media, and security sectors in promoting awareness and stability.

It will also review local and international experiences and perspectives related to the Kingdom's history and transformations.


Red Sea Museum Concludes Six-Month 'Sunken Treasures' Exhibition

The galleries showcased underwater archaeological discoveries and Saudi Arabia's ongoing efforts to protect and document submerged cultural assets - SPA
The galleries showcased underwater archaeological discoveries and Saudi Arabia's ongoing efforts to protect and document submerged cultural assets - SPA
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Red Sea Museum Concludes Six-Month 'Sunken Treasures' Exhibition

The galleries showcased underwater archaeological discoveries and Saudi Arabia's ongoing efforts to protect and document submerged cultural assets - SPA
The galleries showcased underwater archaeological discoveries and Saudi Arabia's ongoing efforts to protect and document submerged cultural assets - SPA

The "Sunken Treasures: The Maritime Heritage of the Red Sea" exhibition concluded its six-month run at the Red Sea Museum in Historic Jeddah, offering visitors an educational journey into centuries of maritime trade, navigation, and pilgrimage.

Housed at the historic Bab Al-Bunt building since February 25, the exhibition highlighted the Red Sea's historical role as a vital trade artery connecting the Arabian Peninsula with the Mediterranean, Africa, and Asia.

Structured across four thematic zones, the galleries showcased underwater archaeological discoveries and Saudi Arabia's ongoing efforts to protect and document submerged cultural assets, SPA reported.

Among the exhibition's centerpiece displays was the 18th-century Umluj shipwreck, discovered submerged 20 to 22 meters deep amid coral reefs. Its recovered cargo—including commercial containers, pottery, coins, ceramics, and daily shipboard tools alongside antique navigational instruments and nautical maps—illustrated the vibrant human exchange that traversed regional waters.

Organized in collaboration with the Heritage Commission and the Historic Jeddah Program, the exhibition was also part of the summer season's cultural offerings, combining interactive public programming with scientific research to bolster cultural tourism and raise awareness of the Kingdom's underwater heritage.


Diriyah Art Futures Opens Second Edition of 'CONTINUUM' Exhibition

Diriyah Art Futures (DAF) launched its latest exhibition CONTINUUM ’26 on Thursday, showcasing the works of its second cohort of emerging artists and the program’s mentors. (SPA)
Diriyah Art Futures (DAF) launched its latest exhibition CONTINUUM ’26 on Thursday, showcasing the works of its second cohort of emerging artists and the program’s mentors. (SPA)
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Diriyah Art Futures Opens Second Edition of 'CONTINUUM' Exhibition

Diriyah Art Futures (DAF) launched its latest exhibition CONTINUUM ’26 on Thursday, showcasing the works of its second cohort of emerging artists and the program’s mentors. (SPA)
Diriyah Art Futures (DAF) launched its latest exhibition CONTINUUM ’26 on Thursday, showcasing the works of its second cohort of emerging artists and the program’s mentors. (SPA)

Diriyah Art Futures (DAF), the first center for New Media Arts in the Middle East and North Africa, launched its latest exhibition CONTINUUM ’26 on Thursday, showcasing the works of its second cohort of emerging artists and the program’s mentors.

Visitors explored a diverse range of cutting-edge technological media, including immersive and multimedia installations, light, sound, moving image, virtual reality, mixed reality, and AI-generated projects, the Saudi Press Agency reported.

CONTINUUM ’26 features artworks produced by 16 emerging artists and two mentors during DAF’s year-long Emerging New Media Artists Program. Curated by Irini Papadimitriou and Bushra Alghamdi, Assistant Curator, the exhibition explores questions surrounding memory, identity, place, belonging, repetition, and interspecies relationships.

Developed under the mentorship of artists Louis-Philippe Demers and Rick Treweek, the artworks explore the boundaries between the real and the artificial, human and artificial intelligence, the organic and synthetic.

Speaking at the exhibition launch, CEO of the Museums Commission Eng. Abdullah bin Abdulaziz Al-Hammad said: “Programs like the Emerging New Media Artists Program represent the long-term, deliberate investment needed to shape the future of the Kingdom's museum sector.

“By providing our artists with world-class facilities, mentorship, and the dedicated time to refine their craft, we are fueling innovation and sparking vital cultural conversations. CONTINUUM 26 brings a full year of that dedication into the public eye.”

The opening program kicked off with a panel conversation between exhibition artists Noel Apitta, Njood Albwardi, Badriya Alsalem, and Harpreet Sareen, in conversation with Bushra Alghamdi about the ideas behind their works in CONTINUUM '26.

The artists discussed the exhibition's themes – the power of artificial intelligence; memory and time; and embodied perception – exploring how each artist navigated their creative process and what questions drove them.

CONTINUUM ’26 is the second installment in a series of exhibitions at DAF, spotlighting diverse voices shaping the future of New Media Art in the region and beyond.

Developed in collaboration with Le Fresnoy – Studio national des arts contemporains in France, the Emerging New Media Artists Program gives emerging artists access to cutting-edge professional equipment and a production budget, as well as a wide range of multidisciplinary learning opportunities.

CONTINUUM ’26 is open to the public at Diriyah Art Futures and runs until November 7. The exhibition is accompanied by a public program of workshops, talks and other activities spanning AI, VR, digital photography, and much more.

Meet the Artists: an invitation to encounter the works of CONTINUUM '26 through the perspectives of the artists who made them. Over the opening weekend, artists will discuss the ideas and processes behind their works with visitors.